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Color name
HEX #287F26

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #287F26 it is the complementary color #D780D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #287F26. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #287F26 shade: #2D7F21, #3E9134, #4FA347, #60B55A and #71C76D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #287F26. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #287F26 shade: #287F26, #176D13, #065B00, #004900 and #003700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #287F26 shade: #277D25, #3F7D25, #577D25, #6E7D25 and #7D7425

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #287F26 shade: #277D25, #257D3B, #257D53, #257D6A and #25787D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #287F26 shade matches the following richer shades: #277D25, #1A8A18 and #0E980B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #287F26 shade: #277D25, #347032, #40633F, #4D564D and #59485A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #287F26 shade: #577D25, #3F7D25, #287D25, #257D3A and #257D51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #287F26 shade: #133E12, #1D5D1C, #277D25, #319D2F and #3BBD38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #287F26 shade: #287F26, #256E7D and #7D254B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #287F26 shade: #287F26, #25287D and #7D2528

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #287F26 shade: #287F26, #256E7D, #7A257D and #7D3425

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #287F26 shade: #287F26, #25547D, #7A257D and #7D4E25

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 70 / 50

HEX #287F26

RGB 40 127 38

HSL 118.65, 0.54%, 0.32%

LAB 46.67, -43.82, 39.35

 

Complementary color

CMYK 1 / 41 / 0 / 15

HEX #D780D9

RGB 215 128 217

HSL 298.65, 0.54%, 0.68%

LAB 65.67, 46.9, -31.67

 

CMYK 65 / 0 / 74 / 50

HEX #2D7F21

RGB 45 127 33

HSL 112.34, 0.59%, 0.31%

LAB 46.77, -43.13, 41.6

 

CMYK 57 / 0 / 64 / 43

HEX #3E9134

RGB 62 145 52

HSL 113.55, 0.47%, 0.39%

LAB 53.52, -43.81, 40.77

 

CMYK 52 / 0 / 56 / 36

HEX #4FA347

RGB 79 163 71

HSL 114.78, 0.39%, 0.46%

LAB 60.17, -44.09, 39.59

 

CMYK 47 / 0 / 50 / 29

HEX #60B55A

RGB 96 181 90

HSL 116.04, 0.38%, 0.53%

LAB 66.73, -44.14, 38.31

 

CMYK 43 / 0 / 45 / 22

HEX #71C76D

RGB 113 199 109

HSL 117.33, 0.45%, 0.6%

LAB 73.19, -44.05, 37.03

 

CMYK 69 / 0 / 70 / 50

HEX #287F26

RGB 40 127 38

HSL 118.65, 0.54%, 0.32%

LAB 46.67, -43.82, 39.35

 

CMYK 79 / 0 / 83 / 57

HEX #176D13

RGB 23 109 19

HSL 117.33, 0.7%, 0.25%

LAB 39.86, -42.36, 39.78

 

CMYK 93 / 0 / 100 / 64

HEX #065B00

RGB 6 91 0

HSL 116.04, 1%, 0.18%

LAB 32.96, -39.84, 39.3

 

CMYK 100 / 0 / 100 / 71

HEX #004900

RGB 0 73 0

HSL 120, 1%, 0.14%

LAB 26.05, -34.94, 33.56

 

CMYK 100 / 0 / 100 / 78

HEX #003700

RGB 0 55 0

HSL 120, 1%, 0.11%

LAB 18.94, -29.03, 26.14

 

CMYK 69 / 0 / 70 / 51

HEX #277D25

RGB 39 125 37

HSL 118.64, 0.54%, 0.32%

LAB 45.95, -43.4, 39.01

 

CMYK 50 / 0 / 70 / 51

HEX #3F7D25

RGB 63 125 37

HSL 102.27, 0.54%, 0.32%

LAB 46.79, -36.84, 40.15

 

CMYK 30 / 0 / 70 / 51

HEX #577D25

RGB 87 125 37

HSL 85.91, 0.54%, 0.32%

LAB 48.04, -28.04, 41.85

 

CMYK 12 / 0 / 70 / 51

HEX #6E7D25

RGB 110 125 37

HSL 70.23, 0.54%, 0.32%

LAB 49.64, -18.24, 44

 

CMYK 0 / 7 / 70 / 51

HEX #7D7425

RGB 125 116 37

HSL 53.86, 0.54%, 0.32%

LAB 48.24, -6.48, 42.99

 

CMYK 69 / 0 / 70 / 51

HEX #277D25

RGB 39 125 37

HSL 118.64, 0.54%, 0.32%

LAB 45.95, -43.4, 39.01

 

CMYK 70 / 0 / 53 / 51

HEX #257D3B

RGB 37 125 59

HSL 135, 0.54%, 0.32%

LAB 46.15, -40.94, 28.44

 

CMYK 70 / 0 / 34 / 51

HEX #257D53

RGB 37 125 83

HSL 151.36, 0.54%, 0.32%

LAB 46.56, -36.33, 15.56

 

CMYK 70 / 0 / 15 / 51

HEX #257D6A

RGB 37 125 106

HSL 167.05, 0.54%, 0.32%

LAB 47.11, -30.6, 2.87

 

CMYK 70 / 4 / 0 / 51

HEX #25787D

RGB 37 120 125

HSL 183.41, 0.54%, 0.32%

LAB 46.05, -22.47, -9.96

 

CMYK 69 / 0 / 70 / 51

HEX #277D25

RGB 39 125 37

HSL 118.64, 0.54%, 0.32%

LAB 45.95, -43.4, 39.01

 

CMYK 81 / 0 / 83 / 46

HEX #1A8A18

RGB 26 138 24

HSL 118.95, 0.7%, 0.32%

LAB 50.05, -51.22, 47.86

 

CMYK 91 / 0 / 93 / 40

HEX #0E980B

RGB 14 152 11

HSL 118.72, 0.87%, 0.32%

LAB 54.63, -57.36, 54.91

 

CMYK 69 / 0 / 70 / 51

HEX #277D25

RGB 39 125 37

HSL 118.64, 0.54%, 0.32%

LAB 45.95, -43.4, 39.01

 

CMYK 54 / 0 / 55 / 56

HEX #347032

RGB 52 112 50

HSL 118.06, 0.38%, 0.32%

LAB 42.08, -33.17, 28.37

 

CMYK 35 / 0 / 36 / 61

HEX #40633F

RGB 64 99 63

HSL 118.33, 0.22%, 0.32%

LAB 38.5, -20.72, 16.57

 

CMYK 10 / 0 / 10 / 66

HEX #4D564D

RGB 77 86 77

HSL 120, 0.06%, 0.32%

LAB 35.54, -5.53, 4.03

 

CMYK 1 / 20 / 0 / 65

HEX #59485A

RGB 89 72 90

HSL 296.67, 0.11%, 0.32%

LAB 32.91, 10.85, -7.91

 

CMYK 30 / 0 / 70 / 51

HEX #577D25

RGB 87 125 37

HSL 85.91, 0.54%, 0.32%

LAB 48.04, -28.04, 41.85

 

CMYK 50 / 0 / 70 / 51

HEX #3F7D25

RGB 63 125 37

HSL 102.27, 0.54%, 0.32%

LAB 46.79, -36.84, 40.15

 

CMYK 68 / 0 / 70 / 51

HEX #287D25

RGB 40 125 37

HSL 117.95, 0.54%, 0.32%

LAB 45.98, -43.17, 39.05

 

CMYK 70 / 0 / 54 / 51

HEX #257D3A

RGB 37 125 58

HSL 134.32, 0.54%, 0.32%

LAB 46.13, -41.1, 28.95

 

CMYK 70 / 0 / 35 / 51

HEX #257D51

RGB 37 125 81

HSL 150, 0.54%, 0.32%

LAB 46.52, -36.77, 16.66

 

CMYK 69 / 0 / 71 / 76

HEX #133E12

RGB 19 62 18

HSL 118.64, 0.55%, 0.16%

LAB 22.4, -25.2, 22.18

 

CMYK 69 / 0 / 70 / 64

HEX #1D5D1C

RGB 29 93 28

HSL 119.08, 0.54%, 0.24%

LAB 34.34, -34.38, 30.47

 

CMYK 69 / 0 / 70 / 51

HEX #277D25

RGB 39 125 37

HSL 118.64, 0.54%, 0.32%

LAB 45.95, -43.4, 39.01

 

CMYK 69 / 0 / 70 / 38

HEX #319D2F

RGB 49 157 47

HSL 118.91, 0.54%, 0.4%

LAB 57.05, -51.84, 46.67

 

CMYK 69 / 0 / 70 / 26

HEX #3BBD38

RGB 59 189 56

HSL 118.65, 0.54%, 0.48%

LAB 67.73, -60.02, 54.41

 

CMYK 69 / 0 / 70 / 50

HEX #287F26

RGB 40 127 38

HSL 118.65, 0.54%, 0.32%

LAB 46.67, -43.82, 39.35

 

CMYK 70 / 12 / 0 / 51

HEX #256E7D

RGB 37 110 125

HSL 190.23, 0.54%, 0.32%

LAB 42.8, -17.1, -14.88

 

CMYK 0 / 70 / 40 / 51

HEX #7D254B

RGB 125 37 75

HSL 334.09, 0.54%, 0.32%

LAB 29.89, 41.26, -2.14

 

CMYK 69 / 0 / 70 / 50

HEX #287F26

RGB 40 127 38

HSL 118.65, 0.54%, 0.32%

LAB 46.67, -43.82, 39.35

 

CMYK 70 / 68 / 0 / 51

HEX #25287D

RGB 37 40 125

HSL 237.95, 0.54%, 0.32%

LAB 21.55, 28.25, -48.53

 

CMYK 0 / 70 / 68 / 51

HEX #7D2528

RGB 125 37 40

HSL 357.95, 0.54%, 0.32%

LAB 29, 38.11, 19.74

 

CMYK 69 / 0 / 70 / 50

HEX #287F26

RGB 40 127 38

HSL 118.65, 0.54%, 0.32%

LAB 46.67, -43.82, 39.35

 

CMYK 70 / 12 / 0 / 51

HEX #256E7D

RGB 37 110 125

HSL 190.23, 0.54%, 0.32%

LAB 42.8, -17.1, -14.88

 

CMYK 2 / 70 / 0 / 51

HEX #7A257D

RGB 122 37 125

HSL 297.95, 0.54%, 0.32%

LAB 31.67, 48.03, -31.66

 

CMYK 0 / 58 / 70 / 51

HEX #7D3425

RGB 125 52 37

HSL 10.23, 0.54%, 0.32%

LAB 31.69, 30.63, 24.9

 

CMYK 69 / 0 / 70 / 50

HEX #287F26

RGB 40 127 38

HSL 118.65, 0.54%, 0.32%

LAB 46.67, -43.82, 39.35

 

CMYK 70 / 33 / 0 / 51

HEX #25547D

RGB 37 84 125

HSL 207.95, 0.54%, 0.32%

LAB 34.43, -1.62, -27.85

 

CMYK 2 / 70 / 0 / 51

HEX #7A257D

RGB 122 37 125

HSL 297.95, 0.54%, 0.32%

LAB 31.67, 48.03, -31.66

 

CMYK 0 / 38 / 70 / 51

HEX #7D4E25

RGB 125 78 37

HSL 27.95, 0.54%, 0.32%

LAB 37.74, 15.78, 31.83

 

Description

Color code: HEX #287F26 | qconv.com Color code: HEX #287F26 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 127 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 127 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 70 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 70% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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