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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #279147 it is the complementary color #D86EB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #279147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #279147 shade: #2C9142, #3DA355, #4EB568, #5FC77B and #70D98E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #279147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #279147 shade: #279147, #167F34, #056D21, #005B0E and #004900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #279147 shade: #269146, #269129, #3F9126, #5C9126 and #799126

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #279147 shade: #269146, #269163, #269180, #268591 and #266891

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #279147 shade matches the following richer shades: #269146, #179F40 and #08AE3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #279147 shade: #269146, #35824C, #447352, #536458 and #61555E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #279147 shade: #3F9126, #26912A, #269146, #269162 and #26917F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #279147 shade: #154F26, #1D7036, #269146, #2FB156 and #3ECB69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #279147 shade: #279147, #265B91 and #912631

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #279147 shade: #279147, #462691 and #914626

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #279147 shade: #279147, #265B91, #912671 and #915B26

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #279147 shade: #279147, #263B91, #912671 and #917B26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 51 / 43

HEX #279147

RGB 39 145 71

HSL 138.11, 0.58%, 0.36%

LAB 53.1, -46.32, 30.73

 

Complementary color

CMYK 0 / 49 / 15 / 15

HEX #D86EB8

RGB 216 110 184

HSL 318.11, 0.58%, 0.64%

LAB 60.97, 50.73, -20.29

 

CMYK 70 / 0 / 54 / 43

HEX #2C9142

RGB 44 145 66

HSL 133.07, 0.53%, 0.37%

LAB 53.15, -46.18, 33.4

 

CMYK 63 / 0 / 48 / 36

HEX #3DA355

RGB 61 163 85

HSL 134.12, 0.46%, 0.44%

LAB 59.75, -46.66, 31.89

 

CMYK 57 / 0 / 43 / 29

HEX #4EB568

RGB 78 181 104

HSL 135.15, 0.41%, 0.51%

LAB 66.26, -46.83, 30.44

 

CMYK 52 / 0 / 38 / 22

HEX #5FC77B

RGB 95 199 123

HSL 136.15, 0.48%, 0.58%

LAB 72.7, -46.82, 29.08

 

CMYK 48 / 0 / 35 / 15

HEX #70D98E

RGB 112 217 142

HSL 137.14, 0.58%, 0.65%

LAB 79.05, -46.7, 27.81

 

CMYK 73 / 0 / 51 / 43

HEX #279147

RGB 39 145 71

HSL 138.11, 0.58%, 0.36%

LAB 53.1, -46.32, 30.73

 

CMYK 83 / 0 / 59 / 50

HEX #167F34

RGB 22 127 52

HSL 137.14, 0.7%, 0.29%

LAB 46.44, -45.2, 32.37

 

CMYK 95 / 0 / 70 / 57

HEX #056D21

RGB 5 109 33

HSL 136.15, 0.91%, 0.22%

LAB 39.71, -43.23, 33.88

 

CMYK 100 / 0 / 85 / 64

HEX #005B0E

RGB 0 91 14

HSL 129.23, 1%, 0.18%

LAB 32.95, -39.71, 34.76

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 74 / 0 / 52 / 43

HEX #269146

RGB 38 145 70

HSL 137.94, 0.58%, 0.36%

LAB 53.06, -46.65, 31.21

 

CMYK 74 / 0 / 72 / 43

HEX #269129

RGB 38 145 41

HSL 121.68, 0.58%, 0.36%

LAB 52.76, -50.32, 44.52

 

CMYK 57 / 0 / 74 / 43

HEX #3F9126

RGB 63 145 38

HSL 105.98, 0.58%, 0.36%

LAB 53.44, -44.85, 46.63

 

CMYK 37 / 0 / 74 / 43

HEX #5C9126

RGB 92 145 38

HSL 89.72, 0.58%, 0.36%

LAB 54.73, -35.32, 48.35

 

CMYK 17 / 0 / 74 / 43

HEX #799126

RGB 121 145 38

HSL 73.46, 0.58%, 0.36%

LAB 56.54, -23.64, 50.75

 

CMYK 74 / 0 / 52 / 43

HEX #269146

RGB 38 145 70

HSL 137.94, 0.58%, 0.36%

LAB 53.06, -46.65, 31.21

 

CMYK 74 / 0 / 32 / 43

HEX #269163

RGB 38 145 99

HSL 154.21, 0.58%, 0.36%

LAB 53.56, -41.05, 16.02

 

CMYK 74 / 0 / 12 / 43

HEX #269180

RGB 38 145 128

HSL 170.47, 0.58%, 0.36%

LAB 54.26, -33.73, 0.44

 

CMYK 74 / 8 / 0 / 43

HEX #268591

RGB 38 133 145

HSL 186.73, 0.58%, 0.36%

LAB 50.96, -22.69, -14.33

 

CMYK 74 / 28 / 0 / 43

HEX #266891

RGB 38 104 145

HSL 202.99, 0.58%, 0.36%

LAB 41.78, -6.42, -28.47

 

CMYK 74 / 0 / 52 / 43

HEX #269146

RGB 38 145 70

HSL 137.94, 0.58%, 0.36%

LAB 53.06, -46.65, 31.21

 

CMYK 86 / 0 / 60 / 38

HEX #179F40

RGB 23 159 64

HSL 138.09, 0.75%, 0.36%

LAB 57.41, -54.43, 39.38

 

CMYK 95 / 0 / 67 / 32

HEX #08AE3A

RGB 8 174 58

HSL 138.07, 0.91%, 0.36%

LAB 62.19, -60.96, 47.46

 

CMYK 74 / 0 / 52 / 43

HEX #269146

RGB 38 145 70

HSL 137.94, 0.58%, 0.36%

LAB 53.06, -46.65, 31.21

 

CMYK 59 / 0 / 42 / 49

HEX #35824C

RGB 53 130 76

HSL 137.92, 0.42%, 0.36%

LAB 48.57, -36.46, 22.31

 

CMYK 41 / 0 / 29 / 55

HEX #447352

RGB 68 115 82

HSL 137.87, 0.26%, 0.36%

LAB 44.38, -23.9, 13.34

 

CMYK 17 / 0 / 12 / 61

HEX #536458

RGB 83 100 88

HSL 137.65, 0.09%, 0.36%

LAB 40.67, -9.11, 4.66

 

CMYK 0 / 12 / 3 / 62

HEX #61555E

RGB 97 85 94

HSL 315, 0.07%, 0.36%

LAB 37.57, 6.71, -3.41

 

CMYK 57 / 0 / 74 / 43

HEX #3F9126

RGB 63 145 38

HSL 105.98, 0.58%, 0.36%

LAB 53.44, -44.85, 46.63

 

CMYK 74 / 0 / 71 / 43

HEX #26912A

RGB 38 145 42

HSL 122.24, 0.58%, 0.36%

LAB 52.76, -50.23, 44.12

 

CMYK 74 / 0 / 52 / 43

HEX #269146

RGB 38 145 70

HSL 137.94, 0.58%, 0.36%

LAB 53.06, -46.65, 31.21

 

CMYK 74 / 0 / 32 / 43

HEX #269162

RGB 38 145 98

HSL 153.64, 0.58%, 0.36%

LAB 53.54, -41.28, 16.55

 

CMYK 74 / 0 / 12 / 43

HEX #26917F

RGB 38 145 127

HSL 169.91, 0.58%, 0.36%

LAB 54.23, -34.01, 0.98

 

CMYK 73 / 0 / 52 / 69

HEX #154F26

RGB 21 79 38

HSL 137.59, 0.58%, 0.2%

LAB 29.14, -28.92, 18.87

 

CMYK 74 / 0 / 52 / 56

HEX #1D7036

RGB 29 112 54

HSL 138.07, 0.59%, 0.28%

LAB 41.4, -38.16, 25.21

 

CMYK 74 / 0 / 52 / 43

HEX #269146

RGB 38 145 70

HSL 137.94, 0.58%, 0.36%

LAB 53.06, -46.65, 31.21

 

CMYK 73 / 0 / 51 / 31

HEX #2FB156

RGB 47 177 86

HSL 138, 0.58%, 0.44%

LAB 63.93, -54.39, 36.53

 

CMYK 69 / 0 / 48 / 20

HEX #3ECB69

RGB 62 203 105

HSL 138.3, 0.58%, 0.52%

LAB 72.73, -58.33, 38.1

 

CMYK 73 / 0 / 51 / 43

HEX #279147

RGB 39 145 71

HSL 138.11, 0.58%, 0.36%

LAB 53.1, -46.32, 30.73

 

CMYK 74 / 37 / 0 / 43

HEX #265B91

RGB 38 91 145

HSL 210.28, 0.58%, 0.36%

LAB 37.73, 1.66, -34.84

 

CMYK 0 / 74 / 66 / 43

HEX #912631

RGB 145 38 49

HSL 353.83, 0.58%, 0.36%

LAB 33.2, 45.07, 20.06

 

CMYK 73 / 0 / 51 / 43

HEX #279147

RGB 39 145 71

HSL 138.11, 0.58%, 0.36%

LAB 53.1, -46.32, 30.73

 

CMYK 52 / 74 / 0 / 43

HEX #462691

RGB 70 38 145

HSL 257.94, 0.58%, 0.36%

LAB 25.96, 41.23, -53.71

 

CMYK 0 / 52 / 74 / 43

HEX #914626

RGB 145 70 38

HSL 17.94, 0.58%, 0.36%

LAB 38.79, 29.23, 33.28

 

CMYK 73 / 0 / 51 / 43

HEX #279147

RGB 39 145 71

HSL 138.11, 0.58%, 0.36%

LAB 53.1, -46.32, 30.73

 

CMYK 74 / 37 / 0 / 43

HEX #265B91

RGB 38 91 145

HSL 210.28, 0.58%, 0.36%

LAB 37.73, 1.66, -34.84

 

CMYK 0 / 74 / 22 / 43

HEX #912671

RGB 145 38 113

HSL 317.94, 0.58%, 0.36%

LAB 35.2, 51.61, -18.3

 

CMYK 0 / 37 / 74 / 43

HEX #915B26

RGB 145 91 38

HSL 29.72, 0.58%, 0.36%

LAB 43.71, 17.34, 38.55

 

CMYK 73 / 0 / 51 / 43

HEX #279147

RGB 39 145 71

HSL 138.11, 0.58%, 0.36%

LAB 53.1, -46.32, 30.73

 

CMYK 74 / 59 / 0 / 43

HEX #263B91

RGB 38 59 145

HSL 228.22, 0.58%, 0.36%

LAB 28.34, 23.1, -49.93

 

CMYK 0 / 74 / 22 / 43

HEX #912671

RGB 145 38 113

HSL 317.94, 0.58%, 0.36%

LAB 35.2, 51.61, -18.3

 

CMYK 0 / 15 / 74 / 43

HEX #917B26

RGB 145 123 38

HSL 47.66, 0.58%, 0.36%

LAB 52.2, -1.06, 47.19

 

Description

Color code: HEX #279147 | qconv.com Color code: HEX #279147 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 145 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 145 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 51 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 51% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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