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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #296BE4 it is the complementary color #D6941B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #296BE4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #296BE4 shade: #2E6BDF, #3F7DF2, #508FFF, #61A1FF and #72B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #296BE4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #296BE4 shade: #296BE4, #1859D1, #0747BE, #0035AB and #002398

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #296BE4 shade: #296BE4, #2939E4, #4C29E4, #7E29E4 and #B129E4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #296BE4 shade: #296BE4, #2939E4 and #2929E4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #296BE4 shade matches the following richer shades: #296BE4 and #1665F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #296BE4 shade: #296BE4, #3D71D1, #5077BD, #637CAA and #778297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #296BE4 shade: #29D1E4, #29A0E4, #296EE4, #293CE4 and #4829E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #296BE4 shade: #1448A7, #1958CB, #296BE4, #4E85E9 and #739EED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #296BE4 shade: #296BE4, #C529E4 and #B9E429

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #296BE4 shade: #296BE4, #E4296E and #6EE429

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #296BE4 shade: #296BE4, #C529E4, #E4A029 and #48E429

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #296BE4 shade: #296BE4, #E429CB, #E4A029 and #29E442

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

Complementary color

CMYK 0 / 31 / 87 / 16

HEX #D6941B

RGB 214 148 27

HSL 38.82, 0.78%, 0.47%

LAB 66.18, 15.79, 66.14

 

CMYK 79 / 52 / 0 / 13

HEX #2E6BDF

RGB 46 107 223

HSL 219.32, 0.73%, 0.53%

LAB 47.53, 22.1, -64.67

 

CMYK 74 / 48 / 0 / 5

HEX #3F7DF2

RGB 63 125 242

HSL 219.22, 0.87%, 0.6%

LAB 54.17, 19.65, -64.56

 

CMYK 69 / 44 / 0 / 0

HEX #508FFF

RGB 80 143 255

HSL 218.4, 1%, 0.66%

LAB 60.4, 15.53, -61.69

 

CMYK 62 / 37 / 0 / 0

HEX #61A1FF

RGB 97 161 255

HSL 215.7, 1%, 0.69%

LAB 65.94, 7.63, -52.82

 

CMYK 55 / 30 / 0 / 0

HEX #72B3FF

RGB 114 179 255

HSL 212.34, 1%, 0.72%

LAB 71.58, 0.63, -43.89

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 89 / 57 / 0 / 18

HEX #1859D1

RGB 24 89 209

HSL 218.92, 0.79%, 0.46%

LAB 41.12, 26.7, -67.11

 

CMYK 96 / 63 / 0 / 25

HEX #0747BE

RGB 7 71 190

HSL 219.02, 0.93%, 0.39%

LAB 34.54, 30.43, -66.86

 

CMYK 100 / 69 / 0 / 33

HEX #0035AB

RGB 0 53 171

HSL 221.4, 1%, 0.34%

LAB 28.08, 34.68, -66.2

 

CMYK 100 / 77 / 0 / 40

HEX #002398

RGB 0 35 152

HSL 226.18, 1%, 0.3%

LAB 21.83, 38.94, -64.98

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 82 / 75 / 0 / 11

HEX #2939E4

RGB 41 57 228

HSL 234.87, 0.78%, 0.53%

LAB 35.98, 54.19, -86.43

 

CMYK 67 / 82 / 0 / 11

HEX #4C29E4

RGB 76 41 228

HSL 251.23, 0.78%, 0.53%

LAB 35.45, 64.19, -87.25

 

CMYK 45 / 82 / 0 / 11

HEX #7E29E4

RGB 126 41 228

HSL 267.27, 0.78%, 0.53%

LAB 40.61, 69.37, -78.56

 

CMYK 22 / 82 / 0 / 11

HEX #B129E4

RGB 177 41 228

HSL 283.64, 0.78%, 0.53%

LAB 47.67, 76.73, -66.74

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 82 / 75 / 0 / 11

HEX #2939E4

RGB 41 57 228

HSL 234.87, 0.78%, 0.53%

LAB 35.98, 54.19, -86.43

 

CMYK 82 / 82 / 0 / 11

HEX #2929E4

RGB 41 41 228

HSL 240, 0.78%, 0.53%

LAB 33.26, 62.07, -90.95

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 91 / 59 / 0 / 3

HEX #1665F8

RGB 22 101 248

HSL 219.03, 0.94%, 0.53%

LAB 47.31, 33.78, -79.09

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 71 / 46 / 0 / 18

HEX #3D71D1

RGB 61 113 209

HSL 218.92, 0.62%, 0.53%

LAB 48.77, 14.91, -54.69

 

CMYK 58 / 37 / 0 / 26

HEX #5077BD

RGB 80 119 189

HSL 218.53, 0.45%, 0.53%

LAB 50.18, 7.54, -40.93

 

CMYK 42 / 27 / 0 / 33

HEX #637CAA

RGB 99 124 170

HSL 218.87, 0.29%, 0.53%

LAB 51.8, 3.19, -27.35

 

CMYK 21 / 14 / 0 / 41

HEX #778297

RGB 119 130 151

HSL 219.38, 0.13%, 0.53%

LAB 54.16, 0.72, -12.61

 

CMYK 82 / 8 / 0 / 11

HEX #29D1E4

RGB 41 209 228

HSL 186.1, 0.78%, 0.53%

LAB 77.09, -33.8, -21.01

 

CMYK 82 / 30 / 0 / 11

HEX #29A0E4

RGB 41 160 228

HSL 201.82, 0.78%, 0.53%

LAB 62.69, -8.52, -43.27

 

CMYK 82 / 52 / 0 / 11

HEX #296EE4

RGB 41 110 228

HSL 217.86, 0.78%, 0.53%

LAB 48.54, 21.63, -65.85

 

CMYK 82 / 74 / 0 / 11

HEX #293CE4

RGB 41 60 228

HSL 233.9, 0.78%, 0.53%

LAB 36.56, 52.54, -85.47

 

CMYK 68 / 82 / 0 / 11

HEX #4829E4

RGB 72 41 228

HSL 249.95, 0.78%, 0.53%

LAB 35.13, 63.88, -87.78

 

CMYK 88 / 57 / 0 / 35

HEX #1448A7

RGB 20 72 167

HSL 218.78, 0.79%, 0.37%

LAB 33.08, 21.15, -55.59

 

CMYK 88 / 57 / 0 / 20

HEX #1958CB

RGB 25 88 203

HSL 218.76, 0.78%, 0.45%

LAB 40.41, 25.07, -64.82

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 67 / 43 / 0 / 9

HEX #4E85E9

RGB 78 133 233

HSL 218.71, 0.78%, 0.61%

LAB 56.37, 13.64, -56

 

CMYK 51 / 33 / 0 / 7

HEX #739EED

RGB 115 158 237

HSL 218.85, 0.77%, 0.69%

LAB 65.13, 7.25, -44.2

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 14 / 82 / 0 / 11

HEX #C529E4

RGB 197 41 228

HSL 290.05, 0.78%, 0.53%

LAB 50.75, 80.03, -61.6

 

CMYK 19 / 0 / 82 / 11

HEX #B9E429

RGB 185 228 41

HSL 73.8, 0.78%, 0.53%

LAB 84.98, -36.65, 77.44

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 0 / 82 / 52 / 11

HEX #E4296E

RGB 228 41 110

HSL 337.86, 0.78%, 0.53%

LAB 50.93, 71.95, 8.59

 

CMYK 52 / 0 / 82 / 11

HEX #6EE429

RGB 110 228 41

HSL 97.86, 0.78%, 0.53%

LAB 81.27, -62.35, 72.74

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 14 / 82 / 0 / 11

HEX #C529E4

RGB 197 41 228

HSL 290.05, 0.78%, 0.53%

LAB 50.75, 80.03, -61.6

 

CMYK 0 / 30 / 82 / 11

HEX #E4A029

RGB 228 160 41

HSL 38.18, 0.78%, 0.53%

LAB 70.73, 15.76, 66.49

 

CMYK 68 / 0 / 82 / 11

HEX #48E429

RGB 72 228 41

HSL 110.05, 0.78%, 0.53%

LAB 80.19, -71.13, 71.37

 

CMYK 82 / 53 / 0 / 11

HEX #296BE4

RGB 41 107 228

HSL 218.82, 0.78%, 0.53%

LAB 47.74, 23.54, -67.16

 

CMYK 0 / 82 / 11 / 11

HEX #E429CB

RGB 228 41 203

HSL 308.02, 0.78%, 0.53%

LAB 54.44, 81.9, -41.17

 

CMYK 0 / 30 / 82 / 11

HEX #E4A029

RGB 228 160 41

HSL 38.18, 0.78%, 0.53%

LAB 70.73, 15.76, 66.49

 

CMYK 82 / 0 / 71 / 11

HEX #29E442

RGB 41 228 66

HSL 128.02, 0.78%, 0.53%

LAB 79.81, -73.92, 63.14

 

Description

Color code: HEX #296BE4 | qconv.com Color code: HEX #296BE4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 107 green and 228 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 107 228 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 53 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 53% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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