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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27523C it is the complementary color #D8ADC3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27523C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27523C shade: #2C5237, #3D644A, #4E765D, #5F8870 and #709A83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27523C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27523C shade: #27523C, #164029, #052E16, #001C03 and #000A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27523C shade: #27533C, #275330, #295327, #355327 and #415327

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27523C shade: #27533C, #275348, #275253, #274653 and #273A53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27523C shade matches the following richer shades: #27533C, #1D5D3C, #13673C and #09703B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27523C shade: #27533C, #31493C, #3A3F3D, #44353D and #4E2B3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27523C shade: #295327, #275330, #27533C, #275348 and #275253

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27523C shade: #0C1B13, #193728, #27533C, #346F51 and #418B65

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27523C shade: #27523C, #273553 and #532A27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27523C shade: #27523C, #3C2753 and #533C27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27523C shade: #27523C, #273553, #53273D and #534527

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27523C shade: #27523C, #272753, #53273D and #535227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 27 / 68

HEX #27523C

RGB 39 82 60

HSL 149.3, 0.36%, 0.24%

LAB 31.33, -20.88, 8.39

 

Complementary color

CMYK 0 / 20 / 10 / 15

HEX #D8ADC3

RGB 216 173 195

HSL 329.3, 0.36%, 0.76%

LAB 75.09, 19.19, -5.23

 

CMYK 46 / 0 / 33 / 68

HEX #2C5237

RGB 44 82 55

HSL 137.37, 0.3%, 0.25%

LAB 31.45, -20.43, 11.73

 

CMYK 39 / 0 / 26 / 61

HEX #3D644A

RGB 61 100 74

HSL 140, 0.24%, 0.32%

LAB 38.9, -20.12, 10.48

 

CMYK 34 / 0 / 21 / 54

HEX #4E765D

RGB 78 118 93

HSL 142.5, 0.2%, 0.38%

LAB 46.13, -19.83, 9.38

 

CMYK 30 / 0 / 18 / 47

HEX #5F8870

RGB 95 136 112

HSL 144.88, 0.18%, 0.45%

LAB 53.18, -19.56, 8.39

 

CMYK 27 / 0 / 15 / 40

HEX #709A83

RGB 112 154 131

HSL 147.14, 0.17%, 0.52%

LAB 60.06, -19.32, 7.48

 

CMYK 52 / 0 / 27 / 68

HEX #27523C

RGB 39 82 60

HSL 149.3, 0.36%, 0.24%

LAB 31.33, -20.88, 8.39

 

CMYK 66 / 0 / 36 / 75

HEX #164029

RGB 22 64 41

HSL 147.14, 0.49%, 0.17%

LAB 23.66, -21, 9.82

 

CMYK 89 / 0 / 52 / 82

HEX #052E16

RGB 5 46 22

HSL 144.88, 0.8%, 0.1%

LAB 15.72, -20.79, 11.57

 

CMYK 100 / 0 / 89 / 89

HEX #001C03

RGB 0 28 3

HSL 126.43, 1%, 0.05%

LAB 7.56, -14.91, 9.82

 

CMYK 100 / 0 / 100 / 96

HEX #000A00

RGB 0 10 0

HSL 120, 1%, 0.02%

LAB 1.96, -4.01, 2.86

 

CMYK 53 / 0 / 28 / 67

HEX #27533C

RGB 39 83 60

HSL 148.64, 0.36%, 0.24%

LAB 31.68, -21.4, 8.88

 

CMYK 53 / 0 / 42 / 67

HEX #275330

RGB 39 83 48

HSL 132.27, 0.36%, 0.24%

LAB 31.42, -24, 15.95

 

CMYK 51 / 0 / 53 / 67

HEX #295327

RGB 41 83 39

HSL 117.27, 0.36%, 0.24%

LAB 31.36, -24.95, 21.23

 

CMYK 36 / 0 / 53 / 67

HEX #355327

RGB 53 83 39

HSL 100.91, 0.36%, 0.24%

LAB 32.01, -20.5, 22.18

 

CMYK 22 / 0 / 53 / 67

HEX #415327

RGB 65 83 39

HSL 84.55, 0.36%, 0.24%

LAB 32.83, -15.44, 23.36

 

CMYK 53 / 0 / 28 / 67

HEX #27533C

RGB 39 83 60

HSL 148.64, 0.36%, 0.24%

LAB 31.68, -21.4, 8.88

 

CMYK 53 / 0 / 13 / 67

HEX #275348

RGB 39 83 72

HSL 165, 0.36%, 0.24%

LAB 32, -18.32, 1.77

 

CMYK 53 / 1 / 0 / 67

HEX #275253

RGB 39 82 83

HSL 181.36, 0.36%, 0.24%

LAB 32.01, -14.55, -5.19

 

CMYK 53 / 16 / 0 / 67

HEX #274653

RGB 39 70 83

HSL 197.73, 0.36%, 0.24%

LAB 27.94, -7.35, -11.33

 

CMYK 53 / 30 / 0 / 67

HEX #273A53

RGB 39 58 83

HSL 214.09, 0.36%, 0.24%

LAB 23.94, 0.46, -17.49

 

CMYK 53 / 0 / 28 / 67

HEX #27533C

RGB 39 83 60

HSL 148.64, 0.36%, 0.24%

LAB 31.68, -21.4, 8.88

 

CMYK 69 / 0 / 35 / 64

HEX #1D5D3C

RGB 29 93 60

HSL 149.06, 0.52%, 0.24%

LAB 34.83, -28.86, 13.17

 

CMYK 82 / 0 / 42 / 60

HEX #13673C

RGB 19 103 60

HSL 149.29, 0.69%, 0.24%

LAB 38.14, -34.99, 17.55

 

CMYK 92 / 0 / 47 / 56

HEX #09703B

RGB 9 112 59

HSL 149.13, 0.85%, 0.24%

LAB 41.16, -39.86, 22.04

 

CMYK 53 / 0 / 28 / 67

HEX #27533C

RGB 39 83 60

HSL 148.64, 0.36%, 0.24%

LAB 31.68, -21.4, 8.88

 

CMYK 33 / 0 / 18 / 71

HEX #31493C

RGB 49 73 60

HSL 147.5, 0.2%, 0.24%

LAB 28.76, -12.51, 4.85

 

CMYK 8 / 0 / 3 / 75

HEX #3A3F3D

RGB 58 63 61

HSL 156, 0.04%, 0.24%

LAB 26.13, -2.55, 0.5

 

CMYK 0 / 22 / 10 / 73

HEX #44353D

RGB 68 53 61

HSL 328, 0.12%, 0.24%

LAB 24.04, 8.29, -2.45

 

CMYK 0 / 45 / 22 / 69

HEX #4E2B3D

RGB 78 43 61

HSL 329.14, 0.29%, 0.24%

LAB 22.6, 19.05, -4.45

 

CMYK 51 / 0 / 53 / 67

HEX #295327

RGB 41 83 39

HSL 117.27, 0.36%, 0.24%

LAB 31.36, -24.95, 21.23

 

CMYK 53 / 0 / 42 / 67

HEX #275330

RGB 39 83 48

HSL 132.27, 0.36%, 0.24%

LAB 31.42, -24, 15.95

 

CMYK 53 / 0 / 28 / 67

HEX #27533C

RGB 39 83 60

HSL 148.64, 0.36%, 0.24%

LAB 31.68, -21.4, 8.88

 

CMYK 53 / 0 / 13 / 67

HEX #275348

RGB 39 83 72

HSL 165, 0.36%, 0.24%

LAB 32, -18.32, 1.77

 

CMYK 53 / 1 / 0 / 67

HEX #275253

RGB 39 82 83

HSL 181.36, 0.36%, 0.24%

LAB 32.01, -14.55, -5.19

 

CMYK 56 / 0 / 30 / 89

HEX #0C1B13

RGB 12 27 19

HSL 148, 0.38%, 0.08%

LAB 8.21, -8.3, 3.33

 

CMYK 55 / 0 / 27 / 78

HEX #193728

RGB 25 55 40

HSL 150, 0.38%, 0.16%

LAB 20.41, -15.53, 6

 

CMYK 53 / 0 / 28 / 67

HEX #27533C

RGB 39 83 60

HSL 148.64, 0.36%, 0.24%

LAB 31.68, -21.4, 8.88

 

CMYK 53 / 0 / 27 / 56

HEX #346F51

RGB 52 111 81

HSL 149.49, 0.36%, 0.32%

LAB 42.3, -26.93, 10.94

 

CMYK 53 / 0 / 27 / 45

HEX #418B65

RGB 65 139 101

HSL 149.19, 0.36%, 0.4%

LAB 52.43, -32.41, 13.44

 

CMYK 52 / 0 / 27 / 68

HEX #27523C

RGB 39 82 60

HSL 149.3, 0.36%, 0.24%

LAB 31.33, -20.88, 8.39

 

CMYK 53 / 36 / 0 / 67

HEX #273553

RGB 39 53 83

HSL 220.91, 0.36%, 0.24%

LAB 22.31, 3.89, -20.04

 

CMYK 0 / 49 / 53 / 67

HEX #532A27

RGB 83 42 39

HSL 4.09, 0.36%, 0.24%

LAB 22.45, 18.59, 10.44

 

CMYK 52 / 0 / 27 / 68

HEX #27523C

RGB 39 82 60

HSL 149.3, 0.36%, 0.24%

LAB 31.33, -20.88, 8.39

 

CMYK 28 / 53 / 0 / 67

HEX #3C2753

RGB 60 39 83

HSL 268.64, 0.36%, 0.24%

LAB 20.19, 20.09, -23.25

 

CMYK 0 / 28 / 53 / 67

HEX #533C27

RGB 83 60 39

HSL 28.64, 0.36%, 0.24%

LAB 27.34, 7.14, 16.89

 

CMYK 52 / 0 / 27 / 68

HEX #27523C

RGB 39 82 60

HSL 149.3, 0.36%, 0.24%

LAB 31.33, -20.88, 8.39

 

CMYK 53 / 36 / 0 / 67

HEX #273553

RGB 39 53 83

HSL 220.91, 0.36%, 0.24%

LAB 22.31, 3.89, -20.04

 

CMYK 0 / 53 / 27 / 67

HEX #53273D

RGB 83 39 61

HSL 330, 0.36%, 0.24%

LAB 22.4, 23.51, -4.67

 

CMYK 0 / 17 / 53 / 67

HEX #534527

RGB 83 69 39

HSL 40.91, 0.36%, 0.24%

LAB 30.01, 1.43, 20.27

 

CMYK 52 / 0 / 27 / 68

HEX #27523C

RGB 39 82 60

HSL 149.3, 0.36%, 0.24%

LAB 31.33, -20.88, 8.39

 

CMYK 53 / 53 / 0 / 67

HEX #272753

RGB 39 39 83

HSL 240, 0.36%, 0.24%

LAB 17.95, 13.82, -26.95

 

CMYK 0 / 53 / 27 / 67

HEX #53273D

RGB 83 39 61

HSL 330, 0.36%, 0.24%

LAB 22.4, 23.51, -4.67

 

CMYK 0 / 1 / 53 / 67

HEX #535227

RGB 83 82 39

HSL 58.64, 0.36%, 0.24%

LAB 34.02, -6.53, 25.17

 

Description

Color code: HEX #27523C | qconv.com Color code: HEX #27523C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 82 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 82 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 27 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 27% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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