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Color name
HEX #26A584

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26A584 it is the complementary color #D95A7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26A584. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #26A584 shade: #2BA57F, #3CB792, #4DC9A5, #5EDBB8 and #6FEDCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26A584. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #26A584 shade: #26A584, #159371, #04815E, #006F4B and #005D38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #26A584 shade: #25A684, #25A662, #25A63F, #2EA625 and #51A625

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #26A584 shade: #25A684, #25A4A6, #2582A6, #255FA6 and #253DA6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #26A584 shade matches the following richer shades: #25A684, #15B68C and #04C794

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #26A584 shade: #25A684, #36957C, #468575, #57746D and #676465

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #26A584 shade: #25A63F, #25A661, #25A683, #25A6A6 and #2583A6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #26A584 shade: #16634F, #1E8469, #25A684, #2DC79F and #48D5B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #26A584 shade: #26A584, #252EA6 and #A65025

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #26A584 shade: #26A584, #8325A6 and #A68325

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #26A584 shade: #26A584, #252EA6, #A62548 and #A69D25

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #26A584 shade: #26A584, #4325A6, #A62548 and #88A625

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 20 / 35

HEX #26A584

RGB 38 165 132

HSL 164.41, 0.63%, 0.4%

LAB 60.77, -41.57, 7.57

 

Complementary color

CMYK 0 / 59 / 43 / 15

HEX #D95A7B

RGB 217 90 123

HSL 344.41, 0.63%, 0.6%

LAB 55.58, 52.72, 7.16

 

CMYK 74 / 0 / 23 / 35

HEX #2BA57F

RGB 43 165 127

HSL 161.31, 0.59%, 0.41%

LAB 60.74, -42.16, 10.33

 

CMYK 67 / 0 / 20 / 28

HEX #3CB792

RGB 60 183 146

HSL 161.95, 0.51%, 0.48%

LAB 67.2, -42.67, 9.04

 

CMYK 62 / 0 / 18 / 21

HEX #4DC9A5

RGB 77 201 165

HSL 162.58, 0.53%, 0.55%

LAB 73.59, -42.96, 7.88

 

CMYK 57 / 0 / 16 / 14

HEX #5EDBB8

RGB 94 219 184

HSL 163.2, 0.63%, 0.61%

LAB 79.9, -43.09, 6.82

 

CMYK 53 / 0 / 14 / 7

HEX #6FEDCB

RGB 111 237 203

HSL 163.81, 0.78%, 0.68%

LAB 86.14, -43.13, 5.84

 

CMYK 77 / 0 / 20 / 35

HEX #26A584

RGB 38 165 132

HSL 164.41, 0.63%, 0.4%

LAB 60.77, -41.57, 7.57

 

CMYK 86 / 0 / 23 / 42

HEX #159371

RGB 21 147 113

HSL 163.81, 0.75%, 0.33%

LAB 54.26, -40.53, 9.01

 

CMYK 97 / 0 / 27 / 49

HEX #04815E

RGB 4 129 94

HSL 163.2, 0.94%, 0.26%

LAB 47.67, -39.01, 10.64

 

CMYK 100 / 0 / 32 / 56

HEX #006F4B

RGB 0 111 75

HSL 160.54, 1%, 0.22%

LAB 41.02, -36.65, 12.56

 

CMYK 100 / 0 / 40 / 64

HEX #005D38

RGB 0 93 56

HSL 156.13, 1%, 0.18%

LAB 34.22, -33.88, 14.66

 

CMYK 78 / 0 / 20 / 35

HEX #25A684

RGB 37 166 132

HSL 164.19, 0.64%, 0.4%

LAB 61.07, -42.11, 7.99

 

CMYK 78 / 0 / 41 / 35

HEX #25A662

RGB 37 166 98

HSL 148.37, 0.64%, 0.4%

LAB 60.38, -49.72, 25.73

 

CMYK 78 / 0 / 62 / 35

HEX #25A63F

RGB 37 166 63

HSL 132.09, 0.64%, 0.4%

LAB 59.91, -55.23, 42.78

 

CMYK 72 / 0 / 78 / 35

HEX #2EA625

RGB 46 166 37

HSL 115.81, 0.64%, 0.4%

LAB 59.88, -56.27, 53.24

 

CMYK 51 / 0 / 78 / 35

HEX #51A625

RGB 81 166 37

HSL 99.53, 0.64%, 0.4%

LAB 60.92, -47.84, 54.6

 

CMYK 78 / 0 / 20 / 35

HEX #25A684

RGB 37 166 132

HSL 164.19, 0.64%, 0.4%

LAB 61.07, -42.11, 7.99

 

CMYK 78 / 1 / 0 / 35

HEX #25A4A6

RGB 37 164 166

HSL 180.93, 0.64%, 0.4%

LAB 61.39, -31.69, -10.64

 

CMYK 78 / 22 / 0 / 35

HEX #2582A6

RGB 37 130 166

HSL 196.74, 0.64%, 0.4%

LAB 50.82, -14.08, -26.76

 

CMYK 78 / 43 / 0 / 35

HEX #255FA6

RGB 37 95 166

HSL 213.02, 0.64%, 0.4%

LAB 40.13, 7.04, -43.59

 

CMYK 78 / 63 / 0 / 35

HEX #253DA6

RGB 37 61 166

HSL 228.84, 0.64%, 0.4%

LAB 30.6, 29.65, -59.01

 

CMYK 78 / 0 / 20 / 35

HEX #25A684

RGB 37 166 132

HSL 164.19, 0.64%, 0.4%

LAB 61.07, -42.11, 7.99

 

CMYK 88 / 0 / 23 / 29

HEX #15B68C

RGB 21 182 140

HSL 164.35, 0.79%, 0.4%

LAB 66.14, -48.14, 10.74

 

CMYK 98 / 0 / 26 / 22

HEX #04C794

RGB 4 199 148

HSL 164.31, 0.96%, 0.4%

LAB 71.56, -53.6, 14.02

 

CMYK 78 / 0 / 20 / 35

HEX #25A684

RGB 37 166 132

HSL 164.19, 0.64%, 0.4%

LAB 61.07, -42.11, 7.99

 

CMYK 64 / 0 / 17 / 42

HEX #36957C

RGB 54 149 124

HSL 164.21, 0.47%, 0.4%

LAB 55.82, -34.03, 5.04

 

CMYK 47 / 0 / 12 / 48

HEX #468575

RGB 70 133 117

HSL 164.76, 0.31%, 0.4%

LAB 51.11, -24.42, 2.35

 

CMYK 25 / 0 / 6 / 55

HEX #57746D

RGB 87 116 109

HSL 165.52, 0.14%, 0.4%

LAB 46.47, -12.09, 0.44

 

CMYK 0 / 3 / 2 / 60

HEX #676465

RGB 103 100 101

HSL 340, 0.01%, 0.4%

LAB 42.67, 1.38, -0.15

 

CMYK 78 / 0 / 62 / 35

HEX #25A63F

RGB 37 166 63

HSL 132.09, 0.64%, 0.4%

LAB 59.91, -55.23, 42.78

 

CMYK 78 / 0 / 42 / 35

HEX #25A661

RGB 37 166 97

HSL 147.91, 0.64%, 0.4%

LAB 60.36, -49.91, 26.25

 

CMYK 78 / 0 / 21 / 35

HEX #25A683

RGB 37 166 131

HSL 163.72, 0.64%, 0.4%

LAB 61.05, -42.36, 8.52

 

CMYK 78 / 0 / 0 / 35

HEX #25A6A6

RGB 37 166 166

HSL 180, 0.64%, 0.4%

LAB 62.01, -32.65, -9.71

 

CMYK 78 / 21 / 0 / 35

HEX #2583A6

RGB 37 131 166

HSL 196.28, 0.64%, 0.4%

LAB 51.13, -14.64, -26.28

 

CMYK 78 / 0 / 20 / 61

HEX #16634F

RGB 22 99 79

HSL 164.42, 0.64%, 0.24%

LAB 37.22, -28.09, 4.85

 

CMYK 77 / 0 / 20 / 48

HEX #1E8469

RGB 30 132 105

HSL 164.12, 0.63%, 0.32%

LAB 49.25, -35.13, 6.52

 

CMYK 78 / 0 / 20 / 35

HEX #25A684

RGB 37 166 132

HSL 164.19, 0.64%, 0.4%

LAB 61.07, -42.11, 7.99

 

CMYK 77 / 0 / 20 / 22

HEX #2DC79F

RGB 45 199 159

HSL 164.42, 0.63%, 0.48%

LAB 72.17, -48.28, 9

 

CMYK 66 / 0 / 17 / 16

HEX #48D5B1

RGB 72 213 177

HSL 164.68, 0.63%, 0.56%

LAB 77.36, -46.1, 6.83

 

CMYK 77 / 0 / 20 / 35

HEX #26A584

RGB 38 165 132

HSL 164.41, 0.63%, 0.4%

LAB 60.77, -41.57, 7.57

 

CMYK 78 / 72 / 0 / 35

HEX #252EA6

RGB 37 46 166

HSL 235.81, 0.64%, 0.4%

LAB 27.02, 39.24, -64.9

 

CMYK 0 / 52 / 78 / 35

HEX #A65025

RGB 166 80 37

HSL 20, 0.64%, 0.4%

LAB 44.2, 32.5, 40.5

 

CMYK 77 / 0 / 20 / 35

HEX #26A584

RGB 38 165 132

HSL 164.41, 0.63%, 0.4%

LAB 60.77, -41.57, 7.57

 

CMYK 21 / 78 / 0 / 35

HEX #8325A6

RGB 131 37 166

HSL 283.72, 0.64%, 0.4%

LAB 35.79, 57.93, -50.14

 

CMYK 0 / 21 / 78 / 35

HEX #A68325

RGB 166 131 37

HSL 43.72, 0.64%, 0.4%

LAB 56.56, 4.05, 52.54

 

CMYK 77 / 0 / 20 / 35

HEX #26A584

RGB 38 165 132

HSL 164.41, 0.63%, 0.4%

LAB 60.77, -41.57, 7.57

 

CMYK 78 / 72 / 0 / 35

HEX #252EA6

RGB 37 46 166

HSL 235.81, 0.64%, 0.4%

LAB 27.02, 39.24, -64.9

 

CMYK 0 / 78 / 57 / 35

HEX #A62548

RGB 166 37 72

HSL 343.72, 0.64%, 0.4%

LAB 37.66, 53.47, 11.95

 

CMYK 0 / 5 / 78 / 35

HEX #A69D25

RGB 166 157 37

HSL 55.81, 0.64%, 0.4%

LAB 63.63, -10.1, 59.08

 

CMYK 77 / 0 / 20 / 35

HEX #26A584

RGB 38 165 132

HSL 164.41, 0.63%, 0.4%

LAB 60.77, -41.57, 7.57

 

CMYK 60 / 78 / 0 / 35

HEX #4325A6

RGB 67 37 166

HSL 253.95, 0.64%, 0.4%

LAB 27.49, 47.48, -64.05

 

CMYK 0 / 78 / 57 / 35

HEX #A62548

RGB 166 37 72

HSL 343.72, 0.64%, 0.4%

LAB 37.66, 53.47, 11.95

 

CMYK 18 / 0 / 78 / 35

HEX #88A625

RGB 136 166 37

HSL 73.95, 0.64%, 0.4%

LAB 63.87, -27.69, 58.44

 

Description

Color code: HEX #26A584 | qconv.com Color code: HEX #26A584 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 165 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 165 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 20 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 20% 35% C M Y K

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Provide designers and agencies with accurate color values.

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