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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #29858E it is the complementary color #D67A71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #29858E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #29858E shade: #2E8589, #3F979C, #50A9AF, #61BBC2 and #72CDD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #29858E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #29858E shade: #29858E, #18737B, #076168, #004F55 and #003D42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #29858E shade: #29858E, #296A8E, #294E8E, #29338E and #3A298E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #29858E shade: #29858E, #296A8E, #294E8E, #29338E and #29298E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #29858E shade matches the following richer shades: #29858E, #1A919D and #0B9DAB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #29858E shade: #29858E, #38797F, #476C70, #556061 and #645452

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #29858E shade: #298E60, #298E7B, #29858E, #296A8E and #29508E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #29858E shade: #16494E, #20676E, #29858E, #32A3AE and #41BCC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #29858E shade: #29858E, #45298E and #8E6E29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #29858E shade: #29858E, #8E2985 and #858E29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #29858E shade: #29858E, #45298E, #8E3129 and #718E29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #29858E shade: #29858E, #64298E, #8E3129 and #538E29

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

Complementary color

CMYK 0 / 43 / 47 / 16

HEX #D67A71

RGB 214 122 113

HSL 5.35, 0.55%, 0.64%

LAB 61.14, 34.78, 20.63

 

CMYK 66 / 3 / 0 / 46

HEX #2E8589

RGB 46 133 137

HSL 182.64, 0.5%, 0.36%

LAB 50.88, -24.02, -9.76

 

CMYK 60 / 3 / 0 / 39

HEX #3F979C

RGB 63 151 156

HSL 183.23, 0.42%, 0.43%

LAB 57.65, -24.49, -10.53

 

CMYK 54 / 3 / 0 / 31

HEX #50A9AF

RGB 80 169 175

HSL 183.79, 0.37%, 0.5%

LAB 64.3, -24.78, -11.21

 

CMYK 50 / 4 / 0 / 24

HEX #61BBC2

RGB 97 187 194

HSL 184.33, 0.44%, 0.57%

LAB 70.86, -24.96, -11.84

 

CMYK 46 / 4 / 0 / 16

HEX #72CDD5

RGB 114 205 213

HSL 184.85, 0.54%, 0.64%

LAB 77.31, -25.07, -12.43

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 80 / 7 / 0 / 52

HEX #18737B

RGB 24 115 123

HSL 184.85, 0.67%, 0.29%

LAB 44.07, -22.23, -11.78

 

CMYK 93 / 7 / 0 / 59

HEX #076168

RGB 7 97 104

HSL 184.33, 0.87%, 0.22%

LAB 37.1, -20.71, -10.78

 

CMYK 100 / 7 / 0 / 67

HEX #004F55

RGB 0 79 85

HSL 184.24, 1%, 0.17%

LAB 30.03, -18.39, -9.55

 

CMYK 100 / 8 / 0 / 74

HEX #003D42

RGB 0 61 66

HSL 184.55, 1%, 0.13%

LAB 22.76, -15.42, -8.14

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 71 / 25 / 0 / 44

HEX #296A8E

RGB 41 106 142

HSL 201.39, 0.55%, 0.36%

LAB 42.36, -8.24, -25.76

 

CMYK 71 / 45 / 0 / 44

HEX #294E8E

RGB 41 78 142

HSL 218.02, 0.55%, 0.36%

LAB 33.72, 9.48, -39.4

 

CMYK 71 / 64 / 0 / 44

HEX #29338E

RGB 41 51 142

HSL 234.06, 0.55%, 0.36%

LAB 26.13, 27.78, -51.67

 

CMYK 59 / 71 / 0 / 44

HEX #3A298E

RGB 58 41 142

HSL 250.1, 0.55%, 0.36%

LAB 25.07, 36.67, -53.36

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 71 / 25 / 0 / 44

HEX #296A8E

RGB 41 106 142

HSL 201.39, 0.55%, 0.36%

LAB 42.36, -8.24, -25.76

 

CMYK 71 / 45 / 0 / 44

HEX #294E8E

RGB 41 78 142

HSL 218.02, 0.55%, 0.36%

LAB 33.72, 9.48, -39.4

 

CMYK 71 / 64 / 0 / 44

HEX #29338E

RGB 41 51 142

HSL 234.06, 0.55%, 0.36%

LAB 26.13, 27.78, -51.67

 

CMYK 71 / 71 / 0 / 44

HEX #29298E

RGB 41 41 142

HSL 240, 0.55%, 0.36%

LAB 23.71, 34.26, -55.65

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 83 / 8 / 0 / 38

HEX #1A919D

RGB 26 145 157

HSL 185.5, 0.72%, 0.36%

LAB 54.97, -26.23, -15.21

 

CMYK 94 / 8 / 0 / 33

HEX #0B9DAB

RGB 11 157 171

HSL 185.25, 0.88%, 0.36%

LAB 59.09, -28.54, -16.97

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 56 / 5 / 0 / 50

HEX #38797F

RGB 56 121 127

HSL 185.07, 0.39%, 0.36%

LAB 47.04, -18.81, -9.61

 

CMYK 37 / 4 / 0 / 56

HEX #476C70

RGB 71 108 112

HSL 185.85, 0.22%, 0.36%

LAB 43.11, -11.99, -6.42

 

CMYK 12 / 1 / 0 / 62

HEX #556061

RGB 85 96 97

HSL 185, 0.07%, 0.36%

LAB 39.85, -4, -2.02

 

CMYK 0 / 16 / 18 / 61

HEX #645452

RGB 100 84 82

HSL 6.67, 0.1%, 0.36%

LAB 37.22, 6.23, 3.61

 

CMYK 71 / 0 / 32 / 44

HEX #298E60

RGB 41 142 96

HSL 152.67, 0.55%, 0.36%

LAB 52.58, -39.98, 16.37

 

CMYK 71 / 0 / 13 / 44

HEX #298E7B

RGB 41 142 123

HSL 168.71, 0.55%, 0.36%

LAB 53.22, -33.28, 1.82

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 71 / 25 / 0 / 44

HEX #296A8E

RGB 41 106 142

HSL 201.39, 0.55%, 0.36%

LAB 42.36, -8.24, -25.76

 

CMYK 71 / 44 / 0 / 44

HEX #29508E

RGB 41 80 142

HSL 216.83, 0.55%, 0.36%

LAB 34.32, 8.15, -38.44

 

CMYK 72 / 6 / 0 / 69

HEX #16494E

RGB 22 73 78

HSL 185.36, 0.56%, 0.2%

LAB 28.08, -14.79, -7.95

 

CMYK 71 / 6 / 0 / 57

HEX #20676E

RGB 32 103 110

HSL 185.38, 0.55%, 0.28%

LAB 39.8, -19.06, -10.34

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 71 / 6 / 0 / 32

HEX #32A3AE

RGB 50 163 174

HSL 185.32, 0.55%, 0.44%

LAB 61.59, -27.21, -14.82

 

CMYK 68 / 6 / 0 / 22

HEX #41BCC8

RGB 65 188 200

HSL 185.33, 0.55%, 0.52%

LAB 70.36, -29.59, -15.98

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 51 / 71 / 0 / 44

HEX #45298E

RGB 69 41 142

HSL 256.63, 0.55%, 0.36%

LAB 26.17, 38.54, -51.52

 

CMYK 0 / 23 / 71 / 44

HEX #8E6E29

RGB 142 110 41

HSL 40.99, 0.55%, 0.36%

LAB 48.34, 5.11, 41.84

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 0 / 71 / 6 / 44

HEX #8E2985

RGB 142 41 133

HSL 305.35, 0.55%, 0.36%

LAB 36.04, 52.8, -29.52

 

CMYK 6 / 0 / 71 / 44

HEX #858E29

RGB 133 142 41

HSL 65.35, 0.55%, 0.36%

LAB 56.58, -16.7, 49.95

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 51 / 71 / 0 / 44

HEX #45298E

RGB 69 41 142

HSL 256.63, 0.55%, 0.36%

LAB 26.17, 38.54, -51.52

 

CMYK 0 / 65 / 71 / 44

HEX #8E3129

RGB 142 49 41

HSL 4.75, 0.55%, 0.36%

LAB 34.21, 38.9, 26.18

 

CMYK 20 / 0 / 71 / 44

HEX #718E29

RGB 113 142 41

HSL 77.23, 0.55%, 0.36%

LAB 55.09, -25.35, 47.97

 

CMYK 71 / 6 / 0 / 44

HEX #29858E

RGB 41 133 142

HSL 185.35, 0.55%, 0.36%

LAB 50.92, -23.23, -12.63

 

CMYK 30 / 71 / 0 / 44

HEX #64298E

RGB 100 41 142

HSL 275.05, 0.55%, 0.36%

LAB 30.03, 44.75, -45.07

 

CMYK 0 / 65 / 71 / 44

HEX #8E3129

RGB 142 49 41

HSL 4.75, 0.55%, 0.36%

LAB 34.21, 38.9, 26.18

 

CMYK 42 / 0 / 71 / 44

HEX #538E29

RGB 83 142 41

HSL 95.05, 0.55%, 0.36%

LAB 53.33, -37.04, 45.6

 

Description

Color code: HEX #29858E | qconv.com Color code: HEX #29858E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 133 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 133 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 6 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 6% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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