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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28815A it is the complementary color #D77EA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28815A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28815A shade: #2D8155, #3E9368, #4FA57B, #60B78E and #71C9A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28815A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28815A shade: #28815A, #176F47, #065D34, #004B21 and #00390E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28815A shade: #278059, #278041, #278029, #3D8027 and #558027

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28815A shade: #278059, #278071, #277780, #275F80 and #274780

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28815A shade matches the following richer shades: #278059, #198E5B and #0C9B5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28815A shade: #278059, #357357, #426556, #505754 and #5E4A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28815A shade: #278029, #278040, #278058, #278070 and #277980

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28815A shade: #14412D, #1D6143, #278059, #31A06F and #3ABF85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28815A shade: #28815A, #273D80 and #803427

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28815A shade: #28815A, #582780 and #805827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28815A shade: #28815A, #273D80, #80274F and #806A27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28815A shade: #28815A, #2C2780, #80274F and #7C8027

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 30 / 49

HEX #28815A

RGB 40 129 90

HSL 153.71, 0.53%, 0.33%

LAB 48.12, -35.93, 13.67

 

Complementary color

CMYK 0 / 41 / 23 / 16

HEX #D77EA5

RGB 215 126 165

HSL 333.71, 0.53%, 0.67%

LAB 63.41, 39.37, -5.8

 

CMYK 65 / 0 / 34 / 49

HEX #2D8155

RGB 45 129 85

HSL 148.57, 0.48%, 0.34%

LAB 48.15, -36.06, 16.61

 

CMYK 58 / 0 / 29 / 42

HEX #3E9368

RGB 62 147 104

HSL 149.65, 0.41%, 0.41%

LAB 54.96, -36.15, 15.23

 

CMYK 52 / 0 / 25 / 35

HEX #4FA57B

RGB 79 165 123

HSL 150.7, 0.35%, 0.48%

LAB 61.66, -36.07, 13.99

 

CMYK 48 / 0 / 22 / 28

HEX #60B78E

RGB 96 183 142

HSL 151.72, 0.38%, 0.55%

LAB 68.25, -35.91, 12.86

 

CMYK 44 / 0 / 20 / 21

HEX #71C9A1

RGB 113 201 161

HSL 152.73, 0.45%, 0.62%

LAB 74.73, -35.71, 11.83

 

CMYK 69 / 0 / 30 / 49

HEX #28815A

RGB 40 129 90

HSL 153.71, 0.53%, 0.33%

LAB 48.12, -35.93, 13.67

 

CMYK 79 / 0 / 36 / 56

HEX #176F47

RGB 23 111 71

HSL 152.73, 0.66%, 0.26%

LAB 41.23, -35.35, 15.25

 

CMYK 94 / 0 / 44 / 64

HEX #065D34

RGB 6 93 52

HSL 151.72, 0.88%, 0.19%

LAB 34.22, -34.14, 17.07

 

CMYK 100 / 0 / 56 / 71

HEX #004B21

RGB 0 75 33

HSL 146.4, 1%, 0.15%

LAB 27.14, -31.68, 19.21

 

CMYK 100 / 0 / 75 / 78

HEX #00390E

RGB 0 57 14

HSL 134.74, 1%, 0.11%

LAB 19.87, -28.05, 21.32

 

CMYK 70 / 0 / 30 / 50

HEX #278059

RGB 39 128 89

HSL 153.71, 0.53%, 0.33%

LAB 47.74, -35.91, 13.72

 

CMYK 70 / 0 / 49 / 50

HEX #278041

RGB 39 128 65

HSL 137.53, 0.53%, 0.33%

LAB 47.3, -40.73, 26.66

 

CMYK 70 / 0 / 68 / 50

HEX #278029

RGB 39 128 41

HSL 121.35, 0.53%, 0.33%

LAB 47.01, -44.08, 38.39

 

CMYK 52 / 0 / 70 / 50

HEX #3D8027

RGB 61 128 39

HSL 105.17, 0.53%, 0.33%

LAB 47.72, -38.55, 40.25

 

CMYK 34 / 0 / 70 / 50

HEX #558027

RGB 85 128 39

HSL 88.99, 0.53%, 0.33%

LAB 48.9, -30.1, 41.86

 

CMYK 70 / 0 / 30 / 50

HEX #278059

RGB 39 128 89

HSL 153.71, 0.53%, 0.33%

LAB 47.74, -35.91, 13.72

 

CMYK 70 / 0 / 12 / 50

HEX #278071

RGB 39 128 113

HSL 169.89, 0.53%, 0.33%

LAB 48.34, -29.76, 0.54

 

CMYK 70 / 7 / 0 / 50

HEX #277780

RGB 39 119 128

HSL 186.07, 0.53%, 0.33%

LAB 45.88, -20.67, -11.99

 

CMYK 70 / 26 / 0 / 50

HEX #275F80

RGB 39 95 128

HSL 202.25, 0.53%, 0.33%

LAB 38.15, -7.01, -23.85

 

CMYK 70 / 45 / 0 / 50

HEX #274780

RGB 39 71 128

HSL 218.43, 0.53%, 0.33%

LAB 30.63, 8.45, -35.72

 

CMYK 70 / 0 / 30 / 50

HEX #278059

RGB 39 128 89

HSL 153.71, 0.53%, 0.33%

LAB 47.74, -35.91, 13.72

 

CMYK 82 / 0 / 36 / 44

HEX #198E5B

RGB 25 142 91

HSL 153.85, 0.7%, 0.33%

LAB 52.18, -43.33, 18.61

 

CMYK 92 / 0 / 40 / 39

HEX #0C9B5D

RGB 12 155 93

HSL 153.99, 0.86%, 0.33%

LAB 56.4, -48.96, 23.12

 

CMYK 70 / 0 / 30 / 50

HEX #278059

RGB 39 128 89

HSL 153.71, 0.53%, 0.33%

LAB 47.74, -35.91, 13.72

 

CMYK 54 / 0 / 24 / 55

HEX #357357

RGB 53 115 87

HSL 152.9, 0.37%, 0.33%

LAB 43.81, -27.24, 9.49

 

CMYK 35 / 0 / 15 / 60

HEX #426556

RGB 66 101 86

HSL 154.29, 0.21%, 0.33%

LAB 39.81, -16.27, 4.51

 

CMYK 8 / 0 / 3 / 66

HEX #505754

RGB 80 87 84

HSL 154.29, 0.04%, 0.33%

LAB 36.29, -3.43, 0.78

 

CMYK 0 / 21 / 13 / 63

HEX #5E4A52

RGB 94 74 82

HSL 336, 0.12%, 0.33%

LAB 33.75, 9.94, -1.52

 

CMYK 70 / 0 / 68 / 50

HEX #278029

RGB 39 128 41

HSL 121.35, 0.53%, 0.33%

LAB 47.01, -44.08, 38.39

 

CMYK 70 / 0 / 50 / 50

HEX #278040

RGB 39 128 64

HSL 136.85, 0.53%, 0.33%

LAB 47.29, -40.9, 27.19

 

CMYK 70 / 0 / 31 / 50

HEX #278058

RGB 39 128 88

HSL 153.03, 0.53%, 0.33%

LAB 47.72, -36.14, 14.27

 

CMYK 70 / 0 / 13 / 50

HEX #278070

RGB 39 128 112

HSL 169.21, 0.53%, 0.33%

LAB 48.31, -30.04, 1.09

 

CMYK 70 / 5 / 0 / 50

HEX #277980

RGB 39 121 128

HSL 184.72, 0.53%, 0.33%

LAB 46.53, -21.73, -11.01

 

CMYK 69 / 0 / 31 / 75

HEX #14412D

RGB 20 65 45

HSL 153.33, 0.53%, 0.17%

LAB 24.06, -21.01, 7.75

 

CMYK 70 / 0 / 31 / 62

HEX #1D6143

RGB 29 97 67

HSL 153.53, 0.54%, 0.25%

LAB 36.4, -29.06, 11.05

 

CMYK 70 / 0 / 30 / 50

HEX #278059

RGB 39 128 89

HSL 153.71, 0.53%, 0.33%

LAB 47.74, -35.91, 13.72

 

CMYK 69 / 0 / 31 / 37

HEX #31A06F

RGB 49 160 111

HSL 153.51, 0.53%, 0.41%

LAB 58.92, -42.85, 16.71

 

CMYK 70 / 0 / 30 / 25

HEX #3ABF85

RGB 58 191 133

HSL 153.83, 0.53%, 0.49%

LAB 69.37, -49.27, 19.12

 

CMYK 69 / 0 / 30 / 49

HEX #28815A

RGB 40 129 90

HSL 153.71, 0.53%, 0.33%

LAB 48.12, -35.93, 13.67

 

CMYK 70 / 52 / 0 / 50

HEX #273D80

RGB 39 61 128

HSL 225.17, 0.53%, 0.33%

LAB 27.65, 15.3, -40.51

 

CMYK 0 / 59 / 70 / 50

HEX #803427

RGB 128 52 39

HSL 8.76, 0.53%, 0.33%

LAB 32.24, 31.96, 24.46

 

CMYK 69 / 0 / 30 / 49

HEX #28815A

RGB 40 129 90

HSL 153.71, 0.53%, 0.33%

LAB 48.12, -35.93, 13.67

 

CMYK 31 / 70 / 0 / 50

HEX #582780

RGB 88 39 128

HSL 273.03, 0.53%, 0.33%

LAB 26.97, 39.64, -41.37

 

CMYK 0 / 31 / 70 / 50

HEX #805827

RGB 128 88 39

HSL 33.03, 0.53%, 0.33%

LAB 40.76, 11.35, 34.22

 

CMYK 69 / 0 / 30 / 49

HEX #28815A

RGB 40 129 90

HSL 153.71, 0.53%, 0.33%

LAB 48.12, -35.93, 13.67

 

CMYK 70 / 52 / 0 / 50

HEX #273D80

RGB 39 61 128

HSL 225.17, 0.53%, 0.33%

LAB 27.65, 15.3, -40.51

 

CMYK 0 / 70 / 38 / 50

HEX #80274F

RGB 128 39 79

HSL 333.03, 0.53%, 0.33%

LAB 30.89, 41.84, -3.24

 

CMYK 0 / 17 / 70 / 50

HEX #806A27

RGB 128 106 39

HSL 45.17, 0.53%, 0.33%

LAB 45.69, 0.76, 39.54

 

CMYK 69 / 0 / 30 / 49

HEX #28815A

RGB 40 129 90

HSL 153.71, 0.53%, 0.33%

LAB 48.12, -35.93, 13.67

 

CMYK 66 / 70 / 0 / 50

HEX #2C2780

RGB 44 39 128

HSL 243.37, 0.53%, 0.33%

LAB 22.11, 31.01, -49.5

 

CMYK 0 / 70 / 38 / 50

HEX #80274F

RGB 128 39 79

HSL 333.03, 0.53%, 0.33%

LAB 30.89, 41.84, -3.24

 

CMYK 3 / 0 / 70 / 50

HEX #7C8027

RGB 124 128 39

HSL 62.7, 0.53%, 0.33%

LAB 51.69, -13.42, 45.61

 

Description

Color code: HEX #28815A | qconv.com Color code: HEX #28815A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 129 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 129 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 30 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 30% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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