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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #273240 it is the complementary color #D8CDBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #273240. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #273240 shade: #2C323B, #3D444E, #4E5661, #5F6874 and #707A87

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #273240. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #273240 shade: #273240, #16202D, #050E1A and #000007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #273240 shade: #26313F, #262A3F, #29263F, #2F263F and #36263F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #273240 shade: #26313F, #262A3F and #26263F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #273240 shade matches the following richer shades: #26313F, #1E3047, #162F4F, #0E2E57 and #052D60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #273240 shade: #26313F, #2F3236, #37332E, #3F3426 and #47351E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #273240 shade: #263E3F, #26383F, #26313F, #262B3F and #28263F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #273240 shade: #07090C, #171D25, #26313F, #364558 and #465972

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #273240 shade: #273240, #39263F and #3B3F26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #273240 shade: #273240, #3F2631 and #313F26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #273240 shade: #273240, #39263F, #3F3426 and #2C3F26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #273240 shade: #273240, #3F263E, #3F3426 and #263F27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 22 / 0 / 75

HEX #273240

RGB 39 50 64

HSL 213.6, 0.24%, 0.2%

LAB 20.37, -0.49, -10.28

 

Complementary color

CMYK 0 / 5 / 12 / 15

HEX #D8CDBF

RGB 216 205 191

HSL 33.6, 0.24%, 0.8%

LAB 82.93, 1.45, 8.32

 

CMYK 25 / 15 / 0 / 77

HEX #2C323B

RGB 44 50 59

HSL 216, 0.15%, 0.2%

LAB 20.57, -0.15, -6.54

 

CMYK 22 / 13 / 0 / 69

HEX #3D444E

RGB 61 68 78

HSL 215.29, 0.12%, 0.27%

LAB 28.58, -0.34, -6.97

 

CMYK 20 / 11 / 0 / 62

HEX #4E5661

RGB 78 86 97

HSL 214.74, 0.11%, 0.34%

LAB 36.25, -0.51, -7.42

 

CMYK 18 / 10 / 0 / 55

HEX #5F6874

RGB 95 104 116

HSL 214.29, 0.1%, 0.41%

LAB 43.65, -0.66, -7.88

 

CMYK 17 / 10 / 0 / 47

HEX #707A87

RGB 112 122 135

HSL 213.91, 0.09%, 0.48%

LAB 50.82, -0.8, -8.33

 

CMYK 39 / 22 / 0 / 75

HEX #273240

RGB 39 50 64

HSL 213.6, 0.24%, 0.2%

LAB 20.37, -0.49, -10.28

 

CMYK 51 / 29 / 0 / 82

HEX #16202D

RGB 22 32 45

HSL 213.91, 0.34%, 0.13%

LAB 11.91, -0.09, -10.07

 

CMYK 81 / 46 / 0 / 90

HEX #050E1A

RGB 5 14 26

HSL 214.29, 0.68%, 0.06%

LAB 3.8, 0.25, -8.25

 

CMYK 100 / 100 / 0 / 97

HEX #000007

RGB 0 0 7

HSL 240, 1%, 0.01%

LAB 0.14, 0.97, -2.65

 

CMYK 40 / 22 / 0 / 75

HEX #26313F

RGB 38 49 63

HSL 213.6, 0.25%, 0.2%

LAB 19.91, -0.47, -10.31

 

CMYK 40 / 33 / 0 / 75

HEX #262A3F

RGB 38 42 63

HSL 230.4, 0.25%, 0.2%

LAB 17.58, 4.42, -13.9

 

CMYK 35 / 40 / 0 / 75

HEX #29263F

RGB 41 38 63

HSL 247.2, 0.25%, 0.2%

LAB 16.58, 8.34, -15.43

 

CMYK 25 / 40 / 0 / 75

HEX #2F263F

RGB 47 38 63

HSL 261.6, 0.25%, 0.2%

LAB 17.22, 10.53, -14.39

 

CMYK 14 / 40 / 0 / 75

HEX #36263F

RGB 54 38 63

HSL 278.4, 0.25%, 0.2%

LAB 18.05, 13.18, -13.04

 

CMYK 40 / 22 / 0 / 75

HEX #26313F

RGB 38 49 63

HSL 213.6, 0.25%, 0.2%

LAB 19.91, -0.47, -10.31

 

CMYK 40 / 33 / 0 / 75

HEX #262A3F

RGB 38 42 63

HSL 230.4, 0.25%, 0.2%

LAB 17.58, 4.42, -13.9

 

CMYK 40 / 40 / 0 / 75

HEX #26263F

RGB 38 38 63

HSL 240, 0.25%, 0.2%

LAB 16.29, 7.29, -15.91

 

CMYK 40 / 22 / 0 / 75

HEX #26313F

RGB 38 49 63

HSL 213.6, 0.25%, 0.2%

LAB 19.91, -0.47, -10.31

 

CMYK 58 / 32 / 0 / 72

HEX #1E3047

RGB 30 48 71

HSL 213.66, 0.41%, 0.2%

LAB 19.41, 0.48, -16.57

 

CMYK 72 / 41 / 0 / 69

HEX #162F4F

RGB 22 47 79

HSL 213.68, 0.56%, 0.2%

LAB 19.09, 2.41, -22.51

 

CMYK 84 / 47 / 0 / 66

HEX #0E2E57

RGB 14 46 87

HSL 213.7, 0.72%, 0.2%

LAB 18.95, 5.2, -28.11

 

CMYK 95 / 53 / 0 / 62

HEX #052D60

RGB 5 45 96

HSL 213.63, 0.9%, 0.2%

LAB 19.03, 8.98, -33.96

 

CMYK 40 / 22 / 0 / 75

HEX #26313F

RGB 38 49 63

HSL 213.6, 0.25%, 0.2%

LAB 19.91, -0.47, -10.31

 

CMYK 13 / 7 / 0 / 79

HEX #2F3236

RGB 47 50 54

HSL 214.29, 0.07%, 0.2%

LAB 20.64, -0.3, -2.98

 

CMYK 0 / 7 / 16 / 78

HEX #37332E

RGB 55 51 46

HSL 33.33, 0.09%, 0.2%

LAB 21.5, 0.71, 3.81

 

CMYK 0 / 17 / 40 / 75

HEX #3F3426

RGB 63 52 38

HSL 33.6, 0.25%, 0.2%

LAB 22.49, 2.45, 10.69

 

CMYK 0 / 25 / 58 / 72

HEX #47351E

RGB 71 53 30

HSL 33.66, 0.41%, 0.2%

LAB 23.6, 4.73, 17.52

 

CMYK 40 / 2 / 0 / 75

HEX #263E3F

RGB 38 62 63

HSL 182.4, 0.25%, 0.2%

LAB 24.37, -8.97, -3.58

 

CMYK 40 / 11 / 0 / 75

HEX #26383F

RGB 38 56 63

HSL 196.8, 0.25%, 0.2%

LAB 22.3, -5.15, -6.68

 

CMYK 40 / 22 / 0 / 75

HEX #26313F

RGB 38 49 63

HSL 213.6, 0.25%, 0.2%

LAB 19.91, -0.47, -10.31

 

CMYK 40 / 32 / 0 / 75

HEX #262B3F

RGB 38 43 63

HSL 228, 0.25%, 0.2%

LAB 17.91, 3.71, -13.39

 

CMYK 37 / 40 / 0 / 75

HEX #28263F

RGB 40 38 63

HSL 244.8, 0.25%, 0.2%

LAB 16.49, 7.99, -15.59

 

CMYK 42 / 25 / 0 / 95

HEX #07090C

RGB 7 9 12

HSL 216, 0.26%, 0.04%

LAB 2.41, -0.09, -1.36

 

CMYK 38 / 22 / 0 / 85

HEX #171D25

RGB 23 29 37

HSL 214.29, 0.23%, 0.12%

LAB 10.52, -0.29, -6.35

 

CMYK 40 / 22 / 0 / 75

HEX #26313F

RGB 38 49 63

HSL 213.6, 0.25%, 0.2%

LAB 19.91, -0.47, -10.31

 

CMYK 39 / 22 / 0 / 65

HEX #364558

RGB 54 69 88

HSL 213.53, 0.24%, 0.28%

LAB 28.76, -0.59, -13.23

 

CMYK 39 / 22 / 0 / 55

HEX #465972

RGB 70 89 114

HSL 214.09, 0.24%, 0.36%

LAB 37.23, -0.4, -16.56

 

CMYK 39 / 22 / 0 / 75

HEX #273240

RGB 39 50 64

HSL 213.6, 0.24%, 0.2%

LAB 20.37, -0.49, -10.28

 

CMYK 10 / 40 / 0 / 75

HEX #39263F

RGB 57 38 63

HSL 285.6, 0.25%, 0.2%

LAB 18.43, 14.34, -12.42

 

CMYK 6 / 0 / 40 / 75

HEX #3B3F26

RGB 59 63 38

HSL 69.6, 0.25%, 0.2%

LAB 25.64, -6.56, 14.8

 

CMYK 39 / 22 / 0 / 75

HEX #273240

RGB 39 50 64

HSL 213.6, 0.24%, 0.2%

LAB 20.37, -0.49, -10.28

 

CMYK 0 / 40 / 22 / 75

HEX #3F2631

RGB 63 38 49

HSL 333.6, 0.25%, 0.2%

LAB 18.65, 13.73, -2.28

 

CMYK 22 / 0 / 40 / 75

HEX #313F26

RGB 49 63 38

HSL 93.6, 0.25%, 0.2%

LAB 24.79, -11.17, 13.53

 

CMYK 39 / 22 / 0 / 75

HEX #273240

RGB 39 50 64

HSL 213.6, 0.24%, 0.2%

LAB 20.37, -0.49, -10.28

 

CMYK 10 / 40 / 0 / 75

HEX #39263F

RGB 57 38 63

HSL 285.6, 0.25%, 0.2%

LAB 18.43, 14.34, -12.42

 

CMYK 0 / 17 / 40 / 75

HEX #3F3426

RGB 63 52 38

HSL 33.6, 0.25%, 0.2%

LAB 22.49, 2.45, 10.69

 

CMYK 30 / 0 / 40 / 75

HEX #2C3F26

RGB 44 63 38

HSL 105.6, 0.25%, 0.2%

LAB 24.42, -13.34, 12.97

 

CMYK 39 / 22 / 0 / 75

HEX #273240

RGB 39 50 64

HSL 213.6, 0.24%, 0.2%

LAB 20.37, -0.49, -10.28

 

CMYK 0 / 40 / 2 / 75

HEX #3F263E

RGB 63 38 62

HSL 302.4, 0.25%, 0.2%

LAB 19.19, 16.45, -10.5

 

CMYK 0 / 17 / 40 / 75

HEX #3F3426

RGB 63 52 38

HSL 33.6, 0.25%, 0.2%

LAB 22.49, 2.45, 10.69

 

CMYK 40 / 0 / 38 / 75

HEX #263F27

RGB 38 63 39

HSL 122.4, 0.25%, 0.2%

LAB 24.04, -15.59, 11.76

 

Description

Color code: HEX #273240 | qconv.com Color code: HEX #273240 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 50 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 50 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 22 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 22% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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