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Color name
HEX #287F7C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #287F7C it is the complementary color #D78083. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #287F7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #287F7C shade: #2D7F77, #3E918A, #4FA39D, #60B5B0 and #71C7C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #287F7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #287F7C shade: #287F7C, #176D69, #065B56, #004943 and #003730

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #287F7C shade: #287F7C, #287F65, #287F4D, #287F36 and #327F28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #287F7C shade: #287F7C, #286B7F, #28537F, #283C7F and #28287F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #287F7C shade matches the following richer shades: #287F7C, #1A8D89 and #0D9B96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #287F7C shade: #287F7C, #367270, #436463, #515756 and #5E494A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #287F7C shade: #287F4C, #287F64, #287F7B, #286C7F and #28557F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #287F7C shade: #14413F, #1E605E, #287F7C, #329F9B and #3CBEBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #287F7C shade: #287F7C, #35287F and #7F5828

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #287F7C shade: #287F7C, #7B287F and #7F7B28

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #287F7C shade: #287F7C, #35287F, #7F282C and #727F28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #287F7C shade: #287F7C, #4F287F, #7F282C and #587F28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

Complementary color

CMYK 0 / 40 / 39 / 16

HEX #D78083

RGB 215 128 131

HSL 357.93, 0.52%, 0.67%

LAB 62.95, 33.9, 12.91

 

CMYK 65 / 0 / 6 / 50

HEX #2D7F77

RGB 45 127 119

HSL 174.15, 0.48%, 0.34%

LAB 48.35, -26.51, -2.96

 

CMYK 57 / 0 / 5 / 43

HEX #3E918A

RGB 62 145 138

HSL 174.94, 0.4%, 0.41%

LAB 55.19, -26.79, -3.88

 

CMYK 52 / 0 / 4 / 36

HEX #4FA39D

RGB 79 163 157

HSL 175.71, 0.35%, 0.47%

LAB 61.9, -26.92, -4.7

 

CMYK 47 / 0 / 3 / 29

HEX #60B5B0

RGB 96 181 176

HSL 176.47, 0.36%, 0.54%

LAB 68.51, -26.95, -5.44

 

CMYK 43 / 0 / 2 / 22

HEX #71C7C3

RGB 113 199 195

HSL 177.21, 0.43%, 0.61%

LAB 75.01, -26.94, -6.13

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 79 / 0 / 4 / 57

HEX #176D69

RGB 23 109 105

HSL 177.21, 0.65%, 0.26%

LAB 41.44, -25.11, -4.87

 

CMYK 93 / 0 / 5 / 64

HEX #065B56

RGB 6 91 86

HSL 176.47, 0.88%, 0.19%

LAB 34.38, -23.81, -3.66

 

CMYK 100 / 0 / 8 / 71

HEX #004943

RGB 0 73 67

HSL 175.07, 1%, 0.14%

LAB 27.21, -21.59, -2.14

 

CMYK 100 / 0 / 13 / 78

HEX #003730

RGB 0 55 48

HSL 172.36, 1%, 0.11%

LAB 19.83, -18.73, -0.37

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 69 / 0 / 20 / 50

HEX #287F65

RGB 40 127 101

HSL 162.07, 0.52%, 0.33%

LAB 47.71, -32.35, 6.69

 

CMYK 69 / 0 / 39 / 50

HEX #287F4D

RGB 40 127 77

HSL 145.52, 0.52%, 0.33%

LAB 47.19, -37.89, 19.86

 

CMYK 69 / 0 / 57 / 50

HEX #287F36

RGB 40 127 54

HSL 129.66, 0.52%, 0.33%

LAB 46.84, -41.86, 31.91

 

CMYK 61 / 0 / 69 / 50

HEX #327F28

RGB 50 127 40

HSL 113.1, 0.52%, 0.33%

LAB 46.99, -41.2, 38.9

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 69 / 16 / 0 / 50

HEX #286B7F

RGB 40 107 127

HSL 193.79, 0.52%, 0.33%

LAB 42, -14.24, -17.3

 

CMYK 69 / 35 / 0 / 50

HEX #28537F

RGB 40 83 127

HSL 210.34, 0.52%, 0.33%

LAB 34.33, 0.31, -29.22

 

CMYK 69 / 53 / 0 / 50

HEX #283C7F

RGB 40 60 127

HSL 226.21, 0.52%, 0.33%

LAB 27.34, 15.78, -40.37

 

CMYK 69 / 69 / 0 / 50

HEX #28287F

RGB 40 40 127

HSL 240, 0.52%, 0.33%

LAB 21.95, 29.41, -49.14

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 82 / 0 / 3 / 45

HEX #1A8D89

RGB 26 141 137

HSL 177.91, 0.69%, 0.33%

LAB 53.03, -30.59, -6.59

 

CMYK 92 / 0 / 3 / 39

HEX #0D9B96

RGB 13 155 150

HSL 177.89, 0.85%, 0.33%

LAB 57.78, -34.15, -7.01

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 53 / 0 / 2 / 55

HEX #367270

RGB 54 114 112

HSL 178, 0.36%, 0.33%

LAB 44.22, -19.92, -4.87

 

CMYK 33 / 0 / 1 / 61

HEX #436463

RGB 67 100 99

HSL 178.18, 0.2%, 0.33%

LAB 39.93, -12.14, -3.27

 

CMYK 7 / 0 / 1 / 66

HEX #515756

RGB 81 87 86

HSL 170, 0.04%, 0.33%

LAB 36.44, -2.59, -0.24

 

CMYK 0 / 22 / 21 / 63

HEX #5E494A

RGB 94 73 74

HSL 357.14, 0.13%, 0.33%

LAB 33.22, 9.09, 2.81

 

CMYK 69 / 0 / 40 / 50

HEX #287F4C

RGB 40 127 76

HSL 144.83, 0.52%, 0.33%

LAB 47.17, -38.09, 20.4

 

CMYK 69 / 0 / 21 / 50

HEX #287F64

RGB 40 127 100

HSL 161.38, 0.52%, 0.33%

LAB 47.69, -32.6, 7.24

 

CMYK 69 / 0 / 3 / 50

HEX #287F7B

RGB 40 127 123

HSL 177.24, 0.52%, 0.33%

LAB 48.34, -26.2, -5.35

 

CMYK 69 / 15 / 0 / 50

HEX #286C7F

RGB 40 108 127

HSL 193.1, 0.52%, 0.33%

LAB 42.32, -14.8, -16.81

 

CMYK 69 / 33 / 0 / 50

HEX #28557F

RGB 40 85 127

HSL 208.97, 0.52%, 0.33%

LAB 34.96, -0.97, -28.23

 

CMYK 69 / 0 / 3 / 75

HEX #14413F

RGB 20 65 63

HSL 177.33, 0.53%, 0.17%

LAB 24.6, -15.67, -3.33

 

CMYK 69 / 0 / 2 / 62

HEX #1E605E

RGB 30 96 94

HSL 178.18, 0.52%, 0.25%

LAB 36.84, -20.8, -4.95

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 69 / 0 / 3 / 38

HEX #329F9B

RGB 50 159 155

HSL 177.8, 0.52%, 0.41%

LAB 59.74, -30.94, -6.86

 

CMYK 68 / 0 / 2 / 25

HEX #3CBEBA

RGB 60 190 186

HSL 178.15, 0.52%, 0.49%

LAB 70.41, -35.3, -8.24

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 58 / 69 / 0 / 50

HEX #35287F

RGB 53 40 127

HSL 248.97, 0.52%, 0.33%

LAB 23.02, 31.52, -47.34

 

CMYK 0 / 31 / 69 / 50

HEX #7F5828

RGB 127 88 40

HSL 33.1, 0.52%, 0.33%

LAB 40.65, 10.95, 33.53

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 3 / 69 / 0 / 50

HEX #7B287F

RGB 123 40 127

HSL 297.24, 0.52%, 0.33%

LAB 32.39, 47.41, -31.76

 

CMYK 0 / 3 / 69 / 50

HEX #7F7B28

RGB 127 123 40

HSL 57.24, 0.52%, 0.33%

LAB 50.49, -9.26, 44.05

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 58 / 69 / 0 / 50

HEX #35287F

RGB 53 40 127

HSL 248.97, 0.52%, 0.33%

LAB 23.02, 31.52, -47.34

 

CMYK 0 / 69 / 65 / 50

HEX #7F282C

RGB 127 40 44

HSL 357.24, 0.52%, 0.33%

LAB 29.94, 37.76, 18.42

 

CMYK 10 / 0 / 69 / 50

HEX #727F28

RGB 114 127 40

HSL 68.97, 0.52%, 0.33%

LAB 50.58, -17.32, 43.79

 

CMYK 69 / 0 / 2 / 50

HEX #287F7C

RGB 40 127 124

HSL 177.93, 0.52%, 0.33%

LAB 48.37, -25.9, -5.9

 

CMYK 38 / 69 / 0 / 50

HEX #4F287F

RGB 79 40 127

HSL 266.9, 0.52%, 0.33%

LAB 25.9, 36.81, -42.53

 

CMYK 0 / 69 / 65 / 50

HEX #7F282C

RGB 127 40 44

HSL 357.24, 0.52%, 0.33%

LAB 29.94, 37.76, 18.42

 

CMYK 31 / 0 / 69 / 50

HEX #587F28

RGB 88 127 40

HSL 86.9, 0.52%, 0.33%

LAB 48.77, -28.36, 41.34

 

Description

Color code: HEX #287F7C | qconv.com Color code: HEX #287F7C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 127 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 127 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 2 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 2% 50% C M Y K

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Provide designers and agencies with accurate color values.

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