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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #284551 it is the complementary color #D7BAAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #284551. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #284551 shade: #2D454C, #3E575F, #4F6972, #607B85 and #718D98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #284551. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #284551 shade: #284551, #17333E, #06212B, #000F18 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #284551 shade: #284552, #283A52, #282F52, #2C2852 and #372852

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #284551 shade: #284552, #283A52, #282F52 and #282852

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #284551 shade matches the following richer shades: #284552, #1E495B, #144E65, #0A526F and #005679

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #284551 shade: #284552, #324148, #3C3D3E, #463934 and #50352A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #284551 shade: #285247, #285152, #284652, #283B52 and #283052

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #284551 shade: #0D161A, #1A2E36, #284552, #365D6D and #437489

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #284551 shade: #284551, #3C2852 and #524D28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #284551 shade: #284551, #522846 and #465228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #284551 shade: #284551, #3C2852, #523428 and #3D5228

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #284551 shade: #284551, #482852, #523428 and #315228

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 15 / 0 / 68

HEX #284551

RGB 40 69 81

HSL 197.56, 0.34%, 0.24%

LAB 27.58, -7.11, -10.58

 

Complementary color

CMYK 0 / 13 / 19 / 16

HEX #D7BAAE

RGB 215 186 174

HSL 17.56, 0.34%, 0.76%

LAB 77.65, 8.45, 9.89

 

CMYK 41 / 9 / 0 / 70

HEX #2D454C

RGB 45 69 76

HSL 193.55, 0.26%, 0.24%

LAB 27.67, -7.16, -7.16

 

CMYK 35 / 8 / 0 / 63

HEX #3E575F

RGB 62 87 95

HSL 194.55, 0.21%, 0.31%

LAB 35.33, -7.19, -7.66

 

CMYK 31 / 8 / 0 / 55

HEX #4F6972

RGB 79 105 114

HSL 195.43, 0.18%, 0.38%

LAB 42.73, -7.21, -8.15

 

CMYK 28 / 8 / 0 / 48

HEX #607B85

RGB 96 123 133

HSL 196.22, 0.16%, 0.45%

LAB 49.91, -7.23, -8.63

 

CMYK 26 / 7 / 0 / 40

HEX #718D98

RGB 113 141 152

HSL 196.92, 0.16%, 0.52%

LAB 56.91, -7.25, -9.1

 

CMYK 51 / 15 / 0 / 68

HEX #284551

RGB 40 69 81

HSL 197.56, 0.34%, 0.24%

LAB 27.58, -7.11, -10.58

 

CMYK 63 / 18 / 0 / 76

HEX #17333E

RGB 23 51 62

HSL 196.92, 0.46%, 0.17%

LAB 19.63, -6.75, -10.14

 

CMYK 86 / 23 / 0 / 83

HEX #06212B

RGB 6 33 43

HSL 196.22, 0.76%, 0.1%

LAB 11.28, -6.06, -9.66

 

CMYK 100 / 38 / 0 / 91

HEX #000F18

RGB 0 15 24

HSL 202.5, 1%, 0.05%

LAB 3.68, -2.12, -6.88

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 51 / 16 / 0 / 68

HEX #284552

RGB 40 69 82

HSL 198.57, 0.34%, 0.24%

LAB 27.62, -6.78, -11.17

 

CMYK 51 / 29 / 0 / 68

HEX #283A52

RGB 40 58 82

HSL 214.29, 0.34%, 0.24%

LAB 23.96, 0.4, -16.81

 

CMYK 51 / 43 / 0 / 68

HEX #282F52

RGB 40 47 82

HSL 230, 0.34%, 0.24%

LAB 20.41, 8.03, -22.36

 

CMYK 46 / 51 / 0 / 68

HEX #2C2852

RGB 44 40 82

HSL 245.71, 0.34%, 0.24%

LAB 18.64, 14.15, -25.16

 

CMYK 33 / 51 / 0 / 68

HEX #372852

RGB 55 40 82

HSL 261.43, 0.34%, 0.24%

LAB 19.8, 17.52, -23.24

 

CMYK 51 / 16 / 0 / 68

HEX #284552

RGB 40 69 82

HSL 198.57, 0.34%, 0.24%

LAB 27.62, -6.78, -11.17

 

CMYK 51 / 29 / 0 / 68

HEX #283A52

RGB 40 58 82

HSL 214.29, 0.34%, 0.24%

LAB 23.96, 0.4, -16.81

 

CMYK 51 / 43 / 0 / 68

HEX #282F52

RGB 40 47 82

HSL 230, 0.34%, 0.24%

LAB 20.41, 8.03, -22.36

 

CMYK 51 / 51 / 0 / 68

HEX #282852

RGB 40 40 82

HSL 240, 0.34%, 0.24%

LAB 18.27, 13.02, -25.77

 

CMYK 51 / 16 / 0 / 68

HEX #284552

RGB 40 69 82

HSL 198.57, 0.34%, 0.24%

LAB 27.62, -6.78, -11.17

 

CMYK 67 / 20 / 0 / 64

HEX #1E495B

RGB 30 73 91

HSL 197.7, 0.5%, 0.24%

LAB 28.89, -8.61, -15.07

 

CMYK 80 / 23 / 0 / 60

HEX #144E65

RGB 20 78 101

HSL 197.04, 0.67%, 0.24%

LAB 30.73, -9.66, -18.64

 

CMYK 91 / 26 / 0 / 56

HEX #0A526F

RGB 10 82 111

HSL 197.23, 0.83%, 0.24%

LAB 32.36, -9.24, -22.42

 

CMYK 100 / 29 / 0 / 53

HEX #005679

RGB 0 86 121

HSL 197.36, 1%, 0.24%

LAB 34.06, -8.41, -26.01

 

CMYK 51 / 16 / 0 / 68

HEX #284552

RGB 40 69 82

HSL 198.57, 0.34%, 0.24%

LAB 27.62, -6.78, -11.17

 

CMYK 31 / 10 / 0 / 72

HEX #324148

RGB 50 65 72

HSL 199.09, 0.18%, 0.24%

LAB 26.52, -4.1, -6.23

 

CMYK 3 / 2 / 0 / 76

HEX #3C3D3E

RGB 60 61 62

HSL 210, 0.02%, 0.24%

LAB 25.7, -0.19, -0.77

 

CMYK 0 / 19 / 26 / 73

HEX #463934

RGB 70 57 52

HSL 16.67, 0.15%, 0.24%

LAB 25.19, 4.8, 5.26

 

CMYK 0 / 34 / 48 / 69

HEX #50352A

RGB 80 53 42

HSL 17.37, 0.31%, 0.24%

LAB 25.01, 10.57, 11.82

 

CMYK 51 / 0 / 13 / 68

HEX #285247

RGB 40 82 71

HSL 164.29, 0.34%, 0.24%

LAB 31.67, -17.76, 1.94

 

CMYK 51 / 1 / 0 / 68

HEX #285152

RGB 40 81 82

HSL 181.43, 0.34%, 0.24%

LAB 31.68, -14.02, -5.05

 

CMYK 51 / 15 / 0 / 68

HEX #284652

RGB 40 70 82

HSL 197.14, 0.34%, 0.24%

LAB 27.95, -7.4, -10.66

 

CMYK 51 / 28 / 0 / 68

HEX #283B52

RGB 40 59 82

HSL 212.86, 0.34%, 0.24%

LAB 24.28, -0.27, -16.3

 

CMYK 51 / 41 / 0 / 68

HEX #283052

RGB 40 48 82

HSL 228.57, 0.34%, 0.24%

LAB 20.73, 7.32, -21.86

 

CMYK 50 / 15 / 0 / 90

HEX #0D161A

RGB 13 22 26

HSL 198.46, 0.33%, 0.08%

LAB 6.63, -2.39, -4.02

 

CMYK 52 / 15 / 0 / 79

HEX #1A2E36

RGB 26 46 54

HSL 197.14, 0.35%, 0.16%

LAB 17.64, -5.42, -7.65

 

CMYK 51 / 16 / 0 / 68

HEX #284552

RGB 40 69 82

HSL 198.57, 0.34%, 0.24%

LAB 27.62, -6.78, -11.17

 

CMYK 50 / 15 / 0 / 57

HEX #365D6D

RGB 54 93 109

HSL 197.45, 0.34%, 0.32%

LAB 37.33, -8.97, -13.4

 

CMYK 51 / 15 / 0 / 46

HEX #437489

RGB 67 116 137

HSL 198, 0.34%, 0.4%

LAB 46.3, -10.41, -16.62

 

CMYK 51 / 15 / 0 / 68

HEX #284551

RGB 40 69 81

HSL 197.56, 0.34%, 0.24%

LAB 27.58, -7.11, -10.58

 

CMYK 27 / 51 / 0 / 68

HEX #3C2852

RGB 60 40 82

HSL 268.57, 0.34%, 0.24%

LAB 20.39, 19.14, -22.26

 

CMYK 0 / 6 / 51 / 68

HEX #524D28

RGB 82 77 40

HSL 52.86, 0.34%, 0.24%

LAB 32.38, -3.89, 22.58

 

CMYK 51 / 15 / 0 / 68

HEX #284551

RGB 40 69 81

HSL 197.56, 0.34%, 0.24%

LAB 27.58, -7.11, -10.58

 

CMYK 0 / 51 / 15 / 68

HEX #522846

RGB 82 40 70

HSL 317.14, 0.34%, 0.24%

LAB 22.84, 24.14, -10.13

 

CMYK 15 / 0 / 51 / 68

HEX #465228

RGB 70 82 40

HSL 77.14, 0.34%, 0.24%

LAB 32.9, -12.5, 22.97

 

CMYK 51 / 15 / 0 / 68

HEX #284551

RGB 40 69 81

HSL 197.56, 0.34%, 0.24%

LAB 27.58, -7.11, -10.58

 

CMYK 27 / 51 / 0 / 68

HEX #3C2852

RGB 60 40 82

HSL 268.57, 0.34%, 0.24%

LAB 20.39, 19.14, -22.26

 

CMYK 0 / 37 / 51 / 68

HEX #523428

RGB 82 52 40

HSL 17.14, 0.34%, 0.24%

LAB 24.96, 11.92, 13.11

 

CMYK 26 / 0 / 51 / 68

HEX #3D5228

RGB 61 82 40

HSL 90, 0.34%, 0.24%

LAB 32.21, -16.5, 21.97

 

CMYK 51 / 15 / 0 / 68

HEX #284551

RGB 40 69 81

HSL 197.56, 0.34%, 0.24%

LAB 27.58, -7.11, -10.58

 

CMYK 12 / 51 / 0 / 68

HEX #482852

RGB 72 40 82

HSL 285.71, 0.34%, 0.24%

LAB 21.96, 23.15, -19.68

 

CMYK 0 / 37 / 51 / 68

HEX #523428

RGB 82 52 40

HSL 17.14, 0.34%, 0.24%

LAB 24.96, 11.92, 13.11

 

CMYK 40 / 0 / 51 / 68

HEX #315228

RGB 49 82 40

HSL 107.14, 0.34%, 0.24%

LAB 31.44, -21.4, 20.84

 

Description

Color code: HEX #284551 | qconv.com Color code: HEX #284551 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 69 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 69 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 15 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 15% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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