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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #278B46 it is the complementary color #D874B9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #278B46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #278B46 shade: #2C8B41, #3D9D54, #4EAF67, #5FC17A and #70D38D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #278B46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #278B46 shade: #278B46, #167933, #056720, #00550D and #004300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #278B46 shade: #278B46, #278B2B, #3E8B27, #598B27 and #748B27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #278B46 shade: #278B46, #278B61, #278B7C, #277F8B and #27648B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #278B46 shade matches the following richer shades: #278B46, #189940 and #0AA83B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #278B46 shade: #278B46, #357C4B, #446E51, #525F56 and #61515C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #278B46 shade: #3E8B27, #278B2A, #278B45, #278B5F and #278B7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #278B46 shade: #154A25, #1E6B36, #278B46, #30AB56 and #3CC868

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #278B46 shade: #278B46, #27598B and #8B2731

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #278B46 shade: #278B46, #45278B and #8B4527

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #278B46 shade: #278B46, #27598B, #8B276D and #8B5927

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #278B46 shade: #278B46, #273B8B, #8B276D and #8B7727

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

Complementary color

CMYK 0 / 46 / 14 / 15

HEX #D874B9

RGB 216 116 185

HSL 318.6, 0.56%, 0.65%

LAB 62.16, 47.88, -19.04

 

CMYK 68 / 0 / 53 / 45

HEX #2C8B41

RGB 44 139 65

HSL 133.26, 0.52%, 0.36%

LAB 51.13, -44.04, 31.45

 

CMYK 61 / 0 / 46 / 38

HEX #3D9D54

RGB 61 157 84

HSL 134.38, 0.44%, 0.43%

LAB 57.8, -44.43, 29.94

 

CMYK 55 / 0 / 41 / 31

HEX #4EAF67

RGB 78 175 103

HSL 135.46, 0.38%, 0.5%

LAB 64.37, -44.54, 28.5

 

CMYK 51 / 0 / 37 / 24

HEX #5FC17A

RGB 95 193 122

HSL 136.53, 0.44%, 0.56%

LAB 70.86, -44.47, 27.16

 

CMYK 47 / 0 / 33 / 17

HEX #70D38D

RGB 112 211 141

HSL 137.58, 0.53%, 0.63%

LAB 77.25, -44.32, 25.91

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 82 / 0 / 58 / 53

HEX #167933

RGB 22 121 51

HSL 137.58, 0.69%, 0.28%

LAB 44.35, -43.18, 30.39

 

CMYK 95 / 0 / 69 / 60

HEX #056720

RGB 5 103 32

HSL 136.53, 0.91%, 0.21%

LAB 37.55, -41.32, 31.97

 

CMYK 100 / 0 / 85 / 67

HEX #00550D

RGB 0 85 13

HSL 129.18, 1%, 0.17%

LAB 30.7, -37.84, 32.95

 

CMYK 100 / 0 / 100 / 74

HEX #004300

RGB 0 67 0

HSL 120, 1%, 0.13%

LAB 23.72, -33, 31.32

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 72 / 0 / 69 / 45

HEX #278B2B

RGB 39 139 43

HSL 122.4, 0.56%, 0.35%

LAB 50.77, -47.85, 41.58

 

CMYK 55 / 0 / 72 / 45

HEX #3E8B27

RGB 62 139 39

HSL 106.2, 0.56%, 0.35%

LAB 51.42, -42.71, 44.16

 

CMYK 36 / 0 / 72 / 45

HEX #598B27

RGB 89 139 39

HSL 90, 0.56%, 0.35%

LAB 52.66, -33.67, 45.82

 

CMYK 17 / 0 / 72 / 45

HEX #748B27

RGB 116 139 39

HSL 73.8, 0.56%, 0.35%

LAB 54.37, -22.71, 48.11

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 72 / 0 / 30 / 45

HEX #278B61

RGB 39 139 97

HSL 154.8, 0.56%, 0.35%

LAB 51.56, -38.82, 14.41

 

CMYK 72 / 0 / 11 / 45

HEX #278B7C

RGB 39 139 124

HSL 171, 0.56%, 0.35%

LAB 52.23, -31.9, -0.2

 

CMYK 72 / 9 / 0 / 45

HEX #277F8B

RGB 39 127 139

HSL 187.2, 0.56%, 0.35%

LAB 48.85, -21.35, -14.01

 

CMYK 72 / 28 / 0 / 45

HEX #27648B

RGB 39 100 139

HSL 203.4, 0.56%, 0.35%

LAB 40.26, -6.04, -27.23

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 84 / 0 / 58 / 40

HEX #189940

RGB 24 153 64

HSL 138.6, 0.73%, 0.35%

LAB 55.43, -52.3, 37.05

 

CMYK 94 / 0 / 65 / 34

HEX #0AA83B

RGB 10 168 59

HSL 138.61, 0.89%, 0.35%

LAB 60.24, -58.9, 44.87

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 57 / 0 / 40 / 51

HEX #357C4B

RGB 53 124 75

HSL 138.59, 0.4%, 0.35%

LAB 46.55, -34.01, 20.22

 

CMYK 38 / 0 / 26 / 57

HEX #446E51

RGB 68 110 81

HSL 138.57, 0.24%, 0.35%

LAB 42.73, -21.53, 11.65

 

CMYK 14 / 0 / 9 / 63

HEX #525F56

RGB 82 95 86

HSL 138.46, 0.07%, 0.35%

LAB 38.98, -7, 3.46

 

CMYK 0 / 16 / 5 / 62

HEX #61515C

RGB 97 81 92

HSL 318.75, 0.09%, 0.35%

LAB 36.36, 8.78, -3.94

 

CMYK 55 / 0 / 72 / 45

HEX #3E8B27

RGB 62 139 39

HSL 106.2, 0.56%, 0.35%

LAB 51.42, -42.71, 44.16

 

CMYK 72 / 0 / 70 / 45

HEX #278B2A

RGB 39 139 42

HSL 121.8, 0.56%, 0.35%

LAB 50.76, -47.95, 42

 

CMYK 72 / 0 / 50 / 45

HEX #278B45

RGB 39 139 69

HSL 138, 0.56%, 0.35%

LAB 51.07, -44.36, 29.25

 

CMYK 72 / 0 / 32 / 45

HEX #278B5F

RGB 39 139 95

HSL 153.6, 0.56%, 0.35%

LAB 51.52, -39.28, 15.49

 

CMYK 72 / 0 / 12 / 45

HEX #278B7A

RGB 39 139 122

HSL 169.8, 0.56%, 0.35%

LAB 52.18, -32.46, 0.88

 

CMYK 72 / 0 / 50 / 71

HEX #154A25

RGB 21 74 37

HSL 138.11, 0.56%, 0.19%

LAB 27.27, -26.9, 17.09

 

CMYK 72 / 0 / 50 / 58

HEX #1E6B36

RGB 30 107 54

HSL 138.7, 0.56%, 0.27%

LAB 39.68, -35.95, 23.05

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 72 / 0 / 50 / 33

HEX #30AB56

RGB 48 171 86

HSL 138.54, 0.56%, 0.43%

LAB 62.02, -52.05, 34.16

 

CMYK 70 / 0 / 48 / 22

HEX #3CC868

RGB 60 200 104

HSL 138.86, 0.56%, 0.51%

LAB 71.74, -57.75, 37.34

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 72 / 36 / 0 / 45

HEX #27598B

RGB 39 89 139

HSL 210, 0.56%, 0.35%

LAB 36.82, 0.81, -32.65

 

CMYK 0 / 72 / 65 / 45

HEX #8B2731

RGB 139 39 49

HSL 354, 0.56%, 0.35%

LAB 32.17, 42.69, 18.51

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 50 / 72 / 0 / 45

HEX #45278B

RGB 69 39 139

HSL 258, 0.56%, 0.35%

LAB 25.5, 38.75, -50.74

 

CMYK 0 / 50 / 72 / 45

HEX #8B4527

RGB 139 69 39

HSL 18, 0.56%, 0.35%

LAB 37.65, 27.31, 31.19

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 72 / 36 / 0 / 45

HEX #27598B

RGB 39 89 139

HSL 210, 0.56%, 0.35%

LAB 36.82, 0.81, -32.65

 

CMYK 0 / 72 / 22 / 45

HEX #8B276D

RGB 139 39 109

HSL 318, 0.56%, 0.35%

LAB 34.07, 49.05, -17.59

 

CMYK 0 / 36 / 72 / 45

HEX #8B5927

RGB 139 89 39

HSL 30, 0.56%, 0.35%

LAB 42.43, 15.84, 36.45

 

CMYK 72 / 0 / 50 / 45

HEX #278B46

RGB 39 139 70

HSL 138.6, 0.56%, 0.35%

LAB 51.08, -44.2, 28.74

 

CMYK 72 / 58 / 0 / 45

HEX #273B8B

RGB 39 59 139

HSL 228, 0.56%, 0.35%

LAB 27.91, 20.93, -46.93

 

CMYK 0 / 72 / 22 / 45

HEX #8B276D

RGB 139 39 109

HSL 318, 0.56%, 0.35%

LAB 34.07, 49.05, -17.59

 

CMYK 0 / 14 / 72 / 45

HEX #8B7727

RGB 139 119 39

HSL 48, 0.56%, 0.35%

LAB 50.49, -1.53, 44.85

 

Description

Color code: HEX #278B46 | qconv.com Color code: HEX #278B46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 139 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 139 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 50 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 50% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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