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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #279082 it is the complementary color #D86F7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #279082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #279082 shade: #2C907D, #3DA290, #4EB4A3, #5FC6B6 and #70D8C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #279082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #279082 shade: #279082, #167E6F, #056C5C, #005A49 and #004836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #279082 shade: #279082, #279065, #279049, #27902D and #3D9027

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #279082 shade: #279082, #278190, #276590, #274990 and #272D90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #279082 shade matches the following richer shades: #279082, #189E8D and #09AD97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #279082 shade: #279082, #368177, #45726C, #546361 and #625456

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #279082 shade: #27904A, #279066, #279082, #278290 and #276690

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #279082 shade: #154F47, #1E6F64, #279082, #30B09F and #3FCAB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #279082 shade: #279082, #2E2790 and #905827

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #279082 shade: #279082, #822790 and #908227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #279082 shade: #279082, #2E2790, #902735 and #899027

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #279082 shade: #279082, #4D2790, #902735 and #699027

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

Complementary color

CMYK 0 / 49 / 42 / 15

HEX #D86F7D

RGB 216 111 125

HSL 352, 0.57%, 0.64%

LAB 59.39, 42.44, 11.36

 

CMYK 69 / 0 / 13 / 44

HEX #2C907D

RGB 44 144 125

HSL 168.6, 0.53%, 0.37%

LAB 53.99, -33.2, 1.79

 

CMYK 62 / 0 / 11 / 36

HEX #3DA290

RGB 61 162 144

HSL 169.31, 0.45%, 0.44%

LAB 60.65, -33.58, 0.71

 

CMYK 57 / 0 / 9 / 29

HEX #4EB4A3

RGB 78 180 163

HSL 170, 0.4%, 0.51%

LAB 67.21, -33.77, -0.26

 

CMYK 52 / 0 / 8 / 22

HEX #5FC6B6

RGB 95 198 182

HSL 170.68, 0.47%, 0.57%

LAB 73.67, -33.84, -1.13

 

CMYK 48 / 0 / 7 / 15

HEX #70D8C9

RGB 112 216 201

HSL 171.35, 0.57%, 0.64%

LAB 80.05, -33.84, -1.94

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 83 / 0 / 12 / 51

HEX #167E6F

RGB 22 126 111

HSL 171.35, 0.7%, 0.29%

LAB 47.29, -31.66, 0.15

 

CMYK 95 / 0 / 15 / 58

HEX #056C5C

RGB 5 108 92

HSL 170.68, 0.91%, 0.22%

LAB 40.46, -30.27, 1.55

 

CMYK 100 / 0 / 19 / 65

HEX #005A49

RGB 0 90 73

HSL 168.67, 1%, 0.18%

LAB 33.55, -28.01, 3.26

 

CMYK 100 / 0 / 25 / 72

HEX #004836

RGB 0 72 54

HSL 165, 1%, 0.14%

LAB 26.45, -25.26, 5.2

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 73 / 0 / 30 / 44

HEX #279065

RGB 39 144 101

HSL 155.43, 0.57%, 0.36%

LAB 53.3, -40.03, 14.52

 

CMYK 73 / 0 / 49 / 44

HEX #279049

RGB 39 144 73

HSL 139.43, 0.57%, 0.36%

LAB 52.79, -45.61, 29.3

 

CMYK 73 / 0 / 69 / 44

HEX #27902D

RGB 39 144 45

HSL 123.43, 0.57%, 0.36%

LAB 52.47, -49.4, 42.55

 

CMYK 58 / 0 / 73 / 44

HEX #3D9027

RGB 61 144 39

HSL 107.43, 0.57%, 0.36%

LAB 53.04, -44.94, 45.82

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 73 / 10 / 0 / 44

HEX #278190

RGB 39 129 144

HSL 188.57, 0.57%, 0.36%

LAB 49.67, -20.78, -15.7

 

CMYK 73 / 30 / 0 / 44

HEX #276590

RGB 39 101 144

HSL 204.57, 0.57%, 0.36%

LAB 40.82, -4.81, -29.37

 

CMYK 73 / 49 / 0 / 44

HEX #274990

RGB 39 73 144

HSL 220.57, 0.57%, 0.36%

LAB 32.28, 13.31, -42.94

 

CMYK 73 / 69 / 0 / 44

HEX #272D90

RGB 39 45 144

HSL 236.57, 0.57%, 0.36%

LAB 24.71, 32.2, -55.25

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 85 / 0 / 11 / 38

HEX #189E8D

RGB 24 158 141

HSL 172.39, 0.74%, 0.36%

LAB 58.58, -37.48, -0.71

 

CMYK 95 / 0 / 13 / 32

HEX #09AD97

RGB 9 173 151

HSL 171.95, 0.9%, 0.36%

LAB 63.49, -42.09, 0.84

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 58 / 0 / 8 / 49

HEX #368177

RGB 54 129 119

HSL 172, 0.41%, 0.36%

LAB 49.27, -25.72, -1.57

 

CMYK 39 / 0 / 5 / 55

HEX #45726C

RGB 69 114 108

HSL 172, 0.25%, 0.36%

LAB 44.78, -17, -1.57

 

CMYK 15 / 0 / 2 / 61

HEX #546361

RGB 84 99 97

HSL 172, 0.08%, 0.36%

LAB 40.69, -6.16, -0.79

 

CMYK 0 / 14 / 12 / 62

HEX #625456

RGB 98 84 86

HSL 351.43, 0.08%, 0.36%

LAB 37.13, 6.13, 0.96

 

CMYK 73 / 0 / 49 / 44

HEX #27904A

RGB 39 144 74

HSL 140, 0.57%, 0.36%

LAB 52.81, -45.44, 28.79

 

CMYK 73 / 0 / 29 / 44

HEX #279066

RGB 39 144 102

HSL 156, 0.57%, 0.36%

LAB 53.32, -39.79, 13.99

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 73 / 10 / 0 / 44

HEX #278290

RGB 39 130 144

HSL 188, 0.57%, 0.36%

LAB 49.99, -21.31, -15.21

 

CMYK 73 / 29 / 0 / 44

HEX #276690

RGB 39 102 144

HSL 204, 0.57%, 0.36%

LAB 41.13, -5.42, -28.88

 

CMYK 73 / 0 / 10 / 69

HEX #154F47

RGB 21 79 71

HSL 171.72, 0.58%, 0.2%

LAB 29.93, -20.6, -0.69

 

CMYK 73 / 0 / 10 / 56

HEX #1E6F64

RGB 30 111 100

HSL 171.85, 0.57%, 0.28%

LAB 42.1, -26.66, -0.85

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 73 / 0 / 10 / 31

HEX #30B09F

RGB 48 176 159

HSL 172.03, 0.57%, 0.44%

LAB 65.11, -38.01, -1.2

 

CMYK 69 / 0 / 9 / 21

HEX #3FCAB8

RGB 63 202 184

HSL 172.23, 0.57%, 0.52%

LAB 74.04, -40.89, -1.79

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 68 / 73 / 0 / 44

HEX #2E2790

RGB 46 39 144

HSL 244, 0.57%, 0.36%

LAB 23.82, 36.8, -56.69

 

CMYK 0 / 39 / 73 / 44

HEX #905827

RGB 144 88 39

HSL 28, 0.57%, 0.36%

LAB 42.85, 18.68, 37.09

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 10 / 73 / 0 / 44

HEX #822790

RGB 130 39 144

HSL 292, 0.57%, 0.36%

LAB 34.42, 52.68, -39

 

CMYK 0 / 10 / 73 / 44

HEX #908227

RGB 144 130 39

HSL 52, 0.57%, 0.36%

LAB 54.07, -5.38, 48.59

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 68 / 73 / 0 / 44

HEX #2E2790

RGB 46 39 144

HSL 244, 0.57%, 0.36%

LAB 23.82, 36.8, -56.69

 

CMYK 0 / 73 / 63 / 44

HEX #902735

RGB 144 39 53

HSL 352, 0.57%, 0.36%

LAB 33.22, 44.61, 17.47

 

CMYK 5 / 0 / 73 / 44

HEX #899027

RGB 137 144 39

HSL 64, 0.57%, 0.36%

LAB 57.47, -16.09, 51.71

 

CMYK 73 / 0 / 10 / 44

HEX #279082

RGB 39 144 130

HSL 172, 0.57%, 0.36%

LAB 54.02, -32.56, -1.06

 

CMYK 47 / 73 / 0 / 44

HEX #4D2790

RGB 77 39 144

HSL 261.71, 0.57%, 0.36%

LAB 26.86, 41.65, -51.6

 

CMYK 0 / 73 / 63 / 44

HEX #902735

RGB 144 39 53

HSL 352, 0.57%, 0.36%

LAB 33.22, 44.61, 17.47

 

CMYK 27 / 0 / 73 / 44

HEX #699027

RGB 105 144 39

HSL 82.29, 0.57%, 0.36%

LAB 55.17, -29.75, 48.66

 

Description

Color code: HEX #279082 | qconv.com Color code: HEX #279082 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 144 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 144 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 10 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 10% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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