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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #268463 it is the complementary color #D97B9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #268463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #268463 shade: #2B845E, #3C9671, #4DA884, #5EBA97 and #6FCCAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #268463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #268463 shade: #268463, #157250, #04603D, #004E2A and #003C17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #268463 shade: #258261, #258248, #258230, #348225 and #4D8225

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #268463 shade: #258261, #25827A, #257082, #255882 and #253F82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #268463 shade matches the following richer shades: #258261, #189065 and #0A9D6A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #268463 shade: #258261, #33745D, #416759, #4E5955 and #5C4B51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #268463 shade: #25822F, #258247, #258260, #258279 and #257382

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #268463 shade: #134231, #1C6249, #258261, #2FA279 and #38C291

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #268463 shade: #268463, #253582 and #823B25

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #268463 shade: #268463, #602582 and #826025

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #268463 shade: #268463, #253582, #822547 and #827325

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #268463 shade: #268463, #322582, #822547 and #768225

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 25 / 48

HEX #268463

RGB 38 132 99

HSL 158.94, 0.55%, 0.33%

LAB 49.27, -35.47, 10.06

 

Complementary color

CMYK 0 / 43 / 28 / 15

HEX #D97B9C

RGB 217 123 156

HSL 338.94, 0.55%, 0.67%

LAB 62.78, 40.38, -1.57

 

CMYK 67 / 0 / 29 / 48

HEX #2B845E

RGB 43 132 94

HSL 154.38, 0.51%, 0.34%

LAB 49.28, -35.76, 12.98

 

CMYK 60 / 0 / 25 / 41

HEX #3C9671

RGB 60 150 113

HSL 155.33, 0.43%, 0.41%

LAB 56.05, -35.94, 11.65

 

CMYK 54 / 0 / 21 / 34

HEX #4DA884

RGB 77 168 132

HSL 156.26, 0.37%, 0.48%

LAB 62.72, -35.94, 10.47

 

CMYK 49 / 0 / 19 / 27

HEX #5EBA97

RGB 94 186 151

HSL 157.17, 0.4%, 0.55%

LAB 69.28, -35.84, 9.4

 

CMYK 46 / 0 / 17 / 20

HEX #6FCCAA

RGB 111 204 170

HSL 158.06, 0.48%, 0.62%

LAB 75.74, -35.68, 8.42

 

CMYK 71 / 0 / 25 / 48

HEX #268463

RGB 38 132 99

HSL 158.94, 0.55%, 0.33%

LAB 49.27, -35.47, 10.06

 

CMYK 82 / 0 / 30 / 55

HEX #157250

RGB 21 114 80

HSL 158.06, 0.69%, 0.26%

LAB 42.42, -34.76, 11.57

 

CMYK 96 / 0 / 36 / 62

HEX #04603D

RGB 4 96 61

HSL 157.17, 0.92%, 0.2%

LAB 35.46, -33.51, 13.33

 

CMYK 100 / 0 / 46 / 69

HEX #004E2A

RGB 0 78 42

HSL 152.31, 1%, 0.15%

LAB 28.42, -31, 15.46

 

CMYK 100 / 0 / 62 / 76

HEX #003C17

RGB 0 60 23

HSL 143, 1%, 0.12%

LAB 21.18, -27.73, 17.78

 

CMYK 72 / 0 / 25 / 49

HEX #258261

RGB 37 130 97

HSL 158.71, 0.56%, 0.33%

LAB 48.54, -35.24, 10.19

 

CMYK 72 / 0 / 45 / 49

HEX #258248

RGB 37 130 72

HSL 142.58, 0.56%, 0.33%

LAB 48.04, -40.66, 23.76

 

CMYK 72 / 0 / 63 / 49

HEX #258230

RGB 37 130 48

HSL 127.1, 0.56%, 0.33%

LAB 47.72, -44.41, 35.9

 

CMYK 60 / 0 / 72 / 49

HEX #348225

RGB 52 130 37

HSL 110.32, 0.56%, 0.33%

LAB 48.04, -42.13, 41.35

 

CMYK 41 / 0 / 72 / 49

HEX #4D8225

RGB 77 130 37

HSL 94.19, 0.56%, 0.33%

LAB 49.1, -34.19, 42.78

 

CMYK 72 / 0 / 25 / 49

HEX #258261

RGB 37 130 97

HSL 158.71, 0.56%, 0.33%

LAB 48.54, -35.24, 10.19

 

CMYK 72 / 0 / 6 / 49

HEX #25827A

RGB 37 130 122

HSL 174.84, 0.56%, 0.33%

LAB 49.21, -28.45, -3.48

 

CMYK 72 / 14 / 0 / 49

HEX #257082

RGB 37 112 130

HSL 191.61, 0.56%, 0.33%

LAB 43.64, -16.52, -16.6

 

CMYK 72 / 32 / 0 / 49

HEX #255882

RGB 37 88 130

HSL 207.1, 0.56%, 0.33%

LAB 35.95, -2.27, -28.52

 

CMYK 72 / 52 / 0 / 49

HEX #253F82

RGB 37 63 130

HSL 223.23, 0.56%, 0.33%

LAB 28.27, 14.36, -40.75

 

CMYK 72 / 0 / 25 / 49

HEX #258261

RGB 37 130 97

HSL 158.71, 0.56%, 0.33%

LAB 48.54, -35.24, 10.19

 

CMYK 83 / 0 / 30 / 44

HEX #189065

RGB 24 144 101

HSL 158.5, 0.71%, 0.33%

LAB 53.04, -41.96, 14.13

 

CMYK 94 / 0 / 32 / 38

HEX #0A9D6A

RGB 10 157 106

HSL 159.18, 0.88%, 0.33%

LAB 57.29, -47, 17.16

 

CMYK 72 / 0 / 25 / 49

HEX #258261

RGB 37 130 97

HSL 158.71, 0.56%, 0.33%

LAB 48.54, -35.24, 10.19

 

CMYK 56 / 0 / 20 / 55

HEX #33745D

RGB 51 116 93

HSL 158.77, 0.39%, 0.33%

LAB 44.21, -26.79, 6.48

 

CMYK 37 / 0 / 14 / 60

HEX #416759

RGB 65 103 89

HSL 157.89, 0.23%, 0.33%

LAB 40.48, -16.99, 3.64

 

CMYK 12 / 0 / 4 / 65

HEX #4E5955

RGB 78 89 85

HSL 158.18, 0.07%, 0.33%

LAB 36.78, -5.2, 0.85

 

CMYK 0 / 18 / 12 / 64

HEX #5C4B51

RGB 92 75 81

HSL 338.82, 0.1%, 0.33%

LAB 33.78, 8.29, -0.87

 

CMYK 72 / 0 / 64 / 49

HEX #25822F

RGB 37 130 47

HSL 126.45, 0.56%, 0.33%

LAB 47.71, -44.53, 36.36

 

CMYK 72 / 0 / 45 / 49

HEX #258247

RGB 37 130 71

HSL 141.94, 0.56%, 0.33%

LAB 48.02, -40.85, 24.29

 

CMYK 72 / 0 / 26 / 49

HEX #258260

RGB 37 130 96

HSL 158.06, 0.56%, 0.33%

LAB 48.51, -35.48, 10.73

 

CMYK 72 / 0 / 7 / 49

HEX #258279

RGB 37 130 121

HSL 174.19, 0.56%, 0.33%

LAB 49.18, -28.74, -2.94

 

CMYK 72 / 12 / 0 / 49

HEX #257382

RGB 37 115 130

HSL 189.68, 0.56%, 0.33%

LAB 44.61, -18.17, -15.12

 

CMYK 71 / 0 / 26 / 74

HEX #134231

RGB 19 66 49

HSL 158.3, 0.55%, 0.17%

LAB 24.5, -20.69, 5.75

 

CMYK 71 / 0 / 26 / 62

HEX #1C6249

RGB 28 98 73

HSL 158.57, 0.56%, 0.25%

LAB 36.86, -28.22, 8.04

 

CMYK 72 / 0 / 25 / 49

HEX #258261

RGB 37 130 97

HSL 158.71, 0.56%, 0.33%

LAB 48.54, -35.24, 10.19

 

CMYK 71 / 0 / 25 / 36

HEX #2FA279

RGB 47 162 121

HSL 158.61, 0.55%, 0.41%

LAB 59.73, -41.74, 12.27

 

CMYK 71 / 0 / 25 / 24

HEX #38C291

RGB 56 194 145

HSL 158.7, 0.55%, 0.49%

LAB 70.5, -48.14, 14.23

 

CMYK 71 / 0 / 25 / 48

HEX #268463

RGB 38 132 99

HSL 158.94, 0.55%, 0.33%

LAB 49.27, -35.47, 10.06

 

CMYK 72 / 59 / 0 / 49

HEX #253582

RGB 37 53 130

HSL 229.68, 0.56%, 0.33%

LAB 25.42, 21.29, -45.38

 

CMYK 0 / 55 / 72 / 49

HEX #823B25

RGB 130 59 37

HSL 14.19, 0.56%, 0.33%

LAB 34, 28.92, 27.81

 

CMYK 71 / 0 / 25 / 48

HEX #268463

RGB 38 132 99

HSL 158.94, 0.55%, 0.33%

LAB 49.27, -35.47, 10.06

 

CMYK 26 / 72 / 0 / 49

HEX #602582

RGB 96 37 130

HSL 278.06, 0.56%, 0.33%

LAB 27.9, 42.92, -41.06

 

CMYK 0 / 26 / 72 / 49

HEX #826025

RGB 130 96 37

HSL 38.06, 0.56%, 0.33%

LAB 43.13, 7.43, 37.86

 

CMYK 71 / 0 / 25 / 48

HEX #268463

RGB 38 132 99

HSL 158.94, 0.55%, 0.33%

LAB 49.27, -35.47, 10.06

 

CMYK 72 / 59 / 0 / 49

HEX #253582

RGB 37 53 130

HSL 229.68, 0.56%, 0.33%

LAB 25.42, 21.29, -45.38

 

CMYK 0 / 72 / 45 / 49

HEX #822547

RGB 130 37 71

HSL 338.06, 0.56%, 0.33%

LAB 30.7, 42.42, 1.79

 

CMYK 0 / 12 / 72 / 49

HEX #827325

RGB 130 115 37

HSL 50.32, 0.56%, 0.33%

LAB 48.44, -3.58, 43.35

 

CMYK 71 / 0 / 25 / 48

HEX #268463

RGB 38 132 99

HSL 158.94, 0.55%, 0.33%

LAB 49.27, -35.47, 10.06

 

CMYK 62 / 72 / 0 / 49

HEX #322582

RGB 50 37 130

HSL 248.39, 0.56%, 0.33%

LAB 22.35, 33.86, -50.35

 

CMYK 0 / 72 / 45 / 49

HEX #822547

RGB 130 37 71

HSL 338.06, 0.56%, 0.33%

LAB 30.7, 42.42, 1.79

 

CMYK 9 / 0 / 72 / 49

HEX #768225

RGB 118 130 37

HSL 67.74, 0.56%, 0.33%

LAB 51.78, -17.31, 46.36

 

Description

Color code: HEX #268463 | qconv.com Color code: HEX #268463 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 132 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 132 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 25 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 25% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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