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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28C3AF it is the complementary color #D73C50. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28C3AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28C3AF shade: #2DC3AA, #3ED5BD, #4FE7D0, #60F9E3 and #71FFF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28C3AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28C3AF shade: #28C3AF, #17B19C, #069F89, #008D76 and #007B63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28C3AF shade: #27C2AE, #27C284, #27C25B, #27C231 and #48C227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28C3AF shade: #27C2AE, #27ACC2, #2783C2, #2759C2 and #272FC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28C3AF shade matches the following richer shades: #27C2AE, #14D5BC and #01E8CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28C3AF shade: #27C2AE, #3AAFA0, #4D9C92, #608984 and #737676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28C3AF shade: #27C25B, #27C284, #27C2AE, #27AEC2 and #2784C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28C3AF shade: #197E71, #20A090, #27C2AE, #3CD7C3 and #5EDECD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28C3AF shade: #28C3AF, #3227C2 and #C27027

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28C3AF shade: #28C3AF, #AE27C2 and #C2AE27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28C3AF shade: #28C3AF, #3227C2, #C2273C and #B8C227

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28C3AF shade: #28C3AF, #6027C2, #C2273C and #89C227

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 10 / 24

HEX #28C3AF

RGB 40 195 175

HSL 172.26, 0.66%, 0.46%

LAB 71.27, -42.95, -1

 

Complementary color

CMYK 0 / 72 / 63 / 16

HEX #D73C50

RGB 215 60 80

HSL 352.26, 0.66%, 0.54%

LAB 49.81, 60.85, 24.83

 

CMYK 77 / 0 / 13 / 24

HEX #2DC3AA

RGB 45 195 170

HSL 170, 0.63%, 0.47%

LAB 71.21, -43.79, 1.64

 

CMYK 71 / 0 / 11 / 16

HEX #3ED5BD

RGB 62 213 189

HSL 170.46, 0.64%, 0.54%

LAB 77.45, -44.54, 0.51

 

CMYK 66 / 0 / 10 / 9

HEX #4FE7D0

RGB 79 231 208

HSL 170.92, 0.76%, 0.61%

LAB 83.64, -45.08, -0.52

 

CMYK 61 / 0 / 9 / 2

HEX #60F9E3

RGB 96 249 227

HSL 171.37, 0.93%, 0.68%

LAB 89.76, -45.44, -1.47

 

CMYK 56 / 0 / 4 / 0

HEX #71FFF6

RGB 113 255 246

HSL 176.2, 1%, 0.72%

LAB 92.44, -40.38, -7.34

 

CMYK 79 / 0 / 10 / 24

HEX #28C3AF

RGB 40 195 175

HSL 172.26, 0.66%, 0.46%

LAB 71.27, -42.95, -1

 

CMYK 87 / 0 / 12 / 31

HEX #17B19C

RGB 23 177 156

HSL 171.82, 0.77%, 0.39%

LAB 64.98, -41.72, 0.24

 

CMYK 96 / 0 / 14 / 38

HEX #069F89

RGB 6 159 137

HSL 171.37, 0.93%, 0.32%

LAB 58.64, -40.08, 1.64

 

CMYK 100 / 0 / 16 / 45

HEX #008D76

RGB 0 141 118

HSL 170.21, 1%, 0.28%

LAB 52.24, -37.88, 3.22

 

CMYK 100 / 0 / 20 / 52

HEX #007B63

RGB 0 123 99

HSL 168.29, 1%, 0.24%

LAB 45.73, -35.37, 4.95

 

CMYK 80 / 0 / 10 / 24

HEX #27C2AE

RGB 39 194 174

HSL 172.26, 0.67%, 0.46%

LAB 70.92, -42.88, -0.97

 

CMYK 80 / 0 / 32 / 24

HEX #27C284

RGB 39 194 132

HSL 156, 0.67%, 0.46%

LAB 69.95, -53.17, 20.4

 

CMYK 80 / 0 / 53 / 24

HEX #27C25B

RGB 39 194 91

HSL 140.13, 0.67%, 0.46%

LAB 69.31, -60.62, 40.64

 

CMYK 80 / 0 / 75 / 24

HEX #27C231

RGB 39 194 49

HSL 123.87, 0.67%, 0.46%

LAB 68.92, -65.3, 58.06

 

CMYK 63 / 0 / 80 / 24

HEX #48C227

RGB 72 194 39

HSL 107.23, 0.67%, 0.46%

LAB 69.55, -60.21, 62.07

 

CMYK 80 / 0 / 10 / 24

HEX #27C2AE

RGB 39 194 174

HSL 172.26, 0.67%, 0.46%

LAB 70.92, -42.88, -0.97

 

CMYK 80 / 11 / 0 / 24

HEX #27ACC2

RGB 39 172 194

HSL 188.52, 0.67%, 0.46%

LAB 64.83, -26.65, -21.1

 

CMYK 80 / 32 / 0 / 24

HEX #2783C2

RGB 39 131 194

HSL 204.39, 0.67%, 0.46%

LAB 52.46, -4.34, -40.29

 

CMYK 80 / 54 / 0 / 24

HEX #2759C2

RGB 39 89 194

HSL 220.65, 0.67%, 0.46%

LAB 40.36, 22.03, -59.66

 

CMYK 80 / 76 / 0 / 24

HEX #272FC2

RGB 39 47 194

HSL 236.9, 0.67%, 0.46%

LAB 30.3, 48.37, -76.15

 

CMYK 80 / 0 / 10 / 24

HEX #27C2AE

RGB 39 194 174

HSL 172.26, 0.67%, 0.46%

LAB 70.92, -42.88, -0.97

 

CMYK 91 / 0 / 12 / 16

HEX #14D5BC

RGB 20 213 188

HSL 172.23, 0.83%, 0.46%

LAB 76.9, -48.45, 0.18

 

CMYK 100 / 0 / 13 / 9

HEX #01E8CA

RGB 1 232 202

HSL 172.21, 0.99%, 0.46%

LAB 82.9, -53.09, 1.47

 

CMYK 80 / 0 / 10 / 24

HEX #27C2AE

RGB 39 194 174

HSL 172.26, 0.67%, 0.46%

LAB 70.92, -42.88, -0.97

 

CMYK 67 / 0 / 9 / 31

HEX #3AAFA0

RGB 58 175 160

HSL 172.31, 0.5%, 0.46%

LAB 65.04, -35.85, -1.83

 

CMYK 51 / 0 / 6 / 39

HEX #4D9C92

RGB 77 156 146

HSL 172.41, 0.34%, 0.46%

LAB 59.37, -26.8, -2.23

 

CMYK 30 / 0 / 4 / 46

HEX #608984

RGB 96 137 132

HSL 172.68, 0.18%, 0.46%

LAB 54.07, -15.26, -1.88

 

CMYK 3 / 0 / 0 / 54

HEX #737676

RGB 115 118 118

HSL 180, 0.01%, 0.46%

LAB 49.39, -1.13, -0.4

 

CMYK 80 / 0 / 53 / 24

HEX #27C25B

RGB 39 194 91

HSL 140.13, 0.67%, 0.46%

LAB 69.31, -60.62, 40.64

 

CMYK 80 / 0 / 32 / 24

HEX #27C284

RGB 39 194 132

HSL 156, 0.67%, 0.46%

LAB 69.95, -53.17, 20.4

 

CMYK 80 / 0 / 10 / 24

HEX #27C2AE

RGB 39 194 174

HSL 172.26, 0.67%, 0.46%

LAB 70.92, -42.88, -0.97

 

CMYK 80 / 10 / 0 / 24

HEX #27AEC2

RGB 39 174 194

HSL 187.74, 0.67%, 0.46%

LAB 65.43, -27.65, -20.18

 

CMYK 80 / 32 / 0 / 24

HEX #2784C2

RGB 39 132 194

HSL 204, 0.67%, 0.46%

LAB 52.76, -4.93, -39.82

 

CMYK 80 / 0 / 10 / 51

HEX #197E71

RGB 25 126 113

HSL 172.28, 0.67%, 0.3%

LAB 47.39, -30.75, -0.88

 

CMYK 80 / 0 / 10 / 37

HEX #20A090

RGB 32 160 144

HSL 172.5, 0.67%, 0.38%

LAB 59.4, -36.81, -1.19

 

CMYK 80 / 0 / 10 / 24

HEX #27C2AE

RGB 39 194 174

HSL 172.26, 0.67%, 0.46%

LAB 70.92, -42.88, -0.97

 

CMYK 72 / 0 / 9 / 16

HEX #3CD7C3

RGB 60 215 195

HSL 172.26, 0.66%, 0.54%

LAB 78.17, -44.1, -1.66

 

CMYK 58 / 0 / 8 / 13

HEX #5EDECD

RGB 94 222 205

HSL 172.03, 0.66%, 0.62%

LAB 81.31, -39.33, -2.3

 

CMYK 79 / 0 / 10 / 24

HEX #28C3AF

RGB 40 195 175

HSL 172.26, 0.66%, 0.46%

LAB 71.27, -42.95, -1

 

CMYK 74 / 80 / 0 / 24

HEX #3227C2

RGB 50 39 194

HSL 244.26, 0.67%, 0.46%

LAB 29.47, 53.27, -77.51

 

CMYK 0 / 42 / 80 / 24

HEX #C27027

RGB 194 112 39

HSL 28.26, 0.67%, 0.46%

LAB 55.28, 27.05, 51.76

 

CMYK 79 / 0 / 10 / 24

HEX #28C3AF

RGB 40 195 175

HSL 172.26, 0.66%, 0.46%

LAB 71.27, -42.95, -1

 

CMYK 10 / 80 / 0 / 24

HEX #AE27C2

RGB 174 39 194

HSL 292.26, 0.67%, 0.46%

LAB 44.72, 70.63, -51.97

 

CMYK 0 / 10 / 80 / 24

HEX #C2AE27

RGB 194 174 39

HSL 52.26, 0.67%, 0.46%

LAB 70.79, -6.58, 65.82

 

CMYK 79 / 0 / 10 / 24

HEX #28C3AF

RGB 40 195 175

HSL 172.26, 0.66%, 0.46%

LAB 71.27, -42.95, -1

 

CMYK 74 / 80 / 0 / 24

HEX #3227C2

RGB 50 39 194

HSL 244.26, 0.67%, 0.46%

LAB 29.47, 53.27, -77.51

 

CMYK 0 / 80 / 69 / 24

HEX #C2273C

RGB 194 39 60

HSL 351.87, 0.67%, 0.46%

LAB 43.13, 60.22, 27.67

 

CMYK 5 / 0 / 80 / 24

HEX #B8C227

RGB 184 194 39

HSL 63.87, 0.67%, 0.46%

LAB 75.4, -21.08, 69.56

 

CMYK 79 / 0 / 10 / 24

HEX #28C3AF

RGB 40 195 175

HSL 172.26, 0.66%, 0.46%

LAB 71.27, -42.95, -1

 

CMYK 51 / 80 / 0 / 24

HEX #6027C2

RGB 96 39 194

HSL 262.06, 0.67%, 0.46%

LAB 33.63, 57.98, -70.5

 

CMYK 0 / 80 / 69 / 24

HEX #C2273C

RGB 194 39 60

HSL 351.87, 0.67%, 0.46%

LAB 43.13, 60.22, 27.67

 

CMYK 29 / 0 / 80 / 24

HEX #89C227

RGB 137 194 39

HSL 82.06, 0.67%, 0.46%

LAB 72.26, -40.1, 65.57

 

Description

Color code: HEX #28C3AF | qconv.com Color code: HEX #28C3AF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 195 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 195 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 10% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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