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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #26D876 it is the complementary color #D92789. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #26D876. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #26D876 shade: #2BD871, #3CEA84, #4DFC97, #5EFFAA and #6FFFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #26D876. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #26D876 shade: #26D876, #15C663, #04B450, #00A23D and #00902A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #26D876 shade: #26D876, #26D846, #36D826, #66D826 and #96D826

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #26D876 shade: #26D876, #26D8A6, #26D8D6, #26AAD8 and #267AD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #26D876 shade matches the following richer shades: #26D876 and #11ED74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #26D876 shade: #26D876, #3AC478, #4FAF7A, #649A7C and #78867E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #26D876 shade: #38D826, #26D843, #26D873, #26D8A3 and #26D8D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #26D876 shade: #199250, #20B563, #26D876, #49DE8C and #6CE5A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #26D876 shade: #26D876, #2667D8 and #D82C26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #26D876 shade: #26D876, #7326D8 and #D87326

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #26D876 shade: #26D876, #2667D8, #D8268B and #D89726

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #26D876 shade: #26D876, #2632D8, #D8268B and #D8CC26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

Complementary color

CMYK 0 / 82 / 37 / 15

HEX #D92789

RGB 217 39 137

HSL 326.97, 0.7%, 0.5%

LAB 49.51, 72.08, -10.11

 

CMYK 80 / 0 / 48 / 15

HEX #2BD871

RGB 43 216 113

HSL 144.28, 0.69%, 0.51%

LAB 76.57, -64.21, 38.91

 

CMYK 74 / 0 / 44 / 8

HEX #3CEA84

RGB 60 234 132

HSL 144.83, 0.81%, 0.58%

LAB 82.63, -65.22, 37.32

 

CMYK 69 / 0 / 40 / 1

HEX #4DFC97

RGB 77 252 151

HSL 145.37, 0.97%, 0.65%

LAB 88.65, -65.9, 35.82

 

CMYK 63 / 0 / 33 / 0

HEX #5EFFAA

RGB 94 255 170

HSL 148.32, 1%, 0.68%

LAB 90.23, -60.74, 28.5

 

CMYK 56 / 0 / 26 / 0

HEX #6FFFBD

RGB 111 255 189

HSL 152.5, 1%, 0.72%

LAB 91.04, -53.76, 20.04

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 89 / 0 / 50 / 22

HEX #15C663

RGB 21 198 99

HSL 146.44, 0.81%, 0.43%

LAB 70.49, -62.33, 38.14

 

CMYK 98 / 0 / 56 / 29

HEX #04B450

RGB 4 180 80

HSL 145.91, 0.96%, 0.36%

LAB 64.36, -60.22, 39.9

 

CMYK 100 / 0 / 62 / 36

HEX #00A23D

RGB 0 162 61

HSL 142.59, 1%, 0.32%

LAB 58.21, -57.29, 41.66

 

CMYK 100 / 0 / 71 / 44

HEX #00902A

RGB 0 144 42

HSL 137.5, 1%, 0.28%

LAB 51.97, -53.87, 43.14

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 82 / 0 / 68 / 15

HEX #26D846

RGB 38 216 70

HSL 130.79, 0.7%, 0.5%

LAB 76.05, -70.28, 57.65

 

CMYK 75 / 0 / 82 / 15

HEX #36D826

RGB 54 216 38

HSL 114.61, 0.7%, 0.5%

LAB 76.09, -70.6, 68.25

 

CMYK 53 / 0 / 82 / 15

HEX #66D826

RGB 102 216 38

HSL 98.43, 0.7%, 0.5%

LAB 77.33, -60.39, 69.83

 

CMYK 31 / 0 / 82 / 15

HEX #96D826

RGB 150 216 38

HSL 82.25, 0.7%, 0.5%

LAB 79.46, -44.81, 72.54

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 82 / 0 / 23 / 15

HEX #26D8A6

RGB 38 216 166

HSL 163.15, 0.7%, 0.5%

LAB 77.45, -54.09, 12.73

 

CMYK 82 / 0 / 1 / 15

HEX #26D8D6

RGB 38 216 214

HSL 179.33, 0.7%, 0.5%

LAB 78.68, -41.42, -11.11

 

CMYK 82 / 21 / 0 / 15

HEX #26AAD8

RGB 38 170 216

HSL 195.51, 0.7%, 0.5%

LAB 65.06, -18.41, -32.94

 

CMYK 82 / 44 / 0 / 15

HEX #267AD8

RGB 38 122 216

HSL 211.69, 0.7%, 0.5%

LAB 51.02, 9.26, -55.08

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 93 / 0 / 51 / 7

HEX #11ED74

RGB 17 237 116

HSL 147, 0.87%, 0.5%

LAB 82.89, -72.46, 45.3

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 70 / 0 / 39 / 23

HEX #3AC478

RGB 58 196 120

HSL 146.96, 0.54%, 0.5%

LAB 70.69, -53.83, 27.79

 

CMYK 55 / 0 / 30 / 31

HEX #4FAF7A

RGB 79 175 122

HSL 146.88, 0.38%, 0.5%

LAB 64.75, -40.73, 18.81

 

CMYK 35 / 0 / 19 / 40

HEX #649A7C

RGB 100 154 124

HSL 146.67, 0.21%, 0.5%

LAB 59.23, -24.66, 10.15

 

CMYK 10 / 0 / 6 / 47

HEX #78867E

RGB 120 134 126

HSL 145.71, 0.06%, 0.5%

LAB 54.61, -6.76, 2.56

 

CMYK 74 / 0 / 82 / 15

HEX #38D826

RGB 56 216 38

HSL 113.93, 0.7%, 0.5%

LAB 76.13, -70.3, 68.29

 

CMYK 82 / 0 / 69 / 15

HEX #26D843

RGB 38 216 67

HSL 129.78, 0.7%, 0.5%

LAB 76.03, -70.56, 58.79

 

CMYK 82 / 0 / 47 / 15

HEX #26D873

RGB 38 216 115

HSL 145.96, 0.7%, 0.5%

LAB 76.53, -64.39, 37.87

 

CMYK 82 / 0 / 25 / 15

HEX #26D8A3

RGB 38 216 163

HSL 162.13, 0.7%, 0.5%

LAB 77.38, -54.79, 14.23

 

CMYK 82 / 0 / 3 / 15

HEX #26D8D2

RGB 38 216 210

HSL 177.98, 0.7%, 0.5%

LAB 78.56, -42.56, -9.14

 

CMYK 83 / 0 / 45 / 43

HEX #199250

RGB 25 146 80

HSL 147.27, 0.71%, 0.34%

LAB 53.32, -47.09, 26.18

 

CMYK 82 / 0 / 45 / 29

HEX #20B563

RGB 32 181 99

HSL 146.98, 0.7%, 0.42%

LAB 65.17, -55.6, 31.42

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 67 / 0 / 37 / 13

HEX #49DE8C

RGB 73 222 140

HSL 146.98, 0.69%, 0.58%

LAB 79.36, -57.48, 29.04

 

CMYK 53 / 0 / 29 / 10

HEX #6CE5A2

RGB 108 229 162

HSL 146.78, 0.7%, 0.66%

LAB 82.83, -49.03, 22.56

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 82 / 52 / 0 / 15

HEX #2667D8

RGB 38 103 216

HSL 218.09, 0.7%, 0.5%

LAB 45.73, 21.29, -63.62

 

CMYK 0 / 80 / 82 / 15

HEX #D82C26

RGB 216 44 38

HSL 2.02, 0.7%, 0.5%

LAB 47.68, 64.33, 46.39

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 47 / 82 / 0 / 15

HEX #7326D8

RGB 115 38 216

HSL 265.96, 0.7%, 0.5%

LAB 37.82, 66.18, -76.32

 

CMYK 0 / 47 / 82 / 15

HEX #D87326

RGB 216 115 38

HSL 25.96, 0.7%, 0.5%

LAB 58.97, 34.53, 56.65

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 82 / 52 / 0 / 15

HEX #2667D8

RGB 38 103 216

HSL 218.09, 0.7%, 0.5%

LAB 45.73, 21.29, -63.62

 

CMYK 0 / 82 / 36 / 15

HEX #D8268B

RGB 216 38 139

HSL 325.96, 0.7%, 0.5%

LAB 49.31, 72.27, -11.63

 

CMYK 0 / 30 / 82 / 15

HEX #D89726

RGB 216 151 38

HSL 38.09, 0.7%, 0.5%

LAB 67.18, 15.33, 63.85

 

CMYK 82 / 0 / 45 / 15

HEX #26D876

RGB 38 216 118

HSL 146.97, 0.7%, 0.5%

LAB 76.58, -63.89, 36.43

 

CMYK 82 / 77 / 0 / 15

HEX #2632D8

RGB 38 50 216

HSL 235.96, 0.7%, 0.5%

LAB 33.25, 53.88, -84.09

 

CMYK 0 / 82 / 36 / 15

HEX #D8268B

RGB 216 38 139

HSL 325.96, 0.7%, 0.5%

LAB 49.31, 72.27, -11.63

 

CMYK 0 / 6 / 82 / 15

HEX #D8CC26

RGB 216 204 38

HSL 55.96, 0.7%, 0.5%

LAB 80.7, -12.47, 75.4

 

Description

Color code: HEX #26D876 | qconv.com Color code: HEX #26D876 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 38 red, 216 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
38 216 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 45 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 45% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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