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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2676E9 it is the complementary color #D98916. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2676E9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2676E9 shade: #2B76E4, #3C88F7, #4D9AFF, #5EACFF and #6FBEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2676E9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2676E9 shade: #2676E9, #1564D6, #0452C3, #0040B0 and #002E9D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2676E9 shade: #2475E9, #2440E9, #3E24E9, #7324E9 and #A824E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2676E9 shade: #2475E9, #2440E9 and #2424E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2676E9 shade matches the following richer shades: #2475E9 and #1172FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2676E9 shade: #2475E9, #3879D6, #4B7CC2, #5F7FAF and #72839B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2676E9 shade: #24DFE9, #24ABE9, #2476E9, #2442E9 and #3B24E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2676E9 shade: #1050AA, #1461D0, #2475E9, #4A8DED and #6FA4F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2676E9 shade: #2676E9, #BE24E9 and #C5E924

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2676E9 shade: #2676E9, #E92476 and #76E924

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2676E9 shade: #2676E9, #BE24E9, #E99724 and #4FE924

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2676E9 shade: #2676E9, #E924D9, #E99724 and #24E935

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 84 / 49 / 0 / 9

HEX #2676E9

RGB 38 118 233

HSL 215.38, 0.82%, 0.53%

LAB 50.98, 18.22, -64.72

 

Complementary color

CMYK 0 / 37 / 90 / 15

HEX #D98916

RGB 217 137 22

HSL 35.38, 0.82%, 0.47%

LAB 63.92, 22.91, 65.77

 

CMYK 81 / 48 / 0 / 11

HEX #2B76E4

RGB 43 118 228

HSL 215.68, 0.77%, 0.53%

LAB 50.77, 16.74, -62.25

 

CMYK 76 / 45 / 0 / 3

HEX #3C88F7

RGB 60 136 247

HSL 215.61, 0.92%, 0.6%

LAB 57.35, 14.35, -62.22

 

CMYK 70 / 40 / 0 / 0

HEX #4D9AFF

RGB 77 154 255

HSL 214.04, 1%, 0.65%

LAB 63.27, 8.56, -57.12

 

CMYK 63 / 33 / 0 / 0

HEX #5EACFF

RGB 94 172 255

HSL 210.93, 1%, 0.68%

LAB 68.83, 0.82, -48.27

 

CMYK 56 / 25 / 0 / 0

HEX #6FBEFF

RGB 111 190 255

HSL 207.08, 1%, 0.72%

LAB 74.46, -6.03, -39.4

 

CMYK 84 / 49 / 0 / 9

HEX #2676E9

RGB 38 118 233

HSL 215.38, 0.82%, 0.53%

LAB 50.98, 18.22, -64.72

 

CMYK 90 / 53 / 0 / 16

HEX #1564D6

RGB 21 100 214

HSL 215.44, 0.82%, 0.46%

LAB 44.42, 21.32, -64.62

 

CMYK 98 / 58 / 0 / 24

HEX #0452C3

RGB 4 82 195

HSL 215.5, 0.96%, 0.39%

LAB 37.84, 24.99, -64.37

 

CMYK 100 / 64 / 0 / 31

HEX #0040B0

RGB 0 64 176

HSL 218.18, 1%, 0.35%

LAB 31.35, 29.32, -63.81

 

CMYK 100 / 71 / 0 / 38

HEX #002E9D

RGB 0 46 157

HSL 222.42, 1%, 0.31%

LAB 24.92, 33.85, -62.94

 

CMYK 85 / 50 / 0 / 9

HEX #2475E9

RGB 36 117 233

HSL 215.33, 0.82%, 0.53%

LAB 50.66, 18.7, -65.23

 

CMYK 85 / 73 / 0 / 9

HEX #2440E9

RGB 36 64 233

HSL 231.47, 0.82%, 0.53%

LAB 37.71, 51.69, -86.43

 

CMYK 73 / 85 / 0 / 9

HEX #3E24E9

RGB 62 36 233

HSL 247.92, 0.82%, 0.53%

LAB 34.33, 66.55, -91.99

 

CMYK 51 / 85 / 0 / 9

HEX #7324E9

RGB 115 36 233

HSL 264.06, 0.82%, 0.53%

LAB 39.22, 70.85, -83.73

 

CMYK 28 / 85 / 0 / 9

HEX #A824E9

RGB 168 36 233

HSL 280.2, 0.82%, 0.53%

LAB 46.27, 77.56, -71.91

 

CMYK 85 / 50 / 0 / 9

HEX #2475E9

RGB 36 117 233

HSL 215.33, 0.82%, 0.53%

LAB 50.66, 18.7, -65.23

 

CMYK 85 / 73 / 0 / 9

HEX #2440E9

RGB 36 64 233

HSL 231.47, 0.82%, 0.53%

LAB 37.71, 51.69, -86.43

 

CMYK 85 / 85 / 0 / 9

HEX #2424E9

RGB 36 36 233

HSL 240, 0.82%, 0.53%

LAB 32.96, 65.41, -94.3

 

CMYK 85 / 50 / 0 / 9

HEX #2475E9

RGB 36 117 233

HSL 215.33, 0.82%, 0.53%

LAB 50.66, 18.7, -65.23

 

CMYK 93 / 55 / 0 / 1

HEX #1172FC

RGB 17 114 252

HSL 215.23, 0.98%, 0.53%

LAB 50.9, 26.87, -75.46

 

CMYK 85 / 50 / 0 / 9

HEX #2475E9

RGB 36 117 233

HSL 215.33, 0.82%, 0.53%

LAB 50.66, 18.7, -65.23

 

CMYK 74 / 43 / 0 / 16

HEX #3879D6

RGB 56 121 214

HSL 215.32, 0.66%, 0.53%

LAB 51.12, 11.07, -53.77

 

CMYK 61 / 36 / 0 / 24

HEX #4B7CC2

RGB 75 124 194

HSL 215.29, 0.49%, 0.53%

LAB 51.62, 5.18, -41.55

 

CMYK 46 / 27 / 0 / 31

HEX #5F7FAF

RGB 95 127 175

HSL 216, 0.33%, 0.53%

LAB 52.63, 1.82, -28.98

 

CMYK 26 / 15 / 0 / 39

HEX #72839B

RGB 114 131 155

HSL 215.12, 0.17%, 0.53%

LAB 54.21, -0.51, -14.87

 

CMYK 85 / 4 / 0 / 9

HEX #24DFE9

RGB 36 223 233

HSL 183.05, 0.82%, 0.53%

LAB 81.31, -39.14, -17.3

 

CMYK 85 / 27 / 0 / 9

HEX #24ABE9

RGB 36 171 233

HSL 198.88, 0.82%, 0.53%

LAB 66.05, -13.22, -40.75

 

CMYK 85 / 49 / 0 / 9

HEX #2476E9

RGB 36 118 233

HSL 215.03, 0.82%, 0.53%

LAB 50.94, 18.07, -64.79

 

CMYK 85 / 72 / 0 / 9

HEX #2442E9

RGB 36 66 233

HSL 230.86, 0.82%, 0.53%

LAB 38.12, 50.55, -85.75

 

CMYK 75 / 85 / 0 / 9

HEX #3B24E9

RGB 59 36 233

HSL 247.01, 0.82%, 0.53%

LAB 34.14, 66.39, -92.31

 

CMYK 91 / 53 / 0 / 33

HEX #1050AA

RGB 16 80 170

HSL 215.06, 0.83%, 0.36%

LAB 35.5, 16.7, -53.46

 

CMYK 90 / 53 / 0 / 18

HEX #1461D0

RGB 20 97 208

HSL 215.43, 0.82%, 0.45%

LAB 43.14, 20.86, -63.26

 

CMYK 85 / 50 / 0 / 9

HEX #2475E9

RGB 36 117 233

HSL 215.33, 0.82%, 0.53%

LAB 50.66, 18.7, -65.23

 

CMYK 69 / 41 / 0 / 7

HEX #4A8DED

RGB 74 141 237

HSL 215.34, 0.82%, 0.61%

LAB 58.62, 9.6, -54.63

 

CMYK 54 / 32 / 0 / 6

HEX #6FA4F0

RGB 111 164 240

HSL 215.35, 0.81%, 0.69%

LAB 66.69, 3.86, -43.41

 

CMYK 84 / 49 / 0 / 9

HEX #2676E9

RGB 38 118 233

HSL 215.38, 0.82%, 0.53%

LAB 50.98, 18.22, -64.72

 

CMYK 18 / 85 / 0 / 9

HEX #BE24E9

RGB 190 36 233

HSL 286.9, 0.82%, 0.53%

LAB 49.61, 80.88, -66.34

 

CMYK 15 / 0 / 85 / 9

HEX #C5E924

RGB 197 233 36

HSL 70.96, 0.82%, 0.53%

LAB 87.13, -34.33, 80.69

 

CMYK 84 / 49 / 0 / 9

HEX #2676E9

RGB 38 118 233

HSL 215.38, 0.82%, 0.53%

LAB 50.98, 18.22, -64.72

 

CMYK 0 / 85 / 49 / 9

HEX #E92476

RGB 233 36 118

HSL 335.03, 0.82%, 0.53%

LAB 51.72, 74.86, 4.99

 

CMYK 49 / 0 / 85 / 9

HEX #76E924

RGB 118 233 36

HSL 95.03, 0.82%, 0.53%

LAB 83.05, -62.09, 75.59

 

CMYK 84 / 49 / 0 / 9

HEX #2676E9

RGB 38 118 233

HSL 215.38, 0.82%, 0.53%

LAB 50.98, 18.22, -64.72

 

CMYK 18 / 85 / 0 / 9

HEX #BE24E9

RGB 190 36 233

HSL 286.9, 0.82%, 0.53%

LAB 49.61, 80.88, -66.34

 

CMYK 0 / 35 / 85 / 9

HEX #E99724

RGB 233 151 36

HSL 35.03, 0.82%, 0.53%

LAB 69.17, 22.54, 66.96

 

CMYK 66 / 0 / 85 / 9

HEX #4FE924

RGB 79 233 36

HSL 106.9, 0.82%, 0.53%

LAB 81.87, -71.59, 74.1

 

CMYK 84 / 49 / 0 / 9

HEX #2676E9

RGB 38 118 233

HSL 215.38, 0.82%, 0.53%

LAB 50.98, 18.22, -64.72

 

CMYK 0 / 85 / 7 / 9

HEX #E924D9

RGB 233 36 217

HSL 304.87, 0.82%, 0.53%

LAB 55.68, 85.75, -47.15

 

CMYK 0 / 35 / 85 / 9

HEX #E99724

RGB 233 151 36

HSL 35.03, 0.82%, 0.53%

LAB 69.17, 22.54, 66.96

 

CMYK 85 / 0 / 77 / 9

HEX #24E935

RGB 36 233 53

HSL 125.18, 0.82%, 0.53%

LAB 81.24, -76.8, 68.85

 

Description

Color code: HEX #2676E9 | qconv.com Color code: HEX #2676E9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 118 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 118 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 84 cyan, 49 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
84% 49% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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