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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #28E5DF it is the complementary color #D71A20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #28E5DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #28E5DF shade: #2DE5DA, #3EF7ED, #4FFFFF, #60FFFF and #71FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #28E5DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #28E5DF shade: #28E5DF, #17D3CC, #06C1B9, #00AFA6 and #009D93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #28E5DF shade: #29E4DE, #29E4AC, #29E479, #29E447 and #3EE429

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #28E5DF shade: #29E4DE, #29B8E4, #2985E4, #2953E4 and #2929E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #28E5DF shade matches the following richer shades: #29E4DE and #16F8F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #28E5DF shade: #29E4DE, #3DD1CC, #50BDBA, #63AAA8 and #779796

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #28E5DF shade: #29E47A, #29E4AC, #29E4DE, #29B9E4 and #2987E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #28E5DF shade: #14A7A2, #19CBC6, #29E4DE, #4EE9E4 and #73EDE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #28E5DF shade: #28E5DF, #4829E4 and #E49329

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #28E5DF shade: #28E5DF, #DE29E4 and #E4DE29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #28E5DF shade: #28E5DF, #4829E4, #E4292F and #C5E429

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #28E5DF shade: #28E5DF, #8029E4, #E4292F and #8DE429

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 3 / 10

HEX #28E5DF

RGB 40 229 223

HSL 178.1, 0.78%, 0.53%

LAB 82.82, -44.45, -9.74

 

Complementary color

CMYK 0 / 88 / 85 / 16

HEX #D71A20

RGB 215 26 32

HSL 358.1, 0.78%, 0.47%

LAB 46.03, 67.9, 47.86

 

CMYK 80 / 0 / 5 / 10

HEX #2DE5DA

RGB 45 229 218

HSL 176.41, 0.78%, 0.54%

LAB 82.73, -45.47, -7.21

 

CMYK 75 / 0 / 4 / 3

HEX #3EF7ED

RGB 62 247 237

HSL 176.76, 0.92%, 0.61%

LAB 88.76, -46.5, -8.23

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 62 / 0 / 0 / 0

HEX #60FFFF

RGB 96 255 255

HSL 180, 1%, 0.69%

LAB 92.23, -40.88, -12.35

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 83 / 0 / 3 / 10

HEX #28E5DF

RGB 40 229 223

HSL 178.1, 0.78%, 0.53%

LAB 82.82, -44.45, -9.74

 

CMYK 89 / 0 / 3 / 17

HEX #17D3CC

RGB 23 211 204

HSL 177.77, 0.8%, 0.46%

LAB 76.76, -42.99, -8.63

 

CMYK 97 / 0 / 4 / 24

HEX #06C1B9

RGB 6 193 185

HSL 177.43, 0.94%, 0.39%

LAB 70.65, -41.19, -7.41

 

CMYK 100 / 0 / 5 / 31

HEX #00AFA6

RGB 0 175 166

HSL 176.91, 1%, 0.34%

LAB 64.49, -38.97, -6.06

 

CMYK 100 / 0 / 6 / 38

HEX #009D93

RGB 0 157 147

HSL 176.18, 1%, 0.31%

LAB 58.25, -36.54, -4.62

 

CMYK 82 / 0 / 3 / 11

HEX #29E4DE

RGB 41 228 222

HSL 178.07, 0.78%, 0.53%

LAB 82.5, -44.22, -9.67

 

CMYK 82 / 0 / 25 / 11

HEX #29E4AC

RGB 41 228 172

HSL 162.03, 0.78%, 0.53%

LAB 81.26, -57.1, 14.94

 

CMYK 82 / 0 / 47 / 11

HEX #29E479

RGB 41 228 121

HSL 145.67, 0.78%, 0.53%

LAB 80.37, -67.16, 39.79

 

CMYK 82 / 0 / 69 / 11

HEX #29E447

RGB 41 228 71

HSL 129.63, 0.78%, 0.53%

LAB 79.85, -73.48, 61.32

 

CMYK 73 / 0 / 82 / 11

HEX #3EE429

RGB 62 228 41

HSL 113.26, 0.78%, 0.53%

LAB 79.99, -72.84, 71.11

 

CMYK 82 / 0 / 3 / 11

HEX #29E4DE

RGB 41 228 222

HSL 178.07, 0.78%, 0.53%

LAB 82.5, -44.22, -9.67

 

CMYK 82 / 19 / 0 / 11

HEX #29B8E4

RGB 41 184 228

HSL 194.12, 0.78%, 0.53%

LAB 69.72, -21.44, -32.3

 

CMYK 82 / 42 / 0 / 11

HEX #2985E4

RGB 41 133 228

HSL 210.48, 0.78%, 0.53%

LAB 54.92, 7.28, -55.59

 

CMYK 82 / 64 / 0 / 11

HEX #2953E4

RGB 41 83 228

HSL 226.52, 0.78%, 0.53%

LAB 41.63, 38.81, -77.13

 

CMYK 82 / 82 / 0 / 11

HEX #2929E4

RGB 41 41 228

HSL 240, 0.78%, 0.53%

LAB 33.26, 62.07, -90.95

 

CMYK 82 / 0 / 3 / 11

HEX #29E4DE

RGB 41 228 222

HSL 178.07, 0.78%, 0.53%

LAB 82.5, -44.22, -9.67

 

CMYK 91 / 0 / 3 / 3

HEX #16F8F0

RGB 22 248 240

HSL 177.88, 0.94%, 0.53%

LAB 88.73, -48.81, -9.88

 

CMYK 82 / 0 / 3 / 11

HEX #29E4DE

RGB 41 228 222

HSL 178.07, 0.78%, 0.53%

LAB 82.5, -44.22, -9.67

 

CMYK 71 / 0 / 2 / 18

HEX #3DD1CC

RGB 61 209 204

HSL 177.97, 0.62%, 0.53%

LAB 76.65, -38.86, -8.73

 

CMYK 58 / 0 / 2 / 26

HEX #50BDBA

RGB 80 189 186

HSL 178.35, 0.45%, 0.53%

LAB 70.63, -31.57, -7.86

 

CMYK 42 / 0 / 1 / 33

HEX #63AAA8

RGB 99 170 168

HSL 178.31, 0.29%, 0.53%

LAB 65.14, -22.75, -5.97

 

CMYK 21 / 0 / 1 / 41

HEX #779796

RGB 119 151 150

HSL 178.13, 0.13%, 0.53%

LAB 60.12, -11.29, -3.15

 

CMYK 82 / 0 / 46 / 11

HEX #29E47A

RGB 41 228 122

HSL 145.99, 0.78%, 0.53%

LAB 80.38, -66.99, 39.32

 

CMYK 82 / 0 / 25 / 11

HEX #29E4AC

RGB 41 228 172

HSL 162.03, 0.78%, 0.53%

LAB 81.26, -57.1, 14.94

 

CMYK 82 / 0 / 3 / 11

HEX #29E4DE

RGB 41 228 222

HSL 178.07, 0.78%, 0.53%

LAB 82.5, -44.22, -9.67

 

CMYK 82 / 19 / 0 / 11

HEX #29B9E4

RGB 41 185 228

HSL 193.8, 0.78%, 0.53%

LAB 70.02, -21.95, -31.84

 

CMYK 82 / 41 / 0 / 11

HEX #2987E4

RGB 41 135 228

HSL 209.84, 0.78%, 0.53%

LAB 55.48, 6.07, -54.69

 

CMYK 88 / 0 / 3 / 35

HEX #14A7A2

RGB 20 167 162

HSL 177.96, 0.79%, 0.37%

LAB 61.99, -35.7, -7.52

 

CMYK 88 / 0 / 2 / 20

HEX #19CBC6

RGB 25 203 198

HSL 178.31, 0.78%, 0.45%

LAB 74.19, -41.08, -9.21

 

CMYK 82 / 0 / 3 / 11

HEX #29E4DE

RGB 41 228 222

HSL 178.07, 0.78%, 0.53%

LAB 82.5, -44.22, -9.67

 

CMYK 67 / 0 / 2 / 9

HEX #4EE9E4

RGB 78 233 228

HSL 178.06, 0.78%, 0.61%

LAB 84.74, -40.85, -9.45

 

CMYK 51 / 0 / 2 / 7

HEX #73EDE9

RGB 115 237 233

HSL 178.03, 0.77%, 0.69%

LAB 87.04, -35.05, -8.55

 

CMYK 83 / 0 / 3 / 10

HEX #28E5DF

RGB 40 229 223

HSL 178.1, 0.78%, 0.53%

LAB 82.82, -44.45, -9.74

 

CMYK 68 / 82 / 0 / 11

HEX #4829E4

RGB 72 41 228

HSL 249.95, 0.78%, 0.53%

LAB 35.13, 63.88, -87.78

 

CMYK 0 / 36 / 82 / 11

HEX #E49329

RGB 228 147 41

HSL 34.01, 0.78%, 0.53%

LAB 67.67, 22.7, 63.82

 

CMYK 83 / 0 / 3 / 10

HEX #28E5DF

RGB 40 229 223

HSL 178.1, 0.78%, 0.53%

LAB 82.82, -44.45, -9.74

 

CMYK 3 / 82 / 0 / 11

HEX #DE29E4

RGB 222 41 228

HSL 298.07, 0.78%, 0.53%

LAB 54.78, 84.38, -54.92

 

CMYK 0 / 3 / 82 / 11

HEX #E4DE29

RGB 228 222 41

HSL 58.07, 0.78%, 0.53%

LAB 86.45, -16.25, 79.93

 

CMYK 83 / 0 / 3 / 10

HEX #28E5DF

RGB 40 229 223

HSL 178.1, 0.78%, 0.53%

LAB 82.82, -44.45, -9.74

 

CMYK 68 / 82 / 0 / 11

HEX #4829E4

RGB 72 41 228

HSL 249.95, 0.78%, 0.53%

LAB 35.13, 63.88, -87.78

 

CMYK 0 / 82 / 79 / 11

HEX #E4292F

RGB 228 41 47

HSL 358.07, 0.78%, 0.53%

LAB 49.84, 68.69, 44.56

 

CMYK 14 / 0 / 82 / 11

HEX #C5E429

RGB 197 228 41

HSL 69.95, 0.78%, 0.53%

LAB 85.76, -31.89, 78.43

 

CMYK 83 / 0 / 3 / 10

HEX #28E5DF

RGB 40 229 223

HSL 178.1, 0.78%, 0.53%

LAB 82.82, -44.45, -9.74

 

CMYK 44 / 82 / 0 / 11

HEX #8029E4

RGB 128 41 228

HSL 267.91, 0.78%, 0.53%

LAB 40.86, 69.62, -78.14

 

CMYK 0 / 82 / 79 / 11

HEX #E4292F

RGB 228 41 47

HSL 358.07, 0.78%, 0.53%

LAB 49.84, 68.69, 44.56

 

CMYK 38 / 0 / 82 / 11

HEX #8DE429

RGB 141 228 41

HSL 87.91, 0.78%, 0.53%

LAB 82.54, -52.81, 74.36

 

Description

Color code: HEX #28E5DF | qconv.com Color code: HEX #28E5DF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 40 red, 229 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
40 229 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 3 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 3% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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