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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #294188 it is the complementary color #D6BE77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #294188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #294188 shade: #2E4183, #3F5396, #5065A9, #6177BC and #7289CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #294188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #294188 shade: #294188, #182F75, #071D62, #000B4F and #00003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #294188 shade: #294189, #2A2989, #442989, #5E2989 and #782989

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #294188 shade: #294189 and #292989

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #294188 shade matches the following richer shades: #294189, #1A3A97 and #0C33A6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #294188 shade: #294189, #37487B, #454F6C, #54565E and #625D4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #294188 shade: #297689, #295C89, #294289, #292989 and #422989

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #294188 shade: #162349, #1F3269, #294189, #3250A9 and #3F61C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #294188 shade: #294188, #832989 and #698929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #294188 shade: #294188, #892942 and #428929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #294188 shade: #294188, #832989, #896F29 and #2F8929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #294188 shade: #294188, #892972, #896F29 and #29893F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 52 / 0 / 47

HEX #294188

RGB 41 65 136

HSL 224.84, 0.54%, 0.35%

LAB 29.49, 15.97, -42.51

 

Complementary color

CMYK 0 / 11 / 44 / 16

HEX #D6BE77

RGB 214 190 119

HSL 44.84, 0.54%, 0.65%

LAB 77.55, -1.03, 38.88

 

CMYK 65 / 50 / 0 / 49

HEX #2E4183

RGB 46 65 131

HSL 226.59, 0.48%, 0.35%

LAB 29.41, 14.97, -39.51

 

CMYK 58 / 45 / 0 / 41

HEX #3F5396

RGB 63 83 150

HSL 226.21, 0.41%, 0.42%

LAB 36.83, 13.33, -39.23

 

CMYK 53 / 40 / 0 / 34

HEX #5065A9

RGB 80 101 169

HSL 225.84, 0.36%, 0.49%

LAB 44.06, 12.08, -39

 

CMYK 48 / 37 / 0 / 26

HEX #6177BC

RGB 97 119 188

HSL 225.49, 0.4%, 0.56%

LAB 51.11, 11.08, -38.82

 

CMYK 45 / 34 / 0 / 19

HEX #7289CF

RGB 114 137 207

HSL 225.16, 0.49%, 0.63%

LAB 58.01, 10.26, -38.71

 

CMYK 70 / 52 / 0 / 47

HEX #294188

RGB 41 65 136

HSL 224.84, 0.54%, 0.35%

LAB 29.49, 15.97, -42.51

 

CMYK 79 / 60 / 0 / 54

HEX #182F75

RGB 24 47 117

HSL 225.16, 0.66%, 0.28%

LAB 21.99, 18.53, -42.76

 

CMYK 93 / 70 / 0 / 62

HEX #071D62

RGB 7 29 98

HSL 225.49, 0.87%, 0.21%

LAB 14.43, 21.98, -42.77

 

CMYK 100 / 86 / 0 / 69

HEX #000B4F

RGB 0 11 79

HSL 231.65, 1%, 0.15%

LAB 7.26, 26.01, -41.78

 

CMYK 100 / 100 / 0 / 76

HEX #00003C

RGB 0 0 60

HSL 240, 1%, 0.12%

LAB 2.95, 20.71, -35.41

 

CMYK 70 / 53 / 0 / 46

HEX #294189

RGB 41 65 137

HSL 225, 0.54%, 0.35%

LAB 29.56, 16.36, -43.01

 

CMYK 69 / 70 / 0 / 46

HEX #2A2989

RGB 42 41 137

HSL 240.63, 0.54%, 0.35%

LAB 23.29, 32.62, -53.23

 

CMYK 50 / 70 / 0 / 46

HEX #442989

RGB 68 41 137

HSL 256.88, 0.54%, 0.35%

LAB 25.63, 36.85, -49.3

 

CMYK 31 / 70 / 0 / 46

HEX #5E2989

RGB 94 41 137

HSL 273.13, 0.54%, 0.35%

LAB 28.83, 42.22, -43.95

 

CMYK 12 / 70 / 0 / 46

HEX #782989

RGB 120 41 137

HSL 289.38, 0.54%, 0.35%

LAB 32.67, 48.2, -37.58

 

CMYK 70 / 53 / 0 / 46

HEX #294189

RGB 41 65 137

HSL 225, 0.54%, 0.35%

LAB 29.56, 16.36, -43.01

 

CMYK 70 / 70 / 0 / 46

HEX #292989

RGB 41 41 137

HSL 240, 0.54%, 0.35%

LAB 23.21, 32.49, -53.34

 

CMYK 70 / 53 / 0 / 46

HEX #294189

RGB 41 65 137

HSL 225, 0.54%, 0.35%

LAB 29.56, 16.36, -43.01

 

CMYK 83 / 62 / 0 / 41

HEX #1A3A97

RGB 26 58 151

HSL 224.64, 0.71%, 0.35%

LAB 28.06, 24.78, -54.09

 

CMYK 93 / 69 / 0 / 35

HEX #0C33A6

RGB 12 51 166

HSL 224.81, 0.87%, 0.35%

LAB 27.29, 34.49, -64.47

 

CMYK 70 / 53 / 0 / 46

HEX #294189

RGB 41 65 137

HSL 225, 0.54%, 0.35%

LAB 29.56, 16.36, -43.01

 

CMYK 55 / 41 / 0 / 52

HEX #37487B

RGB 55 72 123

HSL 225, 0.38%, 0.35%

LAB 31.53, 9.3, -31.13

 

CMYK 36 / 27 / 0 / 58

HEX #454F6C

RGB 69 79 108

HSL 224.62, 0.22%, 0.35%

LAB 33.86, 3.83, -18.02

 

CMYK 11 / 9 / 0 / 63

HEX #54565E

RGB 84 86 94

HSL 228, 0.06%, 0.35%

LAB 36.65, 1.01, -4.9

 

CMYK 0 / 5 / 19 / 62

HEX #625D4F

RGB 98 93 79

HSL 44.21, 0.11%, 0.35%

LAB 39.56, -0.64, 8.77

 

CMYK 70 / 14 / 0 / 46

HEX #297689

RGB 41 118 137

HSL 191.88, 0.54%, 0.35%

LAB 45.95, -16.85, -17.23

 

CMYK 70 / 33 / 0 / 46

HEX #295C89

RGB 41 92 137

HSL 208.13, 0.54%, 0.35%

LAB 37.72, -1.51, -30

 

CMYK 70 / 52 / 0 / 46

HEX #294289

RGB 41 66 137

HSL 224.38, 0.54%, 0.35%

LAB 29.85, 15.67, -42.55

 

CMYK 70 / 70 / 0 / 46

HEX #292989

RGB 41 41 137

HSL 240, 0.54%, 0.35%

LAB 23.21, 32.49, -53.34

 

CMYK 52 / 70 / 0 / 46

HEX #422989

RGB 66 41 137

HSL 255.63, 0.54%, 0.35%

LAB 25.41, 36.48, -49.66

 

CMYK 70 / 52 / 0 / 71

HEX #162349

RGB 22 35 73

HSL 224.71, 0.54%, 0.19%

LAB 14.7, 8.74, -25.43

 

CMYK 70 / 52 / 0 / 59

HEX #1F3269

RGB 31 50 105

HSL 224.59, 0.54%, 0.27%

LAB 22.28, 12.56, -34.55

 

CMYK 70 / 53 / 0 / 46

HEX #294189

RGB 41 65 137

HSL 225, 0.54%, 0.35%

LAB 29.56, 16.36, -43.01

 

CMYK 70 / 53 / 0 / 34

HEX #3250A9

RGB 50 80 169

HSL 224.87, 0.54%, 0.43%

LAB 36.52, 19.82, -51.16

 

CMYK 68 / 51 / 0 / 23

HEX #3F61C5

RGB 63 97 197

HSL 224.78, 0.54%, 0.51%

LAB 43.71, 21.01, -55.94

 

CMYK 70 / 52 / 0 / 47

HEX #294188

RGB 41 65 136

HSL 224.84, 0.54%, 0.35%

LAB 29.49, 15.97, -42.51

 

CMYK 4 / 70 / 0 / 46

HEX #832989

RGB 131 41 137

HSL 296.25, 0.54%, 0.35%

LAB 34.43, 50.82, -34.66

 

CMYK 23 / 0 / 70 / 46

HEX #698929

RGB 105 137 41

HSL 80, 0.54%, 0.35%

LAB 53.01, -26.23, 45.67

 

CMYK 70 / 52 / 0 / 47

HEX #294188

RGB 41 65 136

HSL 224.84, 0.54%, 0.35%

LAB 29.49, 15.97, -42.51

 

CMYK 0 / 70 / 52 / 46

HEX #892942

RGB 137 41 66

HSL 344.38, 0.54%, 0.35%

LAB 32.47, 42.53, 7.79

 

CMYK 52 / 0 / 70 / 46

HEX #428929

RGB 66 137 41

HSL 104.38, 0.54%, 0.35%

LAB 50.93, -40.54, 42.86

 

CMYK 70 / 52 / 0 / 47

HEX #294188

RGB 41 65 136

HSL 224.84, 0.54%, 0.35%

LAB 29.49, 15.97, -42.51

 

CMYK 4 / 70 / 0 / 46

HEX #832989

RGB 131 41 137

HSL 296.25, 0.54%, 0.35%

LAB 34.43, 50.82, -34.66

 

CMYK 0 / 19 / 70 / 46

HEX #896F29

RGB 137 111 41

HSL 43.75, 0.54%, 0.35%

LAB 48.07, 2.21, 41.39

 

CMYK 66 / 0 / 70 / 46

HEX #2F8929

RGB 47 137 41

HSL 116.25, 0.54%, 0.35%

LAB 50.28, -45.65, 41.98

 

CMYK 70 / 52 / 0 / 47

HEX #294188

RGB 41 65 136

HSL 224.84, 0.54%, 0.35%

LAB 29.49, 15.97, -42.51

 

CMYK 0 / 70 / 17 / 46

HEX #892972

RGB 137 41 114

HSL 314.38, 0.54%, 0.35%

LAB 34.23, 48.47, -20.54

 

CMYK 0 / 19 / 70 / 46

HEX #896F29

RGB 137 111 41

HSL 43.75, 0.54%, 0.35%

LAB 48.07, 2.21, 41.39

 

CMYK 70 / 0 / 54 / 46

HEX #29893F

RGB 41 137 63

HSL 133.75, 0.54%, 0.35%

LAB 50.36, -44.18, 31.53

 

Description

Color code: HEX #294188 | qconv.com Color code: HEX #294188 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 65 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 65 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 52 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 52% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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