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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28B81A it is the complementary color #D747E5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28B81A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28B81A shade: #2DB815, #3ECA28, #4FDC3B, #60EE4E and #71FF61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28B81A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28B81A shade: #28B81A, #17A607, #069400, #008200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28B81A shade: #28B61A, #52B61A, #7CB61A, #A6B61A and #B69C1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28B81A shade: #28B61A, #1AB636, #1AB660, #1AB68B and #1AB6B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28B81A shade matches the following richer shades: #28B61A and #1AC709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28B81A shade: #28B61A, #35A62B, #43953B, #51844C and #5F735D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28B81A shade: #7DB61A, #53B61A, #29B61A, #1AB634 and #1AB65E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28B81A shade: #186E0F, #209214, #28B61A, #2FDB1F and #4EE33F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28B81A shade: #28B81A, #1AA7B6 and #B61A68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28B81A shade: #28B81A, #1A29B6 and #B61A29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28B81A shade: #28B81A, #1AA7B6, #A71AB6 and #B6291A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28B81A shade: #28B81A, #1A78B6, #A71AB6 and #B6581A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 86 / 28

HEX #28B81A

RGB 40 184 26

HSL 114.68, 0.75%, 0.41%

LAB 65.6, -63.51, 61.58

 

Complementary color

CMYK 6 / 69 / 0 / 10

HEX #D747E5

RGB 215 71 229

HSL 294.68, 0.75%, 0.59%

LAB 56.69, 74.68, -52.49

 

CMYK 76 / 0 / 89 / 28

HEX #2DB815

RGB 45 184 21

HSL 111.17, 0.8%, 0.4%

LAB 65.67, -62.98, 62.73

 

CMYK 69 / 0 / 80 / 21

HEX #3ECA28

RGB 62 202 40

HSL 111.85, 0.67%, 0.47%

LAB 71.84, -64.84, 63.84

 

CMYK 64 / 0 / 73 / 14

HEX #4FDC3B

RGB 79 220 59

HSL 112.55, 0.7%, 0.55%

LAB 77.97, -66.11, 63.95

 

CMYK 60 / 0 / 67 / 7

HEX #60EE4E

RGB 96 238 78

HSL 113.25, 0.82%, 0.62%

LAB 84.06, -66.97, 63.45

 

CMYK 56 / 0 / 62 / 0

HEX #71FF61

RGB 113 255 97

HSL 113.92, 1%, 0.69%

LAB 89.81, -67.17, 62.29

 

CMYK 78 / 0 / 86 / 28

HEX #28B81A

RGB 40 184 26

HSL 114.68, 0.75%, 0.41%

LAB 65.6, -63.51, 61.58

 

CMYK 86 / 0 / 96 / 35

HEX #17A607

RGB 23 166 7

HSL 113.96, 0.92%, 0.34%

LAB 59.41, -60.8, 59.54

 

CMYK 96 / 0 / 100 / 42

HEX #069400

RGB 6 148 0

HSL 117.57, 1%, 0.29%

LAB 53.19, -57.06, 55.5

 

CMYK 100 / 0 / 100 / 49

HEX #008200

RGB 0 130 0

HSL 120, 1%, 0.25%

LAB 46.93, -52.28, 50.46

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 78 / 0 / 86 / 29

HEX #28B61A

RGB 40 182 26

HSL 114.62, 0.75%, 0.41%

LAB 64.95, -62.91, 61.01

 

CMYK 55 / 0 / 86 / 29

HEX #52B61A

RGB 82 182 26

HSL 98.46, 0.75%, 0.41%

LAB 66, -54.11, 62.34

 

CMYK 32 / 0 / 86 / 29

HEX #7CB61A

RGB 124 182 26

HSL 82.31, 0.75%, 0.41%

LAB 67.88, -40.25, 64.71

 

CMYK 9 / 0 / 86 / 29

HEX #A6B61A

RGB 166 182 26

HSL 66.15, 0.75%, 0.41%

LAB 70.62, -23.22, 68.12

 

CMYK 0 / 14 / 86 / 29

HEX #B69C1A

RGB 182 156 26

HSL 50, 0.75%, 0.41%

LAB 64.8, -2.76, 63.85

 

CMYK 78 / 0 / 86 / 29

HEX #28B61A

RGB 40 182 26

HSL 114.62, 0.75%, 0.41%

LAB 64.95, -62.91, 61.01

 

CMYK 86 / 0 / 70 / 29

HEX #1AB636

RGB 26 182 54

HSL 130.77, 0.75%, 0.41%

LAB 64.92, -62.61, 52.06

 

CMYK 86 / 0 / 47 / 29

HEX #1AB660

RGB 26 182 96

HSL 146.92, 0.75%, 0.41%

LAB 65.37, -57.04, 33.21

 

CMYK 86 / 0 / 24 / 29

HEX #1AB68B

RGB 26 182 139

HSL 163.46, 0.75%, 0.41%

LAB 66.17, -48.04, 11.33

 

CMYK 86 / 0 / 1 / 29

HEX #1AB6B5

RGB 26 182 181

HSL 179.62, 0.75%, 0.41%

LAB 67.29, -36.53, -10.2

 

CMYK 78 / 0 / 86 / 29

HEX #28B61A

RGB 40 182 26

HSL 114.62, 0.75%, 0.41%

LAB 64.95, -62.91, 61.01

 

CMYK 87 / 0 / 95 / 22

HEX #1AC709

RGB 26 199 9

HSL 114.63, 0.91%, 0.41%

LAB 70.24, -69.92, 68.23

 

CMYK 78 / 0 / 86 / 29

HEX #28B61A

RGB 40 182 26

HSL 114.62, 0.75%, 0.41%

LAB 64.95, -62.91, 61.01

 

CMYK 68 / 0 / 74 / 35

HEX #35A62B

RGB 53 166 43

HSL 115.12, 0.59%, 0.41%

LAB 60.07, -54.49, 51.38

 

CMYK 55 / 0 / 60 / 42

HEX #43953B

RGB 67 149 59

HSL 114.67, 0.43%, 0.41%

LAB 55.08, -43.24, 39.31

 

CMYK 39 / 0 / 42 / 48

HEX #51844C

RGB 81 132 76

HSL 114.64, 0.27%, 0.41%

LAB 50.42, -29.02, 24.95

 

CMYK 17 / 0 / 19 / 55

HEX #5F735D

RGB 95 115 93

HSL 114.55, 0.11%, 0.41%

LAB 46.29, -12.04, 9.76

 

CMYK 31 / 0 / 86 / 29

HEX #7DB61A

RGB 125 182 26

HSL 81.92, 0.75%, 0.41%

LAB 67.94, -39.87, 64.78

 

CMYK 54 / 0 / 86 / 29

HEX #53B61A

RGB 83 182 26

HSL 98.08, 0.75%, 0.41%

LAB 66.04, -53.84, 62.38

 

CMYK 77 / 0 / 86 / 29

HEX #29B61A

RGB 41 182 26

HSL 114.23, 0.75%, 0.41%

LAB 64.96, -62.76, 61.03

 

CMYK 86 / 0 / 71 / 29

HEX #1AB634

RGB 26 182 52

HSL 130, 0.75%, 0.41%

LAB 64.9, -62.79, 52.82

 

CMYK 86 / 0 / 48 / 29

HEX #1AB65E

RGB 26 182 94

HSL 146.15, 0.75%, 0.41%

LAB 65.34, -57.38, 34.2

 

CMYK 78 / 0 / 86 / 57

HEX #186E0F

RGB 24 110 15

HSL 114.32, 0.76%, 0.25%

LAB 40.21, -42.79, 41.39

 

CMYK 78 / 0 / 86 / 43

HEX #209214

RGB 32 146 20

HSL 114.29, 0.76%, 0.33%

LAB 52.86, -53.13, 51.58

 

CMYK 78 / 0 / 86 / 29

HEX #28B61A

RGB 40 182 26

HSL 114.62, 0.75%, 0.41%

LAB 64.95, -62.91, 61.01

 

CMYK 79 / 0 / 86 / 14

HEX #2FDB1F

RGB 47 219 31

HSL 114.89, 0.75%, 0.49%

LAB 76.9, -72.76, 70.54

 

CMYK 66 / 0 / 72 / 11

HEX #4EE33F

RGB 78 227 63

HSL 114.51, 0.75%, 0.57%

LAB 80.13, -68.32, 64.73

 

CMYK 78 / 0 / 86 / 28

HEX #28B81A

RGB 40 184 26

HSL 114.68, 0.75%, 0.41%

LAB 65.6, -63.51, 61.58

 

CMYK 86 / 8 / 0 / 29

HEX #1AA7B6

RGB 26 167 182

HSL 185.77, 0.75%, 0.41%

LAB 62.71, -29.08, -17.66

 

CMYK 0 / 86 / 43 / 29

HEX #B61A68

RGB 182 26 104

HSL 330, 0.75%, 0.41%

LAB 40.71, 63.3, -3.61

 

CMYK 78 / 0 / 86 / 28

HEX #28B81A

RGB 40 184 26

HSL 114.68, 0.75%, 0.41%

LAB 65.6, -63.51, 61.58

 

CMYK 86 / 77 / 0 / 29

HEX #1A29B6

RGB 26 41 182

HSL 234.23, 0.75%, 0.41%

LAB 27.25, 46.94, -74.13

 

CMYK 0 / 86 / 77 / 29

HEX #B61A29

RGB 182 26 41

HSL 354.23, 0.75%, 0.41%

LAB 39.32, 59.26, 34.08

 

CMYK 78 / 0 / 86 / 28

HEX #28B81A

RGB 40 184 26

HSL 114.68, 0.75%, 0.41%

LAB 65.6, -63.51, 61.58

 

CMYK 86 / 8 / 0 / 29

HEX #1AA7B6

RGB 26 167 182

HSL 185.77, 0.75%, 0.41%

LAB 62.71, -29.08, -17.66

 

CMYK 8 / 86 / 0 / 29

HEX #A71AB6

RGB 167 26 182

HSL 294.23, 0.75%, 0.41%

LAB 41.74, 70.41, -49.79

 

CMYK 0 / 77 / 86 / 29

HEX #B6291A

RGB 182 41 26

HSL 5.77, 0.75%, 0.41%

LAB 40.58, 54.84, 43.51

 

CMYK 78 / 0 / 86 / 28

HEX #28B81A

RGB 40 184 26

HSL 114.68, 0.75%, 0.41%

LAB 65.6, -63.51, 61.58

 

CMYK 86 / 34 / 0 / 29

HEX #1A78B6

RGB 26 120 182

HSL 203.85, 0.75%, 0.41%

LAB 48.3, -3.47, -39.99

 

CMYK 8 / 86 / 0 / 29

HEX #A71AB6

RGB 167 26 182

HSL 294.23, 0.75%, 0.41%

LAB 41.74, 70.41, -49.79

 

CMYK 0 / 52 / 86 / 29

HEX #B6581A

RGB 182 88 26

HSL 23.85, 0.75%, 0.41%

LAB 48.26, 34.45, 50.06

 

Description

Color code: HEX #28B81A | qconv.com Color code: HEX #28B81A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 184 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 184 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 86 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 86% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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