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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #280565 it is the complementary color #D7FA9A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #280565. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #280565 shade: #2D0560, #3E1773, #4F2986, #603B99 and #714DAC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #280565. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #280565 shade: #280565, #170052, #06003F, #00002C and #000019

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #280565 shade: #280466, #420466, #5C0466, #660455 and #66043B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #280565 shade: #280466, #0E0466 and #040466

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #280565 shade matches the following richer shades: #280466

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #280565 shade: #280466, #2A0D5D, #2D1654, #2F1E4C and #312743

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #280565 shade: #041666, #0C0466, #260466, #400466 and #5A0466

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #280565 shade: #090117, #18023E, #280466, #37068D and #4708B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #280565 shade: #280565, #660430 and #096604

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #280565 shade: #280565, #662604 and #046626

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #280565 shade: #280565, #660430, #446604 and #04663A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #280565 shade: #280565, #660413, #446604 and #046657

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 95 / 0 / 60

HEX #280565

RGB 40 5 101

HSL 261.88, 0.91%, 0.21%

LAB 12.6, 39.47, -47.7

 

Complementary color

CMYK 14 / 0 / 38 / 2

HEX #D7FA9A

RGB 215 250 154

HSL 81.88, 0.91%, 0.79%

LAB 93.95, -26.63, 42.35

 

CMYK 53 / 95 / 0 / 62

HEX #2D0560

RGB 45 5 96

HSL 266.37, 0.9%, 0.2%

LAB 12.68, 38.64, -44.23

 

CMYK 46 / 80 / 0 / 55

HEX #3E1773

RGB 62 23 115

HSL 265.43, 0.67%, 0.27%

LAB 19.54, 38.9, -45.34

 

CMYK 41 / 69 / 0 / 47

HEX #4F2986

RGB 79 41 134

HSL 264.52, 0.53%, 0.34%

LAB 26.65, 38.19, -45.71

 

CMYK 37 / 61 / 0 / 40

HEX #603B99

RGB 96 59 153

HSL 263.62, 0.44%, 0.42%

LAB 33.8, 37.11, -45.74

 

CMYK 34 / 55 / 0 / 33

HEX #714DAC

RGB 113 77 172

HSL 262.74, 0.38%, 0.49%

LAB 40.89, 35.99, -45.64

 

CMYK 60 / 95 / 0 / 60

HEX #280565

RGB 40 5 101

HSL 261.88, 0.91%, 0.21%

LAB 12.6, 39.47, -47.7

 

CMYK 72 / 100 / 0 / 68

HEX #170052

RGB 23 0 82

HSL 256.83, 1%, 0.16%

LAB 7.15, 35.36, -43.98

 

CMYK 90 / 100 / 0 / 75

HEX #06003F

RGB 6 0 63

HSL 245.71, 1%, 0.12%

LAB 3.59, 24.09, -36.52

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 100 / 100 / 0 / 90

HEX #000019

RGB 0 0 25

HSL 240, 1%, 0.05%

LAB 0.63, 4.46, -12.12

 

CMYK 61 / 96 / 0 / 60

HEX #280466

RGB 40 4 102

HSL 262.04, 0.92%, 0.21%

LAB 12.59, 40.16, -48.38

 

CMYK 35 / 96 / 0 / 60

HEX #420466

RGB 66 4 102

HSL 277.96, 0.92%, 0.21%

LAB 16.53, 43.18, -41.77

 

CMYK 10 / 96 / 0 / 60

HEX #5C0466

RGB 92 4 102

HSL 293.88, 0.92%, 0.21%

LAB 21.29, 47.41, -33.81

 

CMYK 0 / 96 / 17 / 60

HEX #660455

RGB 102 4 85

HSL 310.41, 0.92%, 0.21%

LAB 22.19, 46.6, -20.98

 

CMYK 0 / 96 / 42 / 60

HEX #66043B

RGB 102 4 59

HSL 326.33, 0.92%, 0.21%

LAB 20.93, 43.29, -5.1

 

CMYK 61 / 96 / 0 / 60

HEX #280466

RGB 40 4 102

HSL 262.04, 0.92%, 0.21%

LAB 12.59, 40.16, -48.38

 

CMYK 86 / 96 / 0 / 60

HEX #0E0466

RGB 14 4 102

HSL 246.12, 0.92%, 0.21%

LAB 10.1, 38.58, -52.59

 

CMYK 96 / 96 / 0 / 60

HEX #040466

RGB 4 4 102

HSL 240, 0.92%, 0.21%

LAB 9.58, 38.29, -53.48

 

CMYK 61 / 96 / 0 / 60

HEX #280466

RGB 40 4 102

HSL 262.04, 0.92%, 0.21%

LAB 12.59, 40.16, -48.38

 

CMYK 61 / 96 / 0 / 60

HEX #280466

RGB 40 4 102

HSL 262.04, 0.92%, 0.21%

LAB 12.59, 40.16, -48.38

 

CMYK 55 / 86 / 0 / 64

HEX #2A0D5D

RGB 42 13 93

HSL 261.75, 0.75%, 0.21%

LAB 13.05, 34.1, -41.62

 

CMYK 46 / 74 / 0 / 67

HEX #2D1654

RGB 45 22 84

HSL 262.26, 0.58%, 0.21%

LAB 14.24, 27.13, -33.58

 

CMYK 38 / 61 / 0 / 70

HEX #2F1E4C

RGB 47 30 76

HSL 262.17, 0.43%, 0.21%

LAB 15.77, 20.03, -25.64

 

CMYK 27 / 42 / 0 / 74

HEX #312743

RGB 49 39 67

HSL 261.43, 0.26%, 0.21%

LAB 17.96, 11.73, -15.98

 

CMYK 96 / 78 / 0 / 60

HEX #041666

RGB 4 22 102

HSL 228.98, 0.92%, 0.21%

LAB 12.98, 28.32, -47.83

 

CMYK 88 / 96 / 0 / 60

HEX #0C0466

RGB 12 4 102

HSL 244.9, 0.92%, 0.21%

LAB 9.99, 38.51, -52.79

 

CMYK 63 / 96 / 0 / 60

HEX #260466

RGB 38 4 102

HSL 260.82, 0.92%, 0.21%

LAB 12.34, 39.98, -48.81

 

CMYK 37 / 96 / 0 / 60

HEX #400466

RGB 64 4 102

HSL 276.73, 0.92%, 0.21%

LAB 16.19, 42.9, -42.33

 

CMYK 12 / 96 / 0 / 60

HEX #5A0466

RGB 90 4 102

HSL 292.65, 0.92%, 0.21%

LAB 20.9, 47.05, -34.45

 

CMYK 61 / 96 / 0 / 91

HEX #090117

RGB 9 1 23

HSL 261.82, 0.92%, 0.05%

LAB 1.28, 5.88, -9.57

 

CMYK 61 / 97 / 0 / 76

HEX #18023E

RGB 24 2 62

HSL 262, 0.94%, 0.13%

LAB 5.29, 26.82, -32.97

 

CMYK 61 / 96 / 0 / 60

HEX #280466

RGB 40 4 102

HSL 262.04, 0.92%, 0.21%

LAB 12.59, 40.16, -48.38

 

CMYK 61 / 96 / 0 / 45

HEX #37068D

RGB 55 6 141

HSL 261.78, 0.92%, 0.29%

LAB 19.5, 50.92, -61.94

 

CMYK 61 / 96 / 0 / 29

HEX #4708B5

RGB 71 8 181

HSL 261.85, 0.92%, 0.37%

LAB 26.3, 61.52, -75.01

 

CMYK 60 / 95 / 0 / 60

HEX #280565

RGB 40 5 101

HSL 261.88, 0.91%, 0.21%

LAB 12.6, 39.47, -47.7

 

CMYK 0 / 96 / 53 / 60

HEX #660430

RGB 102 4 48

HSL 333.06, 0.92%, 0.21%

LAB 20.54, 42.22, 2.06

 

CMYK 91 / 0 / 96 / 60

HEX #096604

RGB 9 102 4

HSL 116.94, 0.92%, 0.21%

LAB 37.06, -42.79, 41.45

 

CMYK 60 / 95 / 0 / 60

HEX #280565

RGB 40 5 101

HSL 261.88, 0.91%, 0.21%

LAB 12.6, 39.47, -47.7

 

CMYK 0 / 63 / 96 / 60

HEX #662604

RGB 102 38 4

HSL 20.82, 0.92%, 0.21%

LAB 24.39, 27.14, 33.42

 

CMYK 96 / 0 / 63 / 60

HEX #046626

RGB 4 102 38

HSL 140.82, 0.92%, 0.21%

LAB 37.24, -40.27, 28.64

 

CMYK 60 / 95 / 0 / 60

HEX #280565

RGB 40 5 101

HSL 261.88, 0.91%, 0.21%

LAB 12.6, 39.47, -47.7

 

CMYK 0 / 96 / 53 / 60

HEX #660430

RGB 102 4 48

HSL 333.06, 0.92%, 0.21%

LAB 20.54, 42.22, 2.06

 

CMYK 33 / 0 / 96 / 60

HEX #446604

RGB 68 102 4

HSL 80.82, 0.92%, 0.21%

LAB 39.14, -26.53, 44.02

 

CMYK 96 / 0 / 43 / 60

HEX #04663A

RGB 4 102 58

HSL 153.06, 0.92%, 0.21%

LAB 37.54, -36.63, 17.9

 

CMYK 60 / 95 / 0 / 60

HEX #280565

RGB 40 5 101

HSL 261.88, 0.91%, 0.21%

LAB 12.6, 39.47, -47.7

 

CMYK 0 / 96 / 81 / 60

HEX #660413

RGB 102 4 19

HSL 350.82, 0.92%, 0.21%

LAB 19.88, 40.38, 21.54

 

CMYK 33 / 0 / 96 / 60

HEX #446604

RGB 68 102 4

HSL 80.82, 0.92%, 0.21%

LAB 39.14, -26.53, 44.02

 

CMYK 96 / 0 / 15 / 60

HEX #046657

RGB 4 102 87

HSL 170.82, 0.92%, 0.21%

LAB 38.23, -29.05, 1.36

 

Description

Color code: HEX #280565 | qconv.com Color code: HEX #280565 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 5 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 5 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 95 magenta, none yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 95% 0% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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