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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #292C43 it is the complementary color #D6D3BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #292C43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #292C43 shade: #2E2C3E, #3F3E51, #505064, #616277 and #72748A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #292C43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #292C43 shade: #292C43, #181A30, #07081D and #00000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #292C43 shade: #282B42, #2C2842, #332842, #3A2842 and #412842

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #292C43 shade: #282B42 and #282842

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #292C43 shade matches the following richer shades: #282B42, #20244B, #171E53, #0E175C and #061065

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #292C43 shade: #282B42, #313239, #3A3831, #423F28 and #4B461F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #292C43 shade: #283942, #283242, #282B42, #2C2842 and #332842

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #292C43 shade: #090A0F, #191A28, #282B42, #383C5B and #484D75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #292C43 shade: #292C43, #422840 and #354228

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #292C43 shade: #292C43, #42282B and #2B4228

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #292C43 shade: #292C43, #422840, #423F28 and #28422A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #292C43 shade: #292C43, #422838, #423F28 and #284232

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 34 / 0 / 74

HEX #292C43

RGB 41 44 67

HSL 233.08, 0.24%, 0.21%

LAB 18.71, 5.35, -14.88

 

Complementary color

CMYK 0 / 1 / 12 / 16

HEX #D6D3BC

RGB 214 211 188

HSL 53.08, 0.24%, 0.79%

LAB 84.23, -2.88, 11.76

 

CMYK 26 / 29 / 0 / 76

HEX #2E2C3E

RGB 46 44 62

HSL 246.67, 0.17%, 0.21%

LAB 18.93, 5.63, -11.07

 

CMYK 22 / 23 / 0 / 68

HEX #3F3E51

RGB 63 62 81

HSL 243.16, 0.13%, 0.28%

LAB 27.01, 5.14, -11.3

 

CMYK 20 / 20 / 0 / 61

HEX #505064

RGB 80 80 100

HSL 240, 0.11%, 0.35%

LAB 34.73, 4.74, -11.58

 

CMYK 18 / 18 / 0 / 53

HEX #616277

RGB 97 98 119

HSL 237.27, 0.1%, 0.42%

LAB 42.17, 4.41, -11.9

 

CMYK 17 / 16 / 0 / 46

HEX #72748A

RGB 114 116 138

HSL 235, 0.1%, 0.49%

LAB 49.38, 4.11, -12.25

 

CMYK 39 / 34 / 0 / 74

HEX #292C43

RGB 41 44 67

HSL 233.08, 0.24%, 0.21%

LAB 18.71, 5.35, -14.88

 

CMYK 50 / 46 / 0 / 81

HEX #181A30

RGB 24 26 48

HSL 235, 0.33%, 0.14%

LAB 10.16, 6.2, -14.97

 

CMYK 76 / 72 / 0 / 89

HEX #07081D

RGB 7 8 29

HSL 237.27, 0.61%, 0.07%

LAB 2.78, 4.26, -12.14

 

CMYK 100 / 100 / 0 / 96

HEX #00000A

RGB 0 0 10

HSL 240, 1%, 0.02%

LAB 0.2, 1.39, -3.79

 

CMYK 39 / 35 / 0 / 74

HEX #282B42

RGB 40 43 66

HSL 233.08, 0.25%, 0.21%

LAB 18.24, 5.39, -14.93

 

CMYK 33 / 39 / 0 / 74

HEX #2C2842

RGB 44 40 66

HSL 249.23, 0.25%, 0.21%

LAB 17.67, 8.92, -15.78

 

CMYK 23 / 39 / 0 / 74

HEX #332842

RGB 51 40 66

HSL 265.38, 0.25%, 0.21%

LAB 18.43, 11.47, -14.55

 

CMYK 12 / 39 / 0 / 74

HEX #3A2842

RGB 58 40 66

HSL 281.54, 0.25%, 0.21%

LAB 19.27, 14.12, -13.18

 

CMYK 2 / 39 / 0 / 74

HEX #412842

RGB 65 40 66

HSL 297.69, 0.25%, 0.21%

LAB 20.18, 16.82, -11.7

 

CMYK 39 / 35 / 0 / 74

HEX #282B42

RGB 40 43 66

HSL 233.08, 0.25%, 0.21%

LAB 18.24, 5.39, -14.93

 

CMYK 39 / 39 / 0 / 74

HEX #282842

RGB 40 40 66

HSL 240, 0.25%, 0.21%

LAB 17.28, 7.53, -16.42

 

CMYK 39 / 35 / 0 / 74

HEX #282B42

RGB 40 43 66

HSL 233.08, 0.25%, 0.21%

LAB 18.24, 5.39, -14.93

 

CMYK 57 / 52 / 0 / 71

HEX #20244B

RGB 32 36 75

HSL 234.42, 0.4%, 0.21%

LAB 15.89, 11.19, -24.86

 

CMYK 72 / 64 / 0 / 67

HEX #171E53

RGB 23 30 83

HSL 233, 0.57%, 0.21%

LAB 14.03, 16.81, -33.34

 

CMYK 85 / 75 / 0 / 64

HEX #0E175C

RGB 14 23 92

HSL 233.08, 0.74%, 0.21%

LAB 12.47, 24.35, -41.99

 

CMYK 94 / 84 / 0 / 60

HEX #061065

RGB 6 16 101

HSL 233.68, 0.89%, 0.21%

LAB 11.61, 31.81, -49.42

 

CMYK 39 / 35 / 0 / 74

HEX #282B42

RGB 40 43 66

HSL 233.08, 0.25%, 0.21%

LAB 18.24, 5.39, -14.93

 

CMYK 14 / 12 / 0 / 78

HEX #313239

RGB 49 50 57

HSL 232.5, 0.08%, 0.21%

LAB 20.94, 1.31, -4.57

 

CMYK 0 / 3 / 16 / 77

HEX #3A3831

RGB 58 56 49

HSL 46.67, 0.08%, 0.21%

LAB 23.5, -0.62, 4.69

 

CMYK 0 / 5 / 39 / 74

HEX #423F28

RGB 66 63 40

HSL 53.08, 0.25%, 0.21%

LAB 26.35, -2.92, 14.59

 

CMYK 0 / 7 / 59 / 71

HEX #4B461F

RGB 75 70 31

HSL 53.18, 0.42%, 0.21%

LAB 29.35, -3.98, 23.98

 

CMYK 39 / 14 / 0 / 74

HEX #283942

RGB 40 57 66

HSL 200.77, 0.25%, 0.21%

LAB 22.9, -4.2, -7.78

 

CMYK 39 / 24 / 0 / 74

HEX #283242

RGB 40 50 66

HSL 216.92, 0.25%, 0.21%

LAB 20.54, 0.5, -11.37

 

CMYK 39 / 35 / 0 / 74

HEX #282B42

RGB 40 43 66

HSL 233.08, 0.25%, 0.21%

LAB 18.24, 5.39, -14.93

 

CMYK 33 / 39 / 0 / 74

HEX #2C2842

RGB 44 40 66

HSL 249.23, 0.25%, 0.21%

LAB 17.67, 8.92, -15.78

 

CMYK 23 / 39 / 0 / 74

HEX #332842

RGB 51 40 66

HSL 265.38, 0.25%, 0.21%

LAB 18.43, 11.47, -14.55

 

CMYK 40 / 33 / 0 / 94

HEX #090A0F

RGB 9 10 15

HSL 230, 0.25%, 0.05%

LAB 2.8, 0.54, -2.26

 

CMYK 38 / 35 / 0 / 84

HEX #191A28

RGB 25 26 40

HSL 236, 0.23%, 0.13%

LAB 9.79, 3.74, -9.67

 

CMYK 39 / 35 / 0 / 74

HEX #282B42

RGB 40 43 66

HSL 233.08, 0.25%, 0.21%

LAB 18.24, 5.39, -14.93

 

CMYK 38 / 34 / 0 / 64

HEX #383C5B

RGB 56 60 91

HSL 233.14, 0.24%, 0.29%

LAB 26.24, 6.96, -19.06

 

CMYK 38 / 34 / 0 / 54

HEX #484D75

RGB 72 77 117

HSL 233.33, 0.24%, 0.37%

LAB 33.92, 8.75, -23.53

 

CMYK 39 / 34 / 0 / 74

HEX #292C43

RGB 41 44 67

HSL 233.08, 0.24%, 0.21%

LAB 18.71, 5.35, -14.88

 

CMYK 0 / 39 / 3 / 74

HEX #422840

RGB 66 40 64

HSL 304.62, 0.25%, 0.21%

LAB 20.23, 16.76, -10.25

 

CMYK 20 / 0 / 39 / 74

HEX #354228

RGB 53 66 40

HSL 90, 0.25%, 0.21%

LAB 26.18, -10.83, 14.15

 

CMYK 39 / 34 / 0 / 74

HEX #292C43

RGB 41 44 67

HSL 233.08, 0.24%, 0.21%

LAB 18.71, 5.35, -14.88

 

CMYK 0 / 39 / 35 / 74

HEX #42282B

RGB 66 40 43

HSL 353.08, 0.25%, 0.21%

LAB 19.43, 12.68, 3.1

 

CMYK 35 / 0 / 39 / 74

HEX #2B4228

RGB 43 66 40

HSL 113.08, 0.25%, 0.21%

LAB 25.45, -15.11, 13.05

 

CMYK 39 / 34 / 0 / 74

HEX #292C43

RGB 41 44 67

HSL 233.08, 0.24%, 0.21%

LAB 18.71, 5.35, -14.88

 

CMYK 0 / 39 / 3 / 74

HEX #422840

RGB 66 40 64

HSL 304.62, 0.25%, 0.21%

LAB 20.23, 16.76, -10.25

 

CMYK 0 / 5 / 39 / 74

HEX #423F28

RGB 66 63 40

HSL 53.08, 0.25%, 0.21%

LAB 26.35, -2.92, 14.59

 

CMYK 39 / 0 / 36 / 74

HEX #28422A

RGB 40 66 42

HSL 124.62, 0.25%, 0.21%

LAB 25.3, -15.9, 11.55

 

CMYK 39 / 34 / 0 / 74

HEX #292C43

RGB 41 44 67

HSL 233.08, 0.24%, 0.21%

LAB 18.71, 5.35, -14.88

 

CMYK 0 / 39 / 15 / 74

HEX #422838

RGB 66 40 56

HSL 323.08, 0.25%, 0.21%

LAB 19.89, 15.06, -5.25

 

CMYK 0 / 5 / 39 / 74

HEX #423F28

RGB 66 63 40

HSL 53.08, 0.25%, 0.21%

LAB 26.35, -2.92, 14.59

 

CMYK 39 / 0 / 24 / 74

HEX #284232

RGB 40 66 50

HSL 143.08, 0.25%, 0.21%

LAB 25.5, -14.13, 6.64

 

Description

Color code: HEX #292C43 | qconv.com Color code: HEX #292C43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 44 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 44 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 34 magenta, none yellow and 74 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 34% 0% 74% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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