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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26B463 it is the complementary color #D94B9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26B463. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #26B463 shade: #2BB45E, #3CC671, #4DD884, #5EEA97 and #6FFCAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26B463. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #26B463 shade: #26B463, #15A250, #04903D, #007E2A and #006C17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #26B463 shade: #26B463, #26B43D, #36B426, #5CB426 and #82B426

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #26B463 shade: #26B463, #26B48A, #26B4B0, #2692B4 and #266CB4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #26B463 shade matches the following richer shades: #26B463, #14C661 and #02D85E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #26B463 shade: #26B463, #38A366, #499168, #5B7F6B and #6D6D6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #26B463 shade: #37B426, #26B43B, #26B461, #26B487 and #26B4AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #26B463 shade: #17703E, #1F9250, #26B463, #31D376 and #53DA8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #26B463 shade: #26B463, #265DB4 and #B42826

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #26B463 shade: #26B463, #6126B4 and #B46126

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #26B463 shade: #26B463, #265DB4, #B42679 and #B47E26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #26B463 shade: #26B463, #2632B4, #B42679 and #B4A926

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

Complementary color

CMYK 0 / 65 / 28 / 15

HEX #D94B9C

RGB 217 75 156

HSL 325.77, 0.65%, 0.57%

LAB 54.22, 62.84, -14.32

 

CMYK 76 / 0 / 48 / 29

HEX #2BB45E

RGB 43 180 94

HSL 142.34, 0.61%, 0.44%

LAB 64.93, -54.78, 33.73

 

CMYK 70 / 0 / 43 / 22

HEX #3CC671

RGB 60 198 113

HSL 143.04, 0.55%, 0.51%

LAB 71.24, -55.52, 32.15

 

CMYK 64 / 0 / 39 / 15

HEX #4DD884

RGB 77 216 132

HSL 143.74, 0.64%, 0.57%

LAB 77.49, -55.95, 30.68

 

CMYK 60 / 0 / 35 / 8

HEX #5EEA97

RGB 94 234 151

HSL 144.43, 0.77%, 0.64%

LAB 83.68, -56.15, 29.3

 

CMYK 56 / 0 / 33 / 1

HEX #6FFCAA

RGB 111 252 170

HSL 145.11, 0.96%, 0.71%

LAB 89.81, -56.21, 28.02

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 87 / 0 / 51 / 36

HEX #15A250

RGB 21 162 80

HSL 145.11, 0.77%, 0.36%

LAB 58.58, -53.23, 32.85

 

CMYK 97 / 0 / 58 / 44

HEX #04903D

RGB 4 144 61

HSL 144.43, 0.95%, 0.29%

LAB 52.19, -51.24, 34.63

 

CMYK 100 / 0 / 67 / 51

HEX #007E2A

RGB 0 126 42

HSL 140, 1%, 0.25%

LAB 45.76, -48.18, 36.38

 

CMYK 100 / 0 / 79 / 58

HEX #006C17

RGB 0 108 23

HSL 132.78, 1%, 0.21%

LAB 39.22, -44.42, 37.6

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 79 / 0 / 66 / 29

HEX #26B43D

RGB 38 180 61

HSL 129.72, 0.65%, 0.43%

LAB 64.48, -59.95, 48.78

 

CMYK 70 / 0 / 79 / 29

HEX #36B426

RGB 54 180 38

HSL 113.24, 0.65%, 0.43%

LAB 64.62, -59.34, 57.55

 

CMYK 49 / 0 / 79 / 29

HEX #5CB426

RGB 92 180 38

HSL 97.18, 0.65%, 0.43%

LAB 65.79, -49.88, 59.08

 

CMYK 28 / 0 / 79 / 29

HEX #82B426

RGB 130 180 38

HSL 81.13, 0.65%, 0.43%

LAB 67.67, -36.59, 61.51

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 79 / 0 / 23 / 29

HEX #26B48A

RGB 38 180 138

HSL 162.25, 0.65%, 0.43%

LAB 65.66, -46.36, 11.19

 

CMYK 79 / 0 / 2 / 29

HEX #26B4B0

RGB 38 180 176

HSL 178.31, 0.65%, 0.43%

LAB 66.66, -36.14, -8.35

 

CMYK 79 / 19 / 0 / 29

HEX #2692B4

RGB 38 146 180

HSL 194.37, 0.65%, 0.43%

LAB 56.35, -17.9, -26.24

 

CMYK 79 / 40 / 0 / 29

HEX #266CB4

RGB 38 108 180

HSL 210.42, 0.65%, 0.43%

LAB 44.85, 4.28, -44.29

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 90 / 0 / 51 / 22

HEX #14C661

RGB 20 198 97

HSL 145.96, 0.82%, 0.43%

LAB 70.46, -62.71, 39.08

 

CMYK 99 / 0 / 56 / 15

HEX #02D85E

RGB 2 216 94

HSL 145.79, 0.98%, 0.43%

LAB 76.03, -69.61, 47.25

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 66 / 0 / 37 / 36

HEX #38A366

RGB 56 163 102

HSL 145.79, 0.49%, 0.43%

LAB 59.88, -44.68, 22.99

 

CMYK 50 / 0 / 28 / 43

HEX #499168

RGB 73 145 104

HSL 145.83, 0.33%, 0.43%

LAB 54.73, -32.44, 14.97

 

CMYK 28 / 0 / 16 / 50

HEX #5B7F6B

RGB 91 127 107

HSL 146.67, 0.17%, 0.43%

LAB 50.05, -17.2, 6.82

 

CMYK 0 / 0 / 0 / 57

HEX #6D6D6D

RGB 109 109 109

HSL 0, 0%, 0.43%

LAB 46.03, 0, -0.01

 

CMYK 69 / 0 / 79 / 29

HEX #37B426

RGB 55 180 38

HSL 112.82, 0.65%, 0.43%

LAB 64.64, -59.15, 57.58

 

CMYK 79 / 0 / 67 / 29

HEX #26B43B

RGB 38 180 59

HSL 128.87, 0.65%, 0.43%

LAB 64.46, -60.16, 49.6

 

CMYK 79 / 0 / 46 / 29

HEX #26B461

RGB 38 180 97

HSL 144.93, 0.65%, 0.43%

LAB 64.9, -54.92, 32.12

 

CMYK 79 / 0 / 25 / 29

HEX #26B487

RGB 38 180 135

HSL 160.99, 0.65%, 0.43%

LAB 65.6, -47.08, 12.74

 

CMYK 79 / 0 / 4 / 29

HEX #26B4AD

RGB 38 180 173

HSL 177.04, 0.65%, 0.43%

LAB 66.57, -37.01, -6.82

 

CMYK 79 / 0 / 45 / 56

HEX #17703E

RGB 23 112 62

HSL 146.29, 0.66%, 0.26%

LAB 41.4, -37.68, 20.7

 

CMYK 79 / 0 / 45 / 43

HEX #1F9250

RGB 31 146 80

HSL 145.57, 0.65%, 0.35%

LAB 53.42, -46.35, 26.31

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 77 / 0 / 44 / 17

HEX #31D376

RGB 49 211 118

HSL 145.56, 0.65%, 0.51%

LAB 75.17, -60.95, 34.65

 

CMYK 62 / 0 / 35 / 15

HEX #53DA8D

RGB 83 218 141

HSL 145.78, 0.65%, 0.59%

LAB 78.41, -53.92, 27.29

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 79 / 48 / 0 / 29

HEX #265DB4

RGB 38 93 180

HSL 216.76, 0.65%, 0.43%

LAB 40.47, 13.9, -51.31

 

CMYK 0 / 78 / 79 / 29

HEX #B42826

RGB 180 40 38

HSL 0.85, 0.65%, 0.43%

LAB 40.18, 54.89, 36.62

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 46 / 79 / 0 / 29

HEX #6126B4

RGB 97 38 180

HSL 264.93, 0.65%, 0.43%

LAB 32.31, 54.95, -64.4

 

CMYK 0 / 46 / 79 / 29

HEX #B46126

RGB 180 97 38

HSL 24.93, 0.65%, 0.43%

LAB 49.97, 29.23, 46.44

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 79 / 48 / 0 / 29

HEX #265DB4

RGB 38 93 180

HSL 216.76, 0.65%, 0.43%

LAB 40.47, 13.9, -51.31

 

CMYK 0 / 79 / 33 / 29

HEX #B42679

RGB 180 38 121

HSL 324.93, 0.65%, 0.43%

LAB 41.95, 61.63, -12.4

 

CMYK 0 / 30 / 79 / 29

HEX #B47E26

RGB 180 126 38

HSL 37.18, 0.65%, 0.43%

LAB 56.85, 13.2, 52.99

 

CMYK 79 / 0 / 45 / 29

HEX #26B463

RGB 38 180 99

HSL 145.77, 0.65%, 0.43%

LAB 64.93, -54.57, 31.13

 

CMYK 79 / 72 / 0 / 29

HEX #2632B4

RGB 38 50 180

HSL 234.93, 0.65%, 0.43%

LAB 29.38, 41.82, -69.39

 

CMYK 0 / 79 / 33 / 29

HEX #B42679

RGB 180 38 121

HSL 324.93, 0.65%, 0.43%

LAB 41.95, 61.63, -12.4

 

CMYK 0 / 6 / 79 / 29

HEX #B4A926

RGB 180 169 38

HSL 55.35, 0.65%, 0.43%

LAB 68.18, -10.16, 63.33

 

Description

Color code: HEX #26B463 | qconv.com Color code: HEX #26B463 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 180 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 180 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 45 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 45% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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