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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #27707C it is the complementary color #D88F83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #27707C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #27707C shade: #2C7077, #3D828A, #4E949D, #5FA6B0 and #70B8C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #27707C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #27707C shade: #27707C, #165E69, #054C56, #003A43 and #002830

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #27707C shade: #27707C, #27597C, #27427C, #272B7C and #39277C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #27707C shade: #27707C, #27597C, #27427C, #272B7C and #27277C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #27707C shade matches the following richer shades: #27707C, #197989 and #0C8396

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #27707C shade: #27707C, #34666E, #415D61, #4E5354 and #5B4A47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #27707C shade: #277C5A, #277C70, #27707C, #275A7C and #27437C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #27707C shade: #13373D, #1D535C, #27707C, #318C9B and #3AA8BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #27707C shade: #27707C, #43277C and #7C6527

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #27707C shade: #27707C, #7C2770 and #707C27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #27707C shade: #27707C, #43277C, #7C3227 and #5F7C27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #27707C shade: #27707C, #5C277C, #7C3227 and #467C27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

Complementary color

CMYK 0 / 34 / 39 / 15

HEX #D88F83

RGB 216 143 131

HSL 8.47, 0.52%, 0.68%

LAB 66.43, 26.25, 17.77

 

CMYK 63 / 6 / 0 / 53

HEX #2C7077

RGB 44 112 119

HSL 185.6, 0.46%, 0.32%

LAB 43.44, -18.9, -10.28

 

CMYK 56 / 6 / 0 / 46

HEX #3D828A

RGB 61 130 138

HSL 186.23, 0.39%, 0.39%

LAB 50.44, -19.26, -10.95

 

CMYK 50 / 6 / 0 / 38

HEX #4E949D

RGB 78 148 157

HSL 186.84, 0.34%, 0.46%

LAB 57.3, -19.47, -11.56

 

CMYK 46 / 6 / 0 / 31

HEX #5FA6B0

RGB 95 166 176

HSL 187.41, 0.34%, 0.53%

LAB 64.03, -19.59, -12.12

 

CMYK 43 / 6 / 0 / 24

HEX #70B8C3

RGB 112 184 195

HSL 187.95, 0.41%, 0.6%

LAB 70.64, -19.65, -12.65

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 79 / 10 / 0 / 59

HEX #165E69

RGB 22 94 105

HSL 187.95, 0.65%, 0.25%

LAB 36.36, -17.27, -12.51

 

CMYK 94 / 12 / 0 / 66

HEX #054C56

RGB 5 76 86

HSL 187.41, 0.89%, 0.18%

LAB 29.09, -15.82, -11.61

 

CMYK 100 / 13 / 0 / 74

HEX #003A43

RGB 0 58 67

HSL 188.06, 1%, 0.13%

LAB 21.69, -13.26, -10.43

 

CMYK 100 / 17 / 0 / 81

HEX #002830

RGB 0 40 48

HSL 190, 1%, 0.09%

LAB 14.01, -10, -9.09

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 69 / 28 / 0 / 51

HEX #27597C

RGB 39 89 124

HSL 204.71, 0.52%, 0.32%

LAB 36.04, -4.78, -24.69

 

CMYK 69 / 47 / 0 / 51

HEX #27427C

RGB 39 66 124

HSL 220.94, 0.52%, 0.32%

LAB 28.86, 10.3, -36.06

 

CMYK 69 / 65 / 0 / 51

HEX #272B7C

RGB 39 43 124

HSL 237.18, 0.52%, 0.32%

LAB 22.35, 26.17, -46.58

 

CMYK 54 / 69 / 0 / 51

HEX #39277C

RGB 57 39 124

HSL 252.71, 0.52%, 0.32%

LAB 22.92, 31.9, -45.59

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 69 / 28 / 0 / 51

HEX #27597C

RGB 39 89 124

HSL 204.71, 0.52%, 0.32%

LAB 36.04, -4.78, -24.69

 

CMYK 69 / 47 / 0 / 51

HEX #27427C

RGB 39 66 124

HSL 220.94, 0.52%, 0.32%

LAB 28.86, 10.3, -36.06

 

CMYK 69 / 65 / 0 / 51

HEX #272B7C

RGB 39 43 124

HSL 237.18, 0.52%, 0.32%

LAB 22.35, 26.17, -46.58

 

CMYK 69 / 69 / 0 / 51

HEX #27277C

RGB 39 39 124

HSL 240, 0.52%, 0.32%

LAB 21.35, 28.83, -48.22

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 82 / 12 / 0 / 46

HEX #197989

RGB 25 121 137

HSL 188.57, 0.69%, 0.32%

LAB 46.56, -20.56, -16.33

 

CMYK 92 / 13 / 0 / 41

HEX #0C8396

RGB 12 131 150

HSL 188.26, 0.85%, 0.32%

LAB 50.11, -22.34, -18.57

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 53 / 7 / 0 / 57

HEX #34666E

RGB 52 102 110

HSL 188.28, 0.36%, 0.32%

LAB 40.18, -14.4, -9.71

 

CMYK 33 / 4 / 0 / 62

HEX #415D61

RGB 65 93 97

HSL 187.5, 0.2%, 0.32%

LAB 37.51, -9.24, -5.64

 

CMYK 7 / 1 / 0 / 67

HEX #4E5354

RGB 78 83 84

HSL 190, 0.04%, 0.32%

LAB 34.9, -1.77, -1.28

 

CMYK 0 / 19 / 22 / 64

HEX #5B4A47

RGB 91 74 71

HSL 9, 0.12%, 0.32%

LAB 33.09, 6.64, 4.48

 

CMYK 69 / 0 / 27 / 51

HEX #277C5A

RGB 39 124 90

HSL 156, 0.52%, 0.32%

LAB 46.43, -33.9, 11.32

 

CMYK 69 / 0 / 10 / 51

HEX #277C70

RGB 39 124 112

HSL 171.53, 0.52%, 0.32%

LAB 47, -28.1, -0.83

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 69 / 27 / 0 / 51

HEX #275A7C

RGB 39 90 124

HSL 204, 0.52%, 0.32%

LAB 36.36, -5.4, -24.19

 

CMYK 69 / 46 / 0 / 51

HEX #27437C

RGB 39 67 124

HSL 220.24, 0.52%, 0.32%

LAB 29.16, 9.62, -35.57

 

CMYK 69 / 10 / 0 / 76

HEX #13373D

RGB 19 55 61

HSL 188.57, 0.53%, 0.16%

LAB 20.86, -10.63, -7.61

 

CMYK 68 / 10 / 0 / 64

HEX #1D535C

RGB 29 83 92

HSL 188.57, 0.52%, 0.24%

LAB 32.3, -14.44, -10.5

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 68 / 10 / 0 / 39

HEX #318C9B

RGB 49 140 155

HSL 188.49, 0.52%, 0.4%

LAB 53.79, -21.54, -15.81

 

CMYK 69 / 10 / 0 / 27

HEX #3AA8BA

RGB 58 168 186

HSL 188.44, 0.52%, 0.48%

LAB 63.71, -24.9, -18.31

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 46 / 69 / 0 / 51

HEX #43277C

RGB 67 39 124

HSL 259.76, 0.52%, 0.32%

LAB 24, 33.92, -43.79

 

CMYK 0 / 19 / 69 / 51

HEX #7C6527

RGB 124 101 39

HSL 43.76, 0.52%, 0.32%

LAB 43.86, 1.79, 37.45

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 0 / 69 / 10 / 51

HEX #7C2770

RGB 124 39 112

HSL 308.47, 0.52%, 0.32%

LAB 31.59, 45.43, -23.55

 

CMYK 10 / 0 / 69 / 51

HEX #707C27

RGB 112 124 39

HSL 68.47, 0.52%, 0.32%

LAB 49.5, -16.69, 43.06

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 46 / 69 / 0 / 51

HEX #43277C

RGB 67 39 124

HSL 259.76, 0.52%, 0.32%

LAB 24, 33.92, -43.79

 

CMYK 0 / 60 / 69 / 51

HEX #7C3227

RGB 124 50 39

HSL 7.76, 0.52%, 0.32%

LAB 31.14, 31.4, 22.98

 

CMYK 23 / 0 / 69 / 51

HEX #5F7C27

RGB 95 124 39

HSL 80.47, 0.52%, 0.32%

LAB 48.25, -24.09, 41.37

 

CMYK 69 / 10 / 0 / 51

HEX #27707C

RGB 39 112 124

HSL 188.47, 0.52%, 0.32%

LAB 43.47, -18.2, -13.25

 

CMYK 26 / 69 / 0 / 51

HEX #5C277C

RGB 92 39 124

HSL 277.41, 0.52%, 0.32%

LAB 27.25, 39.6, -38.38

 

CMYK 0 / 60 / 69 / 51

HEX #7C3227

RGB 124 50 39

HSL 7.76, 0.52%, 0.32%

LAB 31.14, 31.4, 22.98

 

CMYK 44 / 0 / 69 / 51

HEX #467C27

RGB 70 124 39

HSL 98.12, 0.52%, 0.32%

LAB 46.8, -33.85, 39.38

 

Description

Color code: HEX #27707C | qconv.com Color code: HEX #27707C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 112 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 112 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 10 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 10% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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