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Color name
HEX #28D6C7

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28D6C7 it is the complementary color #D72938. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28D6C7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28D6C7 shade: #2DD6C2, #3EE8D5, #4FFAE8, #60FFFB and #71FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28D6C7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28D6C7 shade: #28D6C7, #17C4B4, #06B2A1, #00A08E and #008E7B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28D6C7 shade: #27D7C8, #27D798, #27D769, #27D739 and #44D727

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28D6C7 shade: #27D7C8, #27B7D7, #2787D7, #2758D7 and #2728D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28D6C7 shade matches the following richer shades: #27D7C8 and #12ECD9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28D6C7 shade: #27D7C8, #3CC2B7, #50AEA6, #659995 and #7A8484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28D6C7 shade: #27D768, #27D796, #27D7C5, #27BAD7 and #278BD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28D6C7 shade: #1A9187, #21B4A7, #27D7C8, #4ADDD1 and #6DE4DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28D6C7 shade: #28D6C7, #3927D7 and #D77F27

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28D6C7 shade: #28D6C7, #C527D7 and #D7C527

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28D6C7 shade: #28D6C7, #3927D7, #D72739 and #C5D727

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28D6C7 shade: #28D6C7, #6D27D7, #D72739 and #91D727

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 7 / 16

HEX #28D6C7

RGB 40 214 199

HSL 174.83, 0.69%, 0.5%

LAB 77.68, -44.62, -4.56

 

Complementary color

CMYK 0 / 81 / 74 / 16

HEX #D72938

RGB 215 41 56

HSL 354.83, 0.69%, 0.5%

LAB 47.39, 65.42, 36.11

 

CMYK 79 / 0 / 9 / 16

HEX #2DD6C2

RGB 45 214 194

HSL 172.9, 0.67%, 0.51%

LAB 77.61, -45.55, -1.98

 

CMYK 73 / 0 / 8 / 9

HEX #3EE8D5

RGB 62 232 213

HSL 173.29, 0.79%, 0.58%

LAB 83.73, -46.46, -3.07

 

CMYK 68 / 0 / 7 / 2

HEX #4FFAE8

RGB 79 250 232

HSL 173.68, 0.94%, 0.65%

LAB 89.79, -47.13, -4.07

 

CMYK 62 / 0 / 2 / 0

HEX #60FFFB

RGB 96 255 251

HSL 178.49, 1%, 0.69%

LAB 92.12, -41.94, -10.45

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 81 / 0 / 7 / 16

HEX #28D6C7

RGB 40 214 199

HSL 174.83, 0.69%, 0.5%

LAB 77.68, -44.62, -4.56

 

CMYK 88 / 0 / 8 / 23

HEX #17C4B4

RGB 23 196 180

HSL 174.45, 0.79%, 0.43%

LAB 71.53, -43.27, -3.37

 

CMYK 97 / 0 / 10 / 30

HEX #06B2A1

RGB 6 178 161

HSL 174.07, 0.93%, 0.36%

LAB 65.32, -41.54, -2.05

 

CMYK 100 / 0 / 11 / 37

HEX #00A08E

RGB 0 160 142

HSL 173.25, 1%, 0.31%

LAB 59.06, -39.35, -0.58

HEX #00A08E

CMYK 100 / 0 / 13 / 44

HEX #008E7B

RGB 0 142 123

HSL 171.97, 1%, 0.28%

LAB 52.7, -36.89, 1

HEX #008E7B

CMYK 82 / 0 / 7 / 16

HEX #27D7C8

RGB 39 215 200

HSL 174.89, 0.69%, 0.5%

LAB 77.99, -44.86, -4.63

 

CMYK 82 / 0 / 29 / 16

HEX #27D798

RGB 39 215 152

HSL 158.52, 0.69%, 0.5%

LAB 76.86, -56.81, 19.31

 

CMYK 82 / 0 / 51 / 16

HEX #27D769

RGB 39 215 105

HSL 142.5, 0.69%, 0.5%

LAB 76.1, -65.54, 42.21

 

CMYK 82 / 0 / 73 / 16

HEX #27D739

RGB 39 215 57

HSL 126.14, 0.69%, 0.5%

LAB 75.65, -71.01, 62.06

 

CMYK 68 / 0 / 82 / 16

HEX #44D727

RGB 68 215 39

HSL 110.11, 0.69%, 0.5%

LAB 76.05, -67.9, 68.06

 

CMYK 82 / 0 / 7 / 16

HEX #27D7C8

RGB 39 215 200

HSL 174.89, 0.69%, 0.5%

LAB 77.99, -44.86, -4.63

 

CMYK 82 / 15 / 0 / 16

HEX #27B7D7

RGB 39 183 215

HSL 190.91, 0.69%, 0.5%

LAB 68.9, -25.38, -26.46

 

CMYK 82 / 37 / 0 / 16

HEX #2787D7

RGB 39 135 215

HSL 207.27, 0.69%, 0.5%

LAB 54.73, 1.05, -48.61

 

CMYK 82 / 59 / 0 / 16

HEX #2758D7

RGB 39 88 215

HSL 223.3, 0.69%, 0.5%

LAB 41.72, 30.67, -69.57

 

CMYK 82 / 81 / 0 / 16

HEX #2728D7

RGB 39 40 215

HSL 239.66, 0.69%, 0.5%

LAB 31.48, 58.55, -86.45

 

CMYK 82 / 0 / 7 / 16

HEX #27D7C8

RGB 39 215 200

HSL 174.89, 0.69%, 0.5%

LAB 77.99, -44.86, -4.63

 

CMYK 92 / 0 / 8 / 7

HEX #12ECD9

RGB 18 236 217

HSL 174.77, 0.86%, 0.5%

LAB 84.55, -50.26, -4.02

 

CMYK 82 / 0 / 7 / 16

HEX #27D7C8

RGB 39 215 200

HSL 174.89, 0.69%, 0.5%

LAB 77.99, -44.86, -4.63

 

CMYK 69 / 0 / 6 / 24

HEX #3CC2B7

RGB 60 194 183

HSL 175.07, 0.53%, 0.5%

LAB 71.53, -37.98, -4.94

 

CMYK 54 / 0 / 5 / 32

HEX #50AEA6

RGB 80 174 166

HSL 174.89, 0.37%, 0.5%

LAB 65.54, -29.71, -4.36

 

CMYK 34 / 0 / 3 / 40

HEX #659995

RGB 101 153 149

HSL 175.38, 0.2%, 0.5%

LAB 59.63, -18.17, -3.41

 

CMYK 8 / 0 / 0 / 48

HEX #7A8484

RGB 122 132 132

HSL 180, 0.04%, 0.5%

LAB 54.35, -3.66, -1.27

 

CMYK 82 / 0 / 52 / 16

HEX #27D768

RGB 39 215 104

HSL 142.16, 0.69%, 0.5%

LAB 76.09, -65.69, 42.68

 

CMYK 82 / 0 / 30 / 16

HEX #27D796

RGB 39 215 150

HSL 157.84, 0.69%, 0.5%

LAB 76.82, -57.24, 20.31

 

CMYK 82 / 0 / 8 / 16

HEX #27D7C5

RGB 39 215 197

HSL 173.86, 0.69%, 0.5%

LAB 77.91, -45.68, -3.15

 

CMYK 82 / 13 / 0 / 16

HEX #27BAD7

RGB 39 186 215

HSL 189.89, 0.69%, 0.5%

LAB 69.79, -26.88, -25.09

 

CMYK 82 / 35 / 0 / 16

HEX #278BD7

RGB 39 139 215

HSL 205.91, 0.69%, 0.5%

LAB 55.89, -1.32, -46.76

 

CMYK 82 / 0 / 7 / 43

HEX #1A9187

RGB 26 145 135

HSL 174.96, 0.7%, 0.34%

LAB 54.26, -33.09, -3.61

 

CMYK 82 / 0 / 7 / 29

HEX #21B4A7

RGB 33 180 167

HSL 174.69, 0.69%, 0.42%

LAB 66.33, -39.19, -3.87

 

CMYK 82 / 0 / 7 / 16

HEX #27D7C8

RGB 39 215 200

HSL 174.89, 0.69%, 0.5%

LAB 77.99, -44.86, -4.63

 

CMYK 67 / 0 / 5 / 13

HEX #4ADDD1

RGB 74 221 209

HSL 175.1, 0.68%, 0.58%

LAB 80.61, -41.15, -5.51

 

CMYK 52 / 0 / 4 / 11

HEX #6DE4DA

RGB 109 228 218

HSL 174.96, 0.69%, 0.66%

LAB 83.86, -35.88, -5.38

 

CMYK 81 / 0 / 7 / 16

HEX #28D6C7

RGB 40 214 199

HSL 174.83, 0.69%, 0.5%

LAB 77.68, -44.62, -4.56

 

CMYK 73 / 82 / 0 / 16

HEX #3927D7

RGB 57 39 215

HSL 246.14, 0.69%, 0.5%

LAB 32.32, 59.99, -85.02

 

CMYK 0 / 41 / 82 / 16

HEX #D77F27

RGB 215 127 39

HSL 30, 0.69%, 0.5%

LAB 61.46, 27.83, 58.43

 

CMYK 81 / 0 / 7 / 16

HEX #28D6C7

RGB 40 214 199

HSL 174.83, 0.69%, 0.5%

LAB 77.68, -44.62, -4.56

 

CMYK 8 / 82 / 0 / 16

HEX #C527D7

RGB 197 39 215

HSL 293.86, 0.69%, 0.5%

LAB 49.77, 78.33, -55.79

 

CMYK 0 / 8 / 82 / 16

HEX #D7C527

RGB 215 197 39

HSL 53.86, 0.69%, 0.5%

LAB 78.77, -9.32, 73.47

 

CMYK 81 / 0 / 7 / 16

HEX #28D6C7

RGB 40 214 199

HSL 174.83, 0.69%, 0.5%

LAB 77.68, -44.62, -4.56

 

CMYK 73 / 82 / 0 / 16

HEX #3927D7

RGB 57 39 215

HSL 246.14, 0.69%, 0.5%

LAB 32.32, 59.99, -85.02

 

CMYK 0 / 82 / 73 / 16

HEX #D72739

RGB 215 39 57

HSL 353.86, 0.69%, 0.5%

LAB 47.23, 65.95, 35.34

 

CMYK 8 / 0 / 82 / 16

HEX #C5D727

RGB 197 215 39

HSL 66.14, 0.69%, 0.5%

LAB 82.17, -25.84, 75.82

 

CMYK 81 / 0 / 7 / 16

HEX #28D6C7

RGB 40 214 199

HSL 174.83, 0.69%, 0.5%

LAB 77.68, -44.62, -4.56

 

CMYK 49 / 82 / 0 / 16

HEX #6D27D7

RGB 109 39 215

HSL 263.86, 0.69%, 0.5%

LAB 37.13, 64.86, -76.91

 

CMYK 0 / 82 / 73 / 16

HEX #D72739

RGB 215 39 57

HSL 353.86, 0.69%, 0.5%

LAB 47.23, 65.95, 35.34

 

CMYK 33 / 0 / 82 / 16

HEX #91D727

RGB 145 215 39

HSL 83.86, 0.69%, 0.5%

LAB 78.91, -46.17, 71.7

 

Description

Color code: HEX #28D6C7 | qconv.com Color code: HEX #28D6C7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 214 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 214 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 7 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 7% 16% C M Y K

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Provide designers and agencies with accurate color values.

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