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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #275057 it is the complementary color #D8AFA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #275057. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #275057 shade: #2C5052, #3D6265, #4E7478, #5F868B and #70989E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #275057. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #275057 shade: #275057, #163E44, #052C31, #001A1E and #00080B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #275057 shade: #275057, #274357, #273657, #272957 and #322757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #275057 shade: #275057, #274357, #273657, #272957 and #272757

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #275057 shade matches the following richer shades: #275057, #1D5862, #125F6C and #086676

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #275057 shade: #275057, #31494D, #3C4243, #463A39 and #50332E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #275057 shade: #275744, #275751, #275157, #274457 and #273757

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #275057 shade: #0D1C1F, #1A363B, #275057, #346B74 and #418590

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #275057 shade: #275057, #372757 and #574B27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #275057 shade: #275057, #572751 and #515727

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #275057 shade: #275057, #372757, #572D27 and #475727

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #275057 shade: #275057, #462757, #572D27 and #395727

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

Complementary color

CMYK 0 / 19 / 22 / 15

HEX #D8AFA8

RGB 216 175 168

HSL 8.75, 0.38%, 0.75%

LAB 74.88, 13.83, 9.21

 

CMYK 46 / 2 / 0 / 68

HEX #2C5052

RGB 44 80 82

HSL 183.16, 0.3%, 0.25%

LAB 31.54, -12.32, -5.24

 

CMYK 40 / 3 / 0 / 60

HEX #3D6265

RGB 61 98 101

HSL 184.5, 0.25%, 0.32%

LAB 39.01, -12.3, -5.89

 

CMYK 35 / 3 / 0 / 53

HEX #4E7478

RGB 78 116 120

HSL 185.71, 0.21%, 0.39%

LAB 46.27, -12.25, -6.49

 

CMYK 32 / 4 / 0 / 45

HEX #5F868B

RGB 95 134 139

HSL 186.82, 0.19%, 0.46%

LAB 53.33, -12.2, -7.05

 

CMYK 29 / 4 / 0 / 38

HEX #70989E

RGB 112 152 158

HSL 187.83, 0.19%, 0.53%

LAB 60.22, -12.15, -7.59

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 68 / 9 / 0 / 73

HEX #163E44

RGB 22 62 68

HSL 187.83, 0.51%, 0.18%

LAB 23.78, -11.77, -7.87

 

CMYK 90 / 10 / 0 / 81

HEX #052C31

RGB 5 44 49

HSL 186.82, 0.81%, 0.11%

LAB 15.78, -11.06, -7.08

 

CMYK 100 / 13 / 0 / 88

HEX #001A1E

RGB 0 26 30

HSL 188, 1%, 0.06%

LAB 7.52, -7.68, -5.82

 

CMYK 100 / 27 / 0 / 96

HEX #00080B

RGB 0 8 11

HSL 196.36, 1%, 0.02%

LAB 1.79, -1.67, -1.88

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 55 / 23 / 0 / 66

HEX #274357

RGB 39 67 87

HSL 205, 0.38%, 0.25%

LAB 27.11, -4.09, -15.2

 

CMYK 55 / 38 / 0 / 66

HEX #273657

RGB 39 54 87

HSL 221.25, 0.38%, 0.25%

LAB 22.85, 4.63, -21.83

 

CMYK 55 / 53 / 0 / 66

HEX #272957

RGB 39 41 87

HSL 237.5, 0.38%, 0.25%

LAB 18.82, 13.84, -28.24

 

CMYK 43 / 55 / 0 / 66

HEX #322757

RGB 50 39 87

HSL 253.75, 0.38%, 0.25%

LAB 19.3, 18.24, -27.42

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 55 / 23 / 0 / 66

HEX #274357

RGB 39 67 87

HSL 205, 0.38%, 0.25%

LAB 27.11, -4.09, -15.2

 

CMYK 55 / 38 / 0 / 66

HEX #273657

RGB 39 54 87

HSL 221.25, 0.38%, 0.25%

LAB 22.85, 4.63, -21.83

 

CMYK 55 / 53 / 0 / 66

HEX #272957

RGB 39 41 87

HSL 237.5, 0.38%, 0.25%

LAB 18.82, 13.84, -28.24

 

CMYK 55 / 55 / 0 / 66

HEX #272757

RGB 39 39 87

HSL 240, 0.38%, 0.25%

LAB 18.23, 15.26, -29.18

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 70 / 10 / 0 / 62

HEX #1D5862

RGB 29 88 98

HSL 188.7, 0.54%, 0.25%

LAB 34.24, -15.25, -11.35

 

CMYK 83 / 12 / 0 / 58

HEX #125F6C

RGB 18 95 108

HSL 188.67, 0.71%, 0.25%

LAB 36.74, -17.24, -13.8

 

CMYK 93 / 14 / 0 / 54

HEX #086676

RGB 8 102 118

HSL 188.73, 0.87%, 0.25%

LAB 39.35, -18.34, -15.96

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 36 / 5 / 0 / 70

HEX #31494D

RGB 49 73 77

HSL 188.57, 0.22%, 0.25%

LAB 29.3, -8.03, -5.35

 

CMYK 10 / 1 / 0 / 74

HEX #3C4243

RGB 60 66 67

HSL 188.57, 0.06%, 0.25%

LAB 27.47, -2.24, -1.46

 

CMYK 0 / 17 / 19 / 73

HEX #463A39

RGB 70 58 57

HSL 4.62, 0.1%, 0.25%

LAB 25.63, 5.07, 2.58

 

CMYK 0 / 36 / 43 / 69

HEX #50332E

RGB 80 51 46

HSL 8.82, 0.27%, 0.25%

LAB 24.55, 12.4, 8.53

 

CMYK 55 / 0 / 22 / 66

HEX #275744

RGB 39 87 68

HSL 156.25, 0.38%, 0.25%

LAB 33.28, -21.51, 6.12

 

CMYK 55 / 0 / 7 / 66

HEX #275751

RGB 39 87 81

HSL 172.5, 0.38%, 0.25%

LAB 33.65, -17.96, -1.5

 

CMYK 55 / 7 / 0 / 66

HEX #275157

RGB 39 81 87

HSL 187.5, 0.38%, 0.25%

LAB 31.82, -12.72, -8.03

 

CMYK 55 / 22 / 0 / 66

HEX #274457

RGB 39 68 87

HSL 203.75, 0.38%, 0.25%

LAB 27.45, -4.74, -14.68

 

CMYK 55 / 37 / 0 / 66

HEX #273757

RGB 39 55 87

HSL 220, 0.38%, 0.25%

LAB 23.18, 3.94, -21.33

 

CMYK 58 / 10 / 0 / 88

HEX #0D1C1F

RGB 13 28 31

HSL 190, 0.41%, 0.09%

LAB 9.12, -5.35, -4.09

 

CMYK 56 / 8 / 0 / 77

HEX #1A363B

RGB 26 54 59

HSL 189.09, 0.39%, 0.17%

LAB 20.73, -8.92, -6.42

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 55 / 8 / 0 / 55

HEX #346B74

RGB 52 107 116

HSL 188.44, 0.38%, 0.33%

LAB 42.01, -15.38, -10.59

 

CMYK 55 / 8 / 0 / 44

HEX #418590

RGB 65 133 144

HSL 188.35, 0.38%, 0.41%

LAB 51.74, -18.21, -12.49

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 37 / 55 / 0 / 66

HEX #372757

RGB 55 39 87

HSL 260, 0.38%, 0.25%

LAB 19.85, 19.71, -26.51

 

CMYK 0 / 14 / 55 / 66

HEX #574B27

RGB 87 75 39

HSL 45, 0.38%, 0.25%

LAB 32.27, -0.36, 23.15

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 0 / 55 / 7 / 66

HEX #572751

RGB 87 39 81

HSL 307.5, 0.38%, 0.25%

LAB 23.91, 28.63, -15.82

 

CMYK 7 / 0 / 55 / 66

HEX #515727

RGB 81 87 39

HSL 67.5, 0.38%, 0.25%

LAB 35.42, -10.41, 26.79

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 37 / 55 / 0 / 66

HEX #372757

RGB 55 39 87

HSL 260, 0.38%, 0.25%

LAB 19.85, 19.71, -26.51

 

CMYK 0 / 48 / 55 / 66

HEX #572D27

RGB 87 45 39

HSL 7.5, 0.38%, 0.25%

LAB 23.83, 18.54, 12.41

 

CMYK 18 / 0 / 55 / 66

HEX #475727

RGB 71 87 39

HSL 80, 0.38%, 0.25%

LAB 34.61, -15, 25.62

 

CMYK 55 / 8 / 0 / 66

HEX #275057

RGB 39 80 87

HSL 188.75, 0.38%, 0.25%

LAB 31.48, -12.13, -8.54

 

CMYK 20 / 55 / 0 / 66

HEX #462757

RGB 70 39 87

HSL 278.75, 0.38%, 0.25%

LAB 21.73, 24.36, -23.4

 

CMYK 0 / 48 / 55 / 66

HEX #572D27

RGB 87 45 39

HSL 7.5, 0.38%, 0.25%

LAB 23.83, 18.54, 12.41

 

CMYK 34 / 0 / 55 / 66

HEX #395727

RGB 57 87 39

HSL 97.5, 0.38%, 0.25%

LAB 33.63, -20.99, 24.22

 

Description

Color code: HEX #275057 | qconv.com Color code: HEX #275057 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 80 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 80 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 8 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 8% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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