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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #276C3F it is the complementary color #D893C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #276C3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #276C3F shade: #2C6C3A, #3D7E4D, #4E9060, #5FA273 and #70B486

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #276C3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #276C3F shade: #276C3F, #165A2C, #054819, #003606 and #002400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #276C3F shade: #276C3F, #276C2C, #346C27, #476C27 and #596C27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #276C3F shade: #276C3F, #276C52, #276C64, #27616C and #274F6C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #276C3F shade matches the following richer shades: #276C3F, #1B783B, #0F8438 and #039034

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #276C3F shade: #276C3F, #336043, #3F5446, #4B484A and #573C4D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #276C3F shade: #356C27, #276C2B, #276C3E, #276C50 and #276C63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #276C3F shade: #11301C, #1C4E2D, #276C3F, #328B51 and #3DA962

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #276C3F shade: #276C3F, #27476C and #6C272B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #276C3F shade: #276C3F, #3E276C and #6C3E27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #276C3F shade: #276C3F, #27476C, #6C2755 and #6C4C27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #276C3F shade: #276C3F, #27326C, #6C2755 and #6C6127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

Complementary color

CMYK 0 / 32 / 11 / 15

HEX #D893C0

RGB 216 147 192

HSL 320.87, 0.47%, 0.71%

LAB 68.95, 32.75, -12.73

 

CMYK 59 / 0 / 46 / 58

HEX #2C6C3A

RGB 44 108 58

HSL 133.13, 0.42%, 0.3%

LAB 40.52, -32.39, 21.94

 

CMYK 52 / 0 / 39 / 51

HEX #3D7E4D

RGB 61 126 77

HSL 134.77, 0.35%, 0.37%

LAB 47.56, -32.35, 20.47

 

CMYK 46 / 0 / 33 / 44

HEX #4E9060

RGB 78 144 96

HSL 136.36, 0.3%, 0.44%

LAB 54.46, -32.15, 19.14

 

CMYK 41 / 0 / 29 / 36

HEX #5FA273

RGB 95 162 115

HSL 137.91, 0.26%, 0.5%

LAB 61.23, -31.9, 17.93

 

CMYK 38 / 0 / 26 / 29

HEX #70B486

RGB 112 180 134

HSL 139.41, 0.31%, 0.57%

LAB 67.88, -31.63, 16.81

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 76 / 0 / 51 / 65

HEX #165A2C

RGB 22 90 44

HSL 139.41, 0.61%, 0.22%

LAB 33.27, -32.29, 20.6

 

CMYK 93 / 0 / 65 / 72

HEX #054819

RGB 5 72 25

HSL 137.91, 0.87%, 0.15%

LAB 25.97, -31.13, 22.39

 

CMYK 100 / 0 / 89 / 79

HEX #003606

RGB 0 54 6

HSL 126.67, 1%, 0.11%

LAB 18.59, -27.95, 23.29

 

CMYK 100 / 0 / 100 / 86

HEX #002400

RGB 0 36 0

HSL 120, 1%, 0.07%

LAB 11.01, -21.59, 15.97

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 64 / 0 / 59 / 58

HEX #276C2C

RGB 39 108 44

HSL 124.35, 0.47%, 0.29%

LAB 40.14, -35.93, 29.11

 

CMYK 52 / 0 / 64 / 58

HEX #346C27

RGB 52 108 39

HSL 108.7, 0.47%, 0.29%

LAB 40.58, -32.84, 32.29

 

CMYK 34 / 0 / 64 / 58

HEX #476C27

RGB 71 108 39

HSL 92.17, 0.47%, 0.29%

LAB 41.55, -25.99, 33.65

 

CMYK 18 / 0 / 64 / 58

HEX #596C27

RGB 89 108 39

HSL 76.52, 0.47%, 0.29%

LAB 42.76, -18.41, 35.33

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 64 / 0 / 24 / 58

HEX #276C52

RGB 39 108 82

HSL 157.39, 0.47%, 0.29%

LAB 40.84, -28.45, 8.23

 

CMYK 64 / 0 / 7 / 58

HEX #276C64

RGB 39 108 100

HSL 173.04, 0.47%, 0.29%

LAB 41.34, -23.55, -1.94

 

CMYK 64 / 10 / 0 / 58

HEX #27616C

RGB 39 97 108

HSL 189.57, 0.47%, 0.29%

LAB 37.96, -15.12, -11.89

 

CMYK 64 / 27 / 0 / 58

HEX #274F6C

RGB 39 79 108

HSL 205.22, 0.47%, 0.29%

LAB 32.05, -4.33, -20.97

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 78 / 0 / 51 / 53

HEX #1B783B

RGB 27 120 59

HSL 140.65, 0.63%, 0.29%

LAB 44.21, -40.77, 25.97

 

CMYK 89 / 0 / 58 / 48

HEX #0F8438

RGB 15 132 56

HSL 141.03, 0.8%, 0.29%

LAB 48.12, -47.13, 32.31

 

CMYK 98 / 0 / 64 / 44

HEX #039034

RGB 3 144 52

HSL 140.85, 0.96%, 0.29%

LAB 52.08, -52.54, 38.85

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 47 / 0 / 30 / 62

HEX #336043

RGB 51 96 67

HSL 141.33, 0.31%, 0.29%

LAB 36.88, -22.83, 11.85

 

CMYK 25 / 0 / 17 / 67

HEX #3F5446

RGB 63 84 70

HSL 140, 0.14%, 0.29%

LAB 33.65, -11.37, 5.58

 

CMYK 0 / 4 / 1 / 71

HEX #4B484A

RGB 75 72 74

HSL 320, 0.02%, 0.29%

LAB 30.94, 1.68, -0.75

 

CMYK 0 / 31 / 11 / 66

HEX #573C4D

RGB 87 60 77

HSL 322.22, 0.18%, 0.29%

LAB 28.89, 14.96, -5.59

 

CMYK 51 / 0 / 64 / 58

HEX #356C27

RGB 53 108 39

HSL 107.83, 0.47%, 0.29%

LAB 40.62, -32.52, 32.35

 

CMYK 64 / 0 / 60 / 58

HEX #276C2B

RGB 39 108 43

HSL 123.48, 0.47%, 0.29%

LAB 40.13, -36.07, 29.62

 

CMYK 64 / 0 / 43 / 58

HEX #276C3E

RGB 39 108 62

HSL 140, 0.47%, 0.29%

LAB 40.42, -32.91, 19.49

 

CMYK 64 / 0 / 26 / 58

HEX #276C50

RGB 39 108 80

HSL 155.65, 0.47%, 0.29%

LAB 40.79, -28.94, 9.36

 

CMYK 64 / 0 / 8 / 58

HEX #276C63

RGB 39 108 99

HSL 172.17, 0.47%, 0.29%

LAB 41.31, -23.84, -1.38

 

CMYK 65 / 0 / 42 / 81

HEX #11301C

RGB 17 48 28

HSL 141.29, 0.48%, 0.13%

LAB 17.07, -17.19, 9.43

 

CMYK 64 / 0 / 42 / 69

HEX #1C4E2D

RGB 28 78 45

HSL 140.4, 0.47%, 0.21%

LAB 29.12, -25.38, 14.66

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 64 / 0 / 42 / 45

HEX #328B51

RGB 50 139 81

HSL 140.9, 0.47%, 0.37%

LAB 51.54, -40.05, 23.41

 

CMYK 64 / 0 / 42 / 34

HEX #3DA962

RGB 61 169 98

HSL 140.56, 0.47%, 0.45%

LAB 61.87, -46.84, 27.78

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 64 / 34 / 0 / 58

HEX #27476C

RGB 39 71 108

HSL 212.17, 0.47%, 0.29%

LAB 29.46, 0.85, -25.01

 

CMYK 0 / 64 / 60 / 58

HEX #6C272B

RGB 108 39 43

HSL 356.52, 0.47%, 0.29%

LAB 26.2, 31.1, 13.53

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 43 / 64 / 0 / 58

HEX #3E276C

RGB 62 39 108

HSL 260, 0.47%, 0.29%

LAB 22.15, 27.99, -36.56

 

CMYK 0 / 43 / 64 / 58

HEX #6C3E27

RGB 108 62 39

HSL 20, 0.47%, 0.29%

LAB 31.3, 17.71, 22.58

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 64 / 34 / 0 / 58

HEX #27476C

RGB 39 71 108

HSL 212.17, 0.47%, 0.29%

LAB 29.46, 0.85, -25.01

 

CMYK 0 / 64 / 21 / 58

HEX #6C2755

RGB 108 39 85

HSL 320, 0.47%, 0.29%

LAB 27.56, 36.27, -12.55

 

CMYK 0 / 30 / 64 / 58

HEX #6C4C27

RGB 108 76 39

HSL 32.17, 0.47%, 0.29%

LAB 35.01, 9.16, 27.01

 

CMYK 64 / 0 / 42 / 58

HEX #276C3F

RGB 39 108 63

HSL 140.87, 0.47%, 0.29%

LAB 40.44, -32.71, 18.93

 

CMYK 64 / 54 / 0 / 58

HEX #27326C

RGB 39 50 108

HSL 230.43, 0.47%, 0.29%

LAB 22.98, 15.29, -35.33

 

CMYK 0 / 64 / 21 / 58

HEX #6C2755

RGB 108 39 85

HSL 320, 0.47%, 0.29%

LAB 27.56, 36.27, -12.55

 

CMYK 0 / 10 / 64 / 58

HEX #6C6127

RGB 108 97 39

HSL 50.43, 0.47%, 0.29%

LAB 41.03, -3.46, 33.89

 

Description

Color code: HEX #276C3F | qconv.com Color code: HEX #276C3F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 108 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 108 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 42 yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 42% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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