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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26576D it is the complementary color #D9A892. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26576D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #26576D shade: #2B5768, #3C697B, #4D7B8E, #5E8DA1 and #6F9FB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26576D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #26576D shade: #26576D, #15455A, #043347, #002134 and #000F21

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #26576D shade: #26576D, #26446D, #26316D, #2E266D and #42266D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #26576D shade: #26576D, #26446D, #26316D and #26266D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #26576D shade matches the following richer shades: #26576D, #1A5C79, #0E6085 and #026591

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #26576D shade: #26576D, #325261, #3E4E55, #4A4949 and #56453D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #26576D shade: #266D5C, #266B6D, #26586D, #26456D and #26326D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #26576D shade: #102630, #1B3F4E, #26576D, #316F8B and #3B88AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #26576D shade: #26576D, #49266D and #6D6626

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #26576D shade: #26576D, #6D2658 and #586D26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #26576D shade: #26576D, #49266D, #6D3B26 and #496D26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #26576D shade: #26576D, #5F266D, #6D3B26 and #346D26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

Complementary color

CMYK 0 / 23 / 33 / 15

HEX #D9A892

RGB 217 168 146

HSL 18.59, 0.48%, 0.71%

LAB 72.78, 14.96, 18.28

 

CMYK 59 / 16 / 0 / 59

HEX #2B5768

RGB 43 87 104

HSL 196.72, 0.41%, 0.29%

LAB 34.66, -9.75, -14.41

 

CMYK 51 / 15 / 0 / 52

HEX #3C697B

RGB 60 105 123

HSL 197.14, 0.34%, 0.36%

LAB 41.99, -10.12, -14.83

 

CMYK 46 / 13 / 0 / 44

HEX #4D7B8E

RGB 77 123 142

HSL 197.54, 0.3%, 0.43%

LAB 49.13, -10.36, -15.22

 

CMYK 42 / 12 / 0 / 37

HEX #5E8DA1

RGB 94 141 161

HSL 197.91, 0.26%, 0.5%

LAB 56.09, -10.52, -15.61

 

CMYK 38 / 12 / 0 / 29

HEX #6F9FB4

RGB 111 159 180

HSL 198.26, 0.32%, 0.57%

LAB 62.9, -10.64, -15.99

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 77 / 23 / 0 / 65

HEX #15455A

RGB 21 69 90

HSL 198.26, 0.62%, 0.22%

LAB 27.17, -8.15, -17.12

 

CMYK 94 / 28 / 0 / 72

HEX #043347

RGB 4 51 71

HSL 197.91, 0.89%, 0.15%

LAB 19.43, -6.6, -16.63

 

CMYK 100 / 37 / 0 / 80

HEX #002134

RGB 0 33 52

HSL 201.92, 1%, 0.1%

LAB 11.52, -3.39, -15.81

 

CMYK 100 / 55 / 0 / 87

HEX #000F21

RGB 0 15 33

HSL 212.73, 1%, 0.06%

LAB 4.08, 0.67, -13.35

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 65 / 38 / 0 / 57

HEX #26446D

RGB 38 68 109

HSL 214.65, 0.48%, 0.29%

LAB 28.51, 3, -27.15

 

CMYK 65 / 55 / 0 / 57

HEX #26316D

RGB 38 49 109

HSL 230.7, 0.48%, 0.29%

LAB 22.7, 16.17, -36.43

 

CMYK 58 / 65 / 0 / 57

HEX #2E266D

RGB 46 38 109

HSL 246.76, 0.48%, 0.29%

LAB 20.33, 25.37, -40.25

 

CMYK 39 / 65 / 0 / 57

HEX #42266D

RGB 66 38 109

HSL 263.66, 0.48%, 0.29%

LAB 22.47, 29.88, -36.66

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 65 / 38 / 0 / 57

HEX #26446D

RGB 38 68 109

HSL 214.65, 0.48%, 0.29%

LAB 28.51, 3, -27.15

 

CMYK 65 / 55 / 0 / 57

HEX #26316D

RGB 38 49 109

HSL 230.7, 0.48%, 0.29%

LAB 22.7, 16.17, -36.43

 

CMYK 65 / 65 / 0 / 57

HEX #26266D

RGB 38 38 109

HSL 240, 0.48%, 0.29%

LAB 19.65, 23.85, -41.38

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 79 / 24 / 0 / 53

HEX #1A5C79

RGB 26 92 121

HSL 198.32, 0.65%, 0.29%

LAB 36.47, -9.77, -22.21

 

CMYK 89 / 28 / 0 / 48

HEX #0E6085

RGB 14 96 133

HSL 198.66, 0.81%, 0.29%

LAB 38.11, -8.81, -27

 

CMYK 99 / 30 / 0 / 43

HEX #026591

RGB 2 101 145

HSL 198.46, 0.97%, 0.29%

LAB 40.19, -7.81, -31.01

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 48 / 15 / 0 / 62

HEX #325261

RGB 50 82 97

HSL 199.15, 0.32%, 0.29%

LAB 33.08, -7.2, -12.39

 

CMYK 27 / 8 / 0 / 67

HEX #3E4E55

RGB 62 78 85

HSL 198.26, 0.16%, 0.29%

LAB 32.1, -4.43, -6.2

 

CMYK 0 / 1 / 1 / 71

HEX #4A4949

RGB 74 73 73

HSL 0, 0.01%, 0.29%

LAB 31.12, 0.42, 0.14

 

CMYK 0 / 20 / 29 / 66

HEX #56453D

RGB 86 69 61

HSL 19.2, 0.17%, 0.29%

LAB 30.81, 5.88, 7.57

 

CMYK 65 / 0 / 16 / 57

HEX #266D5C

RGB 38 109 92

HSL 165.63, 0.48%, 0.29%

LAB 41.41, -26.52, 3.01

 

CMYK 65 / 2 / 0 / 57

HEX #266B6D

RGB 38 107 109

HSL 181.69, 0.48%, 0.29%

LAB 41.27, -20.49, -7.52

 

CMYK 65 / 19 / 0 / 57

HEX #26586D

RGB 38 88 109

HSL 197.75, 0.48%, 0.29%

LAB 34.99, -9.73, -17.04

 

CMYK 65 / 37 / 0 / 57

HEX #26456D

RGB 38 69 109

HSL 213.8, 0.48%, 0.29%

LAB 28.83, 2.33, -26.64

 

CMYK 65 / 54 / 0 / 57

HEX #26326D

RGB 38 50 109

HSL 229.86, 0.48%, 0.29%

LAB 22.99, 15.47, -35.96

 

CMYK 67 / 21 / 0 / 81

HEX #102630

RGB 16 38 48

HSL 198.75, 0.5%, 0.13%

LAB 13.88, -5.08, -9.22

 

CMYK 65 / 19 / 0 / 69

HEX #1B3F4E

RGB 27 63 78

HSL 197.65, 0.49%, 0.21%

LAB 24.76, -7.7, -12.98

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 65 / 20 / 0 / 45

HEX #316F8B

RGB 49 111 139

HSL 198.67, 0.48%, 0.37%

LAB 44.07, -10.82, -21.29

 

CMYK 65 / 20 / 0 / 33

HEX #3B88AA

RGB 59 136 170

HSL 198.38, 0.48%, 0.45%

LAB 53.43, -12.86, -24.99

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 33 / 65 / 0 / 57

HEX #49266D

RGB 73 38 109

HSL 269.58, 0.48%, 0.29%

LAB 23.36, 31.63, -35.19

 

CMYK 0 / 6 / 65 / 57

HEX #6D6626

RGB 109 102 38

HSL 54.08, 0.48%, 0.29%

LAB 42.6, -5.96, 36.14

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 0 / 65 / 19 / 57

HEX #6D2658

RGB 109 38 88

HSL 317.75, 0.48%, 0.29%

LAB 27.69, 37.55, -14.31

 

CMYK 19 / 0 / 65 / 57

HEX #586D26

RGB 88 109 38

HSL 77.75, 0.48%, 0.29%

LAB 42.99, -19.47, 36.04

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 33 / 65 / 0 / 57

HEX #49266D

RGB 73 38 109

HSL 269.58, 0.48%, 0.29%

LAB 23.36, 31.63, -35.19

 

CMYK 0 / 46 / 65 / 57

HEX #6D3B26

RGB 109 59 38

HSL 17.75, 0.48%, 0.29%

LAB 30.69, 19.88, 22.47

 

CMYK 33 / 0 / 65 / 57

HEX #496D26

RGB 73 109 38

HSL 90.42, 0.48%, 0.29%

LAB 41.99, -25.78, 34.66

 

CMYK 65 / 20 / 0 / 57

HEX #26576D

RGB 38 87 109

HSL 198.59, 0.48%, 0.29%

LAB 34.67, -9.13, -17.54

 

CMYK 13 / 65 / 0 / 57

HEX #5F266D

RGB 95 38 109

HSL 288.17, 0.48%, 0.29%

LAB 26.51, 37.43, -29.96

 

CMYK 0 / 46 / 65 / 57

HEX #6D3B26

RGB 109 59 38

HSL 17.75, 0.48%, 0.29%

LAB 30.69, 19.88, 22.47

 

CMYK 52 / 0 / 65 / 57

HEX #346D26

RGB 52 109 38

HSL 108.17, 0.48%, 0.29%

LAB 40.91, -33.39, 33.15

 

Description

Color code: HEX #26576D | qconv.com Color code: HEX #26576D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 87 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 87 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 20 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 20% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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