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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #272839 it is the complementary color #D8D7C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #272839. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #272839 shade: #2C2834, #3D3A47, #4E4C5A, #5F5E6D and #707080

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #272839. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #272839 shade: #272839, #161626, #050413 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #272839 shade: #272839, #2B2739, #302739, #352739 and #392739

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #272839 shade: #272839 and #272739

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #272839 shade matches the following richer shades: #272839, #1F2141, #171A49, #0F1351 and #070C59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #272839 shade: #272839, #2F2F31, #363629, #3E3D22 and #46441A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #272839 shade: #273239, #272D39, #272839, #2A2739 and #2F2739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #272839 shade: #050508, #161721, #272839, #373952 and #484A6A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #272839 shade: #272839, #392737 and #2F3927

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #272839 shade: #272839, #392728 and #283927

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #272839 shade: #272839, #392737, #393827 and #273929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #272839 shade: #272839, #392731, #393827 and #27392F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

Complementary color

CMYK 0 / 0 / 8 / 15

HEX #D8D7C6

RGB 216 215 198

HSL 56.67, 0.19%, 0.81%

LAB 85.64, -2.6, 8.5

 

CMYK 15 / 23 / 0 / 80

HEX #2C2834

RGB 44 40 52

HSL 260, 0.13%, 0.18%

LAB 16.99, 4.83, -7.1

 

CMYK 14 / 18 / 0 / 72

HEX #3D3A47

RGB 61 58 71

HSL 253.85, 0.1%, 0.25%

LAB 25.18, 4.39, -7.5

 

CMYK 13 / 16 / 0 / 65

HEX #4E4C5A

RGB 78 76 90

HSL 248.57, 0.08%, 0.33%

LAB 32.98, 4.03, -7.93

 

CMYK 13 / 14 / 0 / 57

HEX #5F5E6D

RGB 95 94 109

HSL 244, 0.07%, 0.4%

LAB 40.48, 3.73, -8.36

 

CMYK 13 / 13 / 0 / 50

HEX #707080

RGB 112 112 128

HSL 240, 0.07%, 0.47%

LAB 47.74, 3.46, -8.8

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 42 / 42 / 0 / 85

HEX #161626

RGB 22 22 38

HSL 240, 0.27%, 0.12%

LAB 7.99, 4.97, -11

 

CMYK 74 / 79 / 0 / 93

HEX #050413

RGB 5 4 19

HSL 244, 0.65%, 0.05%

LAB 1.5, 2.69, -6.52

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 25 / 32 / 0 / 78

HEX #2B2739

RGB 43 39 57

HSL 253.33, 0.19%, 0.19%

LAB 16.8, 6.54, -10.91

 

CMYK 16 / 32 / 0 / 78

HEX #302739

RGB 48 39 57

HSL 270, 0.19%, 0.19%

LAB 17.34, 8.52, -10.02

 

CMYK 7 / 32 / 0 / 78

HEX #352739

RGB 53 39 57

HSL 286.67, 0.19%, 0.19%

LAB 17.93, 10.55, -9.07

 

CMYK 0 / 32 / 0 / 78

HEX #392739

RGB 57 39 57

HSL 300, 0.19%, 0.19%

LAB 18.44, 12.2, -8.26

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 32 / 32 / 0 / 78

HEX #272739

RGB 39 39 57

HSL 240, 0.19%, 0.19%

LAB 16.39, 5.01, -11.56

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 52 / 49 / 0 / 75

HEX #1F2141

RGB 31 33 65

HSL 236.47, 0.35%, 0.19%

LAB 14.18, 9.4, -20.68

 

CMYK 68 / 64 / 0 / 71

HEX #171A49

RGB 23 26 73

HSL 236.4, 0.52%, 0.19%

LAB 11.97, 15.74, -29.83

 

CMYK 81 / 77 / 0 / 68

HEX #0F1351

RGB 15 19 81

HSL 236.36, 0.69%, 0.19%

LAB 10.27, 22.83, -38.15

 

CMYK 92 / 87 / 0 / 65

HEX #070C59

RGB 7 12 89

HSL 236.34, 0.85%, 0.19%

LAB 9.23, 29.78, -45.33

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 4 / 4 / 0 / 81

HEX #2F2F31

RGB 47 47 49

HSL 240, 0.02%, 0.19%

LAB 19.47, 0.48, -1.28

 

CMYK 0 / 0 / 24 / 79

HEX #363629

RGB 54 54 41

HSL 60, 0.14%, 0.19%

LAB 22.24, -2.7, 8.2

 

CMYK 0 / 2 / 45 / 76

HEX #3E3D22

RGB 62 61 34

HSL 57.86, 0.29%, 0.19%

LAB 25.19, -4.44, 16.8

 

CMYK 0 / 3 / 63 / 73

HEX #46441A

RGB 70 68 26

HSL 57.27, 0.46%, 0.19%

LAB 28.14, -5.72, 25.26

 

CMYK 32 / 12 / 0 / 78

HEX #273239

RGB 39 50 57

HSL 203.33, 0.19%, 0.19%

LAB 20.08, -2.64, -5.95

 

CMYK 32 / 21 / 0 / 78

HEX #272D39

RGB 39 45 57

HSL 220, 0.19%, 0.19%

LAB 18.38, 0.78, -8.52

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 26 / 32 / 0 / 78

HEX #2A2739

RGB 42 39 57

HSL 250, 0.19%, 0.19%

LAB 16.69, 6.15, -11.08

 

CMYK 18 / 32 / 0 / 78

HEX #2F2739

RGB 47 39 57

HSL 266.67, 0.19%, 0.19%

LAB 17.23, 8.12, -10.21

 

CMYK 37 / 37 / 0 / 97

HEX #050508

RGB 5 5 8

HSL 240, 0.23%, 0.03%

LAB 1.43, 0.42, -1.14

 

CMYK 33 / 30 / 0 / 87

HEX #161721

RGB 22 23 33

HSL 234.55, 0.2%, 0.11%

LAB 8.07, 2.5, -7.11

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 33 / 30 / 0 / 68

HEX #373952

RGB 55 57 82

HSL 235.56, 0.2%, 0.27%

LAB 24.79, 5.89, -15.42

 

CMYK 32 / 30 / 0 / 58

HEX #484A6A

RGB 72 74 106

HSL 236.47, 0.19%, 0.35%

LAB 32.52, 7.44, -18.81

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 0 / 32 / 4 / 78

HEX #392737

RGB 57 39 55

HSL 306.67, 0.19%, 0.19%

LAB 18.35, 11.73, -6.99

 

CMYK 18 / 0 / 32 / 78

HEX #2F3927

RGB 47 57 39

HSL 93.33, 0.19%, 0.19%

LAB 22.57, -8.22, 9.88

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 0 / 32 / 30 / 78

HEX #392728

RGB 57 39 40

HSL 356.67, 0.19%, 0.19%

LAB 17.8, 8.65, 2.69

 

CMYK 30 / 0 / 32 / 78

HEX #283927

RGB 40 57 39

HSL 116.67, 0.19%, 0.19%

LAB 22.03, -11.28, 9.05

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 0 / 32 / 4 / 78

HEX #392737

RGB 57 39 55

HSL 306.67, 0.19%, 0.19%

LAB 18.35, 11.73, -6.99

 

CMYK 0 / 2 / 32 / 78

HEX #393827

RGB 57 56 39

HSL 56.67, 0.19%, 0.19%

LAB 23.15, -2.92, 10.82

 

CMYK 32 / 0 / 28 / 78

HEX #273929

RGB 39 57 41

HSL 126.67, 0.19%, 0.19%

LAB 22.01, -11.27, 7.69

 

CMYK 32 / 30 / 0 / 78

HEX #272839

RGB 39 40 57

HSL 236.67, 0.19%, 0.19%

LAB 16.72, 4.29, -11.06

 

CMYK 0 / 32 / 14 / 78

HEX #392731

RGB 57 39 49

HSL 326.67, 0.19%, 0.19%

LAB 18.11, 10.41, -3.17

 

CMYK 0 / 2 / 32 / 78

HEX #393827

RGB 57 56 39

HSL 56.67, 0.19%, 0.19%

LAB 23.15, -2.92, 10.82

 

CMYK 32 / 0 / 18 / 78

HEX #27392F

RGB 39 57 47

HSL 146.67, 0.19%, 0.19%

LAB 22.17, -9.87, 3.91

 

Description

Color code: HEX #272839 | qconv.com Color code: HEX #272839 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 40 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 40 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 30 magenta, none yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 30% 0% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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