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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #274648 it is the complementary color #D8B9B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #274648. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #274648 shade: #2C4643, #3D5856, #4E6A69, #5F7C7C and #708E8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #274648. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #274648 shade: #274648, #163435, #052222 and #00100F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #274648 shade: #274648, #273D48, #273448, #272B48 and #2B2748

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #274648 shade: #274648, #273D48, #273448, #272B48 and #272748

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #274648 shade matches the following richer shades: #274648, #1E4E52, #15565B, #0C5E64 and #02666D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #274648 shade: #274648, #303E3F, #393636, #422E2D and #4B2624

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #274648 shade: #274838, #274841, #274748, #273E48 and #273548

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #274648 shade: #0A1213, #182C2E, #274648, #356063 and #447B7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #274648 shade: #274648, #2F2748 and #483D27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #274648 shade: #274648, #482747 and #474827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #274648 shade: #274648, #2F2748, #482827 and #404827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #274648 shade: #274648, #392748, #482827 and #364827

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

Complementary color

CMYK 0 / 14 / 15 / 15

HEX #D8B9B7

RGB 216 185 183

HSL 3.64, 0.3%, 0.78%

LAB 77.71, 10.76, 5.12

 

CMYK 37 / 0 / 4 / 73

HEX #2C4643

RGB 44 70 67

HSL 173.08, 0.23%, 0.22%

LAB 27.63, -10.71, -1.36

 

CMYK 31 / 0 / 2 / 65

HEX #3D5856

RGB 61 88 86

HSL 175.56, 0.18%, 0.29%

LAB 35.29, -10.55, -2.1

 

CMYK 26 / 0 / 1 / 58

HEX #4E6A69

RGB 78 106 105

HSL 177.86, 0.15%, 0.36%

LAB 42.68, -10.43, -2.78

 

CMYK 23 / 0 / 0 / 51

HEX #5F7C7C

RGB 95 124 124

HSL 180, 0.13%, 0.43%

LAB 49.86, -10.34, -3.41

 

CMYK 22 / 1 / 0 / 44

HEX #708E8F

RGB 112 142 143

HSL 181.94, 0.12%, 0.5%

LAB 56.85, -10.26, -4.02

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 58 / 2 / 0 / 79

HEX #163435

RGB 22 52 53

HSL 181.94, 0.41%, 0.15%

LAB 19.57, -10.8, -4.08

 

CMYK 85 / 0 / 0 / 87

HEX #052222

RGB 5 34 34

HSL 180, 0.74%, 0.08%

LAB 11.22, -10.63, -3.2

 

CMYK 100 / 0 / 6 / 94

HEX #00100F

RGB 0 16 15

HSL 176.25, 1%, 0.03%

LAB 3.66, -4.65, -1.07

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 46 / 15 / 0 / 72

HEX #273D48

RGB 39 61 72

HSL 200, 0.3%, 0.22%

LAB 24.44, -5.23, -9.45

 

CMYK 46 / 28 / 0 / 72

HEX #273448

RGB 39 52 72

HSL 216.36, 0.3%, 0.22%

LAB 21.41, 0.76, -14.09

 

CMYK 46 / 40 / 0 / 72

HEX #272B48

RGB 39 43 72

HSL 232.73, 0.3%, 0.22%

LAB 18.48, 7.07, -18.66

 

CMYK 40 / 46 / 0 / 72

HEX #2B2748

RGB 43 39 72

HSL 247.27, 0.3%, 0.22%

LAB 17.61, 11.21, -20.01

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 46 / 15 / 0 / 72

HEX #273D48

RGB 39 61 72

HSL 200, 0.3%, 0.22%

LAB 24.44, -5.23, -9.45

 

CMYK 46 / 28 / 0 / 72

HEX #273448

RGB 39 52 72

HSL 216.36, 0.3%, 0.22%

LAB 21.41, 0.76, -14.09

 

CMYK 46 / 40 / 0 / 72

HEX #272B48

RGB 39 43 72

HSL 232.73, 0.3%, 0.22%

LAB 18.48, 7.07, -18.66

 

CMYK 46 / 46 / 0 / 72

HEX #272748

RGB 39 39 72

HSL 240, 0.3%, 0.22%

LAB 17.23, 9.94, -20.64

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 63 / 5 / 0 / 68

HEX #1E4E52

RGB 30 78 82

HSL 184.62, 0.46%, 0.22%

LAB 30.24, -14.72, -7.25

 

CMYK 77 / 5 / 0 / 64

HEX #15565B

RGB 21 86 91

HSL 184.29, 0.63%, 0.22%

LAB 33.07, -17.82, -8.73

 

CMYK 88 / 6 / 0 / 61

HEX #0C5E64

RGB 12 94 100

HSL 184.09, 0.79%, 0.22%

LAB 35.99, -20.11, -9.98

 

CMYK 98 / 6 / 0 / 57

HEX #02666D

RGB 2 102 109

HSL 183.93, 0.96%, 0.22%

LAB 38.93, -21.97, -11.09

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 24 / 2 / 0 / 75

HEX #303E3F

RGB 48 62 63

HSL 184, 0.14%, 0.22%

LAB 25.05, -5.4, -2.5

 

CMYK 0 / 5 / 5 / 78

HEX #393636

RGB 57 54 54

HSL 0, 0.03%, 0.22%

LAB 22.91, 1.31, 0.46

 

CMYK 0 / 30 / 32 / 74

HEX #422E2D

RGB 66 46 45

HSL 2.86, 0.19%, 0.22%

LAB 21.21, 9.01, 4.26

 

CMYK 0 / 49 / 52 / 71

HEX #4B2624

RGB 75 38 36

HSL 3.08, 0.35%, 0.22%

LAB 20.08, 17.13, 9.06

 

CMYK 46 / 0 / 22 / 72

HEX #274838

RGB 39 72 56

HSL 150.91, 0.3%, 0.22%

LAB 27.71, -16.44, 5.86

 

CMYK 46 / 0 / 10 / 72

HEX #274841

RGB 39 72 65

HSL 167.27, 0.3%, 0.22%

LAB 27.97, -14.07, 0.41

 

CMYK 46 / 1 / 0 / 72

HEX #274748

RGB 39 71 72

HSL 181.82, 0.3%, 0.22%

LAB 27.86, -11.45, -4.31

 

CMYK 46 / 14 / 0 / 72

HEX #273E48

RGB 39 62 72

HSL 198.18, 0.3%, 0.22%

LAB 24.78, -5.87, -8.94

 

CMYK 46 / 26 / 0 / 72

HEX #273548

RGB 39 53 72

HSL 214.55, 0.3%, 0.22%

LAB 21.75, 0.08, -13.58

 

CMYK 47 / 5 / 0 / 93

HEX #0A1213

RGB 10 18 19

HSL 186.67, 0.31%, 0.06%

LAB 4.92, -2.38, -1.49

 

CMYK 48 / 4 / 0 / 82

HEX #182C2E

RGB 24 44 46

HSL 185.45, 0.31%, 0.14%

LAB 16.47, -7.41, -3.85

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 46 / 3 / 0 / 61

HEX #356063

RGB 53 96 99

HSL 183.91, 0.3%, 0.3%

LAB 37.88, -14.03, -6.39

 

CMYK 46 / 2 / 0 / 51

HEX #447B7E

RGB 68 123 126

HSL 183.1, 0.3%, 0.38%

LAB 48.14, -17.3, -7.32

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 35 / 46 / 0 / 72

HEX #2F2748

RGB 47 39 72

HSL 254.55, 0.3%, 0.22%

LAB 18.02, 12.54, -19.33

 

CMYK 0 / 15 / 46 / 72

HEX #483D27

RGB 72 61 39

HSL 40, 0.3%, 0.22%

LAB 26.34, 1.13, 15.33

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 0 / 46 / 1 / 72

HEX #482747

RGB 72 39 71

HSL 301.82, 0.3%, 0.22%

LAB 21.15, 21.24, -13.54

 

CMYK 1 / 0 / 46 / 72

HEX #474827

RGB 71 72 39

HSL 61.82, 0.3%, 0.22%

LAB 29.72, -6.24, 19.63

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 35 / 46 / 0 / 72

HEX #2F2748

RGB 47 39 72

HSL 254.55, 0.3%, 0.22%

LAB 18.02, 12.54, -19.33

 

CMYK 0 / 44 / 46 / 72

HEX #482827

RGB 72 40 39

HSL 1.82, 0.3%, 0.22%

LAB 20.21, 14.85, 7.09

 

CMYK 11 / 0 / 46 / 72

HEX #404827

RGB 64 72 39

HSL 74.55, 0.3%, 0.22%

LAB 29.09, -9.54, 18.7

 

CMYK 46 / 3 / 0 / 72

HEX #274648

RGB 39 70 72

HSL 183.64, 0.3%, 0.22%

LAB 27.52, -10.85, -4.82

 

CMYK 21 / 46 / 0 / 72

HEX #392748

RGB 57 39 72

HSL 272.73, 0.3%, 0.22%

LAB 19.18, 16.02, -17.44

 

CMYK 0 / 44 / 46 / 72

HEX #482827

RGB 72 40 39

HSL 1.82, 0.3%, 0.22%

LAB 20.21, 14.85, 7.09

 

CMYK 25 / 0 / 46 / 72

HEX #364827

RGB 54 72 39

HSL 92.73, 0.3%, 0.22%

LAB 28.29, -14.06, 17.52

 

Description

Color code: HEX #274648 | qconv.com Color code: HEX #274648 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 70 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 70 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 3 magenta, none yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 3% 0% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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