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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28A833 it is the complementary color #D757CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28A833. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28A833 shade: #2DA82E, #3EBA41, #4FCC54, #60DE67 and #71F07A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28A833. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28A833 shade: #28A833, #179620, #06840D, #007200 and #006000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28A833 shade: #27A932, #3FA927, #62A927, #85A927 and #A8A927

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28A833 shade: #27A932, #27A955, #27A978, #27A99B and #2794A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28A833 shade matches the following richer shades: #27A932, #16BA24 and #05CB16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28A833 shade: #27A932, #389840, #49874E, #5A765C and #6B656A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28A833 shade: #62A927, #3FA927, #27A932, #27A955 and #27A977

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28A833 shade: #18661E, #1F8728, #27A932, #2FCA3C and #4ED559

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28A833 shade: #28A833, #2784A9 and #A92750

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28A833 shade: #28A833, #3227A9 and #A93227

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28A833 shade: #28A833, #2784A9, #A9279E and #A94C27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28A833 shade: #28A833, #275DA9, #A9279E and #A97327

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 70 / 34

HEX #28A833

RGB 40 168 51

HSL 125.16, 0.62%, 0.41%

LAB 60.51, -56.77, 48.66

 

Complementary color

CMYK 0 / 60 / 5 / 16

HEX #D757CC

RGB 215 87 204

HSL 305.16, 0.62%, 0.59%

LAB 57.68, 64.26, -36.79

 

CMYK 73 / 0 / 73 / 34

HEX #2DA82E

RGB 45 168 46

HSL 120.49, 0.58%, 0.42%

LAB 60.57, -56.41, 50.71

 

CMYK 67 / 0 / 65 / 27

HEX #3EBA41

RGB 62 186 65

HSL 121.45, 0.5%, 0.49%

LAB 66.92, -57.55, 49.9

 

CMYK 61 / 0 / 59 / 20

HEX #4FCC54

RGB 79 204 84

HSL 122.4, 0.55%, 0.55%

LAB 73.21, -58.23, 48.77

 

CMYK 57 / 0 / 54 / 13

HEX #60DE67

RGB 96 222 103

HSL 123.33, 0.66%, 0.62%

LAB 79.45, -58.6, 47.52

 

CMYK 53 / 0 / 49 / 6

HEX #71F07A

RGB 113 240 122

HSL 124.25, 0.81%, 0.69%

LAB 85.62, -58.76, 46.23

 

CMYK 76 / 0 / 70 / 34

HEX #28A833

RGB 40 168 51

HSL 125.16, 0.62%, 0.41%

LAB 60.51, -56.77, 48.66

 

CMYK 85 / 0 / 79 / 41

HEX #179620

RGB 23 150 32

HSL 124.25, 0.73%, 0.34%

LAB 54.13, -54.85, 49.18

 

CMYK 95 / 0 / 90 / 48

HEX #06840D

RGB 6 132 13

HSL 123.33, 0.91%, 0.27%

LAB 47.71, -51.92, 48.54

 

CMYK 100 / 0 / 100 / 55

HEX #007200

RGB 0 114 0

HSL 120, 1%, 0.22%

LAB 41.27, -47.58, 45.92

 

CMYK 100 / 0 / 100 / 62

HEX #006000

RGB 0 96 0

HSL 120, 1%, 0.19%

LAB 34.73, -42.15, 40.68

 

CMYK 77 / 0 / 70 / 34

HEX #27A932

RGB 39 169 50

HSL 125.08, 0.63%, 0.41%

LAB 60.81, -57.34, 49.38

 

CMYK 63 / 0 / 77 / 34

HEX #3FA927

RGB 63 169 39

HSL 108.92, 0.63%, 0.41%

LAB 61.29, -53.64, 54.09

 

CMYK 42 / 0 / 77 / 34

HEX #62A927

RGB 98 169 39

HSL 92.77, 0.63%, 0.41%

LAB 62.61, -43.47, 55.82

 

CMYK 21 / 0 / 77 / 34

HEX #85A927

RGB 133 169 39

HSL 76.62, 0.63%, 0.41%

LAB 64.57, -30.27, 58.38

 

CMYK 1 / 0 / 77 / 34

HEX #A8A927

RGB 168 169 39

HSL 60.46, 0.63%, 0.41%

LAB 67.16, -15.39, 61.72

 

CMYK 77 / 0 / 70 / 34

HEX #27A932

RGB 39 169 50

HSL 125.08, 0.63%, 0.41%

LAB 60.81, -57.34, 49.38

 

CMYK 77 / 0 / 50 / 34

HEX #27A955

RGB 39 169 85

HSL 141.23, 0.63%, 0.41%

LAB 61.19, -52.86, 33.59

 

CMYK 77 / 0 / 29 / 34

HEX #27A978

RGB 39 169 120

HSL 157.38, 0.63%, 0.41%

LAB 61.79, -46, 15.68

 

CMYK 77 / 0 / 8 / 34

HEX #27A99B

RGB 39 169 155

HSL 173.54, 0.63%, 0.41%

LAB 62.65, -37.04, -2.59

 

CMYK 77 / 12 / 0 / 34

HEX #2794A9

RGB 39 148 169

HSL 189.69, 0.63%, 0.41%

LAB 56.56, -22.54, -19.65

 

CMYK 77 / 0 / 70 / 34

HEX #27A932

RGB 39 169 50

HSL 125.08, 0.63%, 0.41%

LAB 60.81, -57.34, 49.38

 

CMYK 88 / 0 / 81 / 27

HEX #16BA24

RGB 22 186 36

HSL 125.12, 0.79%, 0.41%

LAB 66.07, -65.52, 59.35

 

CMYK 98 / 0 / 89 / 20

HEX #05CB16

RGB 5 203 22

HSL 125.15, 0.95%, 0.41%

LAB 71.42, -71.86, 67.36

 

CMYK 77 / 0 / 70 / 34

HEX #27A932

RGB 39 169 50

HSL 125.08, 0.63%, 0.41%

LAB 60.81, -57.34, 49.38

 

CMYK 63 / 0 / 58 / 40

HEX #389840

RGB 56 152 64

HSL 125, 0.46%, 0.41%

LAB 55.75, -46.58, 37.6

 

CMYK 46 / 0 / 42 / 47

HEX #49874E

RGB 73 135 78

HSL 124.84, 0.3%, 0.41%

LAB 51.03, -32.72, 24.56

 

CMYK 24 / 0 / 22 / 54

HEX #5A765C

RGB 90 118 92

HSL 124.29, 0.13%, 0.41%

LAB 46.85, -15.77, 11.08

 

CMYK 0 / 6 / 1 / 58

HEX #6B656A

RGB 107 101 106

HSL 310, 0.03%, 0.41%

LAB 43.47, 3.37, -1.97

 

CMYK 42 / 0 / 77 / 34

HEX #62A927

RGB 98 169 39

HSL 92.77, 0.63%, 0.41%

LAB 62.61, -43.47, 55.82

 

CMYK 63 / 0 / 77 / 34

HEX #3FA927

RGB 63 169 39

HSL 108.92, 0.63%, 0.41%

LAB 61.29, -53.64, 54.09

 

CMYK 77 / 0 / 70 / 34

HEX #27A932

RGB 39 169 50

HSL 125.08, 0.63%, 0.41%

LAB 60.81, -57.34, 49.38

 

CMYK 77 / 0 / 50 / 34

HEX #27A955

RGB 39 169 85

HSL 141.23, 0.63%, 0.41%

LAB 61.19, -52.86, 33.59

 

CMYK 77 / 0 / 30 / 34

HEX #27A977

RGB 39 169 119

HSL 156.92, 0.63%, 0.41%

LAB 61.77, -46.23, 16.2

 

CMYK 76 / 0 / 71 / 60

HEX #18661E

RGB 24 102 30

HSL 124.62, 0.62%, 0.25%

LAB 37.46, -38.68, 32.9

 

CMYK 77 / 0 / 70 / 47

HEX #1F8728

RGB 31 135 40

HSL 125.19, 0.63%, 0.33%

LAB 49.22, -48.17, 41.16

 

CMYK 77 / 0 / 70 / 34

HEX #27A932

RGB 39 169 50

HSL 125.08, 0.63%, 0.41%

LAB 60.81, -57.34, 49.38

 

CMYK 77 / 0 / 70 / 21

HEX #2FCA3C

RGB 47 202 60

HSL 125.03, 0.62%, 0.49%

LAB 71.67, -65.83, 56.92

 

CMYK 63 / 0 / 58 / 16

HEX #4ED559

RGB 78 213 89

HSL 124.89, 0.62%, 0.57%

LAB 76.03, -61.07, 49.77

 

CMYK 76 / 0 / 70 / 34

HEX #28A833

RGB 40 168 51

HSL 125.16, 0.62%, 0.41%

LAB 60.51, -56.77, 48.66

 

CMYK 77 / 22 / 0 / 34

HEX #2784A9

RGB 39 132 169

HSL 197.08, 0.63%, 0.41%

LAB 51.61, -13.91, -27.27

 

CMYK 0 / 77 / 53 / 34

HEX #A92750

RGB 169 39 80

HSL 341.08, 0.63%, 0.41%

LAB 38.66, 54.33, 8.33

 

CMYK 76 / 0 / 70 / 34

HEX #28A833

RGB 40 168 51

HSL 125.16, 0.62%, 0.41%

LAB 60.51, -56.77, 48.66

 

CMYK 70 / 77 / 0 / 34

HEX #3227A9

RGB 50 39 169

HSL 245.08, 0.63%, 0.41%

LAB 26.72, 45.47, -67.18

 

CMYK 0 / 70 / 77 / 34

HEX #A93227

RGB 169 50 39

HSL 5.08, 0.63%, 0.41%

LAB 39.35, 47.86, 34.53

 

CMYK 76 / 0 / 70 / 34

HEX #28A833

RGB 40 168 51

HSL 125.16, 0.62%, 0.41%

LAB 60.51, -56.77, 48.66

 

CMYK 77 / 22 / 0 / 34

HEX #2784A9

RGB 39 132 169

HSL 197.08, 0.63%, 0.41%

LAB 51.61, -13.91, -27.27

 

CMYK 0 / 77 / 7 / 34

HEX #A9279E

RGB 169 39 158

HSL 305.08, 0.63%, 0.41%

LAB 41.77, 63.72, -35.42

 

CMYK 0 / 55 / 77 / 34

HEX #A94C27

RGB 169 76 39

HSL 17.08, 0.63%, 0.41%

LAB 43.87, 35.88, 39.3

 

CMYK 76 / 0 / 70 / 34

HEX #28A833

RGB 40 168 51

HSL 125.16, 0.62%, 0.41%

LAB 60.51, -56.77, 48.66

 

CMYK 77 / 45 / 0 / 34

HEX #275DA9

RGB 39 93 169

HSL 215.08, 0.63%, 0.41%

LAB 39.79, 9.75, -45.91

 

CMYK 0 / 77 / 7 / 34

HEX #A9279E

RGB 169 39 158

HSL 305.08, 0.63%, 0.41%

LAB 41.77, 63.72, -35.42

 

CMYK 0 / 32 / 77 / 34

HEX #A97327

RGB 169 115 39

HSL 35.08, 0.63%, 0.41%

LAB 52.78, 14.49, 48.24

 

Description

Color code: HEX #28A833 | qconv.com Color code: HEX #28A833 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 168 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 168 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 70 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 70% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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