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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #283019 it is the complementary color #D7CFE6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #283019. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #283019 shade: #2D3014, #3E4227, #4F543A, #60664D and #717860

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #283019. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #283019 shade: #283019, #171E06 and #060C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #283019 shade: #272F18, #2D2F18, #2F2A18, #2F2418 and #2F1E18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #283019 shade: #272F18, #212F18, #1A2F18, #182F1B and #182F22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #283019 shade matches the following richer shades: #272F18, #283412, #2A3A0C, #2C4006 and #2E4601

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #283019 shade: #272F18, #25291E, #232323, #211D29 and #20182F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #283019 shade: #2F2A18, #2D2F18, #272F18, #212F18 and #1B2F18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.



Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #283019 shade: #283019, #182F24 and #2D182F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #283019 shade: #283019, #18272F and #2F1827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #283019 shade: #283019, #182F24, #1F182F and #2F1822

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #283019 shade: #283019, #182F2B, #1F182F and #2F181C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 48 / 81

HEX #283019

RGB 40 48 25

HSL 80.87, 0.32%, 0.14%

LAB 18.52, -8.32, 13.6

 

Complementary color

CMYK 7 / 10 / 0 / 10

HEX #D7CFE6

RGB 215 207 230

HSL 260.87, 0.32%, 0.86%

LAB 84.37, 7.01, -10.34

 

CMYK 6 / 0 / 58 / 81

HEX #2D3014

RGB 45 48 20

HSL 66.43, 0.41%, 0.13%

LAB 18.9, -6.52, 17.35

 

CMYK 6 / 0 / 41 / 74

HEX #3E4227

RGB 62 66 39

HSL 68.89, 0.26%, 0.21%

LAB 26.92, -6.85, 15.9

 

CMYK 6 / 0 / 31 / 67

HEX #4F543A

RGB 79 84 58

HSL 71.54, 0.18%, 0.28%

LAB 34.62, -7.02, 14.57

 

CMYK 6 / 0 / 25 / 60

HEX #60664D

RGB 96 102 77

HSL 74.4, 0.14%, 0.35%

LAB 42.04, -7.14, 13.39

 

CMYK 6 / 0 / 20 / 53

HEX #717860

RGB 113 120 96

HSL 77.5, 0.11%, 0.42%

LAB 49.24, -7.22, 12.32

 

CMYK 17 / 0 / 48 / 81

HEX #283019

RGB 40 48 25

HSL 80.87, 0.32%, 0.14%

LAB 18.52, -8.32, 13.6

 

CMYK 23 / 0 / 80 / 88

HEX #171E06

RGB 23 30 6

HSL 77.5, 0.67%, 0.07%

LAB 9.98, -8.19, 12.29

 

CMYK 50 / 0 / 100 / 95

HEX #060C00

RGB 6 12 0

HSL 90, 1%, 0.02%

LAB 2.72, -3.28, 4.02

 

CMYK 17 / 0 / 49 / 82

HEX #272F18

RGB 39 47 24

HSL 80.87, 0.32%, 0.14%

LAB 18.06, -8.34, 13.64

 

CMYK 4 / 0 / 49 / 82

HEX #2D2F18

RGB 45 47 24

HSL 65.22, 0.32%, 0.14%

LAB 18.61, -5.34, 14.47

 

CMYK 0 / 11 / 49 / 82

HEX #2F2A18

RGB 47 42 24

HSL 46.96, 0.32%, 0.14%

LAB 17.11, -0.99, 12.6

 

CMYK 0 / 23 / 49 / 82

HEX #2F2418

RGB 47 36 24

HSL 31.3, 0.32%, 0.14%

LAB 15.13, 3.13, 10

 

CMYK 0 / 36 / 49 / 82

HEX #2F1E18

RGB 47 30 24

HSL 15.65, 0.32%, 0.14%

LAB 13.22, 7.35, 7.44

 

CMYK 17 / 0 / 49 / 82

HEX #272F18

RGB 39 47 24

HSL 80.87, 0.32%, 0.14%

LAB 18.06, -8.34, 13.64

 

CMYK 30 / 0 / 49 / 82

HEX #212F18

RGB 33 47 24

HSL 96.52, 0.32%, 0.14%

LAB 17.56, -11.18, 12.91

 

CMYK 45 / 0 / 49 / 82

HEX #1A2F18

RGB 26 47 24

HSL 114.78, 0.32%, 0.14%

LAB 17.08, -14.23, 12.19

 

CMYK 49 / 0 / 43 / 82

HEX #182F1B

RGB 24 47 27

HSL 127.83, 0.32%, 0.14%

LAB 17.02, -14.42, 10.09

 

CMYK 49 / 0 / 28 / 82

HEX #182F22

RGB 24 47 34

HSL 146.09, 0.32%, 0.14%

LAB 17.19, -12.77, 5.56

 

CMYK 17 / 0 / 49 / 82

HEX #272F18

RGB 39 47 24

HSL 80.87, 0.32%, 0.14%

LAB 18.06, -8.34, 13.64

 

CMYK 23 / 0 / 65 / 80

HEX #283412

RGB 40 52 18

HSL 81.18, 0.49%, 0.14%

LAB 19.85, -11.75, 19.57

 

CMYK 28 / 0 / 79 / 77

HEX #2A3A0C

RGB 42 58 12

HSL 80.87, 0.66%, 0.14%

LAB 22.11, -14.88, 25.26

 

CMYK 31 / 0 / 91 / 75

HEX #2C4006

RGB 44 64 6

HSL 80.69, 0.83%, 0.14%

LAB 24.37, -17.69, 30.11

 

CMYK 34 / 0 / 99 / 73

HEX #2E4601

RGB 46 70 1

HSL 80.87, 0.97%, 0.14%

LAB 26.63, -20.27, 34.3

 

CMYK 17 / 0 / 49 / 82

HEX #272F18

RGB 39 47 24

HSL 80.87, 0.32%, 0.14%

LAB 18.06, -8.34, 13.64

 

CMYK 10 / 0 / 27 / 84

HEX #25291E

RGB 37 41 30

HSL 81.82, 0.15%, 0.14%

LAB 15.87, -4.32, 6.64

 

CMYK 0 / 0 / 0 / 86

HEX #232323

RGB 35 35 35

HSL 0, 0%, 0.14%

LAB 13.71, 0, -0

 

CMYK 20 / 29 / 0 / 84

HEX #211D29

RGB 33 29 41

HSL 260, 0.17%, 0.14%

LAB 11.7, 5.07, -7.39

 

CMYK 32 / 49 / 0 / 82

HEX #20182F

RGB 32 24 47

HSL 260.87, 0.32%, 0.14%

LAB 10.3, 10.22, -13.96

 

CMYK 0 / 11 / 49 / 82

HEX #2F2A18

RGB 47 42 24

HSL 46.96, 0.32%, 0.14%

LAB 17.11, -0.99, 12.6

 

CMYK 4 / 0 / 49 / 82

HEX #2D2F18

RGB 45 47 24

HSL 65.22, 0.32%, 0.14%

LAB 18.61, -5.34, 14.47

 

CMYK 17 / 0 / 49 / 82

HEX #272F18

RGB 39 47 24

HSL 80.87, 0.32%, 0.14%

LAB 18.06, -8.34, 13.64

 

CMYK 30 / 0 / 49 / 82

HEX #212F18

RGB 33 47 24

HSL 96.52, 0.32%, 0.14%

LAB 17.56, -11.18, 12.91

 

CMYK 43 / 0 / 49 / 82

HEX #1B2F18

RGB 27 47 24

HSL 112.17, 0.32%, 0.14%

LAB 17.14, -13.82, 12.29

 

CMYK 17 / 0 / 48 / 81

HEX #283019

RGB 40 48 25

HSL 80.87, 0.32%, 0.14%

LAB 18.52, -8.32, 13.6

 

CMYK 49 / 0 / 23 / 82

HEX #182F24

RGB 24 47 36

HSL 151.3, 0.32%, 0.14%

LAB 17.25, -12.25, 4.26

 

CMYK 4 / 49 / 0 / 82

HEX #2D182F

RGB 45 24 47

HSL 294.78, 0.32%, 0.14%

LAB 12.07, 15.24, -11.07

 

CMYK 17 / 0 / 48 / 81

HEX #283019

RGB 40 48 25

HSL 80.87, 0.32%, 0.14%

LAB 18.52, -8.32, 13.6

 

CMYK 49 / 17 / 0 / 82

HEX #18272F

RGB 24 39 47

HSL 200.87, 0.32%, 0.14%

LAB 14.68, -3.7, -7.25

 

CMYK 0 / 49 / 17 / 82

HEX #2F1827

RGB 47 24 39

HSL 320.87, 0.32%, 0.14%

LAB 11.98, 14.24, -5.32

 

CMYK 17 / 0 / 48 / 81

HEX #283019

RGB 40 48 25

HSL 80.87, 0.32%, 0.14%

LAB 18.52, -8.32, 13.6

 

CMYK 49 / 0 / 23 / 82

HEX #182F24

RGB 24 47 36

HSL 151.3, 0.32%, 0.14%

LAB 17.25, -12.25, 4.26

 

CMYK 34 / 49 / 0 / 82

HEX #1F182F

RGB 31 24 47

HSL 258.26, 0.32%, 0.14%

LAB 10.18, 9.85, -14.15

 

CMYK 0 / 49 / 28 / 82

HEX #2F1822

RGB 47 24 34

HSL 333.91, 0.32%, 0.14%

LAB 11.78, 13.24, -1.94

 

CMYK 17 / 0 / 48 / 81

HEX #283019

RGB 40 48 25

HSL 80.87, 0.32%, 0.14%

LAB 18.52, -8.32, 13.6

 

CMYK 49 / 0 / 9 / 82

HEX #182F2B

RGB 24 47 43

HSL 169.57, 0.32%, 0.14%

LAB 17.47, -10.26, -0.28

 

CMYK 34 / 49 / 0 / 82

HEX #1F182F

RGB 31 24 47

HSL 258.26, 0.32%, 0.14%

LAB 10.18, 9.85, -14.15

 

CMYK 0 / 49 / 40 / 82

HEX #2F181C

RGB 47 24 28

HSL 349.57, 0.32%, 0.14%

LAB 11.56, 12.17, 2.19

 

Description

Color code: HEX #283019 | qconv.com Color code: HEX #283019 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 48 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 48 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 48 yellow and 81 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 48% 81% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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