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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #295D31 it is the complementary color #D6A2CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #295D31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #295D31 shade: #2E5D2C, #3F6F3F, #508152, #619365 and #72A578

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #295D31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #295D31 shade: #295D31, #184B1E, #07390B, #002700 and #001500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #295D31 shade: #285C30, #2E5C28, #3C5C28, #4A5C28 and #585C28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #295D31 shade: #285C30, #285C3E, #285C4C, #285C5A and #28505C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #295D31 shade matches the following richer shades: #285C30, #1D6628, #127121 and #087C1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #295D31 shade: #285C30, #335137, #3D463F, #483B46 and #53314E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #295D31 shade: #3C5C28, #2E5C28, #285C30, #285C3D and #285C4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #295D31 shade: #0F2212, #1B3F21, #285C30, #35783F and #41954E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #295D31 shade: #295D31, #284A5C and #5C2835

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #295D31 shade: #295D31, #30285C and #5C3028

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #295D31 shade: #295D31, #284A5C, #5C2854 and #5C3A28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #295D31 shade: #295D31, #283A5C, #5C2854 and #5C4A28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 47 / 64

HEX #295D31

RGB 41 93 49

HSL 129.23, 0.39%, 0.26%

LAB 35.05, -28.01, 20.08

 

Complementary color

CMYK 0 / 24 / 4 / 16

HEX #D6A2CE

RGB 214 162 206

HSL 309.23, 0.39%, 0.74%

LAB 72.62, 26.4, -14.97

 

CMYK 51 / 0 / 53 / 64

HEX #2E5D2C

RGB 46 93 44

HSL 117.55, 0.36%, 0.27%

LAB 35.19, -27.28, 23.17

 

CMYK 43 / 0 / 43 / 56

HEX #3F6F3F

RGB 63 111 63

HSL 120, 0.28%, 0.34%

LAB 42.44, -27.14, 21.73

 

CMYK 38 / 0 / 36 / 49

HEX #508152

RGB 80 129 82

HSL 122.45, 0.23%, 0.41%

LAB 49.51, -26.9, 20.4

 

CMYK 34 / 0 / 31 / 42

HEX #619365

RGB 97 147 101

HSL 124.8, 0.2%, 0.48%

LAB 56.43, -26.62, 19.18

 

CMYK 31 / 0 / 27 / 35

HEX #72A578

RGB 114 165 120

HSL 127.06, 0.22%, 0.55%

LAB 63.21, -26.36, 18.05

 

CMYK 56 / 0 / 47 / 64

HEX #295D31

RGB 41 93 49

HSL 129.23, 0.39%, 0.26%

LAB 35.05, -28.01, 20.08

 

CMYK 68 / 0 / 60 / 71

HEX #184B1E

RGB 24 75 30

HSL 127.06, 0.52%, 0.19%

LAB 27.63, -27.84, 21.67

 

CMYK 88 / 0 / 81 / 78

HEX #07390B

RGB 7 57 11

HSL 124.8, 0.78%, 0.13%

LAB 20.03, -26.84, 22.94

 

CMYK 100 / 0 / 100 / 85

HEX #002700

RGB 0 39 0

HSL 120, 1%, 0.08%

LAB 12.29, -23.27, 17.74

 

CMYK 100 / 0 / 100 / 92

HEX #001500

RGB 0 21 0

HSL 120, 1%, 0.04%

LAB 4.84, -9.9, 7.07

 

CMYK 57 / 0 / 48 / 64

HEX #285C30

RGB 40 92 48

HSL 129.23, 0.39%, 0.26%

LAB 34.64, -28.02, 20.13

 

CMYK 50 / 0 / 57 / 64

HEX #2E5C28

RGB 46 92 40

HSL 113.08, 0.39%, 0.26%

LAB 34.78, -27.41, 24.91

 

CMYK 35 / 0 / 57 / 64

HEX #3C5C28

RGB 60 92 40

HSL 96.92, 0.39%, 0.26%

LAB 35.53, -22.23, 26

 

CMYK 20 / 0 / 57 / 64

HEX #4A5C28

RGB 74 92 40

HSL 80.77, 0.39%, 0.26%

LAB 36.49, -16.31, 27.36

 

CMYK 4 / 0 / 57 / 64

HEX #585C28

RGB 88 92 40

HSL 64.62, 0.39%, 0.26%

LAB 37.63, -9.92, 28.99

 

CMYK 57 / 0 / 48 / 64

HEX #285C30

RGB 40 92 48

HSL 129.23, 0.39%, 0.26%

LAB 34.64, -28.02, 20.13

 

CMYK 57 / 0 / 33 / 64

HEX #285C3E

RGB 40 92 62

HSL 145.38, 0.39%, 0.26%

LAB 34.91, -25.21, 12.11

 

CMYK 57 / 0 / 17 / 64

HEX #285C4C

RGB 40 92 76

HSL 161.54, 0.39%, 0.26%

LAB 35.26, -21.77, 3.96

 

CMYK 57 / 0 / 2 / 64

HEX #285C5A

RGB 40 92 90

HSL 177.69, 0.39%, 0.26%

LAB 35.68, -17.8, -4.14

 

CMYK 57 / 13 / 0 / 64

HEX #28505C

RGB 40 80 92

HSL 193.85, 0.39%, 0.26%

LAB 31.72, -10.25, -11.35

 

CMYK 57 / 0 / 48 / 64

HEX #285C30

RGB 40 92 48

HSL 129.23, 0.39%, 0.26%

LAB 34.64, -28.02, 20.13

 

CMYK 72 / 0 / 61 / 60

HEX #1D6628

RGB 29 102 40

HSL 129.04, 0.56%, 0.26%

LAB 37.69, -36.4, 28.24

 

CMYK 84 / 0 / 71 / 56

HEX #127121

RGB 18 113 33

HSL 129.47, 0.73%, 0.26%

LAB 41.29, -43.23, 35.64

 

CMYK 94 / 0 / 79 / 51

HEX #087C1A

RGB 8 124 26

HSL 129.31, 0.88%, 0.26%

LAB 45, -48.53, 42.26

 

CMYK 57 / 0 / 48 / 64

HEX #285C30

RGB 40 92 48

HSL 129.23, 0.39%, 0.26%

LAB 34.64, -28.02, 20.13

 

CMYK 37 / 0 / 32 / 68

HEX #335137

RGB 51 81 55

HSL 128, 0.23%, 0.26%

LAB 31.5, -17.41, 11.85

 

CMYK 13 / 0 / 10 / 73

HEX #3D463F

RGB 61 70 63

HSL 133.33, 0.07%, 0.26%

LAB 28.72, -5.28, 2.98

 

CMYK 0 / 18 / 3 / 72

HEX #483B46

RGB 72 59 70

HSL 309.23, 0.1%, 0.26%

LAB 26.59, 7.97, -4.61

 

CMYK 0 / 41 / 6 / 67

HEX #53314E

RGB 83 49 78

HSL 308.82, 0.26%, 0.26%

LAB 25.52, 20.57, -11.39

 

CMYK 35 / 0 / 57 / 64

HEX #3C5C28

RGB 60 92 40

HSL 96.92, 0.39%, 0.26%

LAB 35.53, -22.23, 26

 

CMYK 50 / 0 / 57 / 64

HEX #2E5C28

RGB 46 92 40

HSL 113.08, 0.39%, 0.26%

LAB 34.78, -27.41, 24.91

 

CMYK 57 / 0 / 48 / 64

HEX #285C30

RGB 40 92 48

HSL 129.23, 0.39%, 0.26%

LAB 34.64, -28.02, 20.13

 

CMYK 57 / 0 / 34 / 64

HEX #285C3D

RGB 40 92 61

HSL 144.23, 0.39%, 0.26%

LAB 34.89, -25.43, 12.69

 

CMYK 57 / 0 / 18 / 64

HEX #285C4B

RGB 40 92 75

HSL 160.38, 0.39%, 0.26%

LAB 35.23, -22.04, 4.54

 

CMYK 56 / 0 / 47 / 87

HEX #0F2212

RGB 15 34 18

HSL 129.47, 0.39%, 0.1%

LAB 11.2, -12.32, 8.23

 

CMYK 57 / 0 / 48 / 75

HEX #1B3F21

RGB 27 63 33

HSL 130, 0.4%, 0.18%

LAB 23.33, -20.75, 14.53

 

CMYK 57 / 0 / 48 / 64

HEX #285C30

RGB 40 92 48

HSL 129.23, 0.39%, 0.26%

LAB 34.64, -28.02, 20.13

 

CMYK 56 / 0 / 48 / 53

HEX #35783F

RGB 53 120 63

HSL 128.96, 0.39%, 0.34%

LAB 45.01, -34.39, 24.95

 

CMYK 56 / 0 / 48 / 42

HEX #41954E

RGB 65 149 78

HSL 129.29, 0.39%, 0.42%

LAB 55.25, -41.15, 29.9

 

CMYK 56 / 0 / 47 / 64

HEX #295D31

RGB 41 93 49

HSL 129.23, 0.39%, 0.26%

LAB 35.05, -28.01, 20.08

 

CMYK 57 / 20 / 0 / 64

HEX #284A5C

RGB 40 74 92

HSL 200.77, 0.39%, 0.26%

LAB 29.72, -6.57, -14.41

 

CMYK 0 / 57 / 42 / 64

HEX #5C2835

RGB 92 40 53

HSL 345, 0.39%, 0.26%

LAB 23.84, 25.31, 3.08

 

CMYK 56 / 0 / 47 / 64

HEX #295D31

RGB 41 93 49

HSL 129.23, 0.39%, 0.26%

LAB 35.05, -28.01, 20.08

 

CMYK 48 / 57 / 0 / 64

HEX #30285C

RGB 48 40 92

HSL 249.23, 0.39%, 0.26%

LAB 19.72, 18.65, -30.09

 

CMYK 0 / 48 / 57 / 64

HEX #5C3028

RGB 92 48 40

HSL 9.23, 0.39%, 0.26%

LAB 25.39, 19.05, 13.95

 

CMYK 56 / 0 / 47 / 64

HEX #295D31

RGB 41 93 49

HSL 129.23, 0.39%, 0.26%

LAB 35.05, -28.01, 20.08

 

CMYK 57 / 20 / 0 / 64

HEX #284A5C

RGB 40 74 92

HSL 200.77, 0.39%, 0.26%

LAB 29.72, -6.57, -14.41

 

CMYK 0 / 57 / 9 / 64

HEX #5C2854

RGB 92 40 84

HSL 309.23, 0.39%, 0.26%

LAB 25.05, 30.33, -15.97

 

CMYK 0 / 37 / 57 / 64

HEX #5C3A28

RGB 92 58 40

HSL 20.77, 0.39%, 0.26%

LAB 27.99, 12.83, 17.33

 

CMYK 56 / 0 / 47 / 64

HEX #295D31

RGB 41 93 49

HSL 129.23, 0.39%, 0.26%

LAB 35.05, -28.01, 20.08

 

CMYK 57 / 37 / 0 / 64

HEX #283A5C

RGB 40 58 92

HSL 219.23, 0.39%, 0.26%

LAB 24.48, 3.95, -22.55

 

CMYK 0 / 57 / 9 / 64

HEX #5C2854

RGB 92 40 84

HSL 309.23, 0.39%, 0.26%

LAB 25.05, 30.33, -15.97

 

CMYK 0 / 20 / 57 / 64

HEX #5C4A28

RGB 92 74 40

HSL 39.23, 0.39%, 0.26%

LAB 32.54, 2.79, 23.01

 

Description

Color code: HEX #295D31 | qconv.com Color code: HEX #295D31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 93 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 93 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 47 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 47% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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