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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #279A7E it is the complementary color #D86581. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #279A7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #279A7E shade: #2C9A79, #3DAC8C, #4EBE9F, #5FD0B2 and #70E2C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #279A7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #279A7E shade: #279A7E, #16886B, #057658, #006445 and #005232

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #279A7E shade: #269B7E, #269B5F, #269B40, #2C9B26 and #4C9B26

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #279A7E shade: #269B7E, #26979B, #26789B, #26599B and #26399B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #279A7E shade matches the following richer shades: #269B7E, #17AA86 and #07BA8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #279A7E shade: #269B7E, #368B76, #467B6E, #556C66 and #655C5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #279A7E shade: #269B3F, #269B5E, #269B7D, #26999B and #267A9B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #279A7E shade: #165948, #1E7A63, #269B7E, #2FBC99 and #44D0AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #279A7E shade: #279A7E, #262C9B and #9B4F26

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #279A7E shade: #279A7E, #7D269B and #9B7D26

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #279A7E shade: #279A7E, #262C9B, #9B2643 and #9B9526

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #279A7E shade: #279A7E, #43269B, #9B2643 and #7D9B26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 18 / 40

HEX #279A7E

RGB 39 154 126

HSL 165.39, 0.6%, 0.38%

LAB 57.12, -38.2, 5.73

 

Complementary color

CMYK 0 / 53 / 40 / 15

HEX #D86581

RGB 216 101 129

HSL 345.39, 0.6%, 0.62%

LAB 57.55, 47.84, 6.43

 

CMYK 71 / 0 / 21 / 40

HEX #2C9A79

RGB 44 154 121

HSL 162, 0.56%, 0.39%

LAB 57.1, -38.76, 8.55

 

CMYK 65 / 0 / 19 / 33

HEX #3DAC8C

RGB 61 172 140

HSL 162.7, 0.48%, 0.46%

LAB 63.66, -39.15, 7.31

 

CMYK 59 / 0 / 16 / 25

HEX #4EBE9F

RGB 78 190 159

HSL 163.39, 0.46%, 0.53%

LAB 70.14, -39.34, 6.19

 

CMYK 54 / 0 / 14 / 18

HEX #5FD0B2

RGB 95 208 178

HSL 164.07, 0.55%, 0.59%

LAB 76.53, -39.41, 5.18

 

CMYK 50 / 0 / 13 / 11

HEX #70E2C5

RGB 112 226 197

HSL 164.74, 0.66%, 0.66%

LAB 82.84, -39.39, 4.25

 

CMYK 75 / 0 / 18 / 40

HEX #279A7E

RGB 39 154 126

HSL 165.39, 0.6%, 0.38%

LAB 57.12, -38.2, 5.73

 

CMYK 84 / 0 / 21 / 47

HEX #16886B

RGB 22 136 107

HSL 164.74, 0.72%, 0.31%

LAB 50.5, -37.28, 7.12

 

CMYK 96 / 0 / 25 / 54

HEX #057658

RGB 5 118 88

HSL 164.07, 0.92%, 0.24%

LAB 43.79, -35.87, 8.72

 

CMYK 100 / 0 / 31 / 61

HEX #006445

RGB 0 100 69

HSL 161.4, 1%, 0.2%

LAB 37.01, -33.57, 10.61

 

CMYK 100 / 0 / 39 / 68

HEX #005232

RGB 0 82 50

HSL 156.59, 1%, 0.16%

LAB 30.07, -30.78, 12.74

 

CMYK 75 / 0 / 19 / 39

HEX #269B7E

RGB 38 155 126

HSL 165.13, 0.61%, 0.38%

LAB 57.43, -38.77, 6.16

 

CMYK 75 / 0 / 39 / 39

HEX #269B5F

RGB 38 155 95

HSL 149.23, 0.61%, 0.38%

LAB 56.76, -45.94, 22.57

 

CMYK 75 / 0 / 59 / 39

HEX #269B40

RGB 38 155 64

HSL 133.33, 0.61%, 0.38%

LAB 56.31, -51.16, 38.15

 

CMYK 72 / 0 / 75 / 39

HEX #2C9B26

RGB 44 155 38

HSL 116.92, 0.61%, 0.38%

LAB 56.21, -52.89, 49.25

 

CMYK 51 / 0 / 75 / 39

HEX #4C9B26

RGB 76 155 38

HSL 100.51, 0.61%, 0.38%

LAB 57.19, -44.97, 50.56

 

CMYK 75 / 0 / 19 / 39

HEX #269B7E

RGB 38 155 126

HSL 165.13, 0.61%, 0.38%

LAB 57.43, -38.77, 6.16

 

CMYK 75 / 3 / 0 / 39

HEX #26979B

RGB 38 151 155

HSL 182.05, 0.61%, 0.38%

LAB 56.99, -28.64, -11.01

 

CMYK 75 / 23 / 0 / 39

HEX #26789B

RGB 38 120 155

HSL 197.95, 0.61%, 0.38%

LAB 47.25, -12.19, -25.87

 

CMYK 75 / 43 / 0 / 39

HEX #26599B

RGB 38 89 155

HSL 213.85, 0.61%, 0.38%

LAB 37.7, 6.8, -40.91

 

CMYK 75 / 63 / 0 / 39

HEX #26399B

RGB 38 57 155

HSL 230.26, 0.61%, 0.38%

LAB 28.66, 28.26, -55.54

 

CMYK 75 / 0 / 19 / 39

HEX #269B7E

RGB 38 155 126

HSL 165.13, 0.61%, 0.38%

LAB 57.43, -38.77, 6.16

 

CMYK 86 / 0 / 21 / 33

HEX #17AA86

RGB 23 170 134

HSL 165.31, 0.76%, 0.38%

LAB 62.21, -44.61, 8.48

 

CMYK 96 / 0 / 24 / 27

HEX #07BA8E

RGB 7 186 142

HSL 165.25, 0.93%, 0.38%

LAB 67.36, -49.89, 11.36

 

CMYK 75 / 0 / 19 / 39

HEX #269B7E

RGB 38 155 126

HSL 165.13, 0.61%, 0.38%

LAB 57.43, -38.77, 6.16

 

CMYK 61 / 0 / 15 / 45

HEX #368B76

RGB 54 139 118

HSL 165.18, 0.44%, 0.38%

LAB 52.46, -30.89, 3.65

 

CMYK 43 / 0 / 11 / 52

HEX #467B6E

RGB 70 123 110

HSL 165.28, 0.27%, 0.38%

LAB 47.74, -21.01, 1.58

 

CMYK 21 / 0 / 6 / 58

HEX #556C66

RGB 85 108 102

HSL 164.35, 0.12%, 0.38%

LAB 43.68, -9.88, 0.54

 

CMYK 0 / 9 / 7 / 60

HEX #655C5E

RGB 101 92 94

HSL 346.67, 0.05%, 0.38%

LAB 39.96, 4.01, 0.16

 

CMYK 75 / 0 / 59 / 39

HEX #269B3F

RGB 38 155 63

HSL 132.82, 0.61%, 0.38%

LAB 56.3, -51.3, 38.62

 

CMYK 75 / 0 / 39 / 39

HEX #269B5E

RGB 38 155 94

HSL 148.72, 0.61%, 0.38%

LAB 56.75, -46.14, 23.09

 

CMYK 75 / 0 / 19 / 39

HEX #269B7D

RGB 38 155 125

HSL 164.62, 0.61%, 0.38%

LAB 57.4, -39.03, 6.69

 

CMYK 75 / 1 / 0 / 39

HEX #26999B

RGB 38 153 155

HSL 181.03, 0.61%, 0.38%

LAB 57.62, -29.62, -10.06

 

CMYK 75 / 21 / 0 / 39

HEX #267A9B

RGB 38 122 155

HSL 196.92, 0.61%, 0.38%

LAB 47.88, -13.33, -24.9

 

CMYK 75 / 0 / 19 / 65

HEX #165948

RGB 22 89 72

HSL 164.78, 0.6%, 0.22%

LAB 33.53, -25.23, 3.9

 

CMYK 75 / 0 / 19 / 52

HEX #1E7A63

RGB 30 122 99

HSL 165, 0.61%, 0.3%

LAB 45.77, -32.19, 5.06

 

CMYK 75 / 0 / 19 / 39

HEX #269B7E

RGB 38 155 126

HSL 165.13, 0.61%, 0.38%

LAB 57.43, -38.77, 6.16

 

CMYK 75 / 0 / 19 / 26

HEX #2FBC99

RGB 47 188 153

HSL 165.11, 0.6%, 0.46%

LAB 68.66, -44.95, 7.25

 

CMYK 67 / 0 / 16 / 18

HEX #44D0AE

RGB 68 208 174

HSL 165.43, 0.6%, 0.54%

LAB 75.7, -45.32, 6.03

 

CMYK 75 / 0 / 18 / 40

HEX #279A7E

RGB 39 154 126

HSL 165.39, 0.6%, 0.38%

LAB 57.12, -38.2, 5.73

 

CMYK 75 / 72 / 0 / 39

HEX #262C9B

RGB 38 44 155

HSL 236.92, 0.61%, 0.38%

LAB 25.5, 36.67, -60.71

 

CMYK 0 / 49 / 75 / 39

HEX #9B4F26

RGB 155 79 38

HSL 21.03, 0.61%, 0.38%

LAB 42.31, 28.51, 37.51

 

CMYK 75 / 0 / 18 / 40

HEX #279A7E

RGB 39 154 126

HSL 165.39, 0.6%, 0.38%

LAB 57.12, -38.2, 5.73

 

CMYK 19 / 75 / 0 / 39

HEX #7D269B

RGB 125 38 155

HSL 284.62, 0.61%, 0.38%

LAB 34.22, 54.15, -46.09

 

CMYK 0 / 19 / 75 / 39

HEX #9B7D26

RGB 155 125 38

HSL 44.62, 0.61%, 0.38%

LAB 53.79, 2.42, 49.09

 

CMYK 75 / 0 / 18 / 40

HEX #279A7E

RGB 39 154 126

HSL 165.39, 0.6%, 0.38%

LAB 57.12, -38.2, 5.73

 

CMYK 75 / 72 / 0 / 39

HEX #262C9B

RGB 38 44 155

HSL 236.92, 0.61%, 0.38%

LAB 25.5, 36.67, -60.71

 

CMYK 0 / 75 / 57 / 39

HEX #9B2643

RGB 155 38 67

HSL 345.13, 0.61%, 0.38%

LAB 35.52, 49.48, 11.89

 

CMYK 0 / 4 / 75 / 39

HEX #9B9526

RGB 155 149 38

HSL 56.92, 0.61%, 0.38%

LAB 60.43, -10.73, 55.43

 

CMYK 75 / 0 / 18 / 40

HEX #279A7E

RGB 39 154 126

HSL 165.39, 0.6%, 0.38%

LAB 57.12, -38.2, 5.73

 

CMYK 57 / 75 / 0 / 39

HEX #43269B

RGB 67 38 155

HSL 254.87, 0.61%, 0.38%

LAB 26.58, 43.72, -58.85

 

CMYK 0 / 75 / 57 / 39

HEX #9B2643

RGB 155 38 67

HSL 345.13, 0.61%, 0.38%

LAB 35.52, 49.48, 11.89

 

CMYK 19 / 0 / 75 / 39

HEX #7D9B26

RGB 125 155 38

HSL 75.38, 0.61%, 0.38%

LAB 59.84, -26.89, 54.04

 

Description

Color code: HEX #279A7E | qconv.com Color code: HEX #279A7E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 39 red, 154 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
39 154 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 18 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 18% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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