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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28BAC0 it is the complementary color #D7453F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28BAC0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28BAC0 shade: #2DBABB, #3ECCCE, #4FDEE1, #60F0F4 and #71FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28BAC0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28BAC0 shade: #28BAC0, #17A8AD, #06969A, #008487 and #007274

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28BAC0 shade: #27B8BE, #278FBE, #2766BE, #273DBE and #3827BE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28BAC0 shade: #27B8BE, #278FBE, #2766BE, #273DBE and #2727BE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28BAC0 shade matches the following richer shades: #27B8BE, #14C9D1 and #01DAE3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28BAC0 shade: #27B8BE, #39A7AB, #4C9699, #5E8586 and #717474

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28BAC0 shade: #27BE72, #27BE9B, #27B9BE, #2791BE and #2768BE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28BAC0 shade: #187679, #20979C, #27B8BE, #38D0D6 and #5AD8DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28BAC0 shade: #28BAC0, #4A27BE and #BE8627

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28BAC0 shade: #28BAC0, #BE27B9 and #B9BE27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28BAC0 shade: #28BAC0, #4A27BE, #BE2C27 and #9BBE27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28BAC0 shade: #28BAC0, #7727BE, #BE2C27 and #6DBE27

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 3 / 0 / 25

HEX #28BAC0

RGB 40 186 192

HSL 182.37, 0.66%, 0.45%

LAB 69.02, -33.99, -13.65

 

Complementary color

CMYK 0 / 68 / 71 / 16

HEX #D7453F

RGB 215 69 63

HSL 2.37, 0.66%, 0.55%

LAB 50.76, 56.6, 35.97

 

CMYK 76 / 1 / 0 / 27

HEX #2DBABB

RGB 45 186 187

HSL 180.42, 0.61%, 0.45%

LAB 68.94, -34.98, -11.01

 

CMYK 70 / 1 / 0 / 19

HEX #3ECCCE

RGB 62 204 206

HSL 180.83, 0.6%, 0.53%

LAB 75.24, -35.87, -11.91

 

CMYK 65 / 1 / 0 / 12

HEX #4FDEE1

RGB 79 222 225

HSL 181.23, 0.71%, 0.6%

LAB 81.48, -36.52, -12.72

 

CMYK 61 / 2 / 0 / 4

HEX #60F0F4

RGB 96 240 244

HSL 181.62, 0.87%, 0.67%

LAB 87.65, -37.01, -13.47

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 79 / 3 / 0 / 25

HEX #28BAC0

RGB 40 186 192

HSL 182.37, 0.66%, 0.45%

LAB 69.02, -33.99, -13.65

 

CMYK 87 / 3 / 0 / 32

HEX #17A8AD

RGB 23 168 173

HSL 182, 0.77%, 0.38%

LAB 62.68, -32.61, -12.66

 

CMYK 96 / 3 / 0 / 40

HEX #06969A

RGB 6 150 154

HSL 181.62, 0.93%, 0.31%

LAB 56.27, -30.83, -11.55

 

CMYK 100 / 2 / 0 / 47

HEX #008487

RGB 0 132 135

HSL 181.33, 1%, 0.26%

LAB 49.8, -28.51, -10.28

 

CMYK 100 / 2 / 0 / 55

HEX #007274

RGB 0 114 116

HSL 181.03, 1%, 0.23%

LAB 43.21, -25.88, -8.91

 

CMYK 79 / 3 / 0 / 25

HEX #27B8BE

RGB 39 184 190

HSL 182.38, 0.66%, 0.45%

LAB 68.34, -33.74, -13.58

 

CMYK 79 / 25 / 0 / 25

HEX #278FBE

RGB 39 143 190

HSL 198.68, 0.66%, 0.45%

LAB 55.88, -12.67, -32.65

 

CMYK 79 / 46 / 0 / 25

HEX #2766BE

RGB 39 102 190

HSL 214.97, 0.66%, 0.45%

LAB 43.73, 12.04, -51.9

 

CMYK 79 / 68 / 0 / 25

HEX #273DBE

RGB 39 61 190

HSL 231.26, 0.66%, 0.45%

LAB 32.89, 38.7, -69.53

 

CMYK 71 / 79 / 0 / 25

HEX #3827BE

RGB 56 39 190

HSL 246.75, 0.66%, 0.45%

LAB 29.44, 52.53, -75.2

 

CMYK 79 / 3 / 0 / 25

HEX #27B8BE

RGB 39 184 190

HSL 182.38, 0.66%, 0.45%

LAB 68.34, -33.74, -13.58

 

CMYK 79 / 25 / 0 / 25

HEX #278FBE

RGB 39 143 190

HSL 198.68, 0.66%, 0.45%

LAB 55.88, -12.67, -32.65

 

CMYK 79 / 46 / 0 / 25

HEX #2766BE

RGB 39 102 190

HSL 214.97, 0.66%, 0.45%

LAB 43.73, 12.04, -51.9

 

CMYK 79 / 68 / 0 / 25

HEX #273DBE

RGB 39 61 190

HSL 231.26, 0.66%, 0.45%

LAB 32.89, 38.7, -69.53

 

CMYK 79 / 79 / 0 / 25

HEX #2727BE

RGB 39 39 190

HSL 240, 0.66%, 0.45%

LAB 28.38, 51.3, -76.98

 

CMYK 79 / 3 / 0 / 25

HEX #27B8BE

RGB 39 184 190

HSL 182.38, 0.66%, 0.45%

LAB 68.34, -33.74, -13.58

 

CMYK 90 / 4 / 0 / 18

HEX #14C9D1

RGB 20 201 209

HSL 182.54, 0.83%, 0.45%

LAB 73.89, -37.14, -15.63

 

CMYK 100 / 4 / 0 / 11

HEX #01DAE3

RGB 1 218 227

HSL 182.39, 0.99%, 0.45%

LAB 79.44, -40, -16.94

 

CMYK 79 / 3 / 0 / 25

HEX #27B8BE

RGB 39 184 190

HSL 182.38, 0.66%, 0.45%

LAB 68.34, -33.74, -13.58

 

CMYK 67 / 2 / 0 / 33

HEX #39A7AB

RGB 57 167 171

HSL 182.11, 0.5%, 0.45%

LAB 62.88, -29.09, -11.17

 

CMYK 50 / 2 / 0 / 40

HEX #4C9699

RGB 76 150 153

HSL 182.34, 0.34%, 0.45%

LAB 57.7, -22.1, -8.68

 

CMYK 30 / 1 / 0 / 47

HEX #5E8586

RGB 94 133 134

HSL 181.5, 0.18%, 0.45%

LAB 52.81, -13.21, -4.91

 

CMYK 3 / 0 / 0 / 55

HEX #717474

RGB 113 116 116

HSL 180, 0.01%, 0.45%

LAB 48.59, -1.13, -0.4

 

CMYK 79 / 0 / 40 / 25

HEX #27BE72

RGB 39 190 114

HSL 149.8, 0.66%, 0.45%

LAB 68.37, -55.33, 27.8

 

CMYK 79 / 0 / 18 / 25

HEX #27BE9B

RGB 39 190 155

HSL 166.09, 0.66%, 0.45%

LAB 69.2, -46.18, 6.92

 

CMYK 79 / 3 / 0 / 25

HEX #27B9BE

RGB 39 185 190

HSL 181.99, 0.66%, 0.45%

LAB 68.64, -34.21, -13.12

 

CMYK 79 / 24 / 0 / 25

HEX #2791BE

RGB 39 145 190

HSL 197.88, 0.66%, 0.45%

LAB 56.49, -13.78, -31.71

 

CMYK 79 / 45 / 0 / 25

HEX #2768BE

RGB 39 104 190

HSL 214.17, 0.66%, 0.45%

LAB 44.3, 10.76, -50.98

 

CMYK 80 / 2 / 0 / 53

HEX #187679

RGB 24 118 121

HSL 181.86, 0.67%, 0.28%

LAB 44.99, -24.44, -9.2

 

CMYK 79 / 3 / 0 / 39

HEX #20979C

RGB 32 151 156

HSL 182.42, 0.66%, 0.37%

LAB 56.92, -28.98, -11.69

 

CMYK 79 / 3 / 0 / 25

HEX #27B8BE

RGB 39 184 190

HSL 182.38, 0.66%, 0.45%

LAB 68.34, -33.74, -13.58

 

CMYK 74 / 3 / 0 / 16

HEX #38D0D6

RGB 56 208 214

HSL 182.28, 0.66%, 0.53%

LAB 76.56, -36.13, -14.26

 

CMYK 59 / 2 / 0 / 13

HEX #5AD8DD

RGB 90 216 221

HSL 182.29, 0.66%, 0.61%

LAB 79.9, -33.06, -12.92

 

CMYK 79 / 3 / 0 / 25

HEX #28BAC0

RGB 40 186 192

HSL 182.37, 0.66%, 0.45%

LAB 69.02, -33.99, -13.65

 

CMYK 61 / 79 / 0 / 25

HEX #4A27BE

RGB 74 39 190

HSL 253.91, 0.66%, 0.45%

LAB 30.94, 54.27, -72.67

 

CMYK 0 / 29 / 79 / 25

HEX #BE8627

RGB 190 134 39

HSL 37.75, 0.66%, 0.45%

LAB 60.02, 13.24, 55.97

 

CMYK 79 / 3 / 0 / 25

HEX #28BAC0

RGB 40 186 192

HSL 182.37, 0.66%, 0.45%

LAB 69.02, -33.99, -13.65

 

CMYK 0 / 79 / 3 / 25

HEX #BE27B9

RGB 190 39 185

HSL 301.99, 0.66%, 0.45%

LAB 46.84, 72.25, -43.17

 

CMYK 3 / 0 / 79 / 25

HEX #B9BE27

RGB 185 190 39

HSL 61.99, 0.66%, 0.45%

LAB 74.37, -18.67, 68.69

 

CMYK 79 / 3 / 0 / 25

HEX #28BAC0

RGB 40 186 192

HSL 182.37, 0.66%, 0.45%

LAB 69.02, -33.99, -13.65

 

CMYK 61 / 79 / 0 / 25

HEX #4A27BE

RGB 74 39 190

HSL 253.91, 0.66%, 0.45%

LAB 30.94, 54.27, -72.67

 

CMYK 0 / 77 / 79 / 25

HEX #BE2C27

RGB 190 44 39

HSL 1.99, 0.66%, 0.45%

LAB 42.6, 56.71, 39.18

 

CMYK 18 / 0 / 79 / 25

HEX #9BBE27

RGB 155 190 39

HSL 73.91, 0.66%, 0.45%

LAB 72.19, -31.22, 65.91

 

CMYK 79 / 3 / 0 / 25

HEX #28BAC0

RGB 40 186 192

HSL 182.37, 0.66%, 0.45%

LAB 69.02, -33.99, -13.65

 

CMYK 37 / 79 / 0 / 25

HEX #7727BE

RGB 119 39 190

HSL 271.79, 0.66%, 0.45%

LAB 36.16, 60.32, -63.9

 

CMYK 0 / 77 / 79 / 25

HEX #BE2C27

RGB 190 44 39

HSL 1.99, 0.66%, 0.45%

LAB 42.6, 56.71, 39.18

 

CMYK 43 / 0 / 79 / 25

HEX #6DBE27

RGB 109 190 39

HSL 92.19, 0.66%, 0.45%

LAB 69.63, -48.36, 62.63

 

Description

Color code: HEX #28BAC0 | qconv.com Color code: HEX #28BAC0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 186 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 186 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, 3 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 3% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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