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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #288923 it is the complementary color #D776DC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #288923. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #288923 shade: #2D891E, #3E9B31, #4FAD44, #60BF57 and #71D16A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #288923. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #288923 shade: #288923, #177710, #066500, #005300 and #004100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #288923 shade: #288923, #448923, #5F8923, #7B8923 and #897C23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #288923 shade: #288923, #23893A, #238955, #238971 and #238689

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #288923 shade matches the following richer shades: #288923, #1B9715 and #0FA507

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #288923 shade: #288923, #357B31, #416D3F, #4E5F4D and #5B515B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #288923 shade: #5F8923, #438923, #288923, #238939 and #238954

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #288923 shade: #154812, #1E691B, #288923, #32AA2C and #3CCA35

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #288923 shade: #288923, #237A89 and #892351

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #288923 shade: #288923, #232889 and #892328

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #288923 shade: #288923, #237A89, #842389 and #893223

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #288923 shade: #288923, #235B89, #842389 and #895123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

Complementary color

CMYK 2 / 46 / 0 / 14

HEX #D776DC

RGB 215 118 220

HSL 297.06, 0.59%, 0.66%

LAB 63.81, 52.55, -36.23

 

CMYK 67 / 0 / 78 / 46

HEX #2D891E

RGB 45 137 30

HSL 111.59, 0.64%, 0.33%

LAB 50.15, -47.03, 46.12

 

CMYK 60 / 0 / 68 / 39

HEX #3E9B31

RGB 62 155 49

HSL 112.64, 0.52%, 0.4%

LAB 56.77, -47.97, 45.66

 

CMYK 54 / 0 / 61 / 32

HEX #4FAD44

RGB 79 173 68

HSL 113.71, 0.44%, 0.47%

LAB 63.32, -48.44, 44.67

 

CMYK 50 / 0 / 54 / 25

HEX #60BF57

RGB 96 191 87

HSL 114.81, 0.45%, 0.55%

LAB 69.78, -48.63, 43.48

 

CMYK 46 / 0 / 49 / 18

HEX #71D16A

RGB 113 209 106

HSL 115.92, 0.53%, 0.62%

LAB 76.16, -48.65, 42.22

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 81 / 0 / 87 / 53

HEX #177710

RGB 23 119 16

HSL 115.92, 0.76%, 0.26%

LAB 43.38, -45.93, 44

 

CMYK 94 / 0 / 100 / 60

HEX #066500

RGB 6 101 0

HSL 116.44, 1%, 0.2%

LAB 36.64, -43.01, 42.24

 

CMYK 100 / 0 / 100 / 67

HEX #005300

RGB 0 83 0

HSL 120, 1%, 0.16%

LAB 29.88, -38.12, 36.79

 

CMYK 100 / 0 / 100 / 75

HEX #004100

RGB 0 65 0

HSL 120, 1%, 0.13%

LAB 22.93, -32.35, 30.53

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 50 / 0 / 74 / 46

HEX #448923

RGB 68 137 35

HSL 100.59, 0.59%, 0.34%

LAB 50.97, -40.41, 45.35

 

CMYK 31 / 0 / 74 / 46

HEX #5F8923

RGB 95 137 35

HSL 84.71, 0.59%, 0.34%

LAB 52.34, -30.7, 47.17

 

CMYK 10 / 0 / 74 / 46

HEX #7B8923

RGB 123 137 35

HSL 68.24, 0.59%, 0.34%

LAB 54.26, -18.86, 49.71

 

CMYK 0 / 9 / 74 / 46

HEX #897C23

RGB 137 124 35

HSL 52.35, 0.59%, 0.34%

LAB 51.67, -5.48, 47.62

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 74 / 0 / 58 / 46

HEX #23893A

RGB 35 137 58

HSL 133.53, 0.59%, 0.34%

LAB 50.16, -46.01, 33.81

 

CMYK 74 / 0 / 38 / 46

HEX #238955

RGB 35 137 85

HSL 149.41, 0.59%, 0.34%

LAB 50.58, -41.26, 19.84

 

CMYK 74 / 0 / 18 / 46

HEX #238971

RGB 35 137 113

HSL 165.88, 0.59%, 0.34%

LAB 51.2, -34.57, 4.67

 

CMYK 74 / 2 / 0 / 46

HEX #238689

RGB 35 134 137

HSL 181.76, 0.59%, 0.34%

LAB 50.94, -26.15, -9.7

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 82 / 0 / 86 / 41

HEX #1B9715

RGB 27 151 21

HSL 117.23, 0.76%, 0.34%

LAB 54.47, -55.35, 52.75

 

CMYK 91 / 0 / 96 / 35

HEX #0FA507

RGB 15 165 7

HSL 116.96, 0.92%, 0.34%

LAB 59, -61.18, 59.17

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 57 / 0 / 60 / 52

HEX #357B31

RGB 53 123 49

HSL 116.76, 0.43%, 0.34%

LAB 45.83, -37.73, 33.36

 

CMYK 40 / 0 / 42 / 57

HEX #416D3F

RGB 65 109 63

HSL 117.39, 0.27%, 0.34%

LAB 41.88, -25.47, 21.03

 

CMYK 18 / 0 / 19 / 63

HEX #4E5F4D

RGB 78 95 77

HSL 116.67, 0.1%, 0.34%

LAB 38.45, -10.44, 8.18

 

CMYK 0 / 11 / 0 / 64

HEX #5B515B

RGB 91 81 91

HSL 300, 0.06%, 0.34%

LAB 35.72, 6.18, -4.33

 

CMYK 31 / 0 / 74 / 46

HEX #5F8923

RGB 95 137 35

HSL 84.71, 0.59%, 0.34%

LAB 52.34, -30.7, 47.17

 

CMYK 51 / 0 / 74 / 46

HEX #438923

RGB 67 137 35

HSL 101.18, 0.59%, 0.34%

LAB 50.93, -40.72, 45.3

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 74 / 0 / 58 / 46

HEX #238939

RGB 35 137 57

HSL 132.94, 0.59%, 0.34%

LAB 50.15, -46.15, 34.3

 

CMYK 74 / 0 / 39 / 46

HEX #238954

RGB 35 137 84

HSL 148.82, 0.59%, 0.34%

LAB 50.56, -41.47, 20.38

 

CMYK 71 / 0 / 75 / 72

HEX #154812

RGB 21 72 18

HSL 116.67, 0.6%, 0.18%

LAB 26.27, -28.96, 26.45

 

CMYK 71 / 0 / 74 / 59

HEX #1E691B

RGB 30 105 27

HSL 117.69, 0.59%, 0.26%

LAB 38.65, -38.89, 35.54

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 71 / 0 / 74 / 33

HEX #32AA2C

RGB 50 170 44

HSL 117.14, 0.59%, 0.42%

LAB 61.32, -56.35, 52.25

 

CMYK 70 / 0 / 74 / 21

HEX #3CCA35

RGB 60 202 53

HSL 117.18, 0.58%, 0.5%

LAB 71.87, -64.35, 59.74

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 74 / 11 / 0 / 46

HEX #237A89

RGB 35 122 137

HSL 188.82, 0.59%, 0.34%

LAB 47.08, -19.91, -15.52

 

CMYK 0 / 74 / 41 / 46

HEX #892351

RGB 137 35 81

HSL 332.94, 0.59%, 0.34%

LAB 32.07, 46.43, -2.62

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 74 / 71 / 0 / 46

HEX #232889

RGB 35 40 137

HSL 237.06, 0.59%, 0.34%

LAB 22.59, 32.4, -54.39

 

CMYK 0 / 74 / 71 / 46

HEX #892328

RGB 137 35 40

HSL 357.06, 0.59%, 0.34%

LAB 31.05, 43.05, 22.8

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 74 / 11 / 0 / 46

HEX #237A89

RGB 35 122 137

HSL 188.82, 0.59%, 0.34%

LAB 47.08, -19.91, -15.52

 

CMYK 4 / 74 / 0 / 46

HEX #842389

RGB 132 35 137

HSL 297.06, 0.59%, 0.34%

LAB 33.8, 53.31, -35.65

 

CMYK 0 / 64 / 74 / 46

HEX #893223

RGB 137 50 35

HSL 8.82, 0.59%, 0.34%

LAB 33.39, 36.24, 28.62

 

CMYK 71 / 0 / 74 / 46

HEX #288923

RGB 40 137 35

HSL 117.06, 0.59%, 0.34%

LAB 50.05, -47.7, 44.13

 

CMYK 74 / 34 / 0 / 46

HEX #235B89

RGB 35 91 137

HSL 207.06, 0.59%, 0.34%

LAB 37.2, -1.83, -30.84

 

CMYK 4 / 74 / 0 / 46

HEX #842389

RGB 132 35 137

HSL 297.06, 0.59%, 0.34%

LAB 33.8, 53.31, -35.65

 

CMYK 0 / 41 / 74 / 46

HEX #895123

RGB 137 81 35

HSL 27.06, 0.59%, 0.34%

LAB 40.12, 19.37, 35.95

 

Description

Color code: HEX #288923 | qconv.com Color code: HEX #288923 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 137 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 137 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 74 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 74% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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