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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27532A it is the complementary color #D8ACD5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27532A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27532A shade: #2C5325, #3D6538, #4E774B, #5F895E and #709B71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27532A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27532A shade: #27532A, #164117, #052F04, #001D00 and #000B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27532A shade: #27532A, #305327, #3B5327, #475327 and #535227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27532A shade: #27532A, #275336, #275341, #27534D and #274C53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27532A shade matches the following richer shades: #27532A, #1D5D21, #136719 and #097010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27532A shade: #27532A, #314932, #3A3F3B, #443543 and #4E2B4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27532A shade: #3B5327, #2F5327, #27532A, #275335 and #275341

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27532A shade: #0C1B0D, #19371B, #27532A, #346F38 and #418B46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27532A shade: #27532A, #274753 and #532735

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27532A shade: #27532A, #2A2753 and #532A27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27532A shade: #27532A, #274753, #532750 and #533227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27532A shade: #27532A, #273A53, #532750 and #534027

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

Complementary color

CMYK 0 / 20 / 1 / 15

HEX #D8ACD5

RGB 216 172 213

HSL 304.09, 0.36%, 0.76%

LAB 75.39, 22.92, -14.62

 

CMYK 47 / 0 / 55 / 67

HEX #2C5325

RGB 44 83 37

HSL 110.87, 0.38%, 0.24%

LAB 31.48, -24.21, 22.55

 

CMYK 40 / 0 / 45 / 60

HEX #3D6538

RGB 61 101 56

HSL 113.33, 0.29%, 0.31%

LAB 38.87, -24.06, 21.13

 

CMYK 34 / 0 / 37 / 53

HEX #4E774B

RGB 78 119 75

HSL 115.91, 0.23%, 0.38%

LAB 46.07, -23.82, 19.79

 

CMYK 31 / 0 / 31 / 46

HEX #5F895E

RGB 95 137 94

HSL 118.6, 0.19%, 0.45%

LAB 53.09, -23.56, 18.56

 

CMYK 28 / 0 / 27 / 39

HEX #709B71

RGB 112 155 113

HSL 121.4, 0.18%, 0.52%

LAB 59.96, -23.31, 17.44

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 66 / 0 / 65 / 75

HEX #164117

RGB 22 65 23

HSL 121.4, 0.49%, 0.17%

LAB 23.71, -24.99, 20.96

 

CMYK 89 / 0 / 91 / 82

HEX #052F04

RGB 5 47 4

HSL 118.6, 0.84%, 0.1%

LAB 15.87, -24.24, 20.83

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 100 / 0 / 100 / 96

HEX #000B00

RGB 0 11 0

HSL 120, 1%, 0.02%

LAB 2.16, -4.42, 3.16

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 42 / 0 / 53 / 67

HEX #305327

RGB 48 83 39

HSL 107.73, 0.36%, 0.24%

LAB 31.72, -22.44, 21.76

 

CMYK 29 / 0 / 53 / 67

HEX #3B5327

RGB 59 83 39

HSL 92.73, 0.36%, 0.24%

LAB 32.4, -18.03, 22.74

 

CMYK 14 / 0 / 53 / 67

HEX #475327

RGB 71 83 39

HSL 76.36, 0.36%, 0.24%

LAB 33.29, -12.74, 24.04

 

CMYK 0 / 1 / 53 / 67

HEX #535227

RGB 83 82 39

HSL 58.64, 0.36%, 0.24%

LAB 34.02, -6.53, 25.17

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 53 / 0 / 35 / 67

HEX #275336

RGB 39 83 54

HSL 140.45, 0.36%, 0.24%

LAB 31.54, -22.77, 12.43

 

CMYK 53 / 0 / 22 / 67

HEX #275341

RGB 39 83 65

HSL 155.45, 0.36%, 0.24%

LAB 31.81, -20.17, 5.92

 

CMYK 53 / 0 / 7 / 67

HEX #27534D

RGB 39 83 77

HSL 171.82, 0.36%, 0.24%

LAB 32.15, -16.91, -1.17

 

CMYK 53 / 8 / 0 / 67

HEX #274C53

RGB 39 76 83

HSL 189.55, 0.36%, 0.24%

LAB 29.97, -11.03, -8.25

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 69 / 0 / 65 / 64

HEX #1D5D21

RGB 29 93 33

HSL 123.75, 0.52%, 0.24%

LAB 34.4, -33.76, 28.04

 

CMYK 82 / 0 / 76 / 60

HEX #136719

RGB 19 103 25

HSL 124.29, 0.69%, 0.24%

LAB 37.68, -40.42, 35.3

 

CMYK 92 / 0 / 86 / 56

HEX #097010

RGB 9 112 16

HSL 124.08, 0.85%, 0.24%

LAB 40.71, -45.35, 41.47

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 33 / 0 / 32 / 71

HEX #314932

RGB 49 73 50

HSL 122.5, 0.2%, 0.24%

LAB 28.51, -14.72, 10.89

 

CMYK 8 / 0 / 6 / 75

HEX #3A3F3B

RGB 58 63 59

HSL 132, 0.04%, 0.24%

LAB 26.07, -3.01, 1.73

 

CMYK 0 / 22 / 1 / 73

HEX #443543

RGB 68 53 67

HSL 304, 0.12%, 0.24%

LAB 24.26, 9.6, -6.15

 

CMYK 0 / 45 / 3 / 69

HEX #4E2B4C

RGB 78 43 76

HSL 303.43, 0.29%, 0.24%

LAB 23.23, 22.03, -13.62

 

CMYK 29 / 0 / 53 / 67

HEX #3B5327

RGB 59 83 39

HSL 92.73, 0.36%, 0.24%

LAB 32.4, -18.03, 22.74

 

CMYK 43 / 0 / 53 / 67

HEX #2F5327

RGB 47 83 39

HSL 109.09, 0.36%, 0.24%

LAB 31.66, -22.82, 21.68

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 53 / 0 / 36 / 67

HEX #275335

RGB 39 83 53

HSL 139.09, 0.36%, 0.24%

LAB 31.52, -22.98, 13.02

 

CMYK 53 / 0 / 22 / 67

HEX #275341

RGB 39 83 65

HSL 155.45, 0.36%, 0.24%

LAB 31.81, -20.17, 5.92

 

CMYK 56 / 0 / 52 / 89

HEX #0C1B0D

RGB 12 27 13

HSL 124, 0.38%, 0.08%

LAB 8.05, -9.45, 6.44

 

CMYK 55 / 0 / 51 / 78

HEX #19371B

RGB 25 55 27

HSL 124, 0.38%, 0.16%

LAB 20.12, -18.45, 14.16

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 53 / 0 / 50 / 56

HEX #346F38

RGB 52 111 56

HSL 124.07, 0.36%, 0.32%

LAB 41.82, -31.81, 24.79

 

CMYK 53 / 0 / 50 / 45

HEX #418B46

RGB 65 139 70

HSL 124.05, 0.36%, 0.4%

LAB 51.87, -38.16, 29.9

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 53 / 14 / 0 / 67

HEX #274753

RGB 39 71 83

HSL 196.36, 0.36%, 0.24%

LAB 28.28, -7.98, -10.81

 

CMYK 0 / 53 / 36 / 67

HEX #532735

RGB 83 39 53

HSL 340.91, 0.36%, 0.24%

LAB 22.11, 22.25, 0.4

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 49 / 53 / 0 / 67

HEX #2A2753

RGB 42 39 83

HSL 244.09, 0.36%, 0.24%

LAB 18.22, 14.64, -26.5

 

CMYK 0 / 49 / 53 / 67

HEX #532A27

RGB 83 42 39

HSL 4.09, 0.36%, 0.24%

LAB 22.45, 18.59, 10.44

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 53 / 14 / 0 / 67

HEX #274753

RGB 39 71 83

HSL 196.36, 0.36%, 0.24%

LAB 28.28, -7.98, -10.81

 

CMYK 0 / 53 / 4 / 67

HEX #532750

RGB 83 39 80

HSL 304.09, 0.36%, 0.24%

LAB 23.23, 27.06, -16.24

 

CMYK 0 / 40 / 53 / 67

HEX #533227

RGB 83 50 39

HSL 15, 0.36%, 0.24%

LAB 24.53, 13.55, 13.23

 

CMYK 53 / 0 / 49 / 67

HEX #27532A

RGB 39 83 42

HSL 124.09, 0.36%, 0.24%

LAB 31.31, -25.11, 19.4

 

CMYK 53 / 30 / 0 / 67

HEX #273A53

RGB 39 58 83

HSL 214.09, 0.36%, 0.24%

LAB 23.94, 0.46, -17.49

 

CMYK 0 / 53 / 4 / 67

HEX #532750

RGB 83 39 80

HSL 304.09, 0.36%, 0.24%

LAB 23.23, 27.06, -16.24

 

CMYK 0 / 23 / 53 / 67

HEX #534027

RGB 83 64 39

HSL 34.09, 0.36%, 0.24%

LAB 28.52, 4.59, 18.39

 

Description

Color code: HEX #27532A | qconv.com Color code: HEX #27532A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 83 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 83 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 49 yellow and 67 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 49% 67% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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