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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28D28B it is the complementary color #D72D74. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28D28B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28D28B shade: #2DD286, #3EE499, #4FF6AC, #60FFBF and #71FFD2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28D28B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28D28B shade: #28D28B, #17C078, #06AE65, #009C52 and #008A3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28D28B shade: #27D18A, #27D15D, #27D12F, #4ED127 and #7CD127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28D28B shade: #27D18A, #27D1B8, #27BDD1, #278FD1 and #2761D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28D28B shade matches the following richer shades: #27D18A and #13E68E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28D28B shade: #27D18A, #3CBD87, #50A984, #649580 and #78817D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28D28B shade: #27D12D, #27D15A, #27D188, #27D1B5 and #27C0D1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28D28B shade: #1A8C5D, #21AF74, #27D18A, #47DB9D and #69E2B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28D28B shade: #28D28B, #274FD1 and #D14427

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28D28B shade: #28D28B, #8827D1 and #D18827

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28D28B shade: #28D28B, #274FD1, #D12771 and #D1AA27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28D28B shade: #28D28B, #3327D1, #D12771 and #C6D127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 34 / 18

HEX #28D28B

RGB 40 210 139

HSL 154.94, 0.68%, 0.49%

LAB 75.08, -57.61, 23.7

 

Complementary color

CMYK 0 / 79 / 46 / 16

HEX #D72D74

RGB 215 45 116

HSL 334.94, 0.68%, 0.51%

LAB 48.99, 68.13, 1.83

 

CMYK 79 / 0 / 36 / 18

HEX #2DD286

RGB 45 210 134

HSL 152.36, 0.65%, 0.5%

LAB 75.06, -58.1, 26.29

 

CMYK 73 / 0 / 33 / 11

HEX #3EE499

RGB 62 228 153

HSL 152.89, 0.75%, 0.57%

LAB 81.19, -58.9, 24.78

 

CMYK 68 / 0 / 30 / 4

HEX #4FF6AC

RGB 79 246 172

HSL 153.41, 0.9%, 0.64%

LAB 87.27, -59.42, 23.39

 

CMYK 62 / 0 / 25 / 0

HEX #60FFBF

RGB 96 255 191

HSL 155.85, 1%, 0.69%

LAB 90.67, -56.21, 18.45

 

CMYK 56 / 0 / 18 / 0

HEX #71FFD2

RGB 113 255 210

HSL 160.99, 1%, 0.72%

LAB 91.54, -48.91, 9.98

 

CMYK 81 / 0 / 34 / 18

HEX #28D28B

RGB 40 210 139

HSL 154.94, 0.68%, 0.49%

LAB 75.08, -57.61, 23.7

 

CMYK 88 / 0 / 38 / 25

HEX #17C078

RGB 23 192 120

HSL 154.44, 0.79%, 0.42%

LAB 68.92, -56.32, 25.35

 

CMYK 97 / 0 / 42 / 32

HEX #06AE65

RGB 6 174 101

HSL 153.93, 0.93%, 0.35%

LAB 62.72, -54.53, 27.15

 

CMYK 100 / 0 / 47 / 39

HEX #009C52

RGB 0 156 82

HSL 151.54, 1%, 0.31%

LAB 56.47, -52.08, 29.11

 

CMYK 100 / 0 / 54 / 46

HEX #008A3F

RGB 0 138 63

HSL 147.39, 1%, 0.27%

LAB 50.14, -49.15, 31.13

 

CMYK 81 / 0 / 34 / 18

HEX #27D18A

RGB 39 209 138

HSL 154.94, 0.69%, 0.49%

LAB 74.74, -57.55, 23.76

 

CMYK 81 / 0 / 56 / 18

HEX #27D15D

RGB 39 209 93

HSL 139.06, 0.69%, 0.49%

LAB 74.08, -65.3, 45.45

 

CMYK 81 / 0 / 78 / 18

HEX #27D12F

RGB 39 209 47

HSL 122.82, 0.69%, 0.49%

LAB 73.7, -69.95, 63.4

 

CMYK 63 / 0 / 81 / 18

HEX #4ED127

RGB 78 209 39

HSL 106.24, 0.69%, 0.49%

LAB 74.42, -63.9, 66.65

 

CMYK 41 / 0 / 81 / 18

HEX #7CD127

RGB 124 209 39

HSL 90, 0.69%, 0.49%

LAB 76.09, -51, 68.79

 

CMYK 81 / 0 / 34 / 18

HEX #27D18A

RGB 39 209 138

HSL 154.94, 0.69%, 0.49%

LAB 74.74, -57.55, 23.76

 

CMYK 81 / 0 / 12 / 18

HEX #27D1B8

RGB 39 209 184

HSL 171.18, 0.69%, 0.49%

LAB 75.76, -46.63, 0.68

 

CMYK 81 / 10 / 0 / 18

HEX #27BDD1

RGB 39 189 209

HSL 187.06, 0.69%, 0.49%

LAB 70.48, -30.27, -20.77

 

CMYK 81 / 32 / 0 / 18

HEX #278FD1

RGB 39 143 209

HSL 203.29, 0.69%, 0.49%

LAB 56.76, -5.86, -42.01

 

CMYK 81 / 54 / 0 / 18

HEX #2761D1

RGB 39 97 209

HSL 219.53, 0.69%, 0.49%

LAB 43.63, 22.57, -63.02

 

CMYK 81 / 0 / 34 / 18

HEX #27D18A

RGB 39 209 138

HSL 154.94, 0.69%, 0.49%

LAB 74.74, -57.55, 23.76

 

CMYK 92 / 0 / 38 / 10

HEX #13E68E

RGB 19 230 142

HSL 154.98, 0.85%, 0.49%

LAB 81.12, -65.61, 30.24

 

CMYK 81 / 0 / 34 / 18

HEX #27D18A

RGB 39 209 138

HSL 154.94, 0.69%, 0.49%

LAB 74.74, -57.55, 23.76

 

CMYK 68 / 0 / 29 / 26

HEX #3CBD87

RGB 60 189 135

HSL 154.88, 0.52%, 0.49%

LAB 68.83, -47.71, 17.31

 

CMYK 53 / 0 / 22 / 34

HEX #50A984

RGB 80 169 132

HSL 155.06, 0.36%, 0.49%

LAB 63.13, -35.68, 11.07

 

CMYK 33 / 0 / 14 / 42

HEX #649580

RGB 100 149 128

HSL 154.29, 0.2%, 0.49%

LAB 57.81, -21.26, 5.87

 

CMYK 7 / 0 / 3 / 49

HEX #78817D

RGB 120 129 125

HSL 153.33, 0.04%, 0.49%

LAB 53.14, -4.14, 1.01

 

CMYK 81 / 0 / 78 / 18

HEX #27D12D

RGB 39 209 45

HSL 122.12, 0.69%, 0.49%

LAB 73.69, -70.08, 64

 

CMYK 81 / 0 / 57 / 18

HEX #27D15A

RGB 39 209 90

HSL 138, 0.69%, 0.49%

LAB 74.04, -65.71, 46.8

 

CMYK 81 / 0 / 35 / 18

HEX #27D188

RGB 39 209 136

HSL 154.24, 0.69%, 0.49%

LAB 74.7, -57.96, 24.76

 

CMYK 81 / 0 / 13 / 18

HEX #27D1B5

RGB 39 209 181

HSL 170.12, 0.69%, 0.49%

LAB 75.68, -47.42, 2.18

 

CMYK 81 / 8 / 0 / 18

HEX #27C0D1

RGB 39 192 209

HSL 186, 0.69%, 0.49%

LAB 71.37, -31.72, -19.4

 

CMYK 81 / 0 / 34 / 45

HEX #1A8C5D

RGB 26 140 93

HSL 155.26, 0.69%, 0.33%

LAB 51.57, -41.97, 16.65

 

CMYK 81 / 0 / 34 / 31

HEX #21AF74

RGB 33 175 116

HSL 155.07, 0.68%, 0.41%

LAB 63.54, -49.95, 20.25

 

CMYK 81 / 0 / 34 / 18

HEX #27D18A

RGB 39 209 138

HSL 154.94, 0.69%, 0.49%

LAB 74.74, -57.55, 23.76

 

CMYK 68 / 0 / 28 / 14

HEX #47DB9D

RGB 71 219 157

HSL 154.86, 0.67%, 0.57%

LAB 78.72, -53.27, 19.34

 

CMYK 54 / 0 / 22 / 11

HEX #69E2B0

RGB 105 226 176

HSL 155.21, 0.68%, 0.65%

LAB 82.13, -45.6, 14.26

 

CMYK 81 / 0 / 34 / 18

HEX #28D28B

RGB 40 210 139

HSL 154.94, 0.68%, 0.49%

LAB 75.08, -57.61, 23.7

 

CMYK 81 / 62 / 0 / 18

HEX #274FD1

RGB 39 79 209

HSL 225.88, 0.69%, 0.49%

LAB 38.94, 34.22, -70.66

 

CMYK 0 / 67 / 81 / 18

HEX #D14427

RGB 209 68 39

HSL 10.24, 0.69%, 0.49%

LAB 49.3, 54.1, 46.95

 

CMYK 81 / 0 / 34 / 18

HEX #28D28B

RGB 40 210 139

HSL 154.94, 0.68%, 0.49%

LAB 75.08, -57.61, 23.7

 

CMYK 35 / 81 / 0 / 18

HEX #8827D1

RGB 136 39 209

HSL 274.24, 0.69%, 0.49%

LAB 40.06, 67.14, -68.5

 

CMYK 0 / 35 / 81 / 18

HEX #D18827

RGB 209 136 39

HSL 34.24, 0.69%, 0.49%

LAB 62.77, 20.44, 59.31

 

CMYK 81 / 0 / 34 / 18

HEX #28D28B

RGB 40 210 139

HSL 154.94, 0.68%, 0.49%

LAB 75.08, -57.61, 23.7

 

CMYK 81 / 62 / 0 / 18

HEX #274FD1

RGB 39 79 209

HSL 225.88, 0.69%, 0.49%

LAB 38.94, 34.22, -70.66

 

CMYK 0 / 81 / 46 / 18

HEX #D12771

RGB 209 39 113

HSL 333.88, 0.69%, 0.49%

LAB 47.23, 67.87, 0.98

 

CMYK 0 / 19 / 81 / 18

HEX #D1AA27

RGB 209 170 39

HSL 46.24, 0.69%, 0.49%

LAB 71.18, 2.12, 66.72

 

CMYK 81 / 0 / 34 / 18

HEX #28D28B

RGB 40 210 139

HSL 154.94, 0.68%, 0.49%

LAB 75.08, -57.61, 23.7

 

CMYK 76 / 81 / 0 / 18

HEX #3327D1

RGB 51 39 209

HSL 244.24, 0.69%, 0.49%

LAB 31.25, 57.85, -83.33

 

CMYK 0 / 81 / 46 / 18

HEX #D12771

RGB 209 39 113

HSL 333.88, 0.69%, 0.49%

LAB 47.23, 67.87, 0.98

 

CMYK 5 / 0 / 81 / 18

HEX #C6D127

RGB 198 209 39

HSL 63.88, 0.69%, 0.49%

LAB 80.6, -22.53, 74.5

 

Description

Color code: HEX #28D28B | qconv.com Color code: HEX #28D28B | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 210 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 210 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 34 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 34% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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