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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28AE38 it is the complementary color #D751C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28AE38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28AE38 shade: #2DAE33, #3EC046, #4FD259, #60E46C and #71F67F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28AE38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28AE38 shade: #28AE38, #179C25, #068A12, #007800 and #006600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28AE38 shade: #27AE37, #3BAE27, #60AE27, #84AE27 and #A9AE27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28AE38 shade: #27AE37, #27AE5C, #27AE80, #27AEA4 and #2793AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28AE38 shade matches the following richer shades: #27AE37, #16BF2A and #04D11D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28AE38 shade: #27AE37, #389D44, #4A8B52, #5B7A5F and #6C696C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28AE38 shade: #5FAE27, #3BAE27, #27AE37, #27AE5B and #27AE7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28AE38 shade: #186B22, #1F8C2C, #27AE37, #2FCF42 and #51D761

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28AE38 shade: #28AE38, #2783AE and #AE274D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28AE38 shade: #28AE38, #3727AE and #AE3727

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28AE38 shade: #28AE38, #2783AE, #AE279E and #AE5227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28AE38 shade: #28AE38, #275BAE, #AE279E and #AE7A27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 68 / 32

HEX #28AE38

RGB 40 174 56

HSL 127.16, 0.63%, 0.42%

LAB 62.52, -58.24, 48.75

 

Complementary color

CMYK 0 / 62 / 7 / 16

HEX #D751C7

RGB 215 81 199

HSL 307.16, 0.63%, 0.58%

LAB 56.54, 65.96, -35.72

 

CMYK 74 / 0 / 71 / 32

HEX #2DAE33

RGB 45 174 51

HSL 122.79, 0.59%, 0.43%

LAB 62.57, -57.95, 50.85

 

CMYK 68 / 0 / 64 / 25

HEX #3EC046

RGB 62 192 70

HSL 123.69, 0.51%, 0.5%

LAB 68.87, -59.1, 49.92

 

CMYK 62 / 0 / 58 / 18

HEX #4FD259

RGB 79 210 89

HSL 124.58, 0.59%, 0.57%

LAB 75.12, -59.79, 48.73

 

CMYK 58 / 0 / 53 / 11

HEX #60E46C

RGB 96 228 108

HSL 125.45, 0.71%, 0.64%

LAB 81.32, -60.18, 47.44

 

CMYK 54 / 0 / 48 / 4

HEX #71F67F

RGB 113 246 127

HSL 126.32, 0.88%, 0.7%

LAB 87.46, -60.36, 46.14

 

CMYK 77 / 0 / 68 / 32

HEX #28AE38

RGB 40 174 56

HSL 127.16, 0.63%, 0.42%

LAB 62.52, -58.24, 48.75

 

CMYK 85 / 0 / 76 / 39

HEX #179C25

RGB 23 156 37

HSL 126.32, 0.74%, 0.35%

LAB 56.18, -56.34, 49.47

 

CMYK 96 / 0 / 87 / 46

HEX #068A12

RGB 6 138 18

HSL 125.45, 0.92%, 0.28%

LAB 49.81, -53.48, 49.23

 

CMYK 100 / 0 / 100 / 53

HEX #007800

RGB 0 120 0

HSL 120, 1%, 0.24%

LAB 43.41, -49.36, 47.64

 

CMYK 100 / 0 / 100 / 60

HEX #006600

RGB 0 102 0

HSL 120, 1%, 0.2%

LAB 36.93, -43.98, 42.45

 

CMYK 78 / 0 / 68 / 32

HEX #27AE37

RGB 39 174 55

HSL 127.11, 0.63%, 0.42%

LAB 62.49, -58.48, 49.13

 

CMYK 66 / 0 / 78 / 32

HEX #3BAE27

RGB 59 174 39

HSL 111.11, 0.63%, 0.42%

LAB 62.8, -56.27, 55.52

 

CMYK 45 / 0 / 78 / 32

HEX #60AE27

RGB 96 174 39

HSL 94.67, 0.63%, 0.42%

LAB 64.08, -46.19, 57.2

 

CMYK 24 / 0 / 78 / 32

HEX #84AE27

RGB 132 174 39

HSL 78.67, 0.63%, 0.42%

LAB 66, -33.01, 59.69

 

CMYK 3 / 0 / 78 / 32

HEX #A9AE27

RGB 169 174 39

HSL 62.22, 0.63%, 0.42%

LAB 68.65, -17.51, 63.09

 

CMYK 78 / 0 / 68 / 32

HEX #27AE37

RGB 39 174 55

HSL 127.11, 0.63%, 0.42%

LAB 62.49, -58.48, 49.13

 

CMYK 78 / 0 / 47 / 32

HEX #27AE5C

RGB 39 174 92

HSL 143.56, 0.63%, 0.42%

LAB 62.91, -53.5, 32.17

 

CMYK 78 / 0 / 26 / 32

HEX #27AE80

RGB 39 174 128

HSL 159.56, 0.63%, 0.42%

LAB 63.56, -46.18, 13.73

 

CMYK 78 / 0 / 6 / 32

HEX #27AEA4

RGB 39 174 164

HSL 175.56, 0.63%, 0.42%

LAB 64.47, -36.76, -4.94

 

CMYK 78 / 16 / 0 / 32

HEX #2793AE

RGB 39 147 174

HSL 192, 0.63%, 0.42%

LAB 56.44, -20.35, -22.68

 

CMYK 78 / 0 / 68 / 32

HEX #27AE37

RGB 39 174 55

HSL 127.11, 0.63%, 0.42%

LAB 62.49, -58.48, 49.13

 

CMYK 88 / 0 / 78 / 25

HEX #16BF2A

RGB 22 191 42

HSL 127.1, 0.79%, 0.42%

LAB 67.72, -66.59, 59.12

 

CMYK 98 / 0 / 86 / 18

HEX #04D11D

RGB 4 209 29

HSL 127.32, 0.96%, 0.42%

LAB 73.36, -73.27, 67.7

 

CMYK 78 / 0 / 68 / 32

HEX #27AE37

RGB 39 174 55

HSL 127.11, 0.63%, 0.42%

LAB 62.49, -58.48, 49.13

 

CMYK 64 / 0 / 57 / 38

HEX #389D44

RGB 56 157 68

HSL 127.13, 0.47%, 0.42%

LAB 57.44, -47.96, 37.63

 

CMYK 47 / 0 / 41 / 45

HEX #4A8B52

RGB 74 139 82

HSL 127.38, 0.31%, 0.42%

LAB 52.43, -33.57, 24.19

 

CMYK 25 / 0 / 22 / 52

HEX #5B7A5F

RGB 91 122 95

HSL 127.74, 0.15%, 0.42%

LAB 48.22, -16.98, 11.25

 

CMYK 0 / 3 / 0 / 58

HEX #6C696C

RGB 108 105 108

HSL 300, 0.01%, 0.42%

LAB 44.76, 1.78, -1.27

 

CMYK 45 / 0 / 78 / 32

HEX #5FAE27

RGB 95 174 39

HSL 95.11, 0.63%, 0.42%

LAB 64.04, -46.51, 57.14

 

CMYK 66 / 0 / 78 / 32

HEX #3BAE27

RGB 59 174 39

HSL 111.11, 0.63%, 0.42%

LAB 62.8, -56.27, 55.52

 

CMYK 78 / 0 / 68 / 32

HEX #27AE37

RGB 39 174 55

HSL 127.11, 0.63%, 0.42%

LAB 62.49, -58.48, 49.13

 

CMYK 78 / 0 / 48 / 32

HEX #27AE5B

RGB 39 174 91

HSL 143.11, 0.63%, 0.42%

LAB 62.89, -53.66, 32.66

 

CMYK 78 / 0 / 27 / 32

HEX #27AE7F

RGB 39 174 127

HSL 159.11, 0.63%, 0.42%

LAB 63.54, -46.41, 14.25

 

CMYK 78 / 0 / 68 / 58

HEX #186B22

RGB 24 107 34

HSL 127.23, 0.63%, 0.26%

LAB 39.28, -40.06, 33.02

 

CMYK 78 / 0 / 69 / 45

HEX #1F8C2C

RGB 31 140 44

HSL 127.16, 0.64%, 0.34%

LAB 50.95, -49.46, 41.3

 

CMYK 78 / 0 / 68 / 32

HEX #27AE37

RGB 39 174 55

HSL 127.11, 0.63%, 0.42%

LAB 62.49, -58.48, 49.13

 

CMYK 77 / 0 / 68 / 19

HEX #2FCF42

RGB 47 207 66

HSL 127.13, 0.63%, 0.5%

LAB 73.3, -66.84, 56.32

 

CMYK 62 / 0 / 55 / 16

HEX #51D761

RGB 81 215 97

HSL 127.16, 0.63%, 0.58%

LAB 76.81, -60.16, 47.05

 

CMYK 77 / 0 / 68 / 32

HEX #28AE38

RGB 40 174 56

HSL 127.16, 0.63%, 0.42%

LAB 62.52, -58.24, 48.75

 

CMYK 78 / 25 / 0 / 32

HEX #2783AE

RGB 39 131 174

HSL 199.11, 0.63%, 0.42%

LAB 51.52, -11.58, -30.3

 

CMYK 0 / 78 / 56 / 32

HEX #AE274D

RGB 174 39 77

HSL 343.11, 0.63%, 0.42%

LAB 39.56, 55.53, 11.63

 

CMYK 77 / 0 / 68 / 32

HEX #28AE38

RGB 40 174 56

HSL 127.16, 0.63%, 0.42%

LAB 62.52, -58.24, 48.75

 

CMYK 68 / 78 / 0 / 32

HEX #3727AE

RGB 55 39 174

HSL 247.11, 0.63%, 0.42%

LAB 27.63, 47.54, -68.67

 

CMYK 0 / 68 / 78 / 32

HEX #AE3727

RGB 174 55 39

HSL 7.11, 0.63%, 0.42%

LAB 41.02, 47.54, 36.59

 

CMYK 77 / 0 / 68 / 32

HEX #28AE38

RGB 40 174 56

HSL 127.16, 0.63%, 0.42%

LAB 62.52, -58.24, 48.75

 

CMYK 78 / 25 / 0 / 32

HEX #2783AE

RGB 39 131 174

HSL 199.11, 0.63%, 0.42%

LAB 51.52, -11.58, -30.3

 

CMYK 0 / 78 / 9 / 32

HEX #AE279E

RGB 174 39 158

HSL 307.11, 0.63%, 0.42%

LAB 42.64, 64.81, -33.99

 

CMYK 0 / 53 / 78 / 32

HEX #AE5227

RGB 174 82 39

HSL 19.11, 0.63%, 0.42%

LAB 45.88, 34.78, 41.61

 

CMYK 77 / 0 / 68 / 32

HEX #28AE38

RGB 40 174 56

HSL 127.16, 0.63%, 0.42%

LAB 62.52, -58.24, 48.75

 

CMYK 78 / 48 / 0 / 32

HEX #275BAE

RGB 39 91 174

HSL 216.89, 0.63%, 0.42%

LAB 39.53, 12.99, -49.29

 

CMYK 0 / 78 / 9 / 32

HEX #AE279E

RGB 174 39 158

HSL 307.11, 0.63%, 0.42%

LAB 42.64, 64.81, -33.99

 

CMYK 0 / 30 / 78 / 32

HEX #AE7A27

RGB 174 122 39

HSL 36.89, 0.63%, 0.42%

LAB 55.14, 12.79, 50.72

 

Description

Color code: HEX #28AE38 | qconv.com Color code: HEX #28AE38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 174 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 174 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 68 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 68% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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