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Color name
HEX #286E7F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #286E7F it is the complementary color #D79180. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #286E7F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #286E7F shade: #2D6E7A, #3E808D, #4F92A0, #60A4B3 and #71B6C6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #286E7F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #286E7F shade: #286E7F, #175C6C, #064A59, #003846 and #002633

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #286E7F shade: #286E7F, #28577F, #283F7F, #28287F and #40287F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #286E7F shade: #286E7F, #28577F, #283F7F and #28287F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #286E7F shade matches the following richer shades: #286E7F, #1A778D and #0D7F9B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #286E7F shade: #286E7F, #366672, #435E64, #515557 and #5E4D49

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #286E7F shade: #287F61, #287F78, #286F7F, #28587F and #28417F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #286E7F shade: #143841, #1E5360, #286E7F, #32899F and #3CA5BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #286E7F shade: #286E7F, #49287F and #7F6C28

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #286E7F shade: #286E7F, #7F286F and #6F7F28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #286E7F shade: #286E7F, #49287F, #7F3828 and #5E7F28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #286E7F shade: #286E7F, #64287F, #7F3828 and #447F28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

Complementary color

CMYK 0 / 33 / 40 / 16

HEX #D79180

RGB 215 145 128

HSL 11.72, 0.52%, 0.67%

LAB 66.72, 24.45, 19.81

 

CMYK 63 / 10 / 0 / 52

HEX #2D6E7A

RGB 45 110 122

HSL 189.35, 0.46%, 0.33%

LAB 42.94, -16.65, -12.84

 

CMYK 56 / 9 / 0 / 45

HEX #3E808D

RGB 62 128 141

HSL 189.87, 0.39%, 0.4%

LAB 49.96, -17.06, -13.43

 

CMYK 51 / 9 / 0 / 37

HEX #4F92A0

RGB 79 146 160

HSL 190.37, 0.34%, 0.47%

LAB 56.84, -17.32, -13.97

 

CMYK 46 / 8 / 0 / 30

HEX #60A4B3

RGB 96 164 179

HSL 190.84, 0.35%, 0.54%

LAB 63.58, -17.48, -14.47

 

CMYK 43 / 8 / 0 / 22

HEX #71B6C6

RGB 113 182 198

HSL 191.29, 0.43%, 0.61%

LAB 70.21, -17.58, -14.94

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 79 / 15 / 0 / 58

HEX #175C6C

RGB 23 92 108

HSL 191.29, 0.65%, 0.26%

LAB 35.83, -14.95, -15.17

 

CMYK 93 / 17 / 0 / 65

HEX #064A59

RGB 6 74 89

HSL 190.84, 0.87%, 0.19%

LAB 28.53, -13.41, -14.4

 

CMYK 100 / 20 / 0 / 73

HEX #003846

RGB 0 56 70

HSL 192, 1%, 0.14%

LAB 21.1, -10.81, -13.37

 

CMYK 100 / 25 / 0 / 80

HEX #002633

RGB 0 38 51

HSL 195.29, 1%, 0.1%

LAB 13.38, -7.36, -12.18

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 69 / 31 / 0 / 50

HEX #28577F

RGB 40 87 127

HSL 207.59, 0.52%, 0.33%

LAB 35.6, -2.24, -27.23

 

CMYK 69 / 50 / 0 / 50

HEX #283F7F

RGB 40 63 127

HSL 224.14, 0.52%, 0.33%

LAB 28.22, 13.71, -38.96

 

CMYK 69 / 69 / 0 / 50

HEX #28287F

RGB 40 40 127

HSL 240, 0.52%, 0.33%

LAB 21.95, 29.41, -49.14

 

CMYK 50 / 69 / 0 / 50

HEX #40287F

RGB 64 40 127

HSL 256.55, 0.52%, 0.33%

LAB 24.13, 33.62, -45.49

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 69 / 31 / 0 / 50

HEX #28577F

RGB 40 87 127

HSL 207.59, 0.52%, 0.33%

LAB 35.6, -2.24, -27.23

 

CMYK 69 / 50 / 0 / 50

HEX #283F7F

RGB 40 63 127

HSL 224.14, 0.52%, 0.33%

LAB 28.22, 13.71, -38.96

 

CMYK 69 / 69 / 0 / 50

HEX #28287F

RGB 40 40 127

HSL 240, 0.52%, 0.33%

LAB 21.95, 29.41, -49.14

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 82 / 16 / 0 / 45

HEX #1A778D

RGB 26 119 141

HSL 191.48, 0.69%, 0.33%

LAB 46.09, -17.99, -19.42

 

CMYK 92 / 18 / 0 / 39

HEX #0D7F9B

RGB 13 127 155

HSL 191.83, 0.85%, 0.33%

LAB 49.05, -18.39, -23.13

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 53 / 11 / 0 / 55

HEX #366672

RGB 54 102 114

HSL 192, 0.36%, 0.33%

LAB 40.41, -12.68, -11.78

 

CMYK 33 / 6 / 0 / 61

HEX #435E64

RGB 67 94 100

HSL 190.91, 0.2%, 0.33%

LAB 38.05, -8.37, -6.67

 

CMYK 7 / 2 / 0 / 66

HEX #515557

RGB 81 85 87

HSL 200, 0.04%, 0.33%

LAB 35.86, -1.14, -1.72

 

CMYK 0 / 18 / 22 / 63

HEX #5E4D49

RGB 94 77 73

HSL 11.43, 0.13%, 0.33%

LAB 34.33, 6.41, 5.04

 

CMYK 69 / 0 / 24 / 50

HEX #287F61

RGB 40 127 97

HSL 159.31, 0.52%, 0.33%

LAB 47.61, -33.36, 8.9

 

CMYK 69 / 0 / 6 / 50

HEX #287F78

RGB 40 127 120

HSL 175.17, 0.52%, 0.33%

LAB 48.24, -27.09, -3.72

 

CMYK 69 / 13 / 0 / 50

HEX #286F7F

RGB 40 111 127

HSL 191.03, 0.52%, 0.33%

LAB 43.29, -16.48, -15.33

 

CMYK 69 / 31 / 0 / 50

HEX #28587F

RGB 40 88 127

HSL 206.9, 0.52%, 0.33%

LAB 35.91, -2.87, -26.74

 

CMYK 69 / 49 / 0 / 50

HEX #28417F

RGB 40 65 127

HSL 222.76, 0.52%, 0.33%

LAB 28.81, 12.33, -38.01

 

CMYK 69 / 14 / 0 / 75

HEX #143841

RGB 20 56 65

HSL 192, 0.53%, 0.17%

LAB 21.43, -9.58, -9.44

 

CMYK 69 / 14 / 0 / 62

HEX #1E5360

RGB 30 83 96

HSL 191.82, 0.52%, 0.25%

LAB 32.5, -12.87, -12.74

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 69 / 14 / 0 / 38

HEX #32899F

RGB 50 137 159

HSL 192.11, 0.52%, 0.41%

LAB 53.03, -18.51, -19.28

 

CMYK 68 / 13 / 0 / 25

HEX #3CA5BE

RGB 60 165 190

HSL 191.54, 0.52%, 0.49%

LAB 63, -21.83, -21.63

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 43 / 69 / 0 / 50

HEX #49287F

RGB 73 40 127

HSL 262.76, 0.52%, 0.33%

LAB 25.16, 35.5, -43.77

 

CMYK 0 / 15 / 69 / 50

HEX #7F6C28

RGB 127 108 40

HSL 46.9, 0.52%, 0.33%

LAB 46.16, -0.8, 39.53

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 0 / 69 / 13 / 50

HEX #7F286F

RGB 127 40 111

HSL 311.03, 0.52%, 0.33%

LAB 32.21, 45.67, -21.92

 

CMYK 13 / 0 / 69 / 50

HEX #6F7F28

RGB 111 127 40

HSL 71.03, 0.52%, 0.33%

LAB 50.35, -18.65, 43.48

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 43 / 69 / 0 / 50

HEX #49287F

RGB 73 40 127

HSL 262.76, 0.52%, 0.33%

LAB 25.16, 35.5, -43.77

 

CMYK 0 / 56 / 69 / 50

HEX #7F3828

RGB 127 56 40

HSL 11.03, 0.52%, 0.33%

LAB 32.91, 29.49, 24.61

 

CMYK 26 / 0 / 69 / 50

HEX #5E7F28

RGB 94 127 40

HSL 82.76, 0.52%, 0.33%

LAB 49.14, -25.93, 41.85

 

CMYK 69 / 13 / 0 / 50

HEX #286E7F

RGB 40 110 127

HSL 191.72, 0.52%, 0.33%

LAB 42.97, -15.93, -15.82

 

CMYK 21 / 69 / 0 / 50

HEX #64287F

RGB 100 40 127

HSL 281.38, 0.52%, 0.33%

LAB 28.8, 41.73, -37.71

 

CMYK 0 / 56 / 69 / 50

HEX #7F3828

RGB 127 56 40

HSL 11.03, 0.52%, 0.33%

LAB 32.91, 29.49, 24.61

 

CMYK 46 / 0 / 69 / 50

HEX #447F28

RGB 68 127 40

HSL 100.69, 0.52%, 0.33%

LAB 47.7, -35.76, 39.88

 

Description

Color code: HEX #286E7F | qconv.com Color code: HEX #286E7F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 110 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 110 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 13 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 13% 0% 50% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

15% - Dairex
Link: http://dairex.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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