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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #284457 it is the complementary color #D7BBA8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #284457. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #284457 shade: #2D4452, #3E5665, #4F6878, #607A8B and #718C9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #284457. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #284457 shade: #284457, #173244, #062031, #000E1E and #00000B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #284457 shade: #284457, #283757, #282A57, #322857 and #3E2857

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #284457 shade: #284457, #283757, #282A57 and #282857

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #284457 shade matches the following richer shades: #284457, #1D4661, #13486B and #094A76

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #284457 shade: #284457, #32424D, #3C4042, #473E38 and #513C2E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #284457 shade: #285751, #285157, #284457, #283757 and #282B57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #284457 shade: #0E181E, #1B2E3B, #284457, #355A73 and #42708F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #284457 shade: #284457, #442857 and #575728

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #284457 shade: #284457, #572844 and #445728

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #284457 shade: #284457, #442857, #573B28 and #3B5728

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #284457 shade: #284457, #522857, #573B28 and #2C5728

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

Complementary color

CMYK 0 / 13 / 22 / 16

HEX #D7BBA8

RGB 215 187 168

HSL 24.26, 0.37%, 0.75%

LAB 77.77, 7.03, 13.29

 

CMYK 45 / 17 / 0 / 68

HEX #2D4452

RGB 45 68 82

HSL 202.7, 0.29%, 0.25%

LAB 27.58, -4.67, -11.21

 

CMYK 39 / 15 / 0 / 60

HEX #3E5665

RGB 62 86 101

HSL 203.08, 0.24%, 0.32%

LAB 35.24, -4.86, -11.56

 

CMYK 34 / 13 / 0 / 53

HEX #4F6878

RGB 79 104 120

HSL 203.41, 0.21%, 0.39%

LAB 42.64, -5, -11.92

 

CMYK 31 / 12 / 0 / 45

HEX #607A8B

RGB 96 122 139

HSL 203.72, 0.18%, 0.46%

LAB 49.82, -5.11, -12.3

 

CMYK 28 / 11 / 0 / 38

HEX #718C9E

RGB 113 140 158

HSL 204, 0.19%, 0.53%

LAB 56.82, -5.21, -12.68

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 66 / 26 / 0 / 73

HEX #173244

RGB 23 50 68

HSL 204, 0.49%, 0.18%

LAB 19.56, -3.84, -14.33

 

CMYK 88 / 35 / 0 / 81

HEX #062031

RGB 6 32 49

HSL 203.72, 0.78%, 0.11%

LAB 11.23, -2.72, -14.09

 

CMYK 100 / 53 / 0 / 88

HEX #000E1E

RGB 0 14 30

HSL 212, 1%, 0.06%

LAB 3.68, 0.15, -11.61

 

CMYK 100 / 100 / 0 / 96

HEX #00000B

RGB 0 0 11

HSL 240, 1%, 0.02%

LAB 0.22, 1.53, -4.17

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 54 / 37 / 0 / 66

HEX #283757

RGB 40 55 87

HSL 220.85, 0.37%, 0.25%

LAB 23.24, 4.21, -21.22

 

CMYK 54 / 52 / 0 / 66

HEX #282A57

RGB 40 42 87

HSL 237.45, 0.37%, 0.25%

LAB 19.2, 13.38, -27.62

 

CMYK 43 / 54 / 0 / 66

HEX #322857

RGB 50 40 87

HSL 252.77, 0.37%, 0.25%

LAB 19.57, 17.56, -26.98

 

CMYK 29 / 54 / 0 / 66

HEX #3E2857

RGB 62 40 87

HSL 268.09, 0.37%, 0.25%

LAB 20.94, 21.19, -24.72

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 54 / 37 / 0 / 66

HEX #283757

RGB 40 55 87

HSL 220.85, 0.37%, 0.25%

LAB 23.24, 4.21, -21.22

 

CMYK 54 / 52 / 0 / 66

HEX #282A57

RGB 40 42 87

HSL 237.45, 0.37%, 0.25%

LAB 19.2, 13.38, -27.62

 

CMYK 54 / 54 / 0 / 66

HEX #282857

RGB 40 40 87

HSL 240, 0.37%, 0.25%

LAB 18.61, 14.81, -28.57

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 70 / 28 / 0 / 62

HEX #1D4661

RGB 29 70 97

HSL 203.82, 0.54%, 0.25%

LAB 28.13, -4.69, -20.12

 

CMYK 82 / 33 / 0 / 58

HEX #13486B

RGB 19 72 107

HSL 203.86, 0.7%, 0.25%

LAB 28.99, -3.63, -25.17

 

CMYK 92 / 37 / 0 / 54

HEX #094A76

RGB 9 74 118

HSL 204.22, 0.86%, 0.25%

LAB 30.07, -1.37, -30.42

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 35 / 14 / 0 / 70

HEX #32424D

RGB 50 66 77

HSL 204.44, 0.21%, 0.25%

LAB 27.05, -3.29, -8.72

 

CMYK 9 / 3 / 0 / 74

HEX #3C4042

RGB 60 64 66

HSL 200, 0.05%, 0.25%

LAB 26.79, -1.19, -1.8

 

CMYK 0 / 13 / 21 / 72

HEX #473E38

RGB 71 62 56

HSL 24, 0.12%, 0.25%

LAB 26.93, 2.72, 5.11

 

CMYK 0 / 26 / 43 / 68

HEX #513C2E

RGB 81 60 46

HSL 24, 0.28%, 0.25%

LAB 27.24, 7.06, 12.23

 

CMYK 54 / 0 / 7 / 66

HEX #285751

RGB 40 87 81

HSL 172.34, 0.37%, 0.25%

LAB 33.69, -17.7, -1.44

 

CMYK 54 / 7 / 0 / 66

HEX #285157

RGB 40 81 87

HSL 187.66, 0.37%, 0.25%

LAB 31.86, -12.46, -7.96

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 54 / 37 / 0 / 66

HEX #283757

RGB 40 55 87

HSL 220.85, 0.37%, 0.25%

LAB 23.24, 4.21, -21.22

 

CMYK 54 / 51 / 0 / 66

HEX #282B57

RGB 40 43 87

HSL 236.17, 0.37%, 0.25%

LAB 19.5, 12.67, -27.14

 

CMYK 53 / 20 / 0 / 88

HEX #0E181E

RGB 14 24 30

HSL 202.5, 0.36%, 0.09%

LAB 7.59, -2.32, -5.63

 

CMYK 54 / 22 / 0 / 77

HEX #1B2E3B

RGB 27 46 59

HSL 204.38, 0.37%, 0.17%

LAB 17.93, -3.36, -10.67

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 54 / 22 / 0 / 55

HEX #355A73

RGB 53 90 115

HSL 204.19, 0.37%, 0.33%

LAB 36.57, -5.49, -18.28

 

CMYK 54 / 22 / 0 / 44

HEX #42708F

RGB 66 112 143

HSL 204.16, 0.37%, 0.41%

LAB 45.26, -6.45, -21.78

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 22 / 54 / 0 / 66

HEX #442857

RGB 68 40 87

HSL 275.74, 0.37%, 0.25%

LAB 21.71, 23.09, -23.46

 

CMYK 0 / 0 / 54 / 66

HEX #575728

RGB 87 87 40

HSL 60, 0.37%, 0.25%

LAB 35.98, -7.48, 27.03

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 0 / 54 / 22 / 66

HEX #572844

RGB 87 40 68

HSL 324.26, 0.37%, 0.25%

LAB 23.54, 25.64, -7.64

 

CMYK 22 / 0 / 54 / 66

HEX #445728

RGB 68 87 40

HSL 84.26, 0.37%, 0.25%

LAB 34.39, -16.21, 24.75

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 22 / 54 / 0 / 66

HEX #442857

RGB 68 40 87

HSL 275.74, 0.37%, 0.25%

LAB 21.71, 23.09, -23.46

 

CMYK 0 / 32 / 54 / 66

HEX #573B28

RGB 87 59 40

HSL 24.26, 0.37%, 0.25%

LAB 27.59, 9.82, 16.68

 

CMYK 32 / 0 / 54 / 66

HEX #3B5728

RGB 59 87 40

HSL 95.74, 0.37%, 0.25%

LAB 33.77, -20.04, 23.86

 

CMYK 54 / 22 / 0 / 66

HEX #284457

RGB 40 68 87

HSL 204.26, 0.37%, 0.25%

LAB 27.5, -4.47, -14.6

 

CMYK 6 / 54 / 0 / 66

HEX #522857

RGB 82 40 87

HSL 293.62, 0.37%, 0.25%

LAB 23.67, 27.64, -20.23

 

CMYK 0 / 32 / 54 / 66

HEX #573B28

RGB 87 59 40

HSL 24.26, 0.37%, 0.25%

LAB 27.59, 9.82, 16.68

 

CMYK 49 / 0 / 54 / 66

HEX #2C5728

RGB 44 87 40

HSL 114.89, 0.37%, 0.25%

LAB 32.93, -25.71, 22.63

 

Description

Color code: HEX #284457 | qconv.com Color code: HEX #284457 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 68 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 68 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 22 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 22% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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