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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #269861 it is the complementary color #D9679E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #269861. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #269861 shade: #2B985C, #3CAA6F, #4DBC82, #5ECE95 and #6FE0A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #269861. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #269861 shade: #269861, #15864E, #04743B, #006228 and #005015

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #269861 shade: #259660, #259641, #289625, #469625 and #659625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #269861 shade: #259660, #25967E, #259096, #257196 and #255396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #269861 shade matches the following richer shades: #259660, #16A660 and #07B561

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #269861 shade: #259660, #35875F, #44785F, #53695E and #62595E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #269861 shade: #279625, #259642, #259660, #25967E and #259196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #269861 shade: #155436, #1D754B, #259660, #2DB775 and #3FCF8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #269861 shade: #269861, #254596 and #963225

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #269861 shade: #269861, #602596 and #966025

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #269861 shade: #269861, #254596, #96255C and #967625

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #269861 shade: #269861, #272596, #96255C and #959625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 36 / 40

HEX #269861

RGB 38 152 97

HSL 151.05, 0.6%, 0.37%

LAB 55.82, -44.34, 20.21

 

Complementary color

CMYK 0 / 53 / 27 / 15

HEX #D9679E

RGB 217 103 158

HSL 331.05, 0.6%, 0.63%

LAB 58.9, 50.71, -8.46

 

CMYK 72 / 0 / 39 / 40

HEX #2B985C

RGB 43 152 92

HSL 146.97, 0.56%, 0.38%

LAB 55.83, -44.57, 22.99

 

CMYK 65 / 0 / 35 / 33

HEX #3CAA6F

RGB 60 170 111

HSL 147.82, 0.48%, 0.45%

LAB 62.39, -44.97, 21.48

 

CMYK 59 / 0 / 31 / 26

HEX #4DBC82

RGB 77 188 130

HSL 148.65, 0.45%, 0.52%

LAB 68.86, -45.12, 20.12

 

CMYK 54 / 0 / 28 / 19

HEX #5ECE95

RGB 94 206 149

HSL 149.46, 0.53%, 0.59%

LAB 75.26, -45.12, 18.87

 

CMYK 50 / 0 / 25 / 12

HEX #6FE0A8

RGB 111 224 168

HSL 150.27, 0.65%, 0.66%

LAB 81.58, -45.02, 17.72

 

CMYK 75 / 0 / 36 / 40

HEX #269861

RGB 38 152 97

HSL 151.05, 0.6%, 0.37%

LAB 55.82, -44.34, 20.21

 

CMYK 84 / 0 / 42 / 47

HEX #15864E

RGB 21 134 78

HSL 150.27, 0.73%, 0.3%

LAB 49.2, -43.37, 21.89

 

CMYK 97 / 0 / 49 / 55

HEX #04743B

RGB 4 116 59

HSL 149.46, 0.93%, 0.24%

LAB 42.51, -41.77, 23.76

 

CMYK 100 / 0 / 59 / 62

HEX #006228

RGB 0 98 40

HSL 144.49, 1%, 0.19%

LAB 35.77, -38.96, 25.83

 

CMYK 100 / 0 / 74 / 69

HEX #005015

RGB 0 80 21

HSL 135.75, 1%, 0.16%

LAB 28.88, -35.36, 27.7

 

CMYK 75 / 0 / 36 / 41

HEX #259660

RGB 37 150 96

HSL 151.33, 0.6%, 0.37%

LAB 55.12, -43.9, 19.82

 

CMYK 75 / 0 / 57 / 41

HEX #259641

RGB 37 150 65

HSL 134.87, 0.6%, 0.37%

LAB 54.65, -49.4, 35.67

 

CMYK 73 / 0 / 75 / 41

HEX #289625

RGB 40 150 37

HSL 118.41, 0.6%, 0.37%

LAB 54.45, -52.01, 47.82

 

CMYK 53 / 0 / 75 / 41

HEX #469625

RGB 70 150 37

HSL 102.48, 0.6%, 0.37%

LAB 55.33, -44.87, 48.99

 

CMYK 33 / 0 / 75 / 41

HEX #659625

RGB 101 150 37

HSL 86.02, 0.6%, 0.37%

LAB 56.79, -34.24, 50.93

 

CMYK 75 / 0 / 36 / 41

HEX #259660

RGB 37 150 96

HSL 151.33, 0.6%, 0.37%

LAB 55.12, -43.9, 19.82

 

CMYK 75 / 0 / 16 / 41

HEX #25967E

RGB 37 150 126

HSL 167.26, 0.6%, 0.37%

LAB 55.8, -36.69, 3.82

 

CMYK 75 / 4 / 0 / 41

HEX #259096

RGB 37 144 150

HSL 183.19, 0.6%, 0.37%

LAB 54.6, -26.84, -11.73

 

CMYK 75 / 25 / 0 / 41

HEX #257196

RGB 37 113 150

HSL 199.65, 0.6%, 0.37%

LAB 44.81, -10.07, -26.72

 

CMYK 75 / 45 / 0 / 41

HEX #255396

RGB 37 83 150

HSL 215.58, 0.6%, 0.37%

LAB 35.56, 8.66, -41.32

 

CMYK 75 / 0 / 36 / 41

HEX #259660

RGB 37 150 96

HSL 151.33, 0.6%, 0.37%

LAB 55.12, -43.9, 19.82

 

CMYK 87 / 0 / 42 / 35

HEX #16A660

RGB 22 166 96

HSL 150.83, 0.77%, 0.37%

LAB 60.15, -51.7, 26.46

 

CMYK 96 / 0 / 46 / 29

HEX #07B561

RGB 7 181 97

HSL 151.03, 0.93%, 0.37%

LAB 64.93, -57.66, 32.1

 

CMYK 75 / 0 / 36 / 41

HEX #259660

RGB 37 150 96

HSL 151.33, 0.6%, 0.37%

LAB 55.12, -43.9, 19.82

 

CMYK 61 / 0 / 30 / 47

HEX #35875F

RGB 53 135 95

HSL 150.73, 0.44%, 0.37%

LAB 50.58, -34.79, 14.25

 

CMYK 43 / 0 / 21 / 53

HEX #44785F

RGB 68 120 95

HSL 151.15, 0.28%, 0.37%

LAB 46.3, -23.63, 8.35

 

CMYK 21 / 0 / 10 / 59

HEX #53695E

RGB 83 105 94

HSL 150, 0.12%, 0.37%

LAB 42.38, -10.69, 3.49

 

CMYK 0 / 9 / 4 / 62

HEX #62595E

RGB 98 89 94

HSL 326.67, 0.05%, 0.37%

LAB 38.81, 4.64, -1.56

 

CMYK 74 / 0 / 75 / 41

HEX #279625

RGB 39 150 37

HSL 118.94, 0.6%, 0.37%

LAB 54.43, -52.19, 47.79

 

CMYK 75 / 0 / 56 / 41

HEX #259642

RGB 37 150 66

HSL 135.4, 0.6%, 0.37%

LAB 54.66, -49.26, 35.19

 

CMYK 75 / 0 / 36 / 41

HEX #259660

RGB 37 150 96

HSL 151.33, 0.6%, 0.37%

LAB 55.12, -43.9, 19.82

 

CMYK 75 / 0 / 16 / 41

HEX #25967E

RGB 37 150 126

HSL 167.26, 0.6%, 0.37%

LAB 55.8, -36.69, 3.82

 

CMYK 75 / 3 / 0 / 41

HEX #259196

RGB 37 145 150

HSL 182.65, 0.6%, 0.37%

LAB 54.91, -27.34, -11.26

 

CMYK 75 / 0 / 36 / 67

HEX #155436

RGB 21 84 54

HSL 151.43, 0.6%, 0.21%

LAB 31.27, -27.75, 11.96

 

CMYK 75 / 0 / 36 / 54

HEX #1D754B

RGB 29 117 75

HSL 151.36, 0.6%, 0.29%

LAB 43.5, -36.07, 16

 

CMYK 75 / 0 / 36 / 41

HEX #259660

RGB 37 150 96

HSL 151.33, 0.6%, 0.37%

LAB 55.12, -43.9, 19.82

 

CMYK 75 / 0 / 36 / 28

HEX #2DB775

RGB 45 183 117

HSL 151.3, 0.61%, 0.45%

LAB 66.3, -51.37, 23.47

 

CMYK 70 / 0 / 33 / 19

HEX #3FCF8A

RGB 63 207 138

HSL 151.25, 0.6%, 0.53%

LAB 74.52, -53.76, 23.53

 

CMYK 75 / 0 / 36 / 40

HEX #269861

RGB 38 152 97

HSL 151.05, 0.6%, 0.37%

LAB 55.82, -44.34, 20.21

 

CMYK 75 / 54 / 0 / 41

HEX #254596

RGB 37 69 150

HSL 223.01, 0.6%, 0.37%

LAB 31.47, 18.08, -47.92

 

CMYK 0 / 67 / 75 / 41

HEX #963225

RGB 150 50 37

HSL 6.9, 0.6%, 0.37%

LAB 35.79, 41.16, 30.77

 

CMYK 75 / 0 / 36 / 40

HEX #269861

RGB 38 152 97

HSL 151.05, 0.6%, 0.37%

LAB 55.82, -44.34, 20.21

 

CMYK 36 / 75 / 0 / 41

HEX #602596

RGB 96 37 150

HSL 271.33, 0.6%, 0.37%

LAB 29.44, 47.72, -50.97

 

CMYK 0 / 36 / 75 / 41

HEX #966025

RGB 150 96 37

HSL 31.33, 0.6%, 0.37%

LAB 45.61, 16.67, 41.21

 

CMYK 75 / 0 / 36 / 40

HEX #269861

RGB 38 152 97

HSL 151.05, 0.6%, 0.37%

LAB 55.82, -44.34, 20.21

 

CMYK 75 / 54 / 0 / 41

HEX #254596

RGB 37 69 150

HSL 223.01, 0.6%, 0.37%

LAB 31.47, 18.08, -47.92

 

CMYK 0 / 75 / 39 / 41

HEX #96255C

RGB 150 37 92

HSL 330.8, 0.6%, 0.37%

LAB 35.16, 50.7, -4.89

 

CMYK 0 / 21 / 75 / 41

HEX #967625

RGB 150 118 37

HSL 43.01, 0.6%, 0.37%

LAB 51.35, 4.03, 46.94

 

CMYK 75 / 0 / 36 / 40

HEX #269861

RGB 38 152 97

HSL 151.05, 0.6%, 0.37%

LAB 55.82, -44.34, 20.21

 

CMYK 74 / 75 / 0 / 41

HEX #272596

RGB 39 37 150

HSL 241.06, 0.6%, 0.37%

LAB 23.53, 39.24, -60.9

 

CMYK 0 / 75 / 39 / 41

HEX #96255C

RGB 150 37 92

HSL 330.8, 0.6%, 0.37%

LAB 35.16, 50.7, -4.89

 

CMYK 1 / 0 / 75 / 41

HEX #959625

RGB 149 150 37

HSL 60.53, 0.6%, 0.37%

LAB 60.19, -13.99, 55.37

 

Description

Color code: HEX #269861 | qconv.com Color code: HEX #269861 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 152 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 152 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 36 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 36% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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