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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2982DF it is the complementary color #D67D20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2982DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2982DF shade: #2E82DA, #3F94ED, #50A6FF, #61B8FF and #72CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2982DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2982DF shade: #2982DF, #1870CC, #075EB9, #004CA6 and #003A93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2982DF shade: #2A82DF, #2A51DF, #332ADF, #632ADF and #942ADF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2982DF shade: #2A82DF, #2A51DF and #2A2ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2982DF shade matches the following richer shades: #2A82DF and #1682F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2982DF shade: #2A82DF, #3D83CB, #5183B7, #6583A3 and #79848F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2982DF shade: #2ADFD9, #2AB4DF, #2A84DF, #2A54DF and #302ADF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2982DF shade: #17599E, #1D6EC2, #2A82DF, #4D97E4 and #71ACE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2982DF shade: #2982DF, #A82ADF and #CDDF2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2982DF shade: #2982DF, #DF2A84 and #84DF2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2982DF shade: #2982DF, #A82ADF, #DF842A and #60DF2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2982DF shade: #2982DF, #DF2ADF, #DF842A and #2ADF2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 42 / 0 / 13

HEX #2982DF

RGB 41 130 223

HSL 210.66, 0.74%, 0.52%

LAB 53.78, 7.24, -54.62

 

Complementary color

CMYK 0 / 42 / 85 / 16

HEX #D67D20

RGB 214 125 32

HSL 30.66, 0.74%, 0.48%

LAB 60.84, 28.28, 60.32

 

CMYK 79 / 40 / 0 / 15

HEX #2E82DA

RGB 46 130 218

HSL 210.7, 0.7%, 0.52%

LAB 53.61, 5.86, -52.07

 

CMYK 73 / 38 / 0 / 7

HEX #3F94ED

RGB 63 148 237

HSL 210.69, 0.83%, 0.59%

LAB 60.2, 3.93, -52.13

 

CMYK 69 / 35 / 0 / 0

HEX #50A6FF

RGB 80 166 255

HSL 210.51, 1%, 0.66%

LAB 66.67, 2.02, -51.71

 

CMYK 62 / 28 / 0 / 0

HEX #61B8FF

RGB 97 184 255

HSL 206.96, 1%, 0.69%

LAB 72.26, -5.35, -42.88

 

CMYK 55 / 21 / 0 / 0

HEX #72CAFF

RGB 114 202 255

HSL 202.55, 1%, 0.72%

LAB 77.9, -11.86, -34.07

 

CMYK 82 / 42 / 0 / 13

HEX #2982DF

RGB 41 130 223

HSL 210.66, 0.74%, 0.52%

LAB 53.78, 7.24, -54.62

 

CMYK 88 / 45 / 0 / 20

HEX #1870CC

RGB 24 112 204

HSL 210.67, 0.79%, 0.45%

LAB 47.16, 9.86, -54.47

 

CMYK 96 / 49 / 0 / 27

HEX #075EB9

RGB 7 94 185

HSL 210.67, 0.93%, 0.38%

LAB 40.5, 13.08, -54.22

 

CMYK 100 / 54 / 0 / 35

HEX #004CA6

RGB 0 76 166

HSL 212.53, 1%, 0.33%

LAB 33.82, 17.03, -53.8

 

CMYK 100 / 61 / 0 / 42

HEX #003A93

RGB 0 58 147

HSL 216.33, 1%, 0.29%

LAB 27.11, 21.54, -53.21

 

CMYK 81 / 42 / 0 / 13

HEX #2A82DF

RGB 42 130 223

HSL 210.83, 0.74%, 0.52%

LAB 53.8, 7.33, -54.58

 

CMYK 81 / 64 / 0 / 13

HEX #2A51DF

RGB 42 81 223

HSL 227.07, 0.74%, 0.52%

LAB 40.74, 38.32, -75.73

 

CMYK 77 / 81 / 0 / 13

HEX #332ADF

RGB 51 42 223

HSL 242.98, 0.74%, 0.52%

LAB 33.32, 60.64, -87.97

 

CMYK 56 / 81 / 0 / 13

HEX #632ADF

RGB 99 42 223

HSL 258.9, 0.74%, 0.52%

LAB 37.18, 64.62, -81.46

 

CMYK 34 / 81 / 0 / 13

HEX #942ADF

RGB 148 42 223

HSL 275.14, 0.74%, 0.52%

LAB 43.18, 70.97, -71.38

 

CMYK 81 / 42 / 0 / 13

HEX #2A82DF

RGB 42 130 223

HSL 210.83, 0.74%, 0.52%

LAB 53.8, 7.33, -54.58

 

CMYK 81 / 64 / 0 / 13

HEX #2A51DF

RGB 42 81 223

HSL 227.07, 0.74%, 0.52%

LAB 40.74, 38.32, -75.73

 

CMYK 81 / 81 / 0 / 13

HEX #2A2ADF

RGB 42 42 223

HSL 240, 0.74%, 0.52%

LAB 32.87, 60.18, -88.74

 

CMYK 81 / 42 / 0 / 13

HEX #2A82DF

RGB 42 130 223

HSL 210.83, 0.74%, 0.52%

LAB 53.8, 7.33, -54.58

 

CMYK 91 / 46 / 0 / 5

HEX #1682F2

RGB 22 130 242

HSL 210.55, 0.89%, 0.52%

LAB 54.6, 13.2, -63.91

 

CMYK 81 / 42 / 0 / 13

HEX #2A82DF

RGB 42 130 223

HSL 210.83, 0.74%, 0.52%

LAB 53.8, 7.33, -54.58

 

CMYK 70 / 35 / 0 / 20

HEX #3D83CB

RGB 61 131 203

HSL 210.42, 0.58%, 0.52%

LAB 53.53, 1.7, -43.68

 

CMYK 56 / 28 / 0 / 28

HEX #5183B7

RGB 81 131 183

HSL 210.59, 0.41%, 0.52%

LAB 53.39, -1.4, -32.45

 

CMYK 38 / 20 / 0 / 36

HEX #6583A3

RGB 101 131 163

HSL 210.97, 0.25%, 0.52%

LAB 53.65, -2.34, -20.44

 

CMYK 15 / 8 / 0 / 44

HEX #79848F

RGB 121 132 143

HSL 210, 0.09%, 0.52%

LAB 54.61, -1.61, -7.28

 

CMYK 81 / 0 / 3 / 13

HEX #2ADFD9

RGB 42 223 217

HSL 178.01, 0.74%, 0.52%

LAB 80.89, -43.36, -9.41

 

CMYK 81 / 19 / 0 / 13

HEX #2AB4DF

RGB 42 180 223

HSL 194.25, 0.74%, 0.52%

LAB 68.36, -20.95, -31.67

 

CMYK 81 / 41 / 0 / 13

HEX #2A84DF

RGB 42 132 223

HSL 210.17, 0.74%, 0.52%

LAB 54.37, 6.11, -53.67

 

CMYK 81 / 62 / 0 / 13

HEX #2A54DF

RGB 42 84 223

HSL 226.08, 0.74%, 0.52%

LAB 41.47, 36.43, -74.54

 

CMYK 78 / 81 / 0 / 13

HEX #302ADF

RGB 48 42 223

HSL 241.99, 0.74%, 0.52%

LAB 33.16, 60.48, -88.24

 

CMYK 85 / 44 / 0 / 38

HEX #17599E

RGB 23 89 158

HSL 210.67, 0.75%, 0.35%

LAB 37.47, 6.32, -43.1

 

CMYK 85 / 43 / 0 / 24

HEX #1D6EC2

RGB 29 110 194

HSL 210.55, 0.74%, 0.44%

LAB 46.05, 7.57, -50.5

 

CMYK 81 / 42 / 0 / 13

HEX #2A82DF

RGB 42 130 223

HSL 210.83, 0.74%, 0.52%

LAB 53.8, 7.33, -54.58

 

CMYK 66 / 34 / 0 / 11

HEX #4D97E4

RGB 77 151 228

HSL 210.6, 0.74%, 0.6%

LAB 61.06, 1.07, -45.77

 

CMYK 52 / 26 / 0 / 9

HEX #71ACE9

RGB 113 172 233

HSL 210.5, 0.73%, 0.68%

LAB 68.68, -2.32, -36.47

 

CMYK 82 / 42 / 0 / 13

HEX #2982DF

RGB 41 130 223

HSL 210.66, 0.74%, 0.52%

LAB 53.78, 7.24, -54.62

 

CMYK 25 / 81 / 0 / 13

HEX #A82ADF

RGB 168 42 223

HSL 281.77, 0.74%, 0.52%

LAB 46.05, 74.07, -66.58

 

CMYK 8 / 0 / 81 / 13

HEX #CDDF2A

RGB 205 223 42

HSL 65.97, 0.74%, 0.52%

LAB 84.96, -26.26, 77.71

 

CMYK 82 / 42 / 0 / 13

HEX #2982DF

RGB 41 130 223

HSL 210.66, 0.74%, 0.52%

LAB 53.78, 7.24, -54.62

 

CMYK 0 / 81 / 41 / 13

HEX #DF2A84

RGB 223 42 132

HSL 330.17, 0.74%, 0.52%

LAB 50.7, 72.33, -5.19

 

CMYK 41 / 0 / 81 / 13

HEX #84DF2A

RGB 132 223 42

HSL 90.17, 0.74%, 0.52%

LAB 80.65, -53.78, 72.27

 

CMYK 82 / 42 / 0 / 13

HEX #2982DF

RGB 41 130 223

HSL 210.66, 0.74%, 0.52%

LAB 53.78, 7.24, -54.62

 

CMYK 25 / 81 / 0 / 13

HEX #A82ADF

RGB 168 42 223

HSL 281.77, 0.74%, 0.52%

LAB 46.05, 74.07, -66.58

 

CMYK 0 / 41 / 81 / 13

HEX #DF842A

RGB 223 132 42

HSL 29.83, 0.74%, 0.52%

LAB 63.64, 28.6, 59.64

 

CMYK 57 / 0 / 81 / 13

HEX #60DF2A

RGB 96 223 42

HSL 102.1, 0.74%, 0.52%

LAB 79.29, -64.24, 70.52

 

CMYK 82 / 42 / 0 / 13

HEX #2982DF

RGB 41 130 223

HSL 210.66, 0.74%, 0.52%

LAB 53.78, 7.24, -54.62

 

CMYK 0 / 81 / 0 / 13

HEX #DF2ADF

RGB 223 42 223

HSL 300, 0.74%, 0.52%

LAB 54.73, 83.6, -52.16

 

CMYK 0 / 41 / 81 / 13

HEX #DF842A

RGB 223 132 42

HSL 29.83, 0.74%, 0.52%

LAB 63.64, 28.6, 59.64

 

CMYK 81 / 0 / 81 / 13

HEX #2ADF2A

RGB 42 223 42

HSL 120, 0.74%, 0.52%

LAB 78.13, -74, 69.03

 

Description

Color code: HEX #2982DF | qconv.com Color code: HEX #2982DF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 130 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 130 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 42 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 42% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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