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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #277FC7 it is the complementary color #D88038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #277FC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #277FC7 shade: #2C7FC2, #3D91D5, #4EA3E8, #5FB5FB and #70C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #277FC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #277FC7 shade: #277FC7, #166DB4, #055BA1, #00498E and #00377B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #277FC7 shade: #277FC8, #2754C8, #2729C8, #5127C8 and #7C27C8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #277FC7 shade: #277FC8, #2754C8, #2729C8 and #2727C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #277FC7 shade matches the following richer shades: #277FC8, #1481DB and #0083EE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #277FC7 shade: #277FC8, #3A7DB4, #4E7CA1, #617A8D and #75787A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #277FC7 shade: #27C8BA, #27AAC8, #277FC8, #2755C8 and #272AC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #277FC7 shade: #195383, #2069A5, #277FC8, #3F94D9 and #62A7E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #277FC7 shade: #277FC7, #8F27C8 and #C0C827

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #277FC7 shade: #277FC7, #C8277F and #7FC827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #277FC7 shade: #277FC7, #8F27C8, #C86F27 and #5FC827

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #277FC7 shade: #277FC7, #C027C8, #C86F27 and #2FC827

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 36 / 0 / 22

HEX #277FC7

RGB 39 127 199

HSL 207, 0.67%, 0.47%

LAB 51.53, -0.11, -44.61

 

Complementary color

CMYK 0 / 41 / 74 / 15

HEX #D88038

RGB 216 128 56

HSL 27, 0.67%, 0.53%

LAB 61.93, 28.35, 51.81

 

CMYK 77 / 35 / 0 / 24

HEX #2C7FC2

RGB 44 127 194

HSL 206.8, 0.63%, 0.47%

LAB 51.39, -1.42, -41.97

 

CMYK 71 / 32 / 0 / 16

HEX #3D91D5

RGB 61 145 213

HSL 206.84, 0.64%, 0.54%

LAB 58.08, -3.02, -42.14

 

CMYK 66 / 30 / 0 / 9

HEX #4EA3E8

RGB 78 163 232

HSL 206.88, 0.77%, 0.61%

LAB 64.68, -4.29, -42.28

 

CMYK 62 / 28 / 0 / 2

HEX #5FB5FB

RGB 95 181 251

HSL 206.92, 0.95%, 0.68%

LAB 71.18, -5.31, -42.42

 

CMYK 56 / 22 / 0 / 0

HEX #70C7FF

RGB 112 199 255

HSL 203.5, 1%, 0.72%

LAB 76.99, -10.66, -35.48

 

CMYK 80 / 36 / 0 / 22

HEX #277FC7

RGB 39 127 199

HSL 207, 0.67%, 0.47%

LAB 51.53, -0.11, -44.61

 

CMYK 88 / 39 / 0 / 29

HEX #166DB4

RGB 22 109 180

HSL 206.96, 0.78%, 0.4%

LAB 44.81, 2.2, -44.38

 

CMYK 97 / 43 / 0 / 37

HEX #055BA1

RGB 5 91 161

HSL 206.92, 0.94%, 0.33%

LAB 38, 5.14, -44.07

 

CMYK 100 / 49 / 0 / 44

HEX #00498E

RGB 0 73 142

HSL 209.15, 1%, 0.28%

LAB 31.16, 8.94, -43.57

 

CMYK 100 / 55 / 0 / 52

HEX #00377B

RGB 0 55 123

HSL 213.17, 1%, 0.24%

LAB 24.2, 13.33, -43

 

CMYK 81 / 37 / 0 / 22

HEX #277FC8

RGB 39 127 200

HSL 207.2, 0.67%, 0.47%

LAB 51.59, 0.26, -45.1

 

CMYK 81 / 58 / 0 / 22

HEX #2754C8

RGB 39 84 200

HSL 223.23, 0.67%, 0.47%

LAB 39.48, 27.6, -64.58

 

CMYK 81 / 80 / 0 / 22

HEX #2729C8

RGB 39 41 200

HSL 239.25, 0.67%, 0.47%

LAB 29.88, 53.46, -80.37

 

CMYK 60 / 81 / 0 / 22

HEX #5127C8

RGB 81 39 200

HSL 255.65, 0.67%, 0.47%

LAB 32.64, 57.8, -75.71

 

CMYK 38 / 81 / 0 / 22

HEX #7C27C8

RGB 124 39 200

HSL 271.68, 0.67%, 0.47%

LAB 37.67, 63.36, -67.25

 

CMYK 81 / 37 / 0 / 22

HEX #277FC8

RGB 39 127 200

HSL 207.2, 0.67%, 0.47%

LAB 51.59, 0.26, -45.1

 

CMYK 81 / 58 / 0 / 22

HEX #2754C8

RGB 39 84 200

HSL 223.23, 0.67%, 0.47%

LAB 39.48, 27.6, -64.58

 

CMYK 81 / 80 / 0 / 22

HEX #2729C8

RGB 39 41 200

HSL 239.25, 0.67%, 0.47%

LAB 29.88, 53.46, -80.37

 

CMYK 81 / 81 / 0 / 22

HEX #2727C8

RGB 39 39 200

HSL 240, 0.67%, 0.47%

LAB 29.54, 54.43, -80.93

 

CMYK 81 / 37 / 0 / 22

HEX #277FC8

RGB 39 127 200

HSL 207.2, 0.67%, 0.47%

LAB 51.59, 0.26, -45.1

 

CMYK 91 / 41 / 0 / 14

HEX #1481DB

RGB 20 129 219

HSL 207.14, 0.83%, 0.47%

LAB 52.91, 4.89, -53.77

 

CMYK 100 / 45 / 0 / 7

HEX #0083EE

RGB 0 131 238

HSL 206.97, 1%, 0.47%

LAB 54.45, 10.35, -61.94

 

CMYK 81 / 37 / 0 / 22

HEX #277FC8

RGB 39 127 200

HSL 207.2, 0.67%, 0.47%

LAB 51.59, 0.26, -45.1

 

CMYK 68 / 31 / 0 / 29

HEX #3A7DB4

RGB 58 125 180

HSL 207.05, 0.51%, 0.47%

LAB 50.53, -3.3, -35.27

 

CMYK 52 / 23 / 0 / 37

HEX #4E7CA1

RGB 78 124 161

HSL 206.75, 0.35%, 0.47%

LAB 50.23, -4.95, -24.66

 

CMYK 31 / 13 / 0 / 45

HEX #617A8D

RGB 97 122 141

HSL 205.91, 0.18%, 0.47%

LAB 49.96, -4.27, -13.26

 

CMYK 4 / 2 / 0 / 52

HEX #75787A

RGB 117 120 122

HSL 204, 0.02%, 0.47%

LAB 50.24, -0.71, -1.49

 

CMYK 81 / 0 / 7 / 22

HEX #27C8BA

RGB 39 200 186

HSL 174.78, 0.67%, 0.47%

LAB 73.08, -42.2, -4.33

 

CMYK 81 / 15 / 0 / 22

HEX #27AAC8

RGB 39 170 200

HSL 191.18, 0.67%, 0.47%

LAB 64.44, -23.69, -25.03

 

CMYK 81 / 37 / 0 / 22

HEX #277FC8

RGB 39 127 200

HSL 207.2, 0.67%, 0.47%

LAB 51.59, 0.26, -45.1

 

CMYK 81 / 58 / 0 / 22

HEX #2755C8

RGB 39 85 200

HSL 222.86, 0.67%, 0.47%

LAB 39.75, 26.95, -64.15

 

CMYK 81 / 79 / 0 / 22

HEX #272AC8

RGB 39 42 200

HSL 238.88, 0.67%, 0.47%

LAB 30.05, 52.95, -80.09

 

CMYK 81 / 37 / 0 / 49

HEX #195383

RGB 25 83 131

HSL 207.17, 0.68%, 0.31%

LAB 34.05, -0.41, -32.17

 

CMYK 81 / 36 / 0 / 35

HEX #2069A5

RGB 32 105 165

HSL 207.07, 0.68%, 0.39%

LAB 42.95, -0.26, -38.52

 

CMYK 81 / 37 / 0 / 22

HEX #277FC8

RGB 39 127 200

HSL 207.2, 0.67%, 0.47%

LAB 51.59, 0.26, -45.1

 

CMYK 71 / 32 / 0 / 15

HEX #3F94D9

RGB 63 148 217

HSL 206.88, 0.67%, 0.55%

LAB 59.2, -3.09, -42.61

 

CMYK 56 / 25 / 0 / 12

HEX #62A7E0

RGB 98 167 224

HSL 207.14, 0.67%, 0.63%

LAB 66.23, -5.46, -35.4

 

CMYK 80 / 36 / 0 / 22

HEX #277FC7

RGB 39 127 199

HSL 207, 0.67%, 0.47%

LAB 51.53, -0.11, -44.61

 

CMYK 29 / 81 / 0 / 22

HEX #8F27C8

RGB 143 39 200

HSL 278.76, 0.67%, 0.47%

LAB 40.35, 66.33, -62.78

 

CMYK 4 / 0 / 81 / 22

HEX #C0C827

RGB 192 200 39

HSL 62.98, 0.67%, 0.47%

LAB 77.67, -20.65, 71.79

 

CMYK 80 / 36 / 0 / 22

HEX #277FC7

RGB 39 127 199

HSL 207, 0.67%, 0.47%

LAB 51.53, -0.11, -44.61

 

CMYK 0 / 81 / 37 / 22

HEX #C8277F

RGB 200 39 127

HSL 327.2, 0.67%, 0.47%

LAB 45.99, 66.97, -9.63

 

CMYK 37 / 0 / 81 / 22

HEX #7FC827

RGB 127 200 39

HSL 87.2, 0.67%, 0.47%

LAB 73.52, -46.31, 66.52

 

CMYK 80 / 36 / 0 / 22

HEX #277FC7

RGB 39 127 199

HSL 207, 0.67%, 0.47%

LAB 51.53, -0.11, -44.61

 

CMYK 29 / 81 / 0 / 22

HEX #8F27C8

RGB 143 39 200

HSL 278.76, 0.67%, 0.47%

LAB 40.35, 66.33, -62.78

 

CMYK 0 / 45 / 81 / 22

HEX #C86F27

RGB 200 111 39

HSL 26.83, 0.67%, 0.47%

LAB 55.88, 30.11, 52.61

 

CMYK 53 / 0 / 81 / 22

HEX #5FC827

RGB 95 200 39

HSL 99.13, 0.67%, 0.47%

LAB 72.15, -56.48, 64.76

 

CMYK 80 / 36 / 0 / 22

HEX #277FC7

RGB 39 127 199

HSL 207, 0.67%, 0.47%

LAB 51.53, -0.11, -44.61

 

CMYK 4 / 81 / 0 / 22

HEX #C027C8

RGB 192 39 200

HSL 297.02, 0.67%, 0.47%

LAB 48.04, 74.98, -49.97

 

CMYK 0 / 45 / 81 / 22

HEX #C86F27

RGB 200 111 39

HSL 26.83, 0.67%, 0.47%

LAB 55.88, 30.11, 52.61

 

CMYK 77 / 0 / 81 / 22

HEX #2FC827

RGB 47 200 39

HSL 117.02, 0.67%, 0.47%

LAB 70.91, -66.73, 63.15

 

Description

Color code: HEX #277FC7 | qconv.com Color code: HEX #277FC7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 127 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 127 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 36 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 36% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

27% - LOI - Van korte curs...
Link: http://www.loi.nl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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