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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2996EA it is the complementary color #D66915. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2996EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2996EA shade: #2E96E5, #3FA8F8, #50BAFF, #61CCFF and #72DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2996EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2996EA shade: #2996EA, #1884D7, #0772C4, #0060B1 and #004E9E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2996EA shade: #2996E9, #2962E9, #292EE9, #5829E9 and #8C29E9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2996EA shade: #2996E9, #2962E9, #292EE9 and #2929E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2996EA shade matches the following richer shades: #2996E9 and #1698FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2996EA shade: #2996E9, #3C93D6, #4F91C3, #628EB0 and #758C9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2996EA shade: #29E9D6, #29C9E9, #2996E9, #2963E9 and #292FE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2996EA shade: #116AAF, #1581D5, #2996E9, #4FA8ED and #74BBF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2996EA shade: #2996EA, #A329E9 and #E3E929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2996EA shade: #2996EA, #E92996 and #96E929

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2996EA shade: #2996EA, #A329E9, #E97C29 and #70E929

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2996EA shade: #2996EA, #DD29E9, #E97C29 and #36E929

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 36 / 0 / 8

HEX #2996EA

RGB 41 150 234

HSL 206.11, 0.82%, 0.54%

LAB 60.09, -0.63, -50.68

 

Complementary color

CMYK 0 / 51 / 90 / 16

HEX #D66915

RGB 214 105 21

HSL 26.11, 0.82%, 0.46%

LAB 56.54, 38.46, 60.32

 

CMYK 80 / 34 / 0 / 10

HEX #2E96E5

RGB 46 150 229

HSL 205.9, 0.78%, 0.54%

LAB 59.93, -2, -48.16

 

CMYK 75 / 32 / 0 / 3

HEX #3FA8F8

RGB 63 168 248

HSL 205.95, 0.93%, 0.61%

LAB 66.4, -3.75, -48.36

 

CMYK 69 / 27 / 0 / 0

HEX #50BAFF

RGB 80 186 255

HSL 203.66, 1%, 0.66%

LAB 72.26, -9.14, -42.92

 

CMYK 62 / 20 / 0 / 0

HEX #61CCFF

RGB 97 204 255

HSL 199.37, 1%, 0.69%

LAB 77.84, -16.04, -34.2

 

CMYK 55 / 13 / 0 / 0

HEX #72DEFF

RGB 114 222 255

HSL 194.04, 1%, 0.72%

LAB 83.46, -22.13, -25.53

 

CMYK 82 / 36 / 0 / 8

HEX #2996EA

RGB 41 150 234

HSL 206.11, 0.82%, 0.54%

LAB 60.09, -0.63, -50.68

 

CMYK 89 / 39 / 0 / 16

HEX #1884D7

RGB 24 132 215

HSL 206.07, 0.8%, 0.47%

LAB 53.6, 1.75, -50.41

 

CMYK 96 / 42 / 0 / 23

HEX #0772C4

RGB 7 114 196

HSL 206.03, 0.93%, 0.4%

LAB 47.06, 4.66, -50.05

 

CMYK 100 / 46 / 0 / 31

HEX #0060B1

RGB 0 96 177

HSL 207.46, 1%, 0.35%

LAB 40.48, 8.23, -49.57

 

CMYK 100 / 51 / 0 / 38

HEX #004E9E

RGB 0 78 158

HSL 210.38, 1%, 0.31%

LAB 33.81, 12.32, -49.01

 

CMYK 82 / 36 / 0 / 9

HEX #2996E9

RGB 41 150 233

HSL 205.94, 0.81%, 0.54%

LAB 60.04, -1, -50.21

 

CMYK 82 / 58 / 0 / 9

HEX #2962E9

RGB 41 98 233

HSL 222.19, 0.81%, 0.54%

LAB 45.76, 31.15, -73.2

 

CMYK 82 / 80 / 0 / 9

HEX #292EE9

RGB 41 46 233

HSL 238.44, 0.81%, 0.54%

LAB 34.62, 61.3, -91.54

 

CMYK 62 / 82 / 0 / 9

HEX #5829E9

RGB 88 41 233

HSL 254.69, 0.81%, 0.54%

LAB 37.01, 66.53, -87.48

 

CMYK 40 / 82 / 0 / 9

HEX #8C29E9

RGB 140 41 233

HSL 270.94, 0.81%, 0.54%

LAB 42.83, 72.31, -77.69

 

CMYK 82 / 36 / 0 / 9

HEX #2996E9

RGB 41 150 233

HSL 205.94, 0.81%, 0.54%

LAB 60.04, -1, -50.21

 

CMYK 82 / 58 / 0 / 9

HEX #2962E9

RGB 41 98 233

HSL 222.19, 0.81%, 0.54%

LAB 45.76, 31.15, -73.2

 

CMYK 82 / 80 / 0 / 9

HEX #292EE9

RGB 41 46 233

HSL 238.44, 0.81%, 0.54%

LAB 34.62, 61.3, -91.54

 

CMYK 82 / 82 / 0 / 9

HEX #2929E9

RGB 41 41 233

HSL 240, 0.81%, 0.54%

LAB 33.86, 63.54, -92.81

 

CMYK 82 / 36 / 0 / 9

HEX #2996E9

RGB 41 150 233

HSL 205.94, 0.81%, 0.54%

LAB 60.04, -1, -50.21

 

CMYK 91 / 40 / 0 / 1

HEX #1698FC

RGB 22 152 252

HSL 206.09, 0.97%, 0.54%

LAB 61.36, 3.68, -58.6

 

CMYK 82 / 36 / 0 / 9

HEX #2996E9

RGB 41 150 233

HSL 205.94, 0.81%, 0.54%

LAB 60.04, -1, -50.21

 

CMYK 72 / 31 / 0 / 16

HEX #3C93D6

RGB 60 147 214

HSL 206.1, 0.65%, 0.54%

LAB 58.68, -3.97, -41.76

 

CMYK 59 / 26 / 0 / 24

HEX #4F91C3

RGB 79 145 195

HSL 205.86, 0.49%, 0.54%

LAB 57.9, -6.04, -32.25

 

CMYK 44 / 19 / 0 / 31

HEX #628EB0

RGB 98 142 176

HSL 206.15, 0.33%, 0.54%

LAB 57.15, -5.79, -22.55

 

CMYK 25 / 11 / 0 / 38

HEX #758C9D

RGB 117 140 157

HSL 205.5, 0.17%, 0.54%

LAB 57.05, -4.19, -11.73

 

CMYK 82 / 0 / 8 / 9

HEX #29E9D6

RGB 41 233 214

HSL 174.06, 0.81%, 0.54%

LAB 83.76, -48.58, -3.58

 

CMYK 82 / 14 / 0 / 9

HEX #29C9E9

RGB 41 201 233

HSL 190, 0.81%, 0.54%

LAB 74.91, -28.37, -27.03

 

CMYK 82 / 36 / 0 / 9

HEX #2996E9

RGB 41 150 233

HSL 205.94, 0.81%, 0.54%

LAB 60.04, -1, -50.21

 

CMYK 82 / 58 / 0 / 9

HEX #2963E9

RGB 41 99 233

HSL 221.88, 0.81%, 0.54%

LAB 46.01, 30.51, -72.78

 

CMYK 82 / 80 / 0 / 9

HEX #292FE9

RGB 41 47 233

HSL 238.13, 0.81%, 0.54%

LAB 34.78, 60.84, -91.28

 

CMYK 90 / 39 / 0 / 31

HEX #116AAF

RGB 17 106 175

HSL 206.2, 0.82%, 0.38%

LAB 43.54, 1.79, -43.48

 

CMYK 90 / 39 / 0 / 16

HEX #1581D5

RGB 21 129 213

HSL 206.25, 0.82%, 0.46%

LAB 52.58, 2.63, -50.91

 

CMYK 82 / 36 / 0 / 9

HEX #2996E9

RGB 41 150 233

HSL 205.94, 0.81%, 0.54%

LAB 60.04, -1, -50.21

 

CMYK 67 / 29 / 0 / 7

HEX #4FA8ED

RGB 79 168 237

HSL 206.2, 0.81%, 0.62%

LAB 66.35, -5.28, -42.39

 

CMYK 52 / 22 / 0 / 5

HEX #74BBF1

RGB 116 187 241

HSL 205.92, 0.82%, 0.7%

LAB 73.29, -7.53, -33.66

 

CMYK 82 / 36 / 0 / 8

HEX #2996EA

RGB 41 150 234

HSL 206.11, 0.82%, 0.54%

LAB 60.09, -0.63, -50.68

 

CMYK 30 / 82 / 0 / 9

HEX #A329E9

RGB 163 41 233

HSL 278.13, 0.81%, 0.54%

LAB 45.98, 75.54, -72.41

 

CMYK 3 / 0 / 82 / 9

HEX #E3E929

RGB 227 233 41

HSL 61.88, 0.81%, 0.54%

LAB 89.28, -22.01, 82.28

 

CMYK 82 / 36 / 0 / 8

HEX #2996EA

RGB 41 150 234

HSL 206.11, 0.82%, 0.54%

LAB 60.09, -0.63, -50.68

 

CMYK 0 / 82 / 36 / 9

HEX #E92996

RGB 233 41 150

HSL 325.94, 0.81%, 0.54%

LAB 53.07, 76.67, -12.24

 

CMYK 36 / 0 / 82 / 9

HEX #96E929

RGB 150 233 41

HSL 85.94, 0.81%, 0.54%

LAB 84.44, -51.76, 76.21

 

CMYK 82 / 36 / 0 / 8

HEX #2996EA

RGB 41 150 234

HSL 206.11, 0.82%, 0.54%

LAB 60.09, -0.63, -50.68

 

CMYK 30 / 82 / 0 / 9

HEX #A329E9

RGB 163 41 233

HSL 278.13, 0.81%, 0.54%

LAB 45.98, 75.54, -72.41

 

CMYK 0 / 47 / 82 / 9

HEX #E97C29

RGB 233 124 41

HSL 25.94, 0.81%, 0.54%

LAB 63.26, 36.81, 60.2

 

CMYK 52 / 0 / 82 / 9

HEX #70E929

RGB 112 233 41

HSL 97.81, 0.81%, 0.54%

LAB 82.85, -63.58, 74.19

 

CMYK 82 / 36 / 0 / 8

HEX #2996EA

RGB 41 150 234

HSL 206.11, 0.82%, 0.54%

LAB 60.09, -0.63, -50.68

 

CMYK 5 / 82 / 0 / 9

HEX #DD29E9

RGB 221 41 233

HSL 296.25, 0.81%, 0.54%

LAB 54.91, 84.98, -57.54

 

CMYK 0 / 47 / 82 / 9

HEX #E97C29

RGB 233 124 41

HSL 25.94, 0.81%, 0.54%

LAB 63.26, 36.81, 60.2

 

CMYK 77 / 0 / 82 / 9

HEX #36E929

RGB 54 233 41

HSL 115.94, 0.81%, 0.54%

LAB 81.41, -75.49, 72.35

 

Description

Color code: HEX #2996EA | qconv.com Color code: HEX #2996EA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 41 red, 150 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
41 150 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 36 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 36% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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