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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2780A4 it is the complementary color #D87F5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2780A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2780A4 shade: #2C809F, #3D92B2, #4EA4C5, #5FB6D8 and #70C8EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2780A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2780A4 shade: #2780A4, #166E91, #055C7E, #004A6B and #003858

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2780A4 shade: #2680A5, #265EA5, #263CA5, #3326A5 and #5526A5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2780A4 shade: #2680A5, #265EA5, #263CA5 and #2626A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2780A4 shade matches the following richer shades: #2680A5, #1687B5 and #058EC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2780A4 shade: #2680A5, #377994, #477284, #586B73 and #686463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2780A4 shade: #26A585, #26A3A5, #2681A5, #265FA5 and #263DA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2780A4 shade: #174C62, #1E6683, #2680A5, #2E9AC6 and #49ACD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2780A4 shade: #2780A4, #6326A5 and #A59626

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2780A4 shade: #2780A4, #A52681 and #81A526

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2780A4 shade: #2780A4, #6326A5, #A54A26 and #68A526

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2780A4 shade: #2780A4, #8926A5, #A54A26 and #42A526

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 22 / 0 / 36

HEX #2780A4

RGB 39 128 164

HSL 197.28, 0.62%, 0.4%

LAB 50.16, -13.42, -26.62

 

Complementary color

CMYK 0 / 41 / 58 / 15

HEX #D87F5B

RGB 216 127 91

HSL 17.28, 0.62%, 0.6%

LAB 62.11, 31, 34.22

 

CMYK 72 / 19 / 0 / 38

HEX #2C809F

RGB 44 128 159

HSL 196.17, 0.57%, 0.4%

LAB 50.07, -14.49, -23.84

 

CMYK 66 / 18 / 0 / 30

HEX #3D92B2

RGB 61 146 178

HSL 196.41, 0.49%, 0.47%

LAB 56.84, -15.41, -24.29

 

CMYK 60 / 17 / 0 / 23

HEX #4EA4C5

RGB 78 164 197

HSL 196.64, 0.51%, 0.54%

LAB 63.51, -16.09, -24.71

 

CMYK 56 / 16 / 0 / 15

HEX #5FB6D8

RGB 95 182 216

HSL 196.86, 0.61%, 0.61%

LAB 70.07, -16.6, -25.09

 

CMYK 52 / 15 / 0 / 8

HEX #70C8EB

RGB 112 200 235

HSL 197.07, 0.75%, 0.68%

LAB 76.53, -16.99, -25.46

 

CMYK 76 / 22 / 0 / 36

HEX #2780A4

RGB 39 128 164

HSL 197.28, 0.62%, 0.4%

LAB 50.16, -13.42, -26.62

 

CMYK 85 / 24 / 0 / 43

HEX #166E91

RGB 22 110 145

HSL 197.07, 0.74%, 0.33%

LAB 43.31, -11.86, -26.1

 

CMYK 96 / 27 / 0 / 51

HEX #055C7E

RGB 5 92 126

HSL 196.86, 0.92%, 0.26%

LAB 36.35, -9.73, -25.49

 

CMYK 100 / 31 / 0 / 58

HEX #004A6B

RGB 0 74 107

HSL 198.5, 1%, 0.21%

LAB 29.31, -6.68, -24.69

 

CMYK 100 / 36 / 0 / 65

HEX #003858

RGB 0 56 88

HSL 201.82, 1%, 0.17%

LAB 22.06, -3.02, -23.84

 

CMYK 77 / 22 / 0 / 35

HEX #2680A5

RGB 38 128 165

HSL 197.48, 0.63%, 0.4%

LAB 50.18, -13.19, -27.17

 

CMYK 77 / 43 / 0 / 35

HEX #265EA5

RGB 38 94 165

HSL 213.54, 0.63%, 0.4%

LAB 39.81, 7.43, -43.52

 

CMYK 77 / 64 / 0 / 35

HEX #263CA5

RGB 38 60 165

HSL 229.61, 0.63%, 0.4%

LAB 30.3, 30.04, -58.9

 

CMYK 69 / 77 / 0 / 35

HEX #3326A5

RGB 51 38 165

HSL 246.14, 0.63%, 0.4%

LAB 26.18, 44.83, -65.65

 

CMYK 48 / 77 / 0 / 35

HEX #5526A5

RGB 85 38 165

HSL 262.2, 0.63%, 0.4%

LAB 29.5, 49.24, -60.07

 

CMYK 77 / 22 / 0 / 35

HEX #2680A5

RGB 38 128 165

HSL 197.48, 0.63%, 0.4%

LAB 50.18, -13.19, -27.17

 

CMYK 77 / 43 / 0 / 35

HEX #265EA5

RGB 38 94 165

HSL 213.54, 0.63%, 0.4%

LAB 39.81, 7.43, -43.52

 

CMYK 77 / 64 / 0 / 35

HEX #263CA5

RGB 38 60 165

HSL 229.61, 0.63%, 0.4%

LAB 30.3, 30.04, -58.9

 

CMYK 77 / 77 / 0 / 35

HEX #2626A5

RGB 38 38 165

HSL 240, 0.63%, 0.4%

LAB 25.31, 43.64, -67.12

 

CMYK 77 / 22 / 0 / 35

HEX #2680A5

RGB 38 128 165

HSL 197.48, 0.63%, 0.4%

LAB 50.18, -13.19, -27.17

 

CMYK 88 / 25 / 0 / 29

HEX #1687B5

RGB 22 135 181

HSL 197.36, 0.78%, 0.4%

LAB 52.77, -12.86, -32.4

 

CMYK 97 / 28 / 0 / 22

HEX #058EC6

RGB 5 142 198

HSL 197.41, 0.95%, 0.4%

LAB 55.54, -11.31, -37.76

 

CMYK 77 / 22 / 0 / 35

HEX #2680A5

RGB 38 128 165

HSL 197.48, 0.63%, 0.4%

LAB 50.18, -13.19, -27.17

 

CMYK 63 / 18 / 0 / 42

HEX #377994

RGB 55 121 148

HSL 197.42, 0.46%, 0.4%

LAB 47.78, -12.4, -20.89

 

CMYK 46 / 14 / 0 / 48

HEX #477284

RGB 71 114 132

HSL 197.7, 0.3%, 0.4%

LAB 45.69, -9.74, -14.55

 

CMYK 23 / 7 / 0 / 55

HEX #586B73

RGB 88 107 115

HSL 197.78, 0.13%, 0.4%

LAB 43.99, -5.13, -6.82

 

CMYK 0 / 4 / 5 / 59

HEX #686463

RGB 104 100 99

HSL 12, 0.02%, 0.4%

LAB 42.7, 1.37, 1.12

 

CMYK 77 / 0 / 19 / 35

HEX #26A585

RGB 38 165 133

HSL 164.88, 0.63%, 0.4%

LAB 60.8, -41.31, 7.04

 

CMYK 77 / 1 / 0 / 35

HEX #26A3A5

RGB 38 163 165

HSL 180.94, 0.63%, 0.4%

LAB 61.07, -31.41, -10.57

 

CMYK 77 / 22 / 0 / 35

HEX #2681A5

RGB 38 129 165

HSL 197.01, 0.63%, 0.4%

LAB 50.49, -13.76, -26.69

 

CMYK 77 / 42 / 0 / 35

HEX #265FA5

RGB 38 95 165

HSL 213.07, 0.63%, 0.4%

LAB 40.1, 6.78, -43.04

 

CMYK 77 / 63 / 0 / 35

HEX #263DA5

RGB 38 61 165

HSL 229.13, 0.63%, 0.4%

LAB 30.56, 29.38, -58.48

 

CMYK 77 / 22 / 0 / 62

HEX #174C62

RGB 23 76 98

HSL 197.6, 0.62%, 0.24%

LAB 29.99, -9.13, -17.87

 

CMYK 77 / 22 / 0 / 49

HEX #1E6683

RGB 30 102 131

HSL 197.23, 0.63%, 0.32%

LAB 40.27, -11.48, -22.4

 

CMYK 77 / 22 / 0 / 35

HEX #2680A5

RGB 38 128 165

HSL 197.48, 0.63%, 0.4%

LAB 50.18, -13.19, -27.17

 

CMYK 77 / 22 / 0 / 22

HEX #2E9AC6

RGB 46 154 198

HSL 197.37, 0.62%, 0.48%

LAB 59.68, -15.19, -31.25

 

CMYK 66 / 19 / 0 / 17

HEX #49ACD4

RGB 73 172 212

HSL 197.27, 0.62%, 0.56%

LAB 66.27, -16.53, -28.79

 

CMYK 76 / 22 / 0 / 36

HEX #2780A4

RGB 39 128 164

HSL 197.28, 0.62%, 0.4%

LAB 50.16, -13.42, -26.62

 

CMYK 40 / 77 / 0 / 35

HEX #6326A5

RGB 99 38 165

HSL 268.82, 0.63%, 0.4%

LAB 31.24, 51.51, -57.14

 

CMYK 0 / 9 / 77 / 35

HEX #A59626

RGB 165 150 38

HSL 52.91, 0.63%, 0.4%

LAB 61.61, -6.78, 56.86

 

CMYK 76 / 22 / 0 / 36

HEX #2780A4

RGB 39 128 164

HSL 197.28, 0.62%, 0.4%

LAB 50.16, -13.42, -26.62

 

CMYK 0 / 77 / 22 / 35

HEX #A52681

RGB 165 38 129

HSL 317.01, 0.63%, 0.4%

LAB 39.53, 58.89, -21.3

 

CMYK 22 / 0 / 77 / 35

HEX #81A526

RGB 129 165 38

HSL 77.01, 0.63%, 0.4%

LAB 63.11, -30.05, 57.24

 

CMYK 76 / 22 / 0 / 36

HEX #2780A4

RGB 39 128 164

HSL 197.28, 0.62%, 0.4%

LAB 50.16, -13.42, -26.62

 

CMYK 40 / 77 / 0 / 35

HEX #6326A5

RGB 99 38 165

HSL 268.82, 0.63%, 0.4%

LAB 31.24, 51.51, -57.14

 

CMYK 0 / 55 / 77 / 35

HEX #A54A26

RGB 165 74 38

HSL 17.01, 0.63%, 0.4%

LAB 42.82, 35.27, 38.53

 

CMYK 37 / 0 / 77 / 35

HEX #68A526

RGB 104 165 38

HSL 88.82, 0.63%, 0.4%

LAB 61.65, -39.73, 55.33

 

CMYK 76 / 22 / 0 / 36

HEX #2780A4

RGB 39 128 164

HSL 197.28, 0.62%, 0.4%

LAB 50.16, -13.42, -26.62

 

CMYK 17 / 77 / 0 / 35

HEX #8926A5

RGB 137 38 165

HSL 286.77, 0.63%, 0.4%

LAB 36.78, 58.56, -47.9

 

CMYK 0 / 55 / 77 / 35

HEX #A54A26

RGB 165 74 38

HSL 17.01, 0.63%, 0.4%

LAB 42.82, 35.27, 38.53

 

CMYK 60 / 0 / 77 / 35

HEX #42A526

RGB 66 165 38

HSL 106.77, 0.63%, 0.4%

LAB 60.08, -51.54, 53.27

 

Description

Color code: HEX #2780A4 | qconv.com Color code: HEX #2780A4 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 128 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 128 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 22 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 22% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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