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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #297047 it is the complementary color #D68FB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #297047. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #297047 shade: #2E7042, #3F8255, #509468, #61A67B and #72B88E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #297047. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #297047 shade: #297047, #185E34, #074C21, #003A0E and #002800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #297047 shade: #296F47, #296F34, #316F29, #446F29 and #576F29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #297047 shade: #296F47, #296F5A, #296F6D, #295F6F and #294C6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #297047 shade matches the following richer shades: #296F47, #1C7C45, #108843 and #049441

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #297047 shade: #296F47, #356348, #42564A, #4E4A4C and #5A3E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #297047 shade: #316F29, #296F33, #296F46, #296F59 and #296F6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #297047 shade: #133320, #1E5133, #296F47, #348D5A and #3FAB6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #297047 shade: #297047, #29446F and #6F2A29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #297047 shade: #297047, #46296F and #6F4629

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #297047 shade: #297047, #29446F, #6F2952 and #6F5429

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #297047 shade: #297047, #292F6F, #6F2952 and #6F6929

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 37 / 56

HEX #297047

RGB 41 112 71

HSL 145.35, 0.46%, 0.3%

LAB 42.02, -32.39, 16.4

 

Complementary color

CMYK 0 / 33 / 14 / 16

HEX #D68FB8

RGB 214 143 184

HSL 325.35, 0.46%, 0.7%

LAB 67.58, 32.9, -10.34

 

CMYK 59 / 0 / 41 / 56

HEX #2E7042

RGB 46 112 66

HSL 138.18, 0.42%, 0.31%

LAB 42.1, -32.17, 19.43

 

CMYK 52 / 0 / 35 / 49

HEX #3F8255

RGB 63 130 85

HSL 139.7, 0.35%, 0.38%

LAB 49.1, -32.09, 18.01

 

CMYK 46 / 0 / 30 / 42

HEX #509468

RGB 80 148 104

HSL 141.18, 0.3%, 0.45%

LAB 55.97, -31.88, 16.73

 

CMYK 42 / 0 / 26 / 35

HEX #61A67B

RGB 97 166 123

HSL 142.61, 0.28%, 0.52%

LAB 62.71, -31.63, 15.57

 

CMYK 38 / 0 / 23 / 28

HEX #72B88E

RGB 114 184 142

HSL 144, 0.33%, 0.58%

LAB 69.33, -31.36, 14.51

 

CMYK 63 / 0 / 37 / 56

HEX #297047

RGB 41 112 71

HSL 145.35, 0.46%, 0.3%

LAB 42.02, -32.39, 16.4

 

CMYK 74 / 0 / 45 / 63

HEX #185E34

RGB 24 94 52

HSL 144, 0.59%, 0.23%

LAB 34.9, -32.05, 18.02

 

CMYK 91 / 0 / 57 / 70

HEX #074C21

RGB 7 76 33

HSL 142.61, 0.83%, 0.16%

LAB 27.64, -31.02, 19.86

 

CMYK 100 / 0 / 76 / 77

HEX #003A0E

RGB 0 58 14

HSL 134.48, 1%, 0.11%

LAB 20.27, -28.41, 21.77

 

CMYK 100 / 0 / 100 / 84

HEX #002800

RGB 0 40 0

HSL 120, 1%, 0.08%

LAB 12.72, -23.74, 18.31

 

CMYK 63 / 0 / 36 / 56

HEX #296F47

RGB 41 111 71

HSL 145.71, 0.46%, 0.3%

LAB 41.68, -31.94, 15.94

 

CMYK 63 / 0 / 53 / 56

HEX #296F34

RGB 41 111 52

HSL 129.43, 0.46%, 0.3%

LAB 41.36, -35.48, 26.32

 

CMYK 56 / 0 / 63 / 56

HEX #316F29

RGB 49 111 41

HSL 113.14, 0.46%, 0.3%

LAB 41.5, -34.83, 32.32

 

CMYK 39 / 0 / 63 / 56

HEX #446F29

RGB 68 111 41

HSL 96.86, 0.46%, 0.3%

LAB 42.4, -28.39, 33.57

 

CMYK 22 / 0 / 63 / 56

HEX #576F29

RGB 87 111 41

HSL 80.57, 0.46%, 0.3%

LAB 43.59, -20.68, 35.24

 

CMYK 63 / 0 / 36 / 56

HEX #296F47

RGB 41 111 71

HSL 145.71, 0.46%, 0.3%

LAB 41.68, -31.94, 15.94

 

CMYK 63 / 0 / 19 / 56

HEX #296F5A

RGB 41 111 90

HSL 162, 0.46%, 0.3%

LAB 42.12, -27.42, 5.25

 

CMYK 63 / 0 / 2 / 56

HEX #296F6D

RGB 41 111 109

HSL 178.29, 0.46%, 0.3%

LAB 42.68, -22.04, -5.4

 

CMYK 63 / 14 / 0 / 56

HEX #295F6F

RGB 41 95 111

HSL 193.71, 0.46%, 0.3%

LAB 37.49, -12.57, -14.44

 

CMYK 63 / 32 / 0 / 56

HEX #294C6F

RGB 41 76 111

HSL 210, 0.46%, 0.3%

LAB 31.32, -0.89, -23.98

 

CMYK 63 / 0 / 36 / 56

HEX #296F47

RGB 41 111 71

HSL 145.71, 0.46%, 0.3%

LAB 41.68, -31.94, 15.94

 

CMYK 77 / 0 / 44 / 51

HEX #1C7C45

RGB 28 124 69

HSL 145.63, 0.63%, 0.3%

LAB 45.76, -40.35, 22.43

 

CMYK 88 / 0 / 51 / 47

HEX #108843

RGB 16 136 67

HSL 145.5, 0.79%, 0.3%

LAB 49.65, -46.67, 28.45

 

CMYK 97 / 0 / 56 / 42

HEX #049441

RGB 4 148 65

HSL 145.42, 0.95%, 0.3%

LAB 53.59, -51.97, 34.31

 

CMYK 63 / 0 / 36 / 56

HEX #296F47

RGB 41 111 71

HSL 145.71, 0.46%, 0.3%

LAB 41.68, -31.94, 15.94

 

CMYK 46 / 0 / 27 / 61

HEX #356348

RGB 53 99 72

HSL 144.78, 0.3%, 0.3%

LAB 38.11, -22.65, 10.53

 

CMYK 23 / 0 / 14 / 66

HEX #42564A

RGB 66 86 74

HSL 144, 0.13%, 0.3%

LAB 34.62, -10.5, 4.48

 

CMYK 0 / 5 / 3 / 69

HEX #4E4A4C

RGB 78 74 76

HSL 330, 0.03%, 0.3%

LAB 31.9, 2.08, -0.6

 

CMYK 0 / 31 / 13 / 65

HEX #5A3E4E

RGB 90 62 78

HSL 325.71, 0.18%, 0.3%

LAB 29.83, 15.11, -4.79

 

CMYK 56 / 0 / 63 / 56

HEX #316F29

RGB 49 111 41

HSL 113.14, 0.46%, 0.3%

LAB 41.5, -34.83, 32.32

 

CMYK 63 / 0 / 54 / 56

HEX #296F33

RGB 41 111 51

HSL 128.57, 0.46%, 0.3%

LAB 41.34, -35.64, 26.85

 

CMYK 63 / 0 / 37 / 56

HEX #296F46

RGB 41 111 70

HSL 144.86, 0.46%, 0.3%

LAB 41.66, -32.15, 16.5

 

CMYK 63 / 0 / 20 / 56

HEX #296F59

RGB 41 111 89

HSL 161.14, 0.46%, 0.3%

LAB 42.1, -27.68, 5.81

 

CMYK 63 / 0 / 3 / 56

HEX #296F6C

RGB 41 111 108

HSL 177.43, 0.46%, 0.3%

LAB 42.65, -22.34, -4.84

 

CMYK 63 / 0 / 37 / 80

HEX #133320

RGB 19 51 32

HSL 144.38, 0.46%, 0.14%

LAB 18.41, -17.23, 8.57

 

CMYK 63 / 0 / 37 / 68

HEX #1E5133

RGB 30 81 51

HSL 144.71, 0.46%, 0.22%

LAB 30.4, -25, 12.68

 

CMYK 63 / 0 / 36 / 56

HEX #296F47

RGB 41 111 71

HSL 145.71, 0.46%, 0.3%

LAB 41.68, -31.94, 15.94

 

CMYK 63 / 0 / 36 / 45

HEX #348D5A

RGB 52 141 90

HSL 145.62, 0.46%, 0.38%

LAB 52.42, -38.71, 19.58

 

CMYK 63 / 0 / 36 / 33

HEX #3FAB6D

RGB 63 171 109

HSL 145.56, 0.46%, 0.46%

LAB 62.75, -45.18, 23.07

 

CMYK 63 / 0 / 37 / 56

HEX #297047

RGB 41 112 71

HSL 145.35, 0.46%, 0.3%

LAB 42.02, -32.39, 16.4

 

CMYK 63 / 39 / 0 / 56

HEX #29446F

RGB 41 68 111

HSL 216.86, 0.46%, 0.3%

LAB 28.78, 4.4, -27.98

 

CMYK 0 / 62 / 63 / 56

HEX #6F2A29

RGB 111 42 41

HSL 0.86, 0.46%, 0.3%

LAB 27.28, 30.56, 16.38

 

CMYK 63 / 0 / 37 / 56

HEX #297047

RGB 41 112 71

HSL 145.35, 0.46%, 0.3%

LAB 42.02, -32.39, 16.4

 

CMYK 37 / 63 / 0 / 56

HEX #46296F

RGB 70 41 111

HSL 264.86, 0.46%, 0.3%

LAB 23.79, 29.64, -35.81

 

CMYK 0 / 37 / 63 / 56

HEX #6F4629

RGB 111 70 41

HSL 24.86, 0.46%, 0.3%

LAB 33.82, 14.4, 24.53

 

CMYK 63 / 0 / 37 / 56

HEX #297047

RGB 41 112 71

HSL 145.35, 0.46%, 0.3%

LAB 42.02, -32.39, 16.4

 

CMYK 63 / 39 / 0 / 56

HEX #29446F

RGB 41 68 111

HSL 216.86, 0.46%, 0.3%

LAB 28.78, 4.4, -27.98

 

CMYK 0 / 63 / 26 / 56

HEX #6F2952

RGB 111 41 82

HSL 324.86, 0.46%, 0.3%

LAB 28.31, 35.8, -9.38

 

CMYK 0 / 24 / 63 / 56

HEX #6F5429

RGB 111 84 41

HSL 36.86, 0.46%, 0.3%

LAB 37.63, 5.88, 29.04

 

CMYK 63 / 0 / 37 / 56

HEX #297047

RGB 41 112 71

HSL 145.35, 0.46%, 0.3%

LAB 42.02, -32.39, 16.4

 

CMYK 63 / 58 / 0 / 56

HEX #292F6F

RGB 41 47 111

HSL 234.86, 0.46%, 0.3%

LAB 22.49, 18.93, -38.05

 

CMYK 0 / 63 / 26 / 56

HEX #6F2952

RGB 111 41 82

HSL 324.86, 0.46%, 0.3%

LAB 28.31, 35.8, -9.38

 

CMYK 0 / 5 / 63 / 56

HEX #6F6929

RGB 111 105 41

HSL 54.86, 0.46%, 0.3%

LAB 43.72, -6.51, 35.93

 

Description

Color code: HEX #297047 | qconv.com Color code: HEX #297047 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 112 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 112 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 37 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 37% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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