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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #294151 it is the complementary color #D6BEAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #294151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #294151 shade: #2E414C, #3F535F, #506572, #617785 and #728998

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #294151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #294151 shade: #294151, #182F3E, #071D2B, #000B18 and #000005

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #294151 shade: #294151, #293651, #292B51, #312951 and #3C2951

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #294151 shade: #294151, #293651, #292B51 and #292951

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #294151 shade matches the following richer shades: #294151, #1F435B, #154565, #0B476F and #014979

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #294151 shade: #294151, #323F47, #3C3D3D, #463B33 and #503929

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #294151 shade: #29514C, #294C51, #294151, #293651 and #292B51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #294151 shade: #0D151A, #1B2B35, #294151, #36576C and #446D88

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #294151 shade: #294151, #412951 and #515129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #294151 shade: #294151, #512941 and #415129

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #294151 shade: #294151, #412951, #513929 and #395129

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #294151 shade: #294151, #4D2951, #513929 and #2D5129

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

Complementary color

CMYK 0 / 11 / 19 / 16

HEX #D6BEAE

RGB 214 190 174

HSL 24, 0.33%, 0.76%

LAB 78.57, 5.95, 11.18

 

CMYK 39 / 14 / 0 / 70

HEX #2E414C

RGB 46 65 76

HSL 202, 0.25%, 0.24%

LAB 26.4, -4.3, -9.07

 

CMYK 34 / 13 / 0 / 63

HEX #3F535F

RGB 63 83 95

HSL 202.5, 0.2%, 0.31%

LAB 34.13, -4.42, -9.47

 

CMYK 30 / 11 / 0 / 55

HEX #506572

RGB 80 101 114

HSL 202.94, 0.18%, 0.38%

LAB 41.58, -4.52, -9.88

 

CMYK 27 / 11 / 0 / 48

HEX #617785

RGB 97 119 133

HSL 203.33, 0.16%, 0.45%

LAB 48.8, -4.6, -10.3

 

CMYK 25 / 10 / 0 / 40

HEX #728998

RGB 114 137 152

HSL 203.68, 0.16%, 0.52%

LAB 55.82, -4.68, -10.72

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 61 / 24 / 0 / 76

HEX #182F3E

RGB 24 47 62

HSL 203.68, 0.44%, 0.17%

LAB 18.25, -3.81, -12.25

 

CMYK 84 / 33 / 0 / 83

HEX #071D2B

RGB 7 29 43

HSL 203.33, 0.72%, 0.1%

LAB 9.79, -2.95, -11.98

 

CMYK 100 / 54 / 0 / 91

HEX #000B18

RGB 0 11 24

HSL 212.5, 1%, 0.05%

LAB 2.76, -0.23, -8.23

 

CMYK 100 / 100 / 0 / 98

HEX #000005

RGB 0 0 5

HSL 240, 1%, 0.01%

LAB 0.1, 0.7, -1.89

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 49 / 33 / 0 / 68

HEX #293651

RGB 41 54 81

HSL 220.5, 0.33%, 0.24%

LAB 22.67, 3.07, -18.15

 

CMYK 49 / 47 / 0 / 68

HEX #292B51

RGB 41 43 81

HSL 237, 0.33%, 0.24%

LAB 19.2, 10.8, -23.61

 

CMYK 40 / 49 / 0 / 68

HEX #312951

RGB 49 41 81

HSL 252, 0.33%, 0.24%

LAB 19.36, 14.63, -23.3

 

CMYK 26 / 49 / 0 / 68

HEX #3C2951

RGB 60 41 81

HSL 268.5, 0.33%, 0.24%

LAB 20.6, 18.19, -21.26

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 49 / 33 / 0 / 68

HEX #293651

RGB 41 54 81

HSL 220.5, 0.33%, 0.24%

LAB 22.67, 3.07, -18.15

 

CMYK 49 / 47 / 0 / 68

HEX #292B51

RGB 41 43 81

HSL 237, 0.33%, 0.24%

LAB 19.2, 10.8, -23.61

 

CMYK 49 / 49 / 0 / 68

HEX #292951

RGB 41 41 81

HSL 240, 0.33%, 0.24%

LAB 18.59, 12.23, -24.57

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 66 / 26 / 0 / 64

HEX #1F435B

RGB 31 67 91

HSL 204, 0.49%, 0.24%

LAB 26.91, -4.6, -18.14

 

CMYK 79 / 32 / 0 / 60

HEX #154565

RGB 21 69 101

HSL 204, 0.66%, 0.24%

LAB 27.72, -3.83, -23.33

 

CMYK 90 / 36 / 0 / 56

HEX #0B476F

RGB 11 71 111

HSL 204, 0.82%, 0.24%

LAB 28.71, -2.16, -28.16

 

CMYK 99 / 40 / 0 / 53

HEX #014979

RGB 1 73 121

HSL 204, 0.98%, 0.24%

LAB 29.79, -0.01, -32.75

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 30 / 11 / 0 / 72

HEX #323F47

RGB 50 63 71

HSL 202.86, 0.17%, 0.24%

LAB 25.83, -3.1, -6.62

 

CMYK 2 / 0 / 0 / 76

HEX #3C3D3D

RGB 60 61 61

HSL 180, 0.01%, 0.24%

LAB 25.67, -0.42, -0.15

 

CMYK 0 / 16 / 27 / 73

HEX #463B33

RGB 70 59 51

HSL 25.26, 0.16%, 0.24%

LAB 25.77, 3.31, 6.74

 

CMYK 0 / 29 / 49 / 69

HEX #503929

RGB 80 57 41

HSL 24.62, 0.32%, 0.24%

LAB 26.13, 7.86, 13.96

 

CMYK 49 / 0 / 6 / 68

HEX #29514C

RGB 41 81 76

HSL 172.5, 0.33%, 0.24%

LAB 31.53, -15.52, -1.45

 

CMYK 49 / 6 / 0 / 68

HEX #294C51

RGB 41 76 81

HSL 187.5, 0.33%, 0.24%

LAB 30, -11.11, -6.92

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 49 / 33 / 0 / 68

HEX #293651

RGB 41 54 81

HSL 220.5, 0.33%, 0.24%

LAB 22.67, 3.07, -18.15

 

CMYK 49 / 47 / 0 / 68

HEX #292B51

RGB 41 43 81

HSL 237, 0.33%, 0.24%

LAB 19.2, 10.8, -23.61

 

CMYK 50 / 19 / 0 / 90

HEX #0D151A

RGB 13 21 26

HSL 203.08, 0.33%, 0.08%

LAB 6.29, -1.7, -4.53

 

CMYK 49 / 19 / 0 / 79

HEX #1B2B35

RGB 27 43 53

HSL 203.08, 0.33%, 0.16%

LAB 16.59, -3.4, -8.55

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 50 / 19 / 0 / 58

HEX #36576C

RGB 54 87 108

HSL 203.33, 0.33%, 0.32%

LAB 35.37, -5.66, -15.78

 

CMYK 50 / 20 / 0 / 47

HEX #446D88

RGB 68 109 136

HSL 203.82, 0.33%, 0.4%

LAB 44.15, -6.4, -19.3

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 20 / 49 / 0 / 68

HEX #412951

RGB 65 41 81

HSL 276, 0.33%, 0.24%

LAB 21.22, 19.88, -20.24

 

CMYK 0 / 0 / 49 / 68

HEX #515129

RGB 81 81 41

HSL 60, 0.33%, 0.24%

LAB 33.55, -6.67, 23.41

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 0 / 49 / 20 / 68

HEX #512941

RGB 81 41 65

HSL 324, 0.33%, 0.24%

LAB 22.71, 22.22, -6.95

 

CMYK 20 / 0 / 49 / 68

HEX #415129

RGB 65 81 41

HSL 84, 0.33%, 0.24%

LAB 32.19, -14.05, 21.42

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 20 / 49 / 0 / 68

HEX #412951

RGB 65 41 81

HSL 276, 0.33%, 0.24%

LAB 21.22, 19.88, -20.24

 

CMYK 0 / 30 / 49 / 68

HEX #513929

RGB 81 57 41

HSL 24, 0.33%, 0.24%

LAB 26.26, 8.34, 14.16

 

CMYK 30 / 0 / 49 / 68

HEX #395129

RGB 57 81 41

HSL 96, 0.33%, 0.24%

LAB 31.61, -17.5, 20.58

 

CMYK 49 / 20 / 0 / 68

HEX #294151

RGB 41 65 81

HSL 204, 0.33%, 0.24%

LAB 26.29, -4.27, -12.54

 

CMYK 5 / 49 / 0 / 68

HEX #4D2951

RGB 77 41 81

HSL 294, 0.33%, 0.24%

LAB 22.85, 24.01, -17.57

 

CMYK 0 / 30 / 49 / 68

HEX #513929

RGB 81 57 41

HSL 24, 0.33%, 0.24%

LAB 26.26, 8.34, 14.16

 

CMYK 44 / 0 / 49 / 68

HEX #2D5129

RGB 45 81 41

HSL 114, 0.33%, 0.24%

LAB 30.89, -22.22, 19.51

 

Description

Color code: HEX #294151 | qconv.com Color code: HEX #294151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 65 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 65 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 20 magenta, none yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 20% 0% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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