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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27486C it is the complementary color #D8B793. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27486C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27486C shade: #2C4867, #3D5A7A, #4E6C8D, #5F7EA0 and #7090B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27486C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27486C shade: #27486C, #163659, #052446, #001233 and #000020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27486C shade: #27486C, #27356C, #2B276C, #3E276C and #50276C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27486C shade: #27486C, #27356C and #27276C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27486C shade matches the following richer shades: #27486C, #1B4778, #0F4784 and #034690

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27486C shade: #27486C, #334860, #3F4954, #4B4948 and #574A3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27486C shade: #276C6B, #275B6C, #27486C, #27366C and #2A276C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27486C shade: #112030, #1C344E, #27486C, #325C8B and #3D70A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27486C shade: #27486C, #59276C and #646C27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27486C shade: #27486C, #6C2748 and #486C27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27486C shade: #27486C, #59276C, #6C4B27 and #3A6C27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27486C shade: #27486C, #6C276B, #6C4B27 and #276C28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

Complementary color

CMYK 0 / 15 / 32 / 15

HEX #D8B793

RGB 216 183 147

HSL 31.3, 0.47%, 0.71%

LAB 76.42, 6.66, 22.73

 

CMYK 57 / 30 / 0 / 60

HEX #2C4867

RGB 44 72 103

HSL 211.53, 0.4%, 0.29%

LAB 29.79, -0.46, -21.31

 

CMYK 50 / 26 / 0 / 52

HEX #3D5A7A

RGB 61 90 122

HSL 211.48, 0.33%, 0.36%

LAB 37.32, -1.13, -21.4

 

CMYK 45 / 23 / 0 / 45

HEX #4E6C8D

RGB 78 108 141

HSL 211.43, 0.29%, 0.43%

LAB 44.61, -1.61, -21.53

 

CMYK 41 / 21 / 0 / 37

HEX #5F7EA0

RGB 95 126 160

HSL 211.38, 0.25%, 0.5%

LAB 51.72, -1.98, -21.7

 

CMYK 37 / 20 / 0 / 30

HEX #7090B3

RGB 112 144 179

HSL 211.34, 0.31%, 0.57%

LAB 58.65, -2.28, -21.9

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 75 / 39 / 0 / 65

HEX #163659

RGB 22 54 89

HSL 211.34, 0.6%, 0.22%

LAB 22.05, 1.58, -24.48

 

CMYK 93 / 49 / 0 / 73

HEX #052446

RGB 5 36 70

HSL 211.38, 0.87%, 0.15%

LAB 14.04, 3.78, -24.47

 

CMYK 100 / 65 / 0 / 80

HEX #001233

RGB 0 18 51

HSL 218.82, 1%, 0.1%

LAB 6.07, 7.19, -23.79

 

CMYK 100 / 100 / 0 / 87

HEX #000020

RGB 0 0 32

HSL 240, 1%, 0.06%

LAB 0.94, 6.62, -17.34

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 64 / 51 / 0 / 58

HEX #27356C

RGB 39 53 108

HSL 227.83, 0.47%, 0.29%

LAB 23.87, 13.18, -33.9

 

CMYK 60 / 64 / 0 / 58

HEX #2B276C

RGB 43 39 108

HSL 243.48, 0.47%, 0.29%

LAB 20.23, 23.74, -39.76

 

CMYK 43 / 64 / 0 / 58

HEX #3E276C

RGB 62 39 108

HSL 260, 0.47%, 0.29%

LAB 22.15, 27.99, -36.56

 

CMYK 26 / 64 / 0 / 58

HEX #50276C

RGB 80 39 108

HSL 275.65, 0.47%, 0.29%

LAB 24.45, 32.62, -32.75

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 64 / 51 / 0 / 58

HEX #27356C

RGB 39 53 108

HSL 227.83, 0.47%, 0.29%

LAB 23.87, 13.18, -33.9

 

CMYK 64 / 64 / 0 / 58

HEX #27276C

RGB 39 39 108

HSL 240, 0.47%, 0.29%

LAB 19.9, 22.98, -40.31

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 78 / 41 / 0 / 53

HEX #1B4778

RGB 27 71 120

HSL 211.61, 0.63%, 0.29%

LAB 29.65, 3.36, -32.31

 

CMYK 89 / 46 / 0 / 48

HEX #0F4784

RGB 15 71 132

HSL 211.28, 0.8%, 0.29%

LAB 30.09, 6.99, -39.11

 

CMYK 98 / 51 / 0 / 44

HEX #034690

RGB 3 70 144

HSL 211.49, 0.96%, 0.29%

LAB 30.43, 12.03, -45.97

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 47 / 25 / 0 / 62

HEX #334860

RGB 51 72 96

HSL 212, 0.31%, 0.29%

LAB 29.87, -0.93, -16.68

 

CMYK 25 / 13 / 0 / 67

HEX #3F4954

RGB 63 73 84

HSL 211.43, 0.14%, 0.29%

LAB 30.55, -1.2, -7.87

 

CMYK 0 / 3 / 4 / 71

HEX #4B4948

RGB 75 73 72

HSL 20, 0.02%, 0.29%

LAB 31.18, 0.62, 0.89

 

CMYK 0 / 15 / 31 / 66

HEX #574A3C

RGB 87 74 60

HSL 31.11, 0.18%, 0.29%

LAB 32.37, 3.02, 10.39

 

CMYK 64 / 0 / 1 / 58

HEX #276C6B

RGB 39 108 107

HSL 179.13, 0.47%, 0.29%

LAB 41.56, -21.46, -5.86

 

CMYK 64 / 16 / 0 / 58

HEX #275B6C

RGB 39 91 108

HSL 194.78, 0.47%, 0.29%

LAB 35.98, -11.65, -14.9

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 64 / 50 / 0 / 58

HEX #27366C

RGB 39 54 108

HSL 226.96, 0.47%, 0.29%

LAB 24.17, 12.47, -33.42

 

CMYK 61 / 64 / 0 / 58

HEX #2A276C

RGB 42 39 108

HSL 242.61, 0.47%, 0.29%

LAB 20.15, 23.55, -39.9

 

CMYK 65 / 33 / 0 / 81

HEX #112030

RGB 17 32 48

HSL 210.97, 0.48%, 0.13%

LAB 11.73, -0.52, -12.55

 

CMYK 64 / 33 / 0 / 69

HEX #1C344E

RGB 28 52 78

HSL 211.2, 0.47%, 0.21%

LAB 21.03, -0.17, -18.77

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 64 / 34 / 0 / 45

HEX #325C8B

RGB 50 92 139

HSL 211.69, 0.47%, 0.37%

LAB 38.19, 0.89, -30.45

 

CMYK 64 / 34 / 0 / 34

HEX #3D70A9

RGB 61 112 169

HSL 211.67, 0.47%, 0.45%

LAB 46.24, 1.21, -35.61

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 18 / 64 / 0 / 58

HEX #59276C

RGB 89 39 108

HSL 283.48, 0.47%, 0.29%

LAB 25.74, 35.06, -30.61

 

CMYK 7 / 0 / 64 / 58

HEX #646C27

RGB 100 108 39

HSL 66.96, 0.47%, 0.29%

LAB 43.63, -13.46, 36.53

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 0 / 64 / 33 / 58

HEX #6C2748

RGB 108 39 72

HSL 331.3, 0.47%, 0.29%

LAB 27.04, 34.34, -4.72

 

CMYK 33 / 0 / 64 / 58

HEX #486C27

RGB 72 108 39

HSL 91.3, 0.47%, 0.29%

LAB 41.61, -25.59, 33.73

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 18 / 64 / 0 / 58

HEX #59276C

RGB 89 39 108

HSL 283.48, 0.47%, 0.29%

LAB 25.74, 35.06, -30.61

 

CMYK 0 / 31 / 64 / 58

HEX #6C4B27

RGB 108 75 39

HSL 31.3, 0.47%, 0.29%

LAB 34.74, 9.77, 26.69

 

CMYK 46 / 0 / 64 / 58

HEX #3A6C27

RGB 58 108 39

HSL 103.48, 0.47%, 0.29%

LAB 40.85, -30.84, 32.67

 

CMYK 64 / 33 / 0 / 58

HEX #27486C

RGB 39 72 108

HSL 211.3, 0.47%, 0.29%

LAB 29.78, 0.19, -24.5

 

CMYK 0 / 64 / 1 / 58

HEX #6C276B

RGB 108 39 107

HSL 300.87, 0.47%, 0.29%

LAB 28.64, 40.13, -25.17

 

CMYK 0 / 31 / 64 / 58

HEX #6C4B27

RGB 108 75 39

HSL 31.3, 0.47%, 0.29%

LAB 34.74, 9.77, 26.69

 

CMYK 64 / 0 / 63 / 58

HEX #276C28

RGB 39 108 40

HSL 120.87, 0.47%, 0.29%

LAB 40.1, -36.47, 31.11

 

Description

Color code: HEX #27486C | qconv.com Color code: HEX #27486C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 72 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 72 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 33 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 33% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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