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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #278577 it is the complementary color #D87A88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #278577. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #278577 shade: #2C8572, #3D9785, #4EA998, #5FBBAB and #70CDBE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #278577. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #278577 shade: #278577, #167364, #056151, #004F3E and #003D2B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #278577 shade: #278678, #27865E, #278644, #27862B and #3C8627

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #278577 shade: #278678, #277A86, #276186, #274786 and #272D86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #278577 shade matches the following richer shades: #278678, #189482 and #0AA28B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #278577 shade: #278678, #35786E, #436A64, #515C5A and #5F4E50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #278577 shade: #278645, #27865E, #278678, #277B86 and #276186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #278577 shade: #14463E, #1D665B, #278678, #30A694 and #3AC5B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #278577 shade: #278577, #2B2786 and #865127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #278577 shade: #278577, #782786 and #867827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #278577 shade: #278577, #2B2786, #862735 and #818627

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #278577 shade: #278577, #482786, #862735 and #658627

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 11 / 48

HEX #278577

RGB 39 133 119

HSL 171.06, 0.55%, 0.34%

LAB 50.14, -30.46, -0.35

 

Complementary color

CMYK 0 / 44 / 37 / 15

HEX #D87A88

RGB 216 122 136

HSL 351.06, 0.55%, 0.66%

LAB 61.91, 38.01, 8.6

 

CMYK 67 / 0 / 14 / 48

HEX #2C8572

RGB 44 133 114

HSL 167.19, 0.5%, 0.35%

LAB 50.13, -31.01, 2.57

 

CMYK 60 / 0 / 12 / 41

HEX #3D9785

RGB 61 151 133

HSL 168, 0.42%, 0.42%

LAB 56.9, -31.27, 1.49

 

CMYK 54 / 0 / 10 / 34

HEX #4EA998

RGB 78 169 152

HSL 168.79, 0.37%, 0.48%

LAB 63.56, -31.36, 0.53

 

CMYK 49 / 0 / 9 / 27

HEX #5FBBAB

RGB 95 187 171

HSL 169.57, 0.4%, 0.55%

LAB 70.12, -31.36, -0.34

 

CMYK 45 / 0 / 7 / 20

HEX #70CDBE

RGB 112 205 190

HSL 170.32, 0.48%, 0.62%

LAB 76.57, -31.3, -1.14

 

CMYK 71 / 0 / 11 / 48

HEX #278577

RGB 39 133 119

HSL 171.06, 0.55%, 0.34%

LAB 50.14, -30.46, -0.35

 

CMYK 81 / 0 / 13 / 55

HEX #167364

RGB 22 115 100

HSL 170.32, 0.68%, 0.27%

LAB 43.29, -29.69, 0.87

 

CMYK 95 / 0 / 16 / 62

HEX #056151

RGB 5 97 81

HSL 169.57, 0.9%, 0.2%

LAB 36.32, -28.42, 2.29

 

CMYK 100 / 0 / 22 / 69

HEX #004F3E

RGB 0 79 62

HSL 167.09, 1%, 0.15%

LAB 29.26, -26.16, 4.05

 

CMYK 100 / 0 / 30 / 76

HEX #003D2B

RGB 0 61 43

HSL 162.3, 1%, 0.12%

LAB 21.99, -23.33, 6.1

 

CMYK 71 / 0 / 10 / 47

HEX #278678

RGB 39 134 120

HSL 171.16, 0.55%, 0.34%

LAB 50.5, -30.66, -0.41

 

CMYK 71 / 0 / 30 / 47

HEX #27865E

RGB 39 134 94

HSL 154.74, 0.55%, 0.34%

LAB 49.85, -37.37, 13.75

 

CMYK 71 / 0 / 49 / 47

HEX #278644

RGB 39 134 68

HSL 138.32, 0.55%, 0.34%

LAB 49.37, -42.59, 27.66

 

CMYK 71 / 0 / 68 / 47

HEX #27862B

RGB 39 134 43

HSL 122.53, 0.55%, 0.34%

LAB 49.08, -46.06, 39.74

 

CMYK 55 / 0 / 71 / 47

HEX #3C8627

RGB 60 134 39

HSL 106.74, 0.55%, 0.34%

LAB 49.69, -41.29, 42.32

 

CMYK 71 / 0 / 10 / 47

HEX #278678

RGB 39 134 120

HSL 171.16, 0.55%, 0.34%

LAB 50.5, -30.66, -0.41

 

CMYK 71 / 9 / 0 / 47

HEX #277A86

RGB 39 122 134

HSL 187.58, 0.55%, 0.34%

LAB 47.07, -20.32, -13.76

 

CMYK 71 / 28 / 0 / 47

HEX #276186

RGB 39 97 134

HSL 203.37, 0.55%, 0.34%

LAB 39.07, -6.04, -26.07

 

CMYK 71 / 47 / 0 / 47

HEX #274786

RGB 39 71 134

HSL 219.79, 0.55%, 0.34%

LAB 31.02, 10.77, -38.82

 

CMYK 71 / 66 / 0 / 47

HEX #272D86

RGB 39 45 134

HSL 236.21, 0.55%, 0.34%

LAB 23.77, 28.53, -50.57

 

CMYK 71 / 0 / 10 / 47

HEX #278678

RGB 39 134 120

HSL 171.16, 0.55%, 0.34%

LAB 50.5, -30.66, -0.41

 

CMYK 84 / 0 / 12 / 42

HEX #189482

RGB 24 148 130

HSL 171.29, 0.72%, 0.34%

LAB 55.06, -36.11, 0.43

 

CMYK 94 / 0 / 14 / 36

HEX #0AA28B

RGB 10 162 139

HSL 170.92, 0.88%, 0.34%

LAB 59.68, -40.65, 2.02

 

CMYK 71 / 0 / 10 / 47

HEX #278678

RGB 39 134 120

HSL 171.16, 0.55%, 0.34%

LAB 50.5, -30.66, -0.41

 

CMYK 56 / 0 / 8 / 53

HEX #35786E

RGB 53 120 110

HSL 171.04, 0.39%, 0.34%

LAB 46.06, -23.86, -0.96

 

CMYK 37 / 0 / 6 / 58

HEX #436A64

RGB 67 106 100

HSL 170.77, 0.23%, 0.34%

LAB 41.88, -15.26, -1.01

 

CMYK 12 / 0 / 2 / 64

HEX #515C5A

RGB 81 92 90

HSL 169.09, 0.06%, 0.34%

LAB 38.1, -4.72, -0.31

 

CMYK 0 / 18 / 16 / 63

HEX #5F4E50

RGB 95 78 80

HSL 352.94, 0.1%, 0.34%

LAB 34.92, 7.48, 1.48

 

CMYK 71 / 0 / 49 / 47

HEX #278645

RGB 39 134 69

HSL 138.95, 0.55%, 0.34%

LAB 49.39, -42.42, 27.14

 

CMYK 71 / 0 / 30 / 47

HEX #27865E

RGB 39 134 94

HSL 154.74, 0.55%, 0.34%

LAB 49.85, -37.37, 13.75

 

CMYK 71 / 0 / 10 / 47

HEX #278678

RGB 39 134 120

HSL 171.16, 0.55%, 0.34%

LAB 50.5, -30.66, -0.41

 

CMYK 71 / 8 / 0 / 47

HEX #277B86

RGB 39 123 134

HSL 186.95, 0.55%, 0.34%

LAB 47.39, -20.86, -13.27

 

CMYK 71 / 28 / 0 / 47

HEX #276186

RGB 39 97 134

HSL 203.37, 0.55%, 0.34%

LAB 39.07, -6.04, -26.07

 

CMYK 71 / 0 / 11 / 73

HEX #14463E

RGB 20 70 62

HSL 170.4, 0.56%, 0.18%

LAB 26.38, -18.77, -0.06

 

CMYK 72 / 0 / 11 / 60

HEX #1D665B

RGB 29 102 91

HSL 170.96, 0.56%, 0.26%

LAB 38.76, -24.99, -0.27

 

CMYK 71 / 0 / 10 / 47

HEX #278678

RGB 39 134 120

HSL 171.16, 0.55%, 0.34%

LAB 50.5, -30.66, -0.41

 

CMYK 71 / 0 / 11 / 35

HEX #30A694

RGB 48 166 148

HSL 170.85, 0.55%, 0.42%

LAB 61.69, -36.48, -0.06

 

CMYK 71 / 0 / 10 / 23

HEX #3AC5B1

RGB 58 197 177

HSL 171.37, 0.55%, 0.5%

LAB 72.23, -41.22, -0.64

 

CMYK 71 / 0 / 11 / 48

HEX #278577

RGB 39 133 119

HSL 171.06, 0.55%, 0.34%

LAB 50.14, -30.46, -0.35

 

CMYK 68 / 71 / 0 / 47

HEX #2B2786

RGB 43 39 134

HSL 242.53, 0.55%, 0.34%

LAB 22.6, 32.96, -52.46

 

CMYK 0 / 40 / 71 / 47

HEX #865127

RGB 134 81 39

HSL 26.53, 0.55%, 0.34%

LAB 39.75, 18.25, 33.33

 

CMYK 71 / 0 / 11 / 48

HEX #278577

RGB 39 133 119

HSL 171.06, 0.55%, 0.34%

LAB 50.14, -30.46, -0.35

 

CMYK 10 / 71 / 0 / 47

HEX #782786

RGB 120 39 134

HSL 291.16, 0.55%, 0.34%

LAB 32.18, 48.44, -36.5

 

CMYK 0 / 10 / 71 / 47

HEX #867827

RGB 134 120 39

HSL 51.16, 0.55%, 0.34%

LAB 50.27, -4.42, 44.47

 

CMYK 71 / 0 / 11 / 48

HEX #278577

RGB 39 133 119

HSL 171.06, 0.55%, 0.34%

LAB 50.14, -30.46, -0.35

 

CMYK 68 / 71 / 0 / 47

HEX #2B2786

RGB 43 39 134

HSL 242.53, 0.55%, 0.34%

LAB 22.6, 32.96, -52.46

 

CMYK 0 / 71 / 60 / 47

HEX #862735

RGB 134 39 53

HSL 351.16, 0.55%, 0.34%

LAB 31.29, 41.28, 14.58

 

CMYK 4 / 0 / 71 / 47

HEX #818627

RGB 129 134 39

HSL 63.16, 0.55%, 0.34%

LAB 53.88, -14.38, 47.95

 

CMYK 71 / 0 / 11 / 48

HEX #278577

RGB 39 133 119

HSL 171.06, 0.55%, 0.34%

LAB 50.14, -30.46, -0.35

 

CMYK 46 / 71 / 0 / 47

HEX #482786

RGB 72 39 134

HSL 260.84, 0.55%, 0.34%

LAB 25.41, 37.86, -47.76

 

CMYK 0 / 71 / 60 / 47

HEX #862735

RGB 134 39 53

HSL 351.16, 0.55%, 0.34%

LAB 31.29, 41.28, 14.58

 

CMYK 25 / 0 / 71 / 47

HEX #658627

RGB 101 134 39

HSL 80.84, 0.55%, 0.34%

LAB 51.8, -26.55, 45.17

 

Description

Color code: HEX #278577 | qconv.com Color code: HEX #278577 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 133 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 133 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 11 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 11% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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