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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28A16F it is the complementary color #D75E90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28A16F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28A16F shade: #2DA16A, #3EB37D, #4FC590, #60D7A3 and #71E9B6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28A16F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28A16F shade: #28A16F, #178F5C, #067D49, #006B36 and #005923

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28A16F shade: #279F6D, #279F4D, #279F2D, #429F27 and #629F27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28A16F shade: #279F6D, #279F8D, #27909F, #276F9F and #274F9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28A16F shade matches the following richer shades: #279F6D, #17AF70 and #07BF73

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28A16F shade: #279F6D, #378F6B, #477E68, #586E65 and #685E62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28A16F shade: #279F2D, #279F4D, #279F6D, #279F8D and #27919F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28A16F shade: #175D40, #1F7E57, #279F6D, #30C084 and #48D198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28A16F shade: #28A16F, #27419F and #9F3D27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28A16F shade: #28A16F, #6D279F and #9F6D27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28A16F shade: #28A16F, #27419F, #9F2759 and #9F8527

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28A16F shade: #28A16F, #31279F, #9F2759 and #959F27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 31 / 37

HEX #28A16F

RGB 40 161 111

HSL 155.21, 0.6%, 0.39%

LAB 59.06, -44.66, 16.87

 

Complementary color

CMYK 0 / 56 / 33 / 16

HEX #D75E90

RGB 215 94 144

HSL 335.21, 0.6%, 0.61%

LAB 56.55, 52.56, -3.82

 

CMYK 72 / 0 / 34 / 37

HEX #2DA16A

RGB 45 161 106

HSL 151.55, 0.56%, 0.4%

LAB 59.06, -45, 19.64

 

CMYK 65 / 0 / 30 / 30

HEX #3EB37D

RGB 62 179 125

HSL 152.31, 0.49%, 0.47%

LAB 65.55, -45.41, 18.2

 

CMYK 60 / 0 / 27 / 23

HEX #4FC590

RGB 79 197 144

HSL 153.05, 0.5%, 0.54%

LAB 71.97, -45.58, 16.9

 

CMYK 55 / 0 / 24 / 16

HEX #60D7A3

RGB 96 215 163

HSL 153.78, 0.6%, 0.61%

LAB 78.31, -45.61, 15.7

 

CMYK 52 / 0 / 22 / 9

HEX #71E9B6

RGB 113 233 182

HSL 154.5, 0.73%, 0.68%

LAB 84.57, -45.55, 14.6

 

CMYK 75 / 0 / 31 / 37

HEX #28A16F

RGB 40 161 111

HSL 155.21, 0.6%, 0.39%

LAB 59.06, -44.66, 16.87

 

CMYK 84 / 0 / 36 / 44

HEX #178F5C

RGB 23 143 92

HSL 154.5, 0.72%, 0.33%

LAB 52.51, -43.72, 18.48

 

CMYK 95 / 0 / 42 / 51

HEX #067D49

RGB 6 125 73

HSL 153.78, 0.91%, 0.26%

LAB 45.89, -42.2, 20.3

 

CMYK 100 / 0 / 50 / 58

HEX #006B36

RGB 0 107 54

HSL 150.28, 1%, 0.21%

LAB 39.21, -39.74, 22.36

 

CMYK 100 / 0 / 61 / 65

HEX #005923

RGB 0 89 35

HSL 143.6, 1%, 0.17%

LAB 32.41, -36.55, 24.51

 

CMYK 75 / 0 / 31 / 38

HEX #279F6D

RGB 39 159 109

HSL 155, 0.61%, 0.39%

LAB 58.35, -44.43, 17.01

 

CMYK 75 / 0 / 52 / 38

HEX #279F4D

RGB 39 159 77

HSL 139, 0.61%, 0.39%

LAB 57.81, -50.53, 33.48

 

CMYK 75 / 0 / 72 / 38

HEX #279F2D

RGB 39 159 45

HSL 123, 0.61%, 0.39%

LAB 57.48, -54.51, 47.86

 

CMYK 58 / 0 / 75 / 38

HEX #429F27

RGB 66 159 39

HSL 106.5, 0.61%, 0.39%

LAB 58.13, -49.27, 51.01

 

CMYK 38 / 0 / 75 / 38

HEX #629F27

RGB 98 159 39

HSL 90.5, 0.61%, 0.39%

LAB 59.47, -39.23, 52.78

 

CMYK 75 / 0 / 31 / 38

HEX #279F6D

RGB 39 159 109

HSL 155, 0.61%, 0.39%

LAB 58.35, -44.43, 17.01

 

CMYK 75 / 0 / 11 / 38

HEX #279F8D

RGB 39 159 141

HSL 171, 0.61%, 0.39%

LAB 59.11, -36.41, 0.11

 

CMYK 75 / 9 / 0 / 38

HEX #27909F

RGB 39 144 159

HSL 187.5, 0.61%, 0.39%

LAB 54.95, -23.73, -16.38

 

CMYK 75 / 30 / 0 / 38

HEX #276F9F

RGB 39 111 159

HSL 204, 0.61%, 0.39%

LAB 44.66, -5.34, -32.26

 

CMYK 75 / 50 / 0 / 38

HEX #274F9F

RGB 39 79 159

HSL 220, 0.61%, 0.39%

LAB 35.06, 15.11, -47.56

 

CMYK 75 / 0 / 31 / 38

HEX #279F6D

RGB 39 159 109

HSL 155, 0.61%, 0.39%

LAB 58.35, -44.43, 17.01

 

CMYK 87 / 0 / 36 / 31

HEX #17AF70

RGB 23 175 112

HSL 155.13, 0.77%, 0.39%

LAB 63.35, -51.71, 22.14

 

CMYK 96 / 0 / 40 / 25

HEX #07BF73

RGB 7 191 115

HSL 155.22, 0.93%, 0.39%

LAB 68.42, -57.76, 27.29

 

CMYK 75 / 0 / 31 / 38

HEX #279F6D

RGB 39 159 109

HSL 155, 0.61%, 0.39%

LAB 58.35, -44.43, 17.01

 

CMYK 62 / 0 / 25 / 44

HEX #378F6B

RGB 55 143 107

HSL 155.45, 0.44%, 0.39%

LAB 53.51, -35.24, 11.48

 

CMYK 44 / 0 / 17 / 51

HEX #477E68

RGB 71 126 104

HSL 156, 0.28%, 0.39%

LAB 48.59, -23.73, 6.33

 

CMYK 20 / 0 / 8 / 57

HEX #586E65

RGB 88 110 101

HSL 155.45, 0.11%, 0.39%

LAB 44.47, -10.17, 2.32

 

CMYK 0 / 10 / 6 / 59

HEX #685E62

RGB 104 94 98

HSL 336, 0.05%, 0.39%

LAB 40.95, 4.79, -0.83

 

CMYK 75 / 0 / 72 / 38

HEX #279F2D

RGB 39 159 45

HSL 123, 0.61%, 0.39%

LAB 57.48, -54.51, 47.86

 

CMYK 75 / 0 / 52 / 38

HEX #279F4D

RGB 39 159 77

HSL 139, 0.61%, 0.39%

LAB 57.81, -50.53, 33.48

 

CMYK 75 / 0 / 31 / 38

HEX #279F6D

RGB 39 159 109

HSL 155, 0.61%, 0.39%

LAB 58.35, -44.43, 17.01

 

CMYK 75 / 0 / 11 / 38

HEX #279F8D

RGB 39 159 141

HSL 171, 0.61%, 0.39%

LAB 59.11, -36.41, 0.11

 

CMYK 75 / 9 / 0 / 38

HEX #27919F

RGB 39 145 159

HSL 187, 0.61%, 0.39%

LAB 55.26, -24.24, -15.9

 

CMYK 75 / 0 / 31 / 64

HEX #175D40

RGB 23 93 64

HSL 155.14, 0.6%, 0.23%

LAB 34.76, -29.08, 10.6

 

CMYK 75 / 0 / 31 / 51

HEX #1F7E57

RGB 31 126 87

HSL 155.37, 0.61%, 0.31%

LAB 46.84, -36.85, 13.62

 

CMYK 75 / 0 / 31 / 38

HEX #279F6D

RGB 39 159 109

HSL 155, 0.61%, 0.39%

LAB 58.35, -44.43, 17.01

 

CMYK 75 / 0 / 31 / 25

HEX #30C084

RGB 48 192 132

HSL 155, 0.6%, 0.47%

LAB 69.46, -51.33, 19.76

 

CMYK 66 / 0 / 27 / 18

HEX #48D198

RGB 72 209 152

HSL 155.04, 0.6%, 0.55%

LAB 75.6, -50.15, 17.66

 

CMYK 75 / 0 / 31 / 37

HEX #28A16F

RGB 40 161 111

HSL 155.21, 0.6%, 0.39%

LAB 59.06, -44.66, 16.87

 

CMYK 75 / 59 / 0 / 38

HEX #27419F

RGB 39 65 159

HSL 227, 0.61%, 0.39%

LAB 31.15, 24.54, -53.89

 

CMYK 0 / 62 / 75 / 38

HEX #9F3D27

RGB 159 61 39

HSL 11, 0.61%, 0.39%

LAB 39.33, 39.47, 33.98

 

CMYK 75 / 0 / 31 / 37

HEX #28A16F

RGB 40 161 111

HSL 155.21, 0.6%, 0.39%

LAB 59.06, -44.66, 16.87

 

CMYK 31 / 75 / 0 / 38

HEX #6D279F

RGB 109 39 159

HSL 275, 0.61%, 0.39%

LAB 32.27, 51.46, -51.78

 

CMYK 0 / 31 / 75 / 38

HEX #9F6D27

RGB 159 109 39

HSL 35, 0.61%, 0.39%

LAB 50.04, 13.38, 45.13

 

CMYK 75 / 0 / 31 / 37

HEX #28A16F

RGB 40 161 111

HSL 155.21, 0.6%, 0.39%

LAB 59.06, -44.66, 16.87

 

CMYK 75 / 59 / 0 / 38

HEX #27419F

RGB 39 65 159

HSL 227, 0.61%, 0.39%

LAB 31.15, 24.54, -53.89

 

CMYK 0 / 75 / 44 / 38

HEX #9F2759

RGB 159 39 89

HSL 335, 0.61%, 0.39%

LAB 37.01, 52.26, -0.05

 

CMYK 0 / 16 / 75 / 38

HEX #9F8527

RGB 159 133 39

HSL 47, 0.61%, 0.39%

LAB 56.38, -0.17, 51.34

 

CMYK 75 / 0 / 31 / 37

HEX #28A16F

RGB 40 161 111

HSL 155.21, 0.6%, 0.39%

LAB 59.06, -44.66, 16.87

 

CMYK 69 / 75 / 0 / 38

HEX #31279F

RGB 49 39 159

HSL 245, 0.61%, 0.39%

LAB 25.59, 42.14, -62.99

 

CMYK 0 / 75 / 44 / 38

HEX #9F2759

RGB 159 39 89

HSL 335, 0.61%, 0.39%

LAB 37.01, 52.26, -0.05

 

CMYK 6 / 0 / 75 / 38

HEX #959F27

RGB 149 159 39

HSL 65, 0.61%, 0.39%

LAB 62.79, -18.56, 57.11

 

Description

Color code: HEX #28A16F | qconv.com Color code: HEX #28A16F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 161 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 161 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 31 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 31% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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